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William Weldon Champneys (1807-75) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
William Weldon Champneys (1807-75) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266380: William Weldon Champneys (1807-75) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266380

William Weldon Champneys (1807-75) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Bishan Bedi (b.1946) (colour litho)
Bishan Bedi (b.1946) (colour litho)

BSA266403: Bishan Bedi (b.1946) (colour litho), Ward, John Stanton (1917-2007) / Bridgeman Images

ID: BSA266403

Bishan Bedi (b.1946) (colour litho)

Ward, John Stanton (1917-2007)

A Pony Club Bending Race, 1959 (oil on canvas)
A Pony Club Bending Race, 1959 (oil on canvas)

BSA266810: A Pony Club Bending Race, 1959 (oil on canvas), Lyne, Michael (1912-89) / Bridgeman Images

ID: BSA266810

A Pony Club Bending Race, 1959 (oil on canvas)

Lyne, Michael (1912-89)

The Horse Trader, 1816 (w/c and ink on paper)
The Horse Trader, 1816 (w/c and ink on paper)

BSA266823: The Horse Trader, 1816 (w/c and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BSA266823

The Horse Trader, 1816 (w/c and ink on paper)

Rowlandson, Thomas (1756-1827)

Caricature on the walls of the old Faculty of Medicine, Paris, May 1968 (pen & ink on paper) (photo)
Caricature on the walls of the old Faculty of Medicine, Paris, May 1968 (pen & ink on paper) (photo)

CHT267126: Caricature on the walls of the old Faculty of Medicine, Paris, May 1968 (pen & ink on paper) (photo), French School, (20th century) / Bridgeman Images

ID: CHT267126

Caricature on the walls of the old Faculty of Medicine, Paris, May 1968 (pen & ink on paper) (photo)

French School, (20th century)

Horse Lying Down, 1970 (pastel on paper)
Horse Lying Down, 1970 (pastel on paper)

BSA266431: Horse Lying Down, 1970 (pastel on paper), Skeaping, John Rattenbury (1901-80) / Bridgeman Images

ID: BSA266431

Horse Lying Down, 1970 (pastel on paper)

Skeaping, John Rattenbury (1901-80)

Studies of 'Shirley Heights' (b.1975) 1978 (pencil on paper)
Studies of 'Shirley Heights' (b.1975) 1978 (pencil on paper)

BSA266434: Studies of 'Shirley Heights' (b.1975) 1978 (pencil on paper), Skeaping, John Rattenbury (1901-80) / Bridgeman Images

ID: BSA266434

Studies of 'Shirley Heights' (b.1975) 1978 (pencil on paper)

Skeaping, John Rattenbury (1901-80)

Prancing horse (pastel on paper)
Prancing horse (pastel on paper)

BSA266440: Prancing horse (pastel on paper), Skeaping, John Rattenbury (1901-80) / Bridgeman Images

ID: BSA266440

Prancing horse (pastel on paper)

Skeaping, John Rattenbury (1901-80)

Going Out, from 'Fox Hunting', engraved by Thomas Sutherland (1785-1838) 1817 (colour litho)
Going Out, from 'Fox Hunting', engraved by Thomas Sutherland (1785-1838) 1817 (colour litho)

BSA266484: Going Out, from 'Fox Hunting', engraved by Thomas Sutherland (1785-1838) 1817 (colour litho), Alken, Henry Thomas (1785-1851) (after) / Bridgeman Images

ID: BSA266484

Going Out, from 'Fox Hunting', engraved by Thomas Sutherland (1785-1838) 1817 (colour litho)

Alken, Henry Thomas (1785-1851) (after)

Charles Ash Windham (1810-70), K.C.B., engraved by D.J. Pound from a photograph from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Charles Ash Windham (1810-70), K.C.B., engraved by D.J. Pound from a photograph from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266629: Charles Ash Windham (1810-70), K.C.B., engraved by D.J. Pound from a photograph from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266629

Charles Ash Windham (1810-70), K.C.B., engraved by D.J. Pound from a photograph from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

James William Gilbart (1794-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
James William Gilbart (1794-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266655: James William Gilbart (1794-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266655

James William Gilbart (1794-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

John Chippendall Montesquieu Bellew (1823-74), engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
John Chippendall Montesquieu Bellew (1823-74), engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266659: John Chippendall Montesquieu Bellew (1823-74), engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266659

John Chippendall Montesquieu Bellew (1823-74), engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Straight Through the Fence, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)
Straight Through the Fence, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)

BSA266706: Straight Through the Fence, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving), Alken, Henry Thomas (1785-1851) / Bridgeman Images

ID: BSA266706

Straight Through the Fence, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)

Alken, Henry Thomas (1785-1851)

Stopping at Water, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)
Stopping at Water, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)

BSA266708: Stopping at Water, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving), Alken, Henry Thomas (1785-1851) / Bridgeman Images

ID: BSA266708

Stopping at Water, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)

Alken, Henry Thomas (1785-1851)

Changing Horses, from 'Fores Coaching Recollections', engraved by John Harris (colour litho)
Changing Horses, from 'Fores Coaching Recollections', engraved by John Harris (colour litho)

BSA266730: Changing Horses, from 'Fores Coaching Recollections', engraved by John Harris (colour litho), Henderson, Charles Cooper (1803-77) (after) / Bridgeman Images

ID: BSA266730

Changing Horses, from 'Fores Coaching Recollections', engraved by John Harris (colour litho)

Henderson, Charles Cooper (1803-77) (after)

All Right, from 'Fores Coaching Recollections', engraved by J. Harris (colour litho)
All Right, from 'Fores Coaching Recollections', engraved by J. Harris (colour litho)

BSA266732: All Right, from 'Fores Coaching Recollections', engraved by J. Harris (colour litho), Henderson, Charles Cooper (1803-77) (after) / Bridgeman Images

ID: BSA266732

All Right, from 'Fores Coaching Recollections', engraved by J. Harris (colour litho)

Henderson, Charles Cooper (1803-77) (after)

The Armourers' and Braziers' New Hall, 1850 (pen & ink and w/c on paper)
The Armourers' and Braziers' New Hall, 1850 (pen & ink and w/c on paper)

XCF267412: The Armourers' and Braziers' New Hall, 1850 (pen & ink and w/c on paper), Bigot, Charles (fl.1850) / Bridgeman Images

ID: XCF267412

The Armourers' and Braziers' New Hall, 1850 (pen & ink and w/c on paper)

Bigot, Charles (fl.1850)

A Fragment of the Old London Wall, 1796 (w/c on paper)
A Fragment of the Old London Wall, 1796 (w/c on paper)

XCF267434: A Fragment of the Old London Wall, 1796 (w/c on paper), Capon, William (1757-1827) / Bridgeman Images

ID: XCF267434

A Fragment of the Old London Wall, 1796 (w/c on paper)

Capon, William (1757-1827)

Fresh Hunter (bronze)
Fresh Hunter (bronze)

BSA266806: Fresh Hunter (bronze), Willis-Good, John (1845-1879) / Bridgeman Images

ID: BSA266806

Fresh Hunter (bronze)

Willis-Good, John (1845-1879)

The Clipper, engraved by J.R. Mackrell (colour litho)
The Clipper, engraved by J.R. Mackrell (colour litho)

BSA266825: The Clipper, engraved by J.R. Mackrell (colour litho), Turner, F. C. (1795-1865) (after) / Bridgeman Images

ID: BSA266825

The Clipper, engraved by J.R. Mackrell (colour litho)

Turner, F. C. (1795-1865) (after)

Salmon Fishing (w/c on paper)
Salmon Fishing (w/c on paper)

BSA266826: Salmon Fishing (w/c on paper), Rolfe, Alexander (fl.1839-73) / Bridgeman Images

ID: BSA266826

Salmon Fishing (w/c on paper)

Rolfe, Alexander (fl.1839-73)

The Italian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 29th April 1900 (colour litho)
The Italian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 29th April 1900 (colour litho)

XIR267146: The Italian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 29th April 1900 (colour litho), French School, (20th century) / Bridgeman Images

ID: XIR267146

The Italian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 29th April 1900 (colour litho)

French School, (20th century)

Scotch Church and the remains of London Wall, 1818 (w/c on paper)
Scotch Church and the remains of London Wall, 1818 (w/c on paper)

XCF267413: Scotch Church and the remains of London Wall, 1818 (w/c on paper), Varley, John (1778-1842) / Bridgeman Images

ID: XCF267413

Scotch Church and the remains of London Wall, 1818 (w/c on paper)

Varley, John (1778-1842)

The Entrance to Joiners' Hall, 1854 (w/c on paper)
The Entrance to Joiners' Hall, 1854 (w/c on paper)

XCF267419: The Entrance to Joiners' Hall, 1854 (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images

ID: XCF267419

The Entrance to Joiners' Hall, 1854 (w/c on paper)

Shepherd, Thomas Hosmer (1792-1864)

View of the House and Museum of the Late Duchess of Portland (1715-1785) 1796 (w/c on paper)
View of the House and Museum of the Late Duchess of Portland (1715-1785) 1796 (w/c on paper)

XCF267461: View of the House and Museum of the Late Duchess of Portland (1715-1785) 1796 (w/c on paper), Bromley, John (fl.1796) / Bridgeman Images

ID: XCF267461

View of the House and Museum of the Late Duchess of Portland (1715-1785) 1796 (w/c on paper)

Bromley, John (fl.1796)

New Inn, 1850 (w/c on paper)
New Inn, 1850 (w/c on paper)

XCF267468: New Inn, 1850 (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images

ID: XCF267468

New Inn, 1850 (w/c on paper)

Shepherd, Thomas Hosmer (1792-1864)

The Glorious Conquest of Buenos Ayres by the British Forces, 1806 (engraving)
The Glorious Conquest of Buenos Ayres by the British Forces, 1806 (engraving)

XJF267485: The Glorious Conquest of Buenos Ayres by the British Forces, 1806 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF267485

The Glorious Conquest of Buenos Ayres by the British Forces, 1806 (engraving)

English School, (19th century)

Portrait of Sir Edward Hopkinson Holden (1848-1919) First Baronet 1911 (oil on canvas)
Portrait of Sir Edward Hopkinson Holden (1848-1919) First Baronet 1911 (oil on canvas)

XCF267493: Portrait of Sir Edward Hopkinson Holden (1848-1919) First Baronet 1911 (oil on canvas), Ouless, Walter William (1847-1933) / Bridgeman Images

ID: XCF267493

Portrait of Sir Edward Hopkinson Holden (1848-1919) First Baronet 1911 (oil on canvas)

Ouless, Walter William (1847-1933)

Lighthouse on the South Stack, Holyhead, from 'A Voyage Around Great Britain Undertaken between the Years 1814 and 1825', published 1815 (coloured engraving)
Lighthouse on the South Stack, Holyhead, from 'A Voyage Around Great Britain Undertaken between the Years 1814 and 1825', published 1815 (coloured engraving)

STC267585: Lighthouse on the South Stack, Holyhead, from 'A Voyage Around Great Britain Undertaken between the Years 1814 and 1825', published 1815 (coloured engraving), Daniell, William (1769-1837) / Bridgeman Images

ID: STC267585

Lighthouse on the South Stack, Holyhead, from 'A Voyage Around Great Britain Undertaken between the Years 1814 and 1825', published 1815 (coloured engraving)

Daniell, William (1769-1837)

Greetings from Florida, published by Leighton & Valentine Co., NYC, c.1912 (colour litho)
Greetings from Florida, published by Leighton & Valentine Co., NYC, c.1912 (colour litho)

SIT267725: Greetings from Florida, published by Leighton & Valentine Co., NYC, c.1912 (colour litho), American School, (20th century) / Bridgeman Images

ID: SIT267725

Greetings from Florida, published by Leighton & Valentine Co., NYC, c.1912 (colour litho)

American School, (20th century)

Wawona Big Tree and Auto, 1919 (b/w photo)
Wawona Big Tree and Auto, 1919 (b/w photo)

SIT267729: Wawona Big Tree and Auto, 1919 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: SIT267729

Wawona Big Tree and Auto, 1919 (b/w photo)

American Photographer, (20th century)

Via Mala, Switzerland, 1854,(w/c & bodycolour on grey paper)
Via Mala, Switzerland, 1854,(w/c & bodycolour on grey paper)

AGN264313: Via Mala, Switzerland, 1854,(w/c & bodycolour on grey paper), Johnson, Harry John (1826-84) / Bridgeman Images

ID: AGN264313

Via Mala, Switzerland, 1854,(w/c & bodycolour on grey paper)

Johnson, Harry John (1826-84)

Study of St. Joan of Arc (ink on paper)
Study of St. Joan of Arc (ink on paper)

AGN264337: Study of St. Joan of Arc (ink on paper), Cosway, Richard (1742-1821) / Bridgeman Images

ID: AGN264337

Study of St. Joan of Arc (ink on paper)

Cosway, Richard (1742-1821)

Christ Church, Oxford (w/c on paper)
Christ Church, Oxford (w/c on paper)

AGN264352: Christ Church, Oxford (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: AGN264352

Christ Church, Oxford (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Jewellery designs, plate 11 from 'Documents de Bijouterie et Orfeverie modernes', published by Henri Laurens, Paris, c.1900 (tinted chromolitho)
Jewellery designs, plate 11 from 'Documents de Bijouterie et Orfeverie modernes', published by Henri Laurens, Paris, c.1900 (tinted chromolitho)

STC265099: Jewellery designs, plate 11 from 'Documents de Bijouterie et Orfeverie modernes', published by Henri Laurens, Paris, c.1900 (tinted chromolitho), Follet, Paul (1877-1941) / Bridgeman Images

ID: STC265099

Jewellery designs, plate 11 from 'Documents de Bijouterie et Orfeverie modernes', published by Henri Laurens, Paris, c.1900 (tinted chromolitho)

Follet, Paul (1877-1941)

The Cocktail Party, 2005 (bronze)
The Cocktail Party, 2005 (bronze)

SGR265103: The Cocktail Party, 2005 (bronze), Gregory, Steven (b.1952) / Bridgeman Images

ID: SGR265103

The Cocktail Party, 2005 (bronze)

Gregory, Steven (b.1952)


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