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El Calvario, Salamanca, 1880s (engraving)
El Calvario, Salamanca, 1880s (engraving)

KWE110677: El Calvario, Salamanca, 1880s (engraving) / Bridgeman Images

A Burial in Venice, from the painting 'Going to the Campo Santo'(engraving)
A Burial in Venice, from the painting 'Going to the Campo Santo'(engraving)

KWE110678: A Burial in Venice, from the painting 'Going to the Campo Santo'(engraving), Montalba, Clara (1842-1929) / Bridgeman Images

The Winter Palace, St Petersburg, 1880s (engraving)
The Winter Palace, St Petersburg, 1880s (engraving)

KWE110685: The Winter Palace, St Petersburg, 1880s (engraving) / Bridgeman Images

Maori Warriors Playing on a Swing, illustration from 'The Return to the World', 1865 (engraving)
Maori Warriors Playing on a Swing, illustration from 'The Return to the World', 1865 (engraving)

KWE110694: Maori Warriors Playing on a Swing, illustration from 'The Return to the World', 1865 (engraving), Spanish School / Bridgeman Images

Market Tanganyika, 1880s (engraving)
Market Tanganyika, 1880s (engraving)

KWE110801: Market Tanganyika, 1880s (engraving), English School, (19th century) / Bridgeman Images

Samuel Finley Breese Morse (1791-1872) (engraving)
Samuel Finley Breese Morse (1791-1872) (engraving)

KWE110810: Samuel Finley Breese Morse (1791-1872) (engraving), American School, (19th century) / Bridgeman Images

Philippe Petain (1856-1951) seen in railway carriage office in Autumn 1915 (photo)
Philippe Petain (1856-1951) seen in railway carriage office in Autumn 1915 (photo)

KWE110847: Philippe Petain (1856-1951) seen in railway carriage office in Autumn 1915 (photo) / Bridgeman Images

Seated Female Figure, Japanese (pottery and polychrome glaze)
Seated Female Figure, Japanese (pottery and polychrome glaze)

PWI110883: Seated Female Figure, Japanese (pottery and polychrome glaze) / Bridgeman Images

The Falls of Tummel (oil canvas)
The Falls of Tummel (oil canvas)

PFA109535: The Falls of Tummel (oil canvas), Breanski, Alfred de (1852-1928) / Bridgeman Images

A Woman Seated at a Table Cutting a Slice of Cheese (oil on canvas)
A Woman Seated at a Table Cutting a Slice of Cheese (oil on canvas)

PFA109542: A Woman Seated at a Table Cutting a Slice of Cheese (oil on canvas), Boursse, Esaias (1631-72) (attr. to) / Bridgeman Images

A Female Donor with her Two Daughters Kneeling in Prayer before an apparition of the Madonna and Child, c.1630 (oil on panel)
A Female Donor with her Two Daughters Kneeling in Prayer before an apparition of the Madonna and Child, c.1630 (oil on panel)

PFA109547: A Female Donor with her Two Daughters Kneeling in Prayer before an apparition of the Madonna and Child, c.1630 (oil on panel), Netherlandish School, (17th century) / Bridgeman Images

Portrait of a Lady in a Yellow Dress (oil on canvas)
Portrait of a Lady in a Yellow Dress (oil on canvas)

PFA109563: Portrait of a Lady in a Yellow Dress (oil on canvas), Bray, Jan de (1627-1697) (attr. to) / Bridgeman Images

Chest on a Silvered Stand, c.1860 (ivory, wood and shagreen leather)
Chest on a Silvered Stand, c.1860 (ivory, wood and shagreen leather)

BON109576: Chest on a Silvered Stand, c.1860 (ivory, wood and shagreen leather) / Bridgeman Images

Green upholstered reclining armchairs in the manner of Josef Hoffmann (1870-1956), (wood)
Green upholstered reclining armchairs in the manner of Josef Hoffmann (1870-1956), (wood)

BON109577: Green upholstered reclining armchairs in the manner of Josef Hoffmann (1870-1956), (wood), Hoffmann, Josef (1870-1956) / Bridgeman Images

The Pursuits of Youth, book ends modelled as medieval page boys, Ferdinand Preiss (b.1883)d(bronze and ivory with colour highlights on marble base)
The Pursuits of Youth, book ends modelled as medieval page boys, Ferdinand Preiss (b.1883)d(bronze and ivory with colour highlights on marble base)

BON109581: The Pursuits of Youth, book ends modelled as medieval page boys, Ferdinand Preiss (b.1883)d(bronze and ivory with colour highlights on marble base) / Bridgeman Images

Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)
Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)

BON109582: Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass), Daum, Auguste (1853-1909) / Bridgeman Images

Coastal Landscape, 1920 (oil on canvas)
Coastal Landscape, 1920 (oil on canvas)

BON109884: Coastal Landscape, 1920 (oil on canvas), Smet, Leon de (1881-1966) / Bridgeman Images

Portrait of Petrus Apianus (1501-52) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
Portrait of Petrus Apianus (1501-52) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111016: Portrait of Petrus Apianus (1501-52) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), English School, (19th century) / Bridgeman Images

Mexico City Under the Conqueror, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
Mexico City Under the Conqueror, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111027: Mexico City Under the Conqueror, from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), German School, (17th century) / Bridgeman Images

'Mexico', from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
'Mexico', from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111028: 'Mexico', from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), English School, (19th century) / Bridgeman Images

Portrait of Antonio de Solis y Rivadeneira (1610-86) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)
Portrait of Antonio de Solis y Rivadeneira (1610-86) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving)

BAL111029: Portrait of Antonio de Solis y Rivadeneira (1610-86) from 'The Narrative and Critical History of America', edited by Justin Winsor, London, 1886 (engraving), English School, (19th century) / Bridgeman Images

'Acapulco', from Jean-Baptiste Labat (1663-1738)'s Nouveau Voyage, vol ii, Paris, 1722 (engraving)
'Acapulco', from Jean-Baptiste Labat (1663-1738)'s Nouveau Voyage, vol ii, Paris, 1722 (engraving)

BAL111046: 'Acapulco', from Jean-Baptiste Labat (1663-1738)'s Nouveau Voyage, vol ii, Paris, 1722 (engraving), French School, (18th century) / Bridgeman Images

Bombardment of Fort Sumter, Charleston Harbour from Fort Moultrie, 12th & 13th April 1861, pub. by Currier and Ives (engraving) (b&w photo)
Bombardment of Fort Sumter, Charleston Harbour from Fort Moultrie, 12th & 13th April 1861, pub. by Currier and Ives (engraving) (b&w photo)

BAL111639: Bombardment of Fort Sumter, Charleston Harbour from Fort Moultrie, 12th & 13th April 1861, pub. by Currier and Ives (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

Battle of Paceo (Manila), Philippines, 4th-5th February 1899 (litho) (b&w photo)
Battle of Paceo (Manila), Philippines, 4th-5th February 1899 (litho) (b&w photo)

BAL111647: Battle of Paceo (Manila), Philippines, 4th-5th February 1899 (litho) (b&w photo), American School, (19th century) / Bridgeman Images

Virginia Indians making dugout boats, from 'Americae', written and engraved by Theodor de Bry (1525-75) (engraving) (b/w photo)
Virginia Indians making dugout boats, from 'Americae', written and engraved by Theodor de Bry (1525-75) (engraving) (b/w photo)

BAL111666: Virginia Indians making dugout boats, from 'Americae', written and engraved by Theodor de Bry (1525-75) (engraving) (b/w photo), Le Moyne, Jacques (de Morgues) (d.1587/88) (after) / Bridgeman Images

Allegory of Abundance, detail (oil on panel) (detail of 93444)
Allegory of Abundance, detail (oil on panel) (detail of 93444)

BAL124327: Allegory of Abundance, detail (oil on panel) (detail of 93444), Brueghel, Jan the Younger (1601-78) / Bridgeman Images

'Sappho', a framed Stourbridge cameo plaque, designed by Thomas (1849-1926) and George (1850-1925) Woodall, c.1895 (amethyst)
'Sappho', a framed Stourbridge cameo plaque, designed by Thomas (1849-1926) and George (1850-1925) Woodall, c.1895 (amethyst)

BON124368: 'Sappho', a framed Stourbridge cameo plaque, designed by Thomas (1849-1926) and George (1850-1925) Woodall, c.1895 (amethyst) / Bridgeman Images

Shoveha'penny (oil on canvas)
Shoveha'penny (oil on canvas)

PFA124404: Shoveha'penny (oil on canvas), Nebot, Balthasar (fl.1730-65) / Bridgeman Images

Faithful (oil on canvas)
Faithful (oil on canvas)

PFA124421: Faithful (oil on canvas), Riviere, Briton (1840-1920) / Bridgeman Images

Artemis and Taygete (oil on canvas)
Artemis and Taygete (oil on canvas)

PFA124424: Artemis and Taygete (oil on canvas), Rooke, Thomas Matthews (1842-1942) / Bridgeman Images

Italian Family on a Beach (oil on paper)
Italian Family on a Beach (oil on paper)

PFA124458: Italian Family on a Beach (oil on paper), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

Royalists (oil on panel) (pair of 124465)
Royalists (oil on panel) (pair of 124465)

PFA124466: Royalists (oil on panel) (pair of 124465), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

The Outpost (oil on canvas)
The Outpost (oil on canvas)

PFA124474: The Outpost (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

The Parley (oil on canvas)
The Parley (oil on canvas)

PFA124482: The Parley (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

The Connoisseurs (oil on canvas)
The Connoisseurs (oil on canvas)

PFA124487: The Connoisseurs (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

Cattle Watering beneath Goodwich Castle on the Wye, 1859 (oil on canvas)
Cattle Watering beneath Goodwich Castle on the Wye, 1859 (oil on canvas)

PFA124499: Cattle Watering beneath Goodwich Castle on the Wye, 1859 (oil on canvas), Baker of Leamington, Thomas (1809-69) / Bridgeman Images


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