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797710 Search Results

Gustavus Adolphus II, King of Sweden, on Horseback, 1632 (engraving) (b/w photo)
Gustavus Adolphus II, King of Sweden, on Horseback, 1632 (engraving) (b/w photo)

XJF131287: Gustavus Adolphus II, King of Sweden, on Horseback, 1632 (engraving) (b/w photo), Heyden, Jacob van der (1573-1645) / Bridgeman Images

ID: XJF131287

Gustavus Adolphus II, King of Sweden, on Horseback, 1632 (engraving) (b/w photo)

Heyden, Jacob van der (1573-1645)

Celebration, in Paris (gouache on paper)
Celebration, in Paris (gouache on paper)

ZEN131318: Celebration, in Paris (gouache on paper), Charon, Guy (b.1927) / Bridgeman Images

ID: ZEN131318

Celebration, in Paris (gouache on paper)

Charon, Guy (b.1927)

Scenery design for the Royal Garden, from Sleeping Beauty, 1921 (colour litho)
Scenery design for the Royal Garden, from Sleeping Beauty, 1921 (colour litho)

STC133697: Scenery design for the Royal Garden, from Sleeping Beauty, 1921 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images

ID: STC133697

Scenery design for the Royal Garden, from Sleeping Beauty, 1921 (colour litho)

Bakst, Leon (1866-1924)

St. Jerome at Prayer, 1483 (tempera on panel)
St. Jerome at Prayer, 1483 (tempera on panel)

CH133717: St. Jerome at Prayer, 1483 (tempera on panel), Sellaio, Jacopo del (1441/42-93) / Bridgeman Images

ID: CH133717

St. Jerome at Prayer, 1483 (tempera on panel)

Sellaio, Jacopo del (1441/42-93)

Spring, from the Four Seasons, c.1951 (oil on canvas)
Spring, from the Four Seasons, c.1951 (oil on canvas)

CH133727: Spring, from the Four Seasons, c.1951 (oil on canvas), Koch, Pyke (1901-91) / Bridgeman Images

ID: CH133727

Spring, from the Four Seasons, c.1951 (oil on canvas)

Koch, Pyke (1901-91)

Autumn, from the Four Seasons, 1949 (oil and tempera on canvas)
Autumn, from the Four Seasons, 1949 (oil and tempera on canvas)

CH133729: Autumn, from the Four Seasons, 1949 (oil and tempera on canvas), Koch, Pyke (1901-91) / Bridgeman Images

ID: CH133729

Autumn, from the Four Seasons, 1949 (oil and tempera on canvas)

Koch, Pyke (1901-91)

The New Trick, 1874 (oil on canvas)
The New Trick, 1874 (oil on canvas)

CH133740: The New Trick, 1874 (oil on canvas), Moormans, Franz (1831-93) / Bridgeman Images

ID: CH133740

The New Trick, 1874 (oil on canvas)

Moormans, Franz (1831-93)

Letting the Cow into the Corn, 1868 (oil on canvas)
Letting the Cow into the Corn, 1868 (oil on canvas)

CH133741: Letting the Cow into the Corn, 1868 (oil on canvas), Faed, John (1820-1902) / Bridgeman Images

ID: CH133741

Letting the Cow into the Corn, 1868 (oil on canvas)

Faed, John (1820-1902)

The Harvest, 1950 (oil and tempera on canvas)
The Harvest, 1950 (oil and tempera on canvas)

CH133748: The Harvest, 1950 (oil and tempera on canvas), Koch, Pyke (1901-91) / Bridgeman Images

ID: CH133748

The Harvest, 1950 (oil and tempera on canvas)

Koch, Pyke (1901-91)

Scientific Instruments, engraved by Gaetano Guadagnini (1800-60) (engraving) (b/w photo)
Scientific Instruments, engraved by Gaetano Guadagnini (1800-60) (engraving) (b/w photo)

XJF133927: Scientific Instruments, engraved by Gaetano Guadagnini (1800-60) (engraving) (b/w photo), Dotti, Giovanni Battista (d.1732) (after) / Bridgeman Images

ID: XJF133927

Scientific Instruments, engraved by Gaetano Guadagnini (1800-60) (engraving) (b/w photo)

Dotti, Giovanni Battista (d.1732) (after)

A Personal Astrological Chart (woodcut) (b/w photo)
A Personal Astrological Chart (woodcut) (b/w photo)

XJF133930: A Personal Astrological Chart (woodcut) (b/w photo), German School, (16th century) / Bridgeman Images

ID: XJF133930

A Personal Astrological Chart (woodcut) (b/w photo)

German School, (16th century)

Map No.4 Showing the route of the Armada fleet, engraved by Augustine Ryther; 1588 (engraving) (b/w photo)
Map No.4 Showing the route of the Armada fleet, engraved by Augustine Ryther; 1588 (engraving) (b/w photo)

XJF133934: Map No.4 Showing the route of the Armada fleet, engraved by Augustine Ryther; 1588 (engraving) (b/w photo), Adams, Robert (1540-95) (after) / Bridgeman Images

ID: XJF133934

Map No.4 Showing the route of the Armada fleet, engraved by Augustine Ryther; 1588 (engraving) (b/w photo)

Adams, Robert (1540-95) (after)

Map No.7 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)
Map No.7 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)

XJF133938: Map No.7 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo), Adams, Robert (1540-95) (after) / Bridgeman Images

ID: XJF133938

Map No.7 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)

Adams, Robert (1540-95) (after)

Map No.10 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)
Map No.10 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)

XJF133940: Map No.10 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo), Adams, Robert (1540-95) (after) / Bridgeman Images

ID: XJF133940

Map No.10 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo)

Adams, Robert (1540-95) (after)

Constancy, Valentine card, c.1860 (colour litho on paper)
Constancy, Valentine card, c.1860 (colour litho on paper)

REV133961: Constancy, Valentine card, c.1860 (colour litho on paper), English School, (19th century) / Bridgeman Images

ID: REV133961

Constancy, Valentine card, c.1860 (colour litho on paper)

English School, (19th century)

The Palladium, 1731 (engraving)
The Palladium, 1731 (engraving)

STC133995: The Palladium, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC133995

The Palladium, 1731 (engraving)

Picart, Bernard (1673-1733)

A Street Fountain, Catanzaro, Italy, from 'The Picturesque Mediterranean', Volume 3, published by Cassell and Co. Ltd., 1880s-90s (engraving)
A Street Fountain, Catanzaro, Italy, from 'The Picturesque Mediterranean', Volume 3, published by Cassell and Co. Ltd., 1880s-90s (engraving)

KWE134057: A Street Fountain, Catanzaro, Italy, from 'The Picturesque Mediterranean', Volume 3, published by Cassell and Co. Ltd., 1880s-90s (engraving), English School, (19th century) / Bridgeman Images

ID: KWE134057

A Street Fountain, Catanzaro, Italy, from 'The Picturesque Mediterranean', Volume 3, published by Cassell and Co. Ltd., 1880s-90s (engraving)

English School, (19th century)

The Prodigal Son, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)
The Prodigal Son, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

KWE134070: The Prodigal Son, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving), Hopwood, William (1784-1853) / Bridgeman Images

ID: KWE134070

The Prodigal Son, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

Hopwood, William (1784-1853)

Offerings to the Infant Saviour, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)
Offerings to the Infant Saviour, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

KWE134075: Offerings to the Infant Saviour, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving), Hopwood, William (1784-1853) / Bridgeman Images

ID: KWE134075

Offerings to the Infant Saviour, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

Hopwood, William (1784-1853)

Christ Turning Water into Wine, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)
Christ Turning Water into Wine, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

KWE134081: Christ Turning Water into Wine, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving), Hopwood, William (1784-1853) / Bridgeman Images

ID: KWE134081

Christ Turning Water into Wine, from 'The History and Life of Our Blessed Lord and Saviour Jesus Christ', by Reverend J. Milner, published by B. Crosby, 1808 (engraving)

Hopwood, William (1784-1853)

London from Greenwich, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6162)
London from Greenwich, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6162)

STC134088: London from Greenwich, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6162), Boys, Thomas Shotter (1803-74) / Bridgeman Images

ID: STC134088

London from Greenwich, from 'London As It Is', engraved and published by the artist, 1842 (colour litho) (see 6162)

Boys, Thomas Shotter (1803-74)

Penelope at Her Loom, 1731 (engraving)
Penelope at Her Loom, 1731 (engraving)

STC134112: Penelope at Her Loom, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134112

Penelope at Her Loom, 1731 (engraving)

Picart, Bernard (1673-1733)

Arion Preserved by a Dolphin, 1731 (engraving)
Arion Preserved by a Dolphin, 1731 (engraving)

STC134124: Arion Preserved by a Dolphin, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134124

Arion Preserved by a Dolphin, 1731 (engraving)

Picart, Bernard (1673-1733)

Pan Pursues Syrinx: She is Transformed into a Reed, 1731 (engraving)
Pan Pursues Syrinx: She is Transformed into a Reed, 1731 (engraving)

STC134130: Pan Pursues Syrinx: She is Transformed into a Reed, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134130

Pan Pursues Syrinx: She is Transformed into a Reed, 1731 (engraving)

Picart, Bernard (1673-1733)

Salmacis and Hemaphroditus United in One Body, 1731 (engraving)
Salmacis and Hemaphroditus United in One Body, 1731 (engraving)

STC134132: Salmacis and Hemaphroditus United in One Body, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images

ID: STC134132

Salmacis and Hemaphroditus United in One Body, 1731 (engraving)

Picart, Bernard (1673-1733)

Cenotaph, Safavid, Persian, 16th century (wood)
Cenotaph, Safavid, Persian, 16th century (wood)

BON131336: Cenotaph, Safavid, Persian, 16th century (wood) / Bridgeman Images

ID: BON131336

Cenotaph, Safavid, Persian, 16th century (wood)

LtoR: Mihrab Susani, Uzbekistan, late 19th century (silk); Shawl, Kashmir, made by Momtaz, 1825 (woven kashmir); Tapestry Shawl, Kashmir, c.1850 (woven kashmir); Embroidered Panel, Turkish, 19th century (textile)
LtoR: Mihrab Susani, Uzbekistan, late 19th century (silk); Shawl, Kashmir, made by Momtaz, 1825 (woven kashmir); Tapestry Shawl, Kashmir, c.1850 (woven kashmir); Embroidered Panel, Turkish, 19th century (textile)

BON131338: LtoR: Mihrab Susani, Uzbekistan, late 19th century (silk); Shawl, Kashmir, made by Momtaz, 1825 (woven kashmir); Tapestry Shawl, Kashmir, c.1850 (woven kashmir); Embroidered Panel, Turkish, 19th century (textile) / Bridgeman Images

ID: BON131338

LtoR: Mihrab Susani, Uzbekistan, late 19th century (silk); Shawl, Kashmir, made by Momtaz, 1825 (woven kashmir); Tapestry Shawl, Kashmir, c.1850 (woven kashmir); Embroidered Panel, Turkish, 19th century (textile)

The Ridicule of Don Quixote (oil on canvas)
The Ridicule of Don Quixote (oil on canvas)

PFA131410: The Ridicule of Don Quixote (oil on canvas), Muller, Victor (1829-71) / Bridgeman Images

ID: PFA131410

The Ridicule of Don Quixote (oil on canvas)

Muller, Victor (1829-71)

Boat on a River in a Snow Covered Landscape (oil on canvas)
Boat on a River in a Snow Covered Landscape (oil on canvas)

PFA131417: Boat on a River in a Snow Covered Landscape (oil on canvas), Horton, William Samuel (1865-1936) (attr. to) / Bridgeman Images

ID: PFA131417

Boat on a River in a Snow Covered Landscape (oil on canvas)

Horton, William Samuel (1865-1936) (attr. to)

The Presentation (oil on panel)
The Presentation (oil on panel)

PFA131441: The Presentation (oil on panel), Conti, Tito (1842-1924) / Bridgeman Images

ID: PFA131441

The Presentation (oil on panel)

Conti, Tito (1842-1924)

Clondalkin, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Clondalkin, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131456: Clondalkin, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131456

Clondalkin, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Killiney Hill, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Killiney Hill, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131464: Killiney Hill, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131464

Killiney Hill, County Dublin, Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Belfast Lough, County Antrim, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Belfast Lough, County Antrim, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131483: Belfast Lough, County Antrim, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131483

Belfast Lough, County Antrim, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

The Dargle River, County Wicklow, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
The Dargle River, County Wicklow, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131489: The Dargle River, County Wicklow, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131489

The Dargle River, County Wicklow, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Ballyshannon, County Donegal, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Ballyshannon, County Donegal, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

KWE131491: Ballyshannon, County Donegal, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images

ID: KWE131491

Ballyshannon, County Donegal, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)

Bartlett, William Henry (1809-54) (after)

Portrait of Nellie O'Brien, 1887 (oil on canvas)
Portrait of Nellie O'Brien, 1887 (oil on canvas)

PFA131611: Portrait of Nellie O'Brien, 1887 (oil on canvas), Osborne, Walter Frederick (1859-1903) / Bridgeman Images

ID: PFA131611

Portrait of Nellie O'Brien, 1887 (oil on canvas)

Osborne, Walter Frederick (1859-1903)


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