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Illustration of the Arabian Nights tale
Illustration of the Arabian Nights tale

XEE4191737: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191737

Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print)

French School, (19th century)

View of the city of Bologna, Italy1859
View of the city of Bologna, Italy1859

XEE4191823: View of the city of Bologna, Italy1859, Anonymous / Bridgeman Images

ID: XEE4191823

View of the city of Bologna, Italy1859

Anonymous

A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print)
A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print)

XEE4191879: A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print), Guillaume, Albert (1873-1942) / Bridgeman Images

ID: XEE4191879

A painter in an attic painting still lifes, the bottle of wine and the cake used as a model do not stand still, 1902 (print)

Guillaume, Albert (1873-1942)

Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print)
Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print)

XEE4191938: Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print) / Bridgeman Images

ID: XEE4191938

Little comic scene at the hairdresser's, an almost bald man frightened by the stories the hairdresser tells him, has hair standing on his head, 1902 (print)

Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in
Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in

XEE4191983: Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in "the galleries of Europe - Italy" by Armandaud., Anonymous / Bridgeman Images

ID: XEE4191983

Portrait of the Italian painter Giovanni Antonio de 'Sacchis called The Pordenone. Engraving of 1859 in "the galleries of Europe - Italy" by Armandaud.

Anonymous

Le Vigneron (print) in
Le Vigneron (print) in

XEE4191869: Le Vigneron (print) in "La chanson des metier", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4191869

Le Vigneron (print) in "La chanson des metier", late 19th century (print)

French School, (19th century)

Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace
Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace

XEE4191888: Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace"Le petit marseillais" 22/06/1902, French School, (20th century) / Bridgeman Images

ID: XEE4191888

Second Boer War: a British army soldier, victorious in the Transvaal, lights a Boer's cigar, behind them the allegory of peace"Le petit marseillais" 22/06/1902

French School, (20th century)

Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859
Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859

XEE4191945: Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859, Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XEE4191945

Portrait of Didier Erasme, Dutch humanist. Engraving after the original by Holbein Hans the Young. Engraving of 1859

Holbein the Younger, Hans (1497/8-1543) (after)

Portrait of Guido Reni. Italian painter. engraving of 1859
Portrait of Guido Reni. Italian painter. engraving of 1859

XEE4192004: Portrait of Guido Reni. Italian painter. engraving of 1859, Anonymous / Bridgeman Images

ID: XEE4192004

Portrait of Guido Reni. Italian painter. engraving of 1859

Anonymous

Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in
Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in

XEE4192033: Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in "the galleries of Europe - Italy" by armengaud., Anonymous / Bridgeman Images

ID: XEE4192033

Portrait of Francesco Raibolini said il Francia Italian painter. engraving of 1859 in "the galleries of Europe - Italy" by armengaud.

Anonymous

Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.
Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

XEE4192075: Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884., French School, (19th century) / Bridgeman Images

ID: XEE4192075

Child incubator by Dr. Alfred Auvard (1855-1940), according to the apparatus used in the maternity ward, on the left, external view, on the right inside view. in “La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

French School, (19th century)

Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection.
Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191533: Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191533

Arrest of the anarchist Emile Henry (1872-1894) after the explosion of the cafe “Terminus”” in Paris. Engraving in “” Le Parisien””, 1894. Private collection.

Unknown Artist, (19th century)

Illustration of the end of the 18th century on how to navigate under water (engraving)
Illustration of the end of the 18th century on how to navigate under water (engraving)

XEE4191562: Illustration of the end of the 18th century on how to navigate under water (engraving), Unknown artist, (18th century) / Bridgeman Images

ID: XEE4191562

Illustration of the end of the 18th century on how to navigate under water (engraving)

Unknown artist, (18th century)

Charles III teh Fat camps under the walls of Paris, 9th century (chromo)
Charles III teh Fat camps under the walls of Paris, 9th century (chromo)

XEE4191659: Charles III teh Fat camps under the walls of Paris, 9th century (chromo), French School, (19th century) / Bridgeman Images

ID: XEE4191659

Charles III teh Fat camps under the walls of Paris, 9th century (chromo)

French School, (19th century)

The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving)
The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving)

XEE4191778: The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4191778

The underwater boat (submarine) “Le Goubet” in Paris, 1896 (engraving)

Unknown Artist, (19th century)

Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.
Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

XEE4192072: Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884., French School, (19th century) / Bridgeman Images

ID: XEE4192072

Electric light experiment performed in 1813 by Humphry Davy (1778-1829), in his chemistry course at the Royal Institution of London (England). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et à l'industrie.” 1884.

French School, (19th century)

Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192097: Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192097

Man dressed in an incombustible suit, saving a child from a fire. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192120: Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192120

Installation of three chambers: (from left to right:) unsanitary cabinet, sanitary cabinet with hunting tank and siphoning and ventitious apparatus without mechanics. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

The magical finger 18th century, 1886 (enrgaving
The magical finger 18th century, 1886 (enrgaving

XEE4192143: The magical finger 18th century, 1886 (enrgaving, French School, (18th century) / Bridgeman Images

ID: XEE4192143

The magical finger 18th century, 1886 (enrgaving

French School, (18th century)

Air electric wires, in Philadelphia (USA), 1886 (engraving)
Air electric wires, in Philadelphia (USA), 1886 (engraving)

XEE4192167: Air electric wires, in Philadelphia (USA), 1886 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4192167

Air electric wires, in Philadelphia (USA), 1886 (engraving)

French School, (19th century)

Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection.
Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection.

XEE4192234: Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4192234

Third Carlist War (1872-1876): Battle between government troops and a Carlist band in Navarre, Spain. Engraving in “” L'Univers illustrious””, 1872. Private collection.

Unknown Artist, (19th century)

View of the Reclere cave in Switzerland. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889.
View of the Reclere cave in Switzerland. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889.

XEE4192306: View of the Reclere cave in Switzerland. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4192306

View of the Reclere cave in Switzerland. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1889.

Unknown Artist, (19th century)

Representation of Nikolai Wassiliewitsch Kobelkoff (1851-1933), known as the trunk artist, in Paris, at Boulevard Saint Martin, drawing by Gilbert of nature. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Representation of Nikolai Wassiliewitsch Kobelkoff (1851-1933), known as the trunk artist, in Paris, at Boulevard Saint Martin, drawing by Gilbert of nature. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192101: Representation of Nikolai Wassiliewitsch Kobelkoff (1851-1933), known as the trunk artist, in Paris, at Boulevard Saint Martin, drawing by Gilbert of nature. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192101

Representation of Nikolai Wassiliewitsch Kobelkoff (1851-1933), known as the trunk artist, in Paris, at Boulevard Saint Martin, drawing by Gilbert of nature. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Piggy bank and dial toggle giving the weight under the action of a 10 cent piece that is thrown into it. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Piggy bank and dial toggle giving the weight under the action of a 10 cent piece that is thrown into it. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192127: Piggy bank and dial toggle giving the weight under the action of a 10 cent piece that is thrown into it. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192127

Piggy bank and dial toggle giving the weight under the action of a 10 cent piece that is thrown into it. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

First World War 1914-1918: barracks of wounded French war soldiers in Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photography May 1917. Private collection, Stella.
First World War 1914-1918: barracks of wounded French war soldiers in Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photography May 1917. Private collection, Stella.

XEE4193036: First World War 1914-1918: barracks of wounded French war soldiers in Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photography May 1917. Private collection, Stella., Anonymous / Bridgeman Images

ID: XEE4193036

First World War 1914-1918: barracks of wounded French war soldiers in Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photography May 1917. Private collection, Stella.

Anonymous

Speciality of France :Cotes du Nord, c.1920 (chromo)
Speciality of France :Cotes du Nord, c.1920 (chromo)

XEE4193091: Speciality of France :Cotes du Nord, c.1920 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4193091

Speciality of France :Cotes du Nord, c.1920 (chromo)

French School, (20th century)

Departement of the Seine, today are the departments of Paris (75), Hauts-de-Seine (Hauts de Seine 92), Seine-Saint-Denis (Seine Saint Denis, 93) and Val-de-Marne (Val de Marne, 94), Ile de France (Ile-De-France), France. The Institut de France and symbol of the French academy with sciences and arts. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Departement of the Seine, today are the departments of Paris (75), Hauts-de-Seine (Hauts de Seine 92), Seine-Saint-Denis (Seine Saint Denis, 93) and Val-de-Marne (Val de Marne, 94), Ile de France (Ile-De-France), France. The Institut de France and symbol of the French academy with sciences and arts. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193132: Departement of the Seine, today are the departments of Paris (75), Hauts-de-Seine (Hauts de Seine 92), Seine-Saint-Denis (Seine Saint Denis, 93) and Val-de-Marne (Val de Marne, 94), Ile de France (Ile-De-France), France. The Institut de France and symbol of the French academy with sciences and arts. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193132

Departement of the Seine, today are the departments of Paris (75), Hauts-de-Seine (Hauts de Seine 92), Seine-Saint-Denis (Seine Saint Denis, 93) and Val-de-Marne (Val de Marne, 94), Ile de France (Ile-De-France), France. The Institut de France and symbol of the French academy with sciences and arts. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193172: Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193172

Pyrenees Orientales (66), Languedoc-Roussillon, Languedoc Roussillon, France. Portrait of Dominique Francois Jean Arago (1786-1853). Local speciality: Honey and Sardines. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

Les Landes (40), Aquitaine, France. Series on the French Departments. Local speciality: tar and wine resin. Shepherd of the Landes. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
Les Landes (40), Aquitaine, France. Series on the French Departments. Local speciality: tar and wine resin. Shepherd of the Landes. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193194: Les Landes (40), Aquitaine, France. Series on the French Departments. Local speciality: tar and wine resin. Shepherd of the Landes. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193194

Les Landes (40), Aquitaine, France. Series on the French Departments. Local speciality: tar and wine resin. Shepherd of the Landes. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

La Vienne (86), Poitou-Charentes (Poitou Charentes), France. Seeds, Chatellerault cutlery and hosiery. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.
La Vienne (86), Poitou-Charentes (Poitou Charentes), France. Seeds, Chatellerault cutlery and hosiery. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

XEE4193250: La Vienne (86), Poitou-Charentes (Poitou Charentes), France. Seeds, Chatellerault cutlery and hosiery. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4193250

La Vienne (86), Poitou-Charentes (Poitou Charentes), France. Seeds, Chatellerault cutlery and hosiery. Series on the French Departments. Chromolithography (Chromo) “” the geographic thread””, circa 1920. Private collection.

French School, (20th century)

A prisoner making the wall, with the help of one of his codetenus, who asks him for a cigar to lend his shoulders. Illustration by Francisque Poulbot (1879-1946) from “” Le petit Marseillais”” 06/07/1902
A prisoner making the wall, with the help of one of his codetenus, who asks him for a cigar to lend his shoulders. Illustration by Francisque Poulbot (1879-1946) from “” Le petit Marseillais”” 06/07/1902

XEE4191898: A prisoner making the wall, with the help of one of his codetenus, who asks him for a cigar to lend his shoulders. Illustration by Francisque Poulbot (1879-1946) from “” Le petit Marseillais”” 06/07/1902, Poulbot, Francisque (1879-1946) / Bridgeman Images

ID: XEE4191898

A prisoner making the wall, with the help of one of his codetenus, who asks him for a cigar to lend his shoulders. Illustration by Francisque Poulbot (1879-1946) from “” Le petit Marseillais”” 06/07/1902

Poulbot, Francisque (1879-1946)

Portrait of Giulio Cesare Procaccini Italian painter. Engraving of 1859
Portrait of Giulio Cesare Procaccini Italian painter. Engraving of 1859

XEE4191970: Portrait of Giulio Cesare Procaccini Italian painter. Engraving of 1859, Anonymous / Bridgeman Images

ID: XEE4191970

Portrait of Giulio Cesare Procaccini Italian painter. Engraving of 1859

Anonymous

Portrait of Leonello Spada or Lionello Spada Italian painter. engraving of 1859
Portrait of Leonello Spada or Lionello Spada Italian painter. engraving of 1859

XEE4192005: Portrait of Leonello Spada or Lionello Spada Italian painter. engraving of 1859, Anonymous / Bridgeman Images

ID: XEE4192005

Portrait of Leonello Spada or Lionello Spada Italian painter. engraving of 1859

Anonymous

Experience of combustible liquid, burning on a hat, on a handkerchief, etc., without producing a fire, executed at the Conservatoire des Arts et Metiers in 1881. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Experience of combustible liquid, burning on a hat, on a handkerchief, etc., without producing a fire, executed at the Conservatoire des Arts et Metiers in 1881. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192095: Experience of combustible liquid, burning on a hat, on a handkerchief, etc., without producing a fire, executed at the Conservatoire des Arts et Metiers in 1881. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192095

Experience of combustible liquid, burning on a hat, on a handkerchief, etc., without producing a fire, executed at the Conservatoire des Arts et Metiers in 1881. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Chinese computation apparatus (abar). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Chinese computation apparatus (abar). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192103: Chinese computation apparatus (abar). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

ID: XEE4192103

Chinese computation apparatus (abar). Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

French School, (19th century)

Tower of Catilina and viaduct delle Svolte. Engraving after sketches by Ralph in
Tower of Catilina and viaduct delle Svolte. Engraving after sketches by Ralph in

XEE4192176: Tower of Catilina and viaduct delle Svolte. Engraving after sketches by Ralph in "Le Monde Illustré", 08/02/1868., Bertrand, (19th century) / Bridgeman Images

ID: XEE4192176

Tower of Catilina and viaduct delle Svolte. Engraving after sketches by Ralph in "Le Monde Illustré", 08/02/1868.

Bertrand, (19th century)


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