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Portrait of Jean Baptiste Colbert, French statesman at the end of the 19th century.
Portrait of Jean Baptiste Colbert, French statesman at the end of the 19th century.

XEE4135161: Portrait of Jean Baptiste Colbert, French statesman at the end of the 19th century., Gilbert, (19th century) / Bridgeman Images

ID: XEE4135161

Portrait of Jean Baptiste Colbert, French statesman at the end of the 19th century.

Gilbert, (19th century)

THEATRE IN THE AGES: Italian comedie, Scapino, Zerbino and Scaramouche.
THEATRE IN THE AGES: Italian comedie, Scapino, Zerbino and Scaramouche.

XEE4135213: THEATRE IN THE AGES: Italian comedie, Scapino, Zerbino and Scaramouche., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4135213

THEATRE IN THE AGES: Italian comedie, Scapino, Zerbino and Scaramouche.

Unknown Artist, (19th century)

Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)
Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)

XEE4135313: Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving), Anonymous / Bridgeman Images

ID: XEE4135313

Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)

Anonymous

Obseques of Sister Rosalie (Jeanne Marie Rendée, 1786-1856) at the military hospital of Gros Caillou (Gros-Caillou), Paris, 1857. Engraving in “” Le Monde Illustré”” n°33 of 28 November 1857.
Obseques of Sister Rosalie (Jeanne Marie Rendée, 1786-1856) at the military hospital of Gros Caillou (Gros-Caillou), Paris, 1857. Engraving in “” Le Monde Illustré”” n°33 of 28 November 1857.

XEE4135926: Obseques of Sister Rosalie (Jeanne Marie Rendée, 1786-1856) at the military hospital of Gros Caillou (Gros-Caillou), Paris, 1857. Engraving in “” Le Monde Illustré”” n°33 of 28 November 1857., French School, (19th century) / Bridgeman Images

ID: XEE4135926

Obseques of Sister Rosalie (Jeanne Marie Rendée, 1786-1856) at the military hospital of Gros Caillou (Gros-Caillou), Paris, 1857. Engraving in “” Le Monde Illustré”” n°33 of 28 November 1857.

French School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135951: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135951

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135978: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135978

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4136028: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4136028

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

The Paris Stock Exchange by Deroy, Engraving of 1887 in
The Paris Stock Exchange by Deroy, Engraving of 1887 in

XEE4136107: The Paris Stock Exchange by Deroy, Engraving of 1887 in "Paris-Illustrous Newspaper Weekly"., Anonymous / Bridgeman Images

ID: XEE4136107

The Paris Stock Exchange by Deroy, Engraving of 1887 in "Paris-Illustrous Newspaper Weekly".

Anonymous

Chalons military camp (Marne, 51), 1857: tent of Emperor Napoleon III (1808-1873). Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857.
Chalons military camp (Marne, 51), 1857: tent of Emperor Napoleon III (1808-1873). Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857.

XEE4136142: Chalons military camp (Marne, 51), 1857: tent of Emperor Napoleon III (1808-1873). Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136142

Chalons military camp (Marne, 51), 1857: tent of Emperor Napoleon III (1808-1873). Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857.

French School, (19th century)

Paris: view of the Place du Chatelet and the Sarah-Bernhardt Theatre (present-day Theatre de la Ville). In the background, the Saint Jacques Tower (Saint Jacques). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the Place du Chatelet and the Sarah-Bernhardt Theatre (present-day Theatre de la Ville). In the background, the Saint Jacques Tower (Saint Jacques). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136178: Paris: view of the Place du Chatelet and the Sarah-Bernhardt Theatre (present-day Theatre de la Ville). In the background, the Saint Jacques Tower (Saint Jacques). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136178

Paris: view of the Place du Chatelet and the Sarah-Bernhardt Theatre (present-day Theatre de la Ville). In the background, the Saint Jacques Tower (Saint Jacques). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4136015: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4136015

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Anecdotal history of food: spirit drinks, late 19th century (engraving)
Anecdotal history of food: spirit drinks, late 19th century (engraving)

XEE4136096: Anecdotal history of food: spirit drinks, late 19th century (engraving), Anonymous / Bridgeman Images

ID: XEE4136096

Anecdotal history of food: spirit drinks, late 19th century (engraving)

Anonymous

Fire of the Opera Comique in Paris on 25 May 1887 during the performance of Ambroise Thomas's first act of “Mignon” (engraving)
Fire of the Opera Comique in Paris on 25 May 1887 during the performance of Ambroise Thomas's first act of “Mignon” (engraving)

XEE4136123: Fire of the Opera Comique in Paris on 25 May 1887 during the performance of Ambroise Thomas's first act of “Mignon” (engraving), Courboin, Eugene (1851-1915) / Bridgeman Images

ID: XEE4136123

Fire of the Opera Comique in Paris on 25 May 1887 during the performance of Ambroise Thomas's first act of “Mignon” (engraving)

Courboin, Eugene (1851-1915)

Paris: exterior view of the Sainte Chapelle (Sainte-Chapelle) (13th century, Gothic architecture). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: exterior view of the Sainte Chapelle (Sainte-Chapelle) (13th century, Gothic architecture). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136176: Paris: exterior view of the Sainte Chapelle (Sainte-Chapelle) (13th century, Gothic architecture). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136176

Paris: exterior view of the Sainte Chapelle (Sainte-Chapelle) (13th century, Gothic architecture). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: exterior view of the Palais Brongniart (Paris Stock Exchange), built between 1808-1826 by Alexandre Brongniart (1770-1847). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: exterior view of the Palais Brongniart (Paris Stock Exchange), built between 1808-1826 by Alexandre Brongniart (1770-1847). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136196: Paris: exterior view of the Palais Brongniart (Paris Stock Exchange), built between 1808-1826 by Alexandre Brongniart (1770-1847). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136196

Paris: exterior view of the Palais Brongniart (Paris Stock Exchange), built between 1808-1826 by Alexandre Brongniart (1770-1847). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: view of the Arc de Triomphe and the tomb of the Unknown Soldier on the Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the Arc de Triomphe and the tomb of the Unknown Soldier on the Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136263: Paris: view of the Arc de Triomphe and the tomb of the Unknown Soldier on the Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136263

Paris: view of the Arc de Triomphe and the tomb of the Unknown Soldier on the Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

The carousel bridge in Paris in the 19th century. In medallion, portrait of King Louis Philippe I (1773-1850). Chromolithography (Chromo) from the beginning of the 20th century.
The carousel bridge in Paris in the 19th century. In medallion, portrait of King Louis Philippe I (1773-1850). Chromolithography (Chromo) from the beginning of the 20th century.

XEE4135409: The carousel bridge in Paris in the 19th century. In medallion, portrait of King Louis Philippe I (1773-1850). Chromolithography (Chromo) from the beginning of the 20th century., French School, (20th century) / Bridgeman Images

ID: XEE4135409

The carousel bridge in Paris in the 19th century. In medallion, portrait of King Louis Philippe I (1773-1850). Chromolithography (Chromo) from the beginning of the 20th century.

French School, (20th century)

Portrait of Cardinal Francesco (Francois Franciscus) Bertazzoli (1754-1830)
Portrait of Cardinal Francesco (Francois Franciscus) Bertazzoli (1754-1830)

XEE4135484: Portrait of Cardinal Francesco (Francois Franciscus) Bertazzoli (1754-1830), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4135484

Portrait of Cardinal Francesco (Francois Franciscus) Bertazzoli (1754-1830)

Unknown Artist, (19th century)

David Livingstone (1813-1873) Scottish missionary and explorer with the magic lantern in the Balonda.
David Livingstone (1813-1873) Scottish missionary and explorer with the magic lantern in the Balonda.

XEE4135515: David Livingstone (1813-1873) Scottish missionary and explorer with the magic lantern in the Balonda., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4135515

David Livingstone (1813-1873) Scottish missionary and explorer with the magic lantern in the Balonda.

Unknown Artist, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135553: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135553

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135592: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135592

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135630: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135630

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Paris: view of the large staircase of the Opera Garnier. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the large staircase of the Opera Garnier. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136225: Paris: view of the large staircase of the Opera Garnier. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136225

Paris: view of the large staircase of the Opera Garnier. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

View of Bicetre near Paris in 1858.
View of Bicetre near Paris in 1858.

XEE4136319: View of Bicetre near Paris in 1858., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136319

View of Bicetre near Paris in 1858.

Unknown Artist, (19th century)

Rome, Italy, 1857: Inauguration of the column of the Immaculee Conception (dell'Immacolata) on the Spanish Steps (Piazza di Spagna) by Pope Pius IX (1792-1878). The Pope stands in the centre on the large gallery of the Spanish Embassy. Engraving in “” Le Monde Illustré”” n°24 of 26 September 1857.
Rome, Italy, 1857: Inauguration of the column of the Immaculee Conception (dell'Immacolata) on the Spanish Steps (Piazza di Spagna) by Pope Pius IX (1792-1878). The Pope stands in the centre on the large gallery of the Spanish Embassy. Engraving in “” Le Monde Illustré”” n°24 of 26 September 1857.

XEE4136380: Rome, Italy, 1857: Inauguration of the column of the Immaculee Conception (dell'Immacolata) on the Spanish Steps (Piazza di Spagna) by Pope Pius IX (1792-1878). The Pope stands in the centre on the large gallery of the Spanish Embassy. Engraving in “” Le Monde Illustré”” n°24 of 26 September 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136380

Rome, Italy, 1857: Inauguration of the column of the Immaculee Conception (dell'Immacolata) on the Spanish Steps (Piazza di Spagna) by Pope Pius IX (1792-1878). The Pope stands in the centre on the large gallery of the Spanish Embassy. Engraving in “” Le Monde Illustré”” n°24 of 26 September 1857.

French School, (19th century)

Members of the Academy Francaise in 1895: portrait of Albert, Duke of Broglie (1821-1901), French historian and politician.
Members of the Academy Francaise in 1895: portrait of Albert, Duke of Broglie (1821-1901), French historian and politician.

XEE4136407: Members of the Academy Francaise in 1895: portrait of Albert, Duke of Broglie (1821-1901), French historian and politician., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136407

Members of the Academy Francaise in 1895: portrait of Albert, Duke of Broglie (1821-1901), French historian and politician.

Unknown Artist, (19th century)

Botanical board: Allium schoenoprasum and allium cepa. Plate 29.
Botanical board: Allium schoenoprasum and allium cepa. Plate 29.

XEE4136433: Botanical board: Allium schoenoprasum and allium cepa. Plate 29., Anonymous / Bridgeman Images

ID: XEE4136433

Botanical board: Allium schoenoprasum and allium cepa. Plate 29.

Anonymous

A servant with a feather. She's dreamt of the arm of a handsome soldier. Anonymous chromolithography, late 19th century.
A servant with a feather. She's dreamt of the arm of a handsome soldier. Anonymous chromolithography, late 19th century.

XEE4136461: A servant with a feather. She's dreamt of the arm of a handsome soldier. Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136461

A servant with a feather. She's dreamt of the arm of a handsome soldier. Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Anonymous chromolithography, late 19th century.
Anonymous chromolithography, late 19th century.

XEE4136476: Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136476

Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Sports competition, 1857: cricket game in London, England. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.
Sports competition, 1857: cricket game in London, England. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.

XEE4136518: Sports competition, 1857: cricket game in London, England. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136518

Sports competition, 1857: cricket game in London, England. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.

French School, (19th century)

Architecture: exterior view of the Chateau de Rambouillet (14th-15th century, redesigned during the century).
Architecture: exterior view of the Chateau de Rambouillet (14th-15th century, redesigned during the century).

XEE4136316: Architecture: exterior view of the Chateau de Rambouillet (14th-15th century, redesigned during the century)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136316

Architecture: exterior view of the Chateau de Rambouillet (14th-15th century, redesigned during the century).

Unknown Artist, (19th century)

Guglielmo Marconi (1874-1937), Italian physicist and inventor aboard the San Bartolomeo in July 1897 gave a demostration of wireless telegraphy. (T.S.F.)
Guglielmo Marconi (1874-1937), Italian physicist and inventor aboard the San Bartolomeo in July 1897 gave a demostration of wireless telegraphy. (T.S.F.)

XEE4136369: Guglielmo Marconi (1874-1937), Italian physicist and inventor aboard the San Bartolomeo in July 1897 gave a demostration of wireless telegraphy. (T.S.F.), Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4136369

Guglielmo Marconi (1874-1937), Italian physicist and inventor aboard the San Bartolomeo in July 1897 gave a demostration of wireless telegraphy. (T.S.F.)

Unknown photographer, (20th century)

The members of the Academy Francaise in 1895: portrait of Jose Maria (Jose-Maria) de Heredia (1842-1905), French poet.
The members of the Academy Francaise in 1895: portrait of Jose Maria (Jose-Maria) de Heredia (1842-1905), French poet.

XEE4136415: The members of the Academy Francaise in 1895: portrait of Jose Maria (Jose-Maria) de Heredia (1842-1905), French poet., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136415

The members of the Academy Francaise in 1895: portrait of Jose Maria (Jose-Maria) de Heredia (1842-1905), French poet.

Unknown Artist, (19th century)

A tax inspector, anonymous chromolithography, late 19th century.
A tax inspector, anonymous chromolithography, late 19th century.

XEE4136452: A tax inspector, anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136452

A tax inspector, anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

Royal Lodge at the Gala Show of Stuttgart Palace (Germany), 1857. From left to right: Sophie of Württemberg (1818-1877), Queen of Holland; Napoleon III (1808-1873), Emperor of France; Maria Alexandrovna (1824-1880), Imperress of Russia (Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie); William I (1781-1864) and Pauline Therese (1800-1873), King and Queen of Württemberg; Alexander II (1818-1881), Tsar of Russia and Amelie of Oldenburg, Queen of Greece. Engraving in “” Le Monde Illustré”” n°26 of October 10, 1857.
Royal Lodge at the Gala Show of Stuttgart Palace (Germany), 1857. From left to right: Sophie of Württemberg (1818-1877), Queen of Holland; Napoleon III (1808-1873), Emperor of France; Maria Alexandrovna (1824-1880), Imperress of Russia (Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie); William I (1781-1864) and Pauline Therese (1800-1873), King and Queen of Württemberg; Alexander II (1818-1881), Tsar of Russia and Amelie of Oldenburg, Queen of Greece. Engraving in “” Le Monde Illustré”” n°26 of October 10, 1857.

XEE4136473: Royal Lodge at the Gala Show of Stuttgart Palace (Germany), 1857. From left to right: Sophie of Württemberg (1818-1877), Queen of Holland; Napoleon III (1808-1873), Emperor of France; Maria Alexandrovna (1824-1880), Imperress of Russia (Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie); William I (1781-1864) and Pauline Therese (1800-1873), King and Queen of Württemberg; Alexander II (1818-1881), Tsar of Russia and Amelie of Oldenburg, Queen of Greece. Engraving in “” Le Monde Illustré”” n°26 of October 10, 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136473

Royal Lodge at the Gala Show of Stuttgart Palace (Germany), 1857. From left to right: Sophie of Württemberg (1818-1877), Queen of Holland; Napoleon III (1808-1873), Emperor of France; Maria Alexandrovna (1824-1880), Imperress of Russia (Mary of Hesse and the Rhine (Maximilian Wilhelmine Marie); William I (1781-1864) and Pauline Therese (1800-1873), King and Queen of Württemberg; Alexander II (1818-1881), Tsar of Russia and Amelie of Oldenburg, Queen of Greece. Engraving in “” Le Monde Illustré”” n°26 of October 10, 1857.

French School, (19th century)

Productions around the world: Date in Morocco, 1933 (chromo)
Productions around the world: Date in Morocco, 1933 (chromo)

XEE4136546: Productions around the world: Date in Morocco, 1933 (chromo), Anonymous / Bridgeman Images

ID: XEE4136546

Productions around the world: Date in Morocco, 1933 (chromo)

Anonymous


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