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King Louis XIV of France called King Soleil with his courtiers in the gardens of Versailles, 1915 (print)
King Louis XIV of France called King Soleil with his courtiers in the gardens of Versailles, 1915 (print)

XEE4191152: King Louis XIV of France called King Soleil with his courtiers in the gardens of Versailles, 1915 (print), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: XEE4191152

King Louis XIV of France called King Soleil with his courtiers in the gardens of Versailles, 1915 (print)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Give him still to drink the words of General Hugo to his ordinance when he failed to get killed by a Spaniard, 1915 (print)
Give him still to drink the words of General Hugo to his ordinance when he failed to get killed by a Spaniard, 1915 (print)

XEE4191175: Give him still to drink the words of General Hugo to his ordinance when he failed to get killed by a Spaniard, 1915 (print), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: XEE4191175

Give him still to drink the words of General Hugo to his ordinance when he failed to get killed by a Spaniard, 1915 (print)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Parisian school holidays on a trip to the countryside. Engraving in “” Le Parisien””, 1894. Private collection.
Parisian school holidays on a trip to the countryside. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191515: Parisian school holidays on a trip to the countryside. Engraving in “” Le Parisien””, 1894. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191515

Parisian school holidays on a trip to the countryside. Engraving in “” Le Parisien””, 1894. Private collection.

Unknown Artist, (19th century)

Portrait of Sante Caserio (1873-1894) Italian anarchist, assassin of Sadi Carnot, in prison. Engraving in “” Le Parisien””, 1894. Private collection.
Portrait of Sante Caserio (1873-1894) Italian anarchist, assassin of Sadi Carnot, in prison. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191550: Portrait of Sante Caserio (1873-1894) Italian anarchist, assassin of Sadi Carnot, in prison. Engraving in “” Le Parisien””, 1894. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4191550

Portrait of Sante Caserio (1873-1894) Italian anarchist, assassin of Sadi Carnot, in prison. Engraving in “” Le Parisien””, 1894. Private collection.

French School, (19th century)

Illustration for
Illustration for

XEE4191587: Illustration for "Le Bayard du Canada", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191587

Illustration for "Le Bayard du Canada", late 19th century (print)

French School, (19th century)

Illustration of the Arabian Nights tale
Illustration of the Arabian Nights tale

XEE4191702: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191702

Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print)

French School, (19th century)

First Sino-Japanese War - Sino-Japanese War (1894-1895): Convoy of Chinese prisoners led by Japanese soldiers after the Battle of Pyongyang on September 15 and 16, 1894. The war between Japan and China. Engraving in “” Le Parisien””, 1894. Private collection.
First Sino-Japanese War - Sino-Japanese War (1894-1895): Convoy of Chinese prisoners led by Japanese soldiers after the Battle of Pyongyang on September 15 and 16, 1894. The war between Japan and China. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191525: First Sino-Japanese War - Sino-Japanese War (1894-1895): Convoy of Chinese prisoners led by Japanese soldiers after the Battle of Pyongyang on September 15 and 16, 1894. The war between Japan and China. Engraving in “” Le Parisien””, 1894. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191525

First Sino-Japanese War - Sino-Japanese War (1894-1895): Convoy of Chinese prisoners led by Japanese soldiers after the Battle of Pyongyang on September 15 and 16, 1894. The war between Japan and China. Engraving in “” Le Parisien””, 1894. Private collection.

Unknown Artist, (19th century)

Portrait of Arrigo (or Enrico) Boito (1842-1918), Italian librettist, author of the libretto of “Otello” (Othello) by Giuseppe Verdi. Engraving in “” Le monde illustrious””, 1887. Private collection.
Portrait of Arrigo (or Enrico) Boito (1842-1918), Italian librettist, author of the libretto of “Otello” (Othello) by Giuseppe Verdi. Engraving in “” Le monde illustrious””, 1887. Private collection.

XEE4191553: Portrait of Arrigo (or Enrico) Boito (1842-1918), Italian librettist, author of the libretto of “Otello” (Othello) by Giuseppe Verdi. Engraving in “” Le monde illustrious””, 1887. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191553

Portrait of Arrigo (or Enrico) Boito (1842-1918), Italian librettist, author of the libretto of “Otello” (Othello) by Giuseppe Verdi. Engraving in “” Le monde illustrious””, 1887. Private collection.

Unknown Artist, (19th century)

Illustration for
Illustration for

XEE4191619: Illustration for "Le Bayard du Canada", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191619

Illustration for "Le Bayard du Canada", late 19th century (print)

French School, (19th century)

Illustration of the Arabian Nights tale
Illustration of the Arabian Nights tale

XEE4191727: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191727

Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print)

French School, (19th century)

Plan incline for boats in the 16th century on the lagoons of the Brenta (River) in Northern Italy. Engraving in “” La Nature””, 1896. Private Collection
Plan incline for boats in the 16th century on the lagoons of the Brenta (River) in Northern Italy. Engraving in “” La Nature””, 1896. Private Collection

XEE4191756: Plan incline for boats in the 16th century on the lagoons of the Brenta (River) in Northern Italy. Engraving in “” La Nature””, 1896. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191756

Plan incline for boats in the 16th century on the lagoons of the Brenta (River) in Northern Italy. Engraving in “” La Nature””, 1896. Private Collection

Unknown Artist, (19th century)

The baby contest. Mother showing their naked child in front of the Jury rue du Cloitre Notre Dame (Cloitre-Notre-Dame) in Paris for the election of the most beautiful baby. Engraving in “” Le Monde illustrious””, 1886. Private collection.
The baby contest. Mother showing their naked child in front of the Jury rue du Cloitre Notre Dame (Cloitre-Notre-Dame) in Paris for the election of the most beautiful baby. Engraving in “” Le Monde illustrious””, 1886. Private collection.

XEE4191284: The baby contest. Mother showing their naked child in front of the Jury rue du Cloitre Notre Dame (Cloitre-Notre-Dame) in Paris for the election of the most beautiful baby. Engraving in “” Le Monde illustrious””, 1886. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191284

The baby contest. Mother showing their naked child in front of the Jury rue du Cloitre Notre Dame (Cloitre-Notre-Dame) in Paris for the election of the most beautiful baby. Engraving in “” Le Monde illustrious””, 1886. Private collection.

Unknown Artist, (19th century)

Longitudinal section of the liner “” La Normandy”” showing the interior layout of the building. The same section with the explanatory legend showing the space reserved for emigrants and that for goods and the plan of the upper deck. Engraving in “” La Nature””, 1883. Private collection.
Longitudinal section of the liner “” La Normandy”” showing the interior layout of the building. The same section with the explanatory legend showing the space reserved for emigrants and that for goods and the plan of the upper deck. Engraving in “” La Nature””, 1883. Private collection.

XEE4191324: Longitudinal section of the liner “” La Normandy”” showing the interior layout of the building. The same section with the explanatory legend showing the space reserved for emigrants and that for goods and the plan of the upper deck. Engraving in “” La Nature””, 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191324

Longitudinal section of the liner “” La Normandy”” showing the interior layout of the building. The same section with the explanatory legend showing the space reserved for emigrants and that for goods and the plan of the upper deck. Engraving in “” La Nature””, 1883. Private collection.

Unknown Artist, (19th century)

New outfit of the peacekeepers car brigade in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection.
New outfit of the peacekeepers car brigade in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection.

XEE4191398: New outfit of the peacekeepers car brigade in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191398

New outfit of the peacekeepers car brigade in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection.

Unknown Artist, (19th century)

The Count of Riverolles, Francine, Stanislas de Grandredon, Therese Smith and Henri de Simeux, characters of the play “” Francillon”, comedy by Alexandre Dumas (1824-1895) played at the Comedie-Francaise (1887) in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection.
The Count of Riverolles, Francine, Stanislas de Grandredon, Therese Smith and Henri de Simeux, characters of the play “” Francillon”, comedy by Alexandre Dumas (1824-1895) played at the Comedie-Francaise (1887) in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection.

XEE4191430: The Count of Riverolles, Francine, Stanislas de Grandredon, Therese Smith and Henri de Simeux, characters of the play “” Francillon”, comedy by Alexandre Dumas (1824-1895) played at the Comedie-Francaise (1887) in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191430

The Count of Riverolles, Francine, Stanislas de Grandredon, Therese Smith and Henri de Simeux, characters of the play “” Francillon”, comedy by Alexandre Dumas (1824-1895) played at the Comedie-Francaise (1887) in Paris. Engraving in “” Le monde illustrious””, 1887. Private collection.

Unknown Artist, (19th century)

Illustration of the Arabian Nights tale
Illustration of the Arabian Nights tale

XEE4191737: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191737

Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print)

French School, (19th century)

View of the city of Bologna, Italy1859
View of the city of Bologna, Italy1859

XEE4191823: View of the city of Bologna, Italy1859, Anonymous / Bridgeman Images

ID: XEE4191823

View of the city of Bologna, Italy1859

Anonymous

A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print)
A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print)

XEE4191879: A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print), Guillaume, Albert (1873-1942) / Bridgeman Images

ID: XEE4191879

A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print)

Guillaume, Albert (1873-1942)

Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print)
Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print)

XEE4191938: Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print) / Bridgeman Images

ID: XEE4191938

Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print)

Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in
Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in

XEE4191983: Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in "the galleries of Europe - Italy" by Armandaud., Anonymous / Bridgeman Images

ID: XEE4191983

Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in "the galleries of Europe - Italy" by Armandaud.

Anonymous

Le Vigneron (print) in
Le Vigneron (print) in

XEE4191869: Le Vigneron (print) in "La chanson des metier", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191869

Le Vigneron (print) in "La chanson des metier", late 19th century (print)

French School, (19th century)

Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace
Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace

XEE4191888: Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace"Le petit marseillais" 22/06/1902, French School, (20th century) / Bridgeman Images

ID: XEE4191888

Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace"Le petit marseillais" 22/06/1902

French School, (20th century)

Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859
Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859

XEE4191945: Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859, Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XEE4191945

Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859

Holbein the Younger, Hans (1497/8-1543) (after)

Portrait of Guido Reni. Italian painter. engraving of 1859
Portrait of Guido Reni. Italian painter. engraving of 1859

XEE4192004: Portrait of Guido Reni. Italian painter. engraving of 1859, Anonymous / Bridgeman Images

ID: XEE4192004

Portrait of Guido Reni. Italian painter. engraving of 1859

Anonymous

Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in
Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in

XEE4192033: Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in "the galleries of Europe - Italy" by armengaud., Anonymous / Bridgeman Images

ID: XEE4192033

Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in "the galleries of Europe - Italy" by armengaud.

Anonymous

Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.
Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

XEE4192075: Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884., French School, (19th century) / Bridgeman Images

ID: XEE4192075

Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

French School, (19th century)

Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection.
Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191533: Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191533

Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection.

Unknown Artist, (19th century)

Illustration of the end of the 18th century on how to navigate under water (engraving)
Illustration of the end of the 18th century on how to navigate under water (engraving)

XEE4191562: Illustration of the end of the 18th century on how to navigate under water (engraving), Unknown artist, (18th century) / Bridgeman Images

ID: XEE4191562

Illustration of the end of the 18th century on how to navigate under water (engraving)

Unknown artist, (18th century)

Charles III teh Fat camps under the walls of Paris, 9th century (chromo)
Charles III teh Fat camps under the walls of Paris, 9th century (chromo)

XEE4191659: Charles III teh Fat camps under the walls of Paris, 9th century (chromo), French School, (19th century) / Bridgeman Images

ID: XEE4191659

Charles III teh Fat camps under the walls of Paris, 9th century (chromo)

French School, (19th century)

The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving)
The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving)

XEE4191778: The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191778

The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving)

Unknown Artist, (19th century)

Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.
Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

XEE4192072: Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884., French School, (19th century) / Bridgeman Images

ID: XEE4192072

Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

French School, (19th century)

Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192097: Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192097

Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192120: Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192120

Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

The magical finger 18th century, 1886 (enrgaving
The magical finger 18th century, 1886 (enrgaving

XEE4192143: The magical finger 18th century, 1886 (enrgaving, French School, (18th century) / Bridgeman Images

ID: XEE4192143

The magical finger 18th century, 1886 (enrgaving

French School, (18th century)

Air electric wires, in Philadelphia (USA), 1886 (engraving)
Air electric wires, in Philadelphia (USA), 1886 (engraving)

XEE4192167: Air electric wires, in Philadelphia (USA), 1886 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4192167

Air electric wires, in Philadelphia (USA), 1886 (engraving)

French School, (19th century)

Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection.
Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection.

XEE4192234: Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4192234

Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection.

Unknown Artist, (19th century)


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