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Advice to Bores, from 'Daily Life Upstairs', 1903 (litho) (b/w photo)
Advice to Bores, from 'Daily Life Upstairs', 1903 (litho) (b/w photo)

XJF106612: Advice to Bores, from 'Daily Life Upstairs', 1903 (litho) (b/w photo), English School, (20th century) / Bridgeman Images

William III (1650-1702) on his deathbed, engraved by the artist (engraving) (b&w photo)
William III (1650-1702) on his deathbed, engraved by the artist (engraving) (b&w photo)

XJF106621: William III (1650-1702) on his deathbed, engraved by the artist (engraving) (b&w photo), Berge, Pieter van den (d.1737) / Bridgeman Images

Sackville Street in Dublin during the Rebellion in 1847 (engraving)
Sackville Street in Dublin during the Rebellion in 1847 (engraving)

XJF106643: Sackville Street in Dublin during the Rebellion in 1847 (engraving), English School, (19th century) / Bridgeman Images

The Siege of Waterford. The City taken by Assault in 1395 (engraving) (b&w photo)
The Siege of Waterford. The City taken by Assault in 1395 (engraving) (b&w photo)

XJF106656: The Siege of Waterford. The City taken by Assault in 1395 (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

The Sorrowful Lamentation of the Pedlars, and Petty Chapmen (woodcut) (b/w photo)
The Sorrowful Lamentation of the Pedlars, and Petty Chapmen (woodcut) (b/w photo)

XJF106659: The Sorrowful Lamentation of the Pedlars, and Petty Chapmen (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

The Surrender of Calais, 4th August 1347, engraved by John Young (engraving) (b/w photo)
The Surrender of Calais, 4th August 1347, engraved by John Young (engraving) (b/w photo)

XJF106663: The Surrender of Calais, 4th August 1347, engraved by John Young (engraving) (b/w photo), Bird, Edward (1772-1819) (after) / Bridgeman Images

The Entry of George IV (1762-1830) into Dublin, 3rd September 1821, engraved by Pearson (engraving) (b&w photo)
The Entry of George IV (1762-1830) into Dublin, 3rd September 1821, engraved by Pearson (engraving) (b&w photo)

XJF106683: The Entry of George IV (1762-1830) into Dublin, 3rd September 1821, engraved by Pearson (engraving) (b&w photo), English School, (19th century) / Bridgeman Images

A Dell, c.1805 (black chalk on buff paper)
A Dell, c.1805 (black chalk on buff paper)

BAL106929: A Dell, c.1805 (black chalk on buff paper), Constable, John (1776-1837) / Bridgeman Images

Abstract No. 1 (acrylic on canvas)
Abstract No. 1 (acrylic on canvas)

BAL107049: Abstract No. 1 (acrylic on canvas), Kovacevic, Anita (20th century) / Bridgeman Images

Abstract No. 6 (acrylic on canvas)
Abstract No. 6 (acrylic on canvas)

BAL107055: Abstract No. 6 (acrylic on canvas), Kovacevic, Anita (20th century) / Bridgeman Images

Abstract No. 7 (acrylic on canvas)
Abstract No. 7 (acrylic on canvas)

BAL107056: Abstract No. 7 (acrylic on canvas), Kovacevic, Anita (20th century) / Bridgeman Images

Horn Plantain (litho)
Horn Plantain (litho)

BAL109974: Horn Plantain (litho), White, John (fl.1570-93) (after) / Bridgeman Images

Entrenchments, Puerto Rico (litho)
Entrenchments, Puerto Rico (litho)

BAL109980: Entrenchments, Puerto Rico (litho), White, John (fl.1570-93) (after) / Bridgeman Images

Turkish Woman (lithograph)
Turkish Woman (lithograph)

BAL109998: Turkish Woman (lithograph), White, John (fl.1570-93) (after) / Bridgeman Images

Turpin's (1705-39) Flight Through Edmonton (engraving) (b/w photo)
Turpin's (1705-39) Flight Through Edmonton (engraving) (b/w photo)

XJF110006: Turpin's (1705-39) Flight Through Edmonton (engraving) (b/w photo), Cruikshank, George (1792-1878) / Bridgeman Images

Early Fishing Stages, illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving)
Early Fishing Stages, illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving)

BAL110203: Early Fishing Stages, illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving), English School, (19th century) / Bridgeman Images

Samuel de Champlain (c.1567-1635) illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving)
Samuel de Champlain (c.1567-1635) illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving)

BAL110206: Samuel de Champlain (c.1567-1635) illustration from Volume IV of 'Narrative and Critical History of America', 1886 (engraving), English School, (19th century) / Bridgeman Images

An Interview between Sir Edmund Andros and James Blair illustration from 'Colonies and Nation' by Woodrow Wilson, pub. in Harper's Magazine, 1901 (litho)
An Interview between Sir Edmund Andros and James Blair illustration from 'Colonies and Nation' by Woodrow Wilson, pub. in Harper's Magazine, 1901 (litho)

BAL108925: An Interview between Sir Edmund Andros and James Blair illustration from 'Colonies and Nation' by Woodrow Wilson, pub. in Harper's Magazine, 1901 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

The Burial of Braddock, illustration from 'Colonel Washington' by Woodrow Wilson, pub. in Harper's Magazine, 1896 (litho)
The Burial of Braddock, illustration from 'Colonel Washington' by Woodrow Wilson, pub. in Harper's Magazine, 1896 (litho)

BAL108947: The Burial of Braddock, illustration from 'Colonel Washington' by Woodrow Wilson, pub. in Harper's Magazine, 1896 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

Washington and Mary Philipse, illustration from 'Colonel Washington' by Woodrow Wilson, pub. in Harper's Magazine, 1896 (litho)
Washington and Mary Philipse, illustration from 'Colonel Washington' by Woodrow Wilson, pub. in Harper's Magazine, 1896 (litho)

BAL108948: Washington and Mary Philipse, illustration from 'Colonel Washington' by Woodrow Wilson, pub. in Harper's Magazine, 1896 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

Summit of Cotopaxi (top), and the eruption of Cotopaxi, 1803 (bottom), from 'Le Costume Ancien et Moderne', Volume I, by Jules Ferrario, published c.1820s-30s (colour litho)
Summit of Cotopaxi (top), and the eruption of Cotopaxi, 1803 (bottom), from 'Le Costume Ancien et Moderne', Volume I, by Jules Ferrario, published c.1820s-30s (colour litho)

STC109007: Summit of Cotopaxi (top), and the eruption of Cotopaxi, 1803 (bottom), from 'Le Costume Ancien et Moderne', Volume I, by Jules Ferrario, published c.1820s-30s (colour litho), Humboldt, Friedrich Alexander, Baron von (1769-1859) (after) / Bridgeman Images

King Manco Capac and Queen Coya Mama receiving homage from the from 'Le Costume Ancien et Moderne', Volume I, plate 16, by Jules Ferrario, published c.1820s-30s (colour engraving)
King Manco Capac and Queen Coya Mama receiving homage from the from 'Le Costume Ancien et Moderne', Volume I, plate 16, by Jules Ferrario, published c.1820s-30s (colour engraving)

STC109012: King Manco Capac and Queen Coya Mama receiving homage from the from 'Le Costume Ancien et Moderne', Volume I, plate 16, by Jules Ferrario, published c.1820s-30s (colour engraving), Gallina, Gallo (1796-1874) / Bridgeman Images

Indians playing Queciu (top) and Porotos (bottom), Chile, from 'Le Costume Ancien et Moderne', Volume II, plate 29, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho)
Indians playing Queciu (top) and Porotos (bottom), Chile, from 'Le Costume Ancien et Moderne', Volume II, plate 29, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho)

STC109020: Indians playing Queciu (top) and Porotos (bottom), Chile, from 'Le Costume Ancien et Moderne', Volume II, plate 29, by Jules Ferrario, engraved by Paolo Fumagalli, published c.1820s-30s (colour litho), Bramati, G. (19th century) (after) / Bridgeman Images

Georgetown, Guyana, from 'Le Costume Ancien et Moderne', Volume II, plate 33, by Jules Ferrario, published c.1820s-30s (colour litho)
Georgetown, Guyana, from 'Le Costume Ancien et Moderne', Volume II, plate 33, by Jules Ferrario, published c.1820s-30s (colour litho)

STC109022: Georgetown, Guyana, from 'Le Costume Ancien et Moderne', Volume II, plate 33, by Jules Ferrario, published c.1820s-30s (colour litho), Fumagalli, Paolo (19th century) / Bridgeman Images

Dancing festival of the Camacani Indians, Brazil, from 'Le Costume Ancien et Moderne', Volume I, plate 46, by Jules Ferrario, published c.1820s-30s (colour engraving) (see also 177057)
Dancing festival of the Camacani Indians, Brazil, from 'Le Costume Ancien et Moderne', Volume I, plate 46, by Jules Ferrario, published c.1820s-30s (colour engraving) (see also 177057)

STC109034: Dancing festival of the Camacani Indians, Brazil, from 'Le Costume Ancien et Moderne', Volume I, plate 46, by Jules Ferrario, published c.1820s-30s (colour engraving) (see also 177057), Bonatti, D.K. (fl.1720-80) (after) / Bridgeman Images

A Teocalli in Mexico (colour engraving)
A Teocalli in Mexico (colour engraving)

STC109047: A Teocalli in Mexico (colour engraving), Fumagalli, Paolo (19th century) / Bridgeman Images

Some Indian traders (colour engraving)
Some Indian traders (colour engraving)

STC109069: Some Indian traders (colour engraving), Bramati, G. (19th century) / Bridgeman Images

View of Capitol Hill, Washington (colour engraving)
View of Capitol Hill, Washington (colour engraving)

STC109091: View of Capitol Hill, Washington (colour engraving), Fumagalli, Paolo (19th century) / Bridgeman Images

The Rock Bridge, Virginia, from 'Le Costume Ancien ou Moderne', Volume 1, plate 48, by Jules Ferrario, published c.1820s-30s (colour engraving)
The Rock Bridge, Virginia, from 'Le Costume Ancien ou Moderne', Volume 1, plate 48, by Jules Ferrario, published c.1820s-30s (colour engraving)

STC109094: The Rock Bridge, Virginia, from 'Le Costume Ancien ou Moderne', Volume 1, plate 48, by Jules Ferrario, published c.1820s-30s (colour engraving), Fumagalli, Paolo (19th century) / Bridgeman Images

Three-Quarter Length Portrait of a Gentleman Wearing a Jabot and an Ornate Embroidered Waistcoat (oil on canvas)
Three-Quarter Length Portrait of a Gentleman Wearing a Jabot and an Ornate Embroidered Waistcoat (oil on canvas)

PFA109304: Three-Quarter Length Portrait of a Gentleman Wearing a Jabot and an Ornate Embroidered Waistcoat (oil on canvas), Piane, Giovanni Maria delle, called Mulinaretto (1660-1745) / Bridgeman Images

The Madonna with the Infants Christ and St. John the Baptist (oil on panel)
The Madonna with the Infants Christ and St. John the Baptist (oil on panel)

PFA109308: The Madonna with the Infants Christ and St. John the Baptist (oil on panel), Brina, Francesco (1540-1585/6) (attr. to) / Bridgeman Images

A Young Girl Watching Another Girl Holding a Cat, c.1720 (oil on canvas)
A Young Girl Watching Another Girl Holding a Cat, c.1720 (oil on canvas)

PFA109317: A Young Girl Watching Another Girl Holding a Cat, c.1720 (oil on canvas), Dutch School, (18th century) / Bridgeman Images

A Scene from 'The Tempest', c.1745 (oil on canvas)
A Scene from 'The Tempest', c.1745 (oil on canvas)

PFA109335: A Scene from 'The Tempest', c.1745 (oil on canvas), Hayman, Francis (1708-76) / Bridgeman Images

Portrait of George Granville Leveson-Gower and his Family (oil on canvas)
Portrait of George Granville Leveson-Gower and his Family (oil on canvas)

PFA109336: Portrait of George Granville Leveson-Gower and his Family (oil on canvas), Phillips, Thomas (1770-1845) / Bridgeman Images

Old Fort William, Calcutta, with a Conjectural View of the 'Black Hole', with Part of the Barrack, as seen from the Interior of the Verandah (litho) (b&w photo)
Old Fort William, Calcutta, with a Conjectural View of the 'Black Hole', with Part of the Barrack, as seen from the Interior of the Verandah (litho) (b&w photo)

XJF108279: Old Fort William, Calcutta, with a Conjectural View of the 'Black Hole', with Part of the Barrack, as seen from the Interior of the Verandah (litho) (b&w photo), Wilde, Samuel de (1748-1832) / Bridgeman Images

Portrait of Maria Edgeworth (1767-1849) (litho)
Portrait of Maria Edgeworth (1767-1849) (litho)

TPG108295: Portrait of Maria Edgeworth (1767-1849) (litho), Slater, Joseph (fl.1803-47) (after) / Bridgeman Images


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