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Atoms: proportional distance and magnitude of atoms. 1925 (print)
Atoms: proportional distance and magnitude of atoms. 1925 (print)

XEE4140957: Atoms: proportional distance and magnitude of atoms. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140957

Atoms: proportional distance and magnitude of atoms. 1925 (print)

Anonymous

Phosphorescence: phosphorus. An alchemist looking for the philosophical stone in his lab. 1925 (print)
Phosphorescence: phosphorus. An alchemist looking for the philosophical stone in his lab. 1925 (print)

XEE4140993: Phosphorescence: phosphorus. An alchemist looking for the philosophical stone in his lab. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4140993

Phosphorescence: phosphorus. An alchemist looking for the philosophical stone in his lab. 1925 (print)

Anonymous

Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print)
Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print)

XEE4141163: Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141163

Mechanical traction: motorcycle side car. Anonymous illustration of 1925 (print)

Anonymous

Victorian England: Tourists on the Beach of Ramsgate, England, 1859. From a painting by Frith. Engraving in “” Le Monde Illustré”” n°100 of 13 March 1859.
Victorian England: Tourists on the Beach of Ramsgate, England, 1859. From a painting by Frith. Engraving in “” Le Monde Illustré”” n°100 of 13 March 1859.

XEE4141178: Victorian England: Tourists on the Beach of Ramsgate, England, 1859. From a painting by Frith. Engraving in “” Le Monde Illustré”” n°100 of 13 March 1859., Frith, William Powell (1819-1909) (after) / Bridgeman Images

ID: XEE4141178

Victorian England: Tourists on the Beach of Ramsgate, England, 1859. From a painting by Frith. Engraving in “” Le Monde Illustré”” n°100 of 13 March 1859.

Frith, William Powell (1819-1909) (after)

Late 19th century chromolithography
Late 19th century chromolithography

XEE4141262: Late 19th century chromolithography, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141262

Late 19th century chromolithography

Unknown Artist, (19th century)

Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century
Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century

XEE4141319: Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141319

Manufacture of charcoal, combustion furnace. Chromolithography of the late 19th century

Unknown Artist, (19th century)

Wireless telegraphy: Heaviside layer, a layer of the earth's atmospere containing electrons, has a more or less free state. 1925 (print)
Wireless telegraphy: Heaviside layer, a layer of the earth's atmospere containing electrons, has a more or less free state. 1925 (print)

XEE4141099: Wireless telegraphy: Heaviside layer, a layer of the earth's atmospere containing electrons, has a more or less free state. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141099

Wireless telegraphy: Heaviside layer, a layer of the earth's atmospere containing electrons, has a more or less free state. 1925 (print)

Anonymous

Mechanical traction: motorcycle. Anonymous illustration of 1925 (print)
Mechanical traction: motorcycle. Anonymous illustration of 1925 (print)

XEE4141146: Mechanical traction: motorcycle. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141146

Mechanical traction: motorcycle. Anonymous illustration of 1925 (print)

Anonymous

Late 19th century chromolithography
Late 19th century chromolithography

XEE4141274: Late 19th century chromolithography, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141274

Late 19th century chromolithography

Unknown Artist, (19th century)

Bernadette Soubirous at Bartres near Lourdes - Hautes Pyrenees .
Bernadette Soubirous at Bartres near Lourdes - Hautes Pyrenees .

XEE4141552: Bernadette Soubirous at Bartres near Lourdes - Hautes Pyrenees ., Anonymous / Bridgeman Images

ID: XEE4141552

Bernadette Soubirous at Bartres near Lourdes - Hautes Pyrenees .

Anonymous

The castle and the Pyrenees chain in Lourdes - Hautes Pyrenees around 1900.
The castle and the Pyrenees chain in Lourdes - Hautes Pyrenees around 1900.

XEE4141576: The castle and the Pyrenees chain in Lourdes - Hautes Pyrenees around 1900., Anonymous / Bridgeman Images

ID: XEE4141576

The castle and the Pyrenees chain in Lourdes - Hautes Pyrenees around 1900.

Anonymous

The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross.
The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross.

XEE4141607: The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross. / Bridgeman Images

ID: XEE4141607

The Calvary of Lourdes (Way of the Cross) (carrying the Cross): III Station - Jesus is in charge of his Cross.

Portrait of Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878), King of Sardinia and future King of Italy. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.
Portrait of Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878), King of Sardinia and future King of Italy. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

XEE4141617: Portrait of Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878), King of Sardinia and future King of Italy. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141617

Portrait of Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878), King of Sardinia and future King of Italy. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

French School, (19th century)

Ancient architecture: Roman amphiteatrician (3rd century) in El Djem (El Jem), Tunisia, 1859. Engraving in “” Le Monde Illustré”” n°93 of January 22, 1859.
Ancient architecture: Roman amphiteatrician (3rd century) in El Djem (El Jem), Tunisia, 1859. Engraving in “” Le Monde Illustré”” n°93 of January 22, 1859.

XEE4141686: Ancient architecture: Roman amphiteatrician (3rd century) in El Djem (El Jem), Tunisia, 1859. Engraving in “” Le Monde Illustré”” n°93 of January 22, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141686

Ancient architecture: Roman amphiteatrician (3rd century) in El Djem (El Jem), Tunisia, 1859. Engraving in “” Le Monde Illustré”” n°93 of January 22, 1859.

French School, (19th century)

Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.
Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.

XEE4141541: Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141541

Fruit marches in the streets of Algiers, Algeria, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.

French School, (19th century)

The Calvary of Lourdes (Way of the Cross): VIth Station - A pious woman wipes the face of Jesus.
The Calvary of Lourdes (Way of the Cross): VIth Station - A pious woman wipes the face of Jesus.

XEE4141589: The Calvary of Lourdes (Way of the Cross): VIth Station - A pious woman wipes the face of Jesus. / Bridgeman Images

ID: XEE4141589

The Calvary of Lourdes (Way of the Cross): VIth Station - A pious woman wipes the face of Jesus.

The Calvary of Lourdes (Way of the Cross) (carrying the Cross): 13th Station - Jesus descended from the Cross and handed over to his Mother.
The Calvary of Lourdes (Way of the Cross) (carrying the Cross): 13th Station - Jesus descended from the Cross and handed over to his Mother.

XEE4141599: The Calvary of Lourdes (Way of the Cross) (carrying the Cross): 13th Station - Jesus descended from the Cross and handed over to his Mother. / Bridgeman Images

ID: XEE4141599

The Calvary of Lourdes (Way of the Cross) (carrying the Cross): 13th Station - Jesus descended from the Cross and handed over to his Mother.

Telegraphy: view of the stern of the ship H.M.S. “Agamemnon”” which will lay the first transatlantic cable. Engraving In “” The Illustrated London News”” of June 5, 1858.
Telegraphy: view of the stern of the ship H.M.S. “Agamemnon”” which will lay the first transatlantic cable. Engraving In “” The Illustrated London News”” of June 5, 1858.

XEE4144060: Telegraphy: view of the stern of the ship H.M.S. “Agamemnon”” which will lay the first transatlantic cable. Engraving In “” The Illustrated London News”” of June 5, 1858., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144060

Telegraphy: view of the stern of the ship H.M.S. “Agamemnon”” which will lay the first transatlantic cable. Engraving In “” The Illustrated London News”” of June 5, 1858.

Unknown Artist, (19th century)

Costumes at the beginning of the regne of Louis XVI, 1859 (engraving)
Costumes at the beginning of the regne of Louis XVI, 1859 (engraving)

XEE4144120: Costumes at the beginning of the regne of Louis XVI, 1859 (engraving), Anonymous / Bridgeman Images

ID: XEE4144120

Costumes at the beginning of the regne of Louis XVI, 1859 (engraving)

Anonymous

Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.
Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.

XEE4144155: Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144155

Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.

Unknown Artist, (19th century)

Portrait of the Prince of Serbia Michael III (1823-1868) and Princess Julie (1831-1919). Engraving in “” L'Univers illustrious””, 1868.
Portrait of the Prince of Serbia Michael III (1823-1868) and Princess Julie (1831-1919). Engraving in “” L'Univers illustrious””, 1868.

XEE4144176: Portrait of the Prince of Serbia Michael III (1823-1868) and Princess Julie (1831-1919). Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144176

Portrait of the Prince of Serbia Michael III (1823-1868) and Princess Julie (1831-1919). Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.
Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.

XEE4144232: Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144232

Revolution of September 1868 in Spain (Gloriosa): Battle of Alcolea near Cordoba (Cordoba) (September 20, 1868). Victory of Marechal Serrano against the royal troops of Novaliches, causing the fall of Queen Isabella II (Isabella of Bourbon) and the triumph of the Revolution. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.
The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.

XEE4144251: The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144251

The Impress Eugenie de Montijo (1826-1920) presiding over the distribution of prizes to the imperiale institution of the Legion of Honour in Saint Denis. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144299: Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144299

Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143663: The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143663

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143676: The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143676

The art of turn: the ball. King Henry III (1551-1589) and his cuties playing bilboquet in the street. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143703: Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143703

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.
Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.

XEE4143780: Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving., Anonymous / Bridgeman Images

ID: XEE4143780

Rice cultivation in Manila in the Philippines in 1864. Anonymous engraving.

Anonymous

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.
Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

XEE4144149: Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144149

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.
Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.

XEE4144192: Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144192

Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.
View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.

XEE4144221: View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144221

View of the Monastery of Bathala in Portugal. Engraving in “The Illustrous Universe”, 1868.

Unknown Artist, (19th century)

Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.
Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.

XEE4144272: Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144272

Representation of Claude Joseph Rouget de l'Isle (dit Rouget de Lisle, 1760-1836) with the lyrics and music of the Marseillaise, the French anthem. Engraving of the 19th century.

Unknown Artist, (19th century)

Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144288: Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144288

Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144302: Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144302

Conquete of Algeria: expedition to Great Kabylia in 1857. Submission of the Beni-Yenni (Beni Yenni) based on a drawing by Mr. Ameller, battalion leader at the 1st Zouave. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.
Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.

XEE4144370: Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4144370

Works performed in Algiers for the construction of the boulevard de l'imperatrice. Engraving from Mr. Leon-Roger's sketch. Engraving In “” Le Monde illustrious”” from 1862. Private collection.

French School, (19th century)

The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143837: The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143837

The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

Unknown Artist, (19th century)


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