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Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.
Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.

XEE4144232: Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144232

Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.
The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.

XEE4144251: The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144251

The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144299: Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144299

Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143663: The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143663

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143676: The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143676

The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143703: Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143703

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.
Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.

XEE4143780: Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving., Anonymous / Bridgeman Images

ID: XEE4143780

Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.

Anonymous

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.
Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

XEE4144149: Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144149

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.
Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.

XEE4144192: Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144192

Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.
View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.

XEE4144221: View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144221

View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.

Unknown Artist, (19th century)

Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.
Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.

XEE4144272: Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144272

Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.

Unknown Artist, (19th century)

Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144288: Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144288

Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144302: Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144302

Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.
Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.

XEE4144370: Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4144370

Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.

French School, (19th century)

The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143837: The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143837

The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

Unknown Artist, (19th century)

Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)
Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)

XEE4143864: Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)"Le petit Parisien" from 1891., Anonymous / Bridgeman Images

ID: XEE4143864

Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 Kechko)"Le petit Parisien" from 1891.

Anonymous

Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving)
Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving)

XEE4143898: Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving), Anonymous / Bridgeman Images

ID: XEE4143898

Portrait of Monsignor Louis-Antoine-Augustin Pavy, eveque of Algiers, 19th century (engraving)

Anonymous

Portrait of Nicholas I of Montenegro, Prince of Montenegro and the Berda, 19th century (engraving)
Portrait of Nicholas I of Montenegro, Prince of Montenegro and the Berda, 19th century (engraving)

XEE4143930: Portrait of Nicholas I of Montenegro, Prince of Montenegro and the Berda, 19th century (engraving), Anonymous / Bridgeman Images

ID: XEE4143930

Portrait of Nicholas I of Montenegro, Prince of Montenegro and the Berda, 19th century (engraving)

Anonymous

The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.
The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.

XEE4143966: The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143966

The enchanting tube. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.

Unknown Artist, (19th century)

The old man of the sea. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century.
The old man of the sea. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century.

XEE4143978: The old man of the sea. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143978

The old man of the sea. The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Chromolithography of the late 19th century.

Unknown Artist, (19th century)

Portraits of Siam ambassadors who came to England in 1857. From left to right: Cha mun (Cha-mun) Mondr Bidacks, representing the second king of Siam, Phya Mantri Suriyawanse and Chau Mun Sarbbedh Bhacty, ambassadors of the first king. Engraving In “” The illustrated London News”” of 5 December 1857.
Portraits of Siam ambassadors who came to England in 1857. From left to right: Cha mun (Cha-mun) Mondr Bidacks, representing the second king of Siam, Phya Mantri Suriyawanse and Chau Mun Sarbbedh Bhacty, ambassadors of the first king. Engraving In “” The illustrated London News”” of 5 December 1857.

XEE4143988: Portraits of Siam ambassadors who came to England in 1857. From left to right: Cha mun (Cha-mun) Mondr Bidacks, representing the second king of Siam, Phya Mantri Suriyawanse and Chau Mun Sarbbedh Bhacty, ambassadors of the first king. Engraving In “” The illustrated London News”” of 5 December 1857., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143988

Portraits of Siam ambassadors who came to England in 1857. From left to right: Cha mun (Cha-mun) Mondr Bidacks, representing the second king of Siam, Phya Mantri Suriyawanse and Chau Mun Sarbbedh Bhacty, ambassadors of the first king. Engraving In “” The illustrated London News”” of 5 December 1857.

Unknown Artist, (19th century)

View of a Chinese pirate ship in Canton. Engraving In “” The Illustrated London News”” of January 31, 1857.
View of a Chinese pirate ship in Canton. Engraving In “” The Illustrated London News”” of January 31, 1857.

XEE4144058: View of a Chinese pirate ship in Canton. Engraving In “” The Illustrated London News”” of January 31, 1857., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144058

View of a Chinese pirate ship in Canton. Engraving In “” The Illustrated London News”” of January 31, 1857.

Unknown Artist, (19th century)

La Savoie, Rhone Alpes - France and its Colonies, 1876 (engraving)
La Savoie, Rhone Alpes - France and its Colonies, 1876 (engraving)

XEE4144452: La Savoie, Rhone Alpes - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144452

La Savoie, Rhone Alpes - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

L'Orne, Lower Normandy - France and its Colonies, 1876 (engraving)
L'Orne, Lower Normandy - France and its Colonies, 1876 (engraving)

XEE4144481: L'Orne, Lower Normandy - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144481

L'Orne, Lower Normandy - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859.
Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859.

XEE4144545: Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144545

Portrait of Napoleon Eugene Louis Jean Joseph Bonaparte (1856-1879), known as Prince Imperial, son of Napoleon III. Engraving in “” Le Monde Illustré”” n°137 of November 26, 1859.

French School, (19th century)

La Creuse, Le Limousin -France and its Colonies.
La Creuse, Le Limousin -France and its Colonies.

XEE4144598: La Creuse, Le Limousin -France and its Colonies., Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144598

La Creuse, Le Limousin -France and its Colonies.

Vuillemin, Alexandre (1812-1886)

Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving)
Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

XEE4144472: Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144472

Les Hautes-Pyrenees, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)
La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)

XEE4144505: La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144505

La Mayenne, Pays de la Loire - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Eure et Loir, Centre -France and its Colonies, c.1876 (engraving)
Eure et Loir, Centre -France and its Colonies, c.1876 (engraving)

XEE4144584: Eure et Loir, Centre -France and its Colonies, c.1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144584

Eure et Loir, Centre -France and its Colonies, c.1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Les Basse Alpes, Today department of the Alpes-de-Haute-Provence, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving)
Les Basse Alpes, Today department of the Alpes-de-Haute-Provence, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving)

XEE4144655: Les Basse Alpes, Today department of the Alpes-de-Haute-Provence, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144655

Les Basse Alpes, Today department of the Alpes-de-Haute-Provence, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Portrait of Jean Lassalle (1847-1909), French baritone. Photoglyptie Goupil. Photograph at the end of the 19th century by Pierre-Pepetit.
Portrait of Jean Lassalle (1847-1909), French baritone. Photoglyptie Goupil. Photograph at the end of the 19th century by Pierre-Pepetit.

XEE4144106: Portrait of Jean Lassalle (1847-1909), French baritone. Photoglyptie Goupil. Photograph at the end of the 19th century by Pierre-Pepetit., Petit, Pierre (1832-1909) / Bridgeman Images

ID: XEE4144106

Portrait of Jean Lassalle (1847-1909), French baritone. Photoglyptie Goupil. Photograph at the end of the 19th century by Pierre-Pepetit.

Petit, Pierre (1832-1909)

Sale of paintings at the hotel of auctioneers in Paris in 1868. Engraving in “” L'Univers illustrious””, 1868.
Sale of paintings at the hotel of auctioneers in Paris in 1868. Engraving in “” L'Univers illustrious””, 1868.

XEE4144170: Sale of paintings at the hotel of auctioneers in Paris in 1868. Engraving in “” L'Univers illustrious””, 1868., French School, (19th century) / Bridgeman Images

ID: XEE4144170

Sale of paintings at the hotel of auctioneers in Paris in 1868. Engraving in “” L'Univers illustrious””, 1868.

French School, (19th century)

The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.
The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.

XEE4144196: The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144196

The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Turcos (Algerian gunmen) of the French army dancing around a campfire in which they throw powder. Italy, period of Risorgimento, 1859. Engraving in “” Le Monde Illustré”” n°122 of 13 August 1859.
Turcos (Algerian gunmen) of the French army dancing around a campfire in which they throw powder. Italy, period of Risorgimento, 1859. Engraving in “” Le Monde Illustré”” n°122 of 13 August 1859.

XEE4144249: Turcos (Algerian gunmen) of the French army dancing around a campfire in which they throw powder. Italy, period of Risorgimento, 1859. Engraving in “” Le Monde Illustré”” n°122 of 13 August 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144249

Turcos (Algerian gunmen) of the French army dancing around a campfire in which they throw powder. Italy, period of Risorgimento, 1859. Engraving in “” Le Monde Illustré”” n°122 of 13 August 1859.

French School, (19th century)

Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144297: Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144297

Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Portrait of Alain Chartier, French diplomat and writer, with a lady of the court of Charles VI, 1859 (engraving)
Portrait of Alain Chartier, French diplomat and writer, with a lady of the court of Charles VI, 1859 (engraving)

XEE4144354: Portrait of Alain Chartier, French diplomat and writer, with a lady of the court of Charles VI, 1859 (engraving), Anonymous / Bridgeman Images

ID: XEE4144354

Portrait of Alain Chartier, French diplomat and writer, with a lady of the court of Charles VI, 1859 (engraving)

Anonymous


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