Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

1104737 Search Results

Recit “” Ligeia”” by Edgar Allan Poe (1809-1849), published in 1838: the ghost of the disappeared loved woman haunts the narrator. Illustration of Almery Lobel-Riche (Lobel Riche) (1880-1950) for the title page. 1927
Recit “” Ligeia”” by Edgar Allan Poe (1809-1849), published in 1838: the ghost of the disappeared loved woman haunts the narrator. Illustration of Almery Lobel-Riche (Lobel Riche) (1880-1950) for the title page. 1927

GIA4793977: Recit “” Ligeia”” by Edgar Allan Poe (1809-1849), published in 1838: the ghost of the disappeared loved woman haunts the narrator. Illustration of Almery Lobel-Riche (Lobel Riche) (1880-1950) for the title page. 1927, Lobel-Riche, Almery (1877-1950) / Bridgeman Images

Allegory of Europe in the form of a richly clothed woman, crowned, surrounded by horns of abundance. Plate taken from “” Iconologia”” by Cesare Ripa (1550 circa 1622), 1603.
Allegory of Europe in the form of a richly clothed woman, crowned, surrounded by horns of abundance. Plate taken from “” Iconologia”” by Cesare Ripa (1550 circa 1622), 1603.

GIA4794371: Allegory of Europe in the form of a richly clothed woman, crowned, surrounded by horns of abundance. Plate taken from “” Iconologia”” by Cesare Ripa (1550 circa 1622), 1603., Italian School, (16th century) / Bridgeman Images

View of Schonbrunn Castle, former residence of the Austrian Imperial Family, Vienna, Austria, engraving around 1830
View of Schonbrunn Castle, former residence of the Austrian Imperial Family, Vienna, Austria, engraving around 1830

GIA4794940: View of Schonbrunn Castle, former residence of the Austrian Imperial Family, Vienna, Austria, engraving around 1830, Unknown Artist, (19th century) / Bridgeman Images

View of a ceremonial hall of Schonbrunn Castle, former residence of the Austrian Imperial Family, engraving from 1820
View of a ceremonial hall of Schonbrunn Castle, former residence of the Austrian Imperial Family, engraving from 1820

GIA4794912: View of a ceremonial hall of Schonbrunn Castle, former residence of the Austrian Imperial Family, engraving from 1820, Unknown Artist, (19th century) / Bridgeman Images

Quadrant azimutal zodiacal in “Astronomiae instituatae machanicia” by Tycho Brah (1546 - 1601), Wandsbeck, 1598.
Quadrant azimutal zodiacal in “Astronomiae instituatae machanicia” by Tycho Brah (1546 - 1601), Wandsbeck, 1598.

GIA4816428: Quadrant azimutal zodiacal in “Astronomiae instituatae machanicia” by Tycho Brah (1546 - 1601), Wandsbeck, 1598., German School, (16th century) / Bridgeman Images

Views of three cities in Germany: Heidelberg, Spire, Worms. Atlas of Braun and Hogenberg. 1550.
Views of three cities in Germany: Heidelberg, Spire, Worms. Atlas of Braun and Hogenberg. 1550.

GIA4815876: Views of three cities in Germany: Heidelberg, Spire, Worms. Atlas of Braun and Hogenberg. 1550., Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90) / Bridgeman Images

Map of the sky and signs of the zodiac - facsimile of an ancient composition representing the constellations of the southern sky, according to the “Harmonia Macrocosmica” by André Cellarius, 1660
Map of the sky and signs of the zodiac - facsimile of an ancient composition representing the constellations of the southern sky, according to the “Harmonia Macrocosmica” by André Cellarius, 1660

GIA4816518: Map of the sky and signs of the zodiac - facsimile of an ancient composition representing the constellations of the southern sky, according to the “Harmonia Macrocosmica” by André Cellarius, 1660, Unknown Artist, (17th century) / Bridgeman Images

Representation of the cycle of the Moon by Cellarius.
Representation of the cycle of the Moon by Cellarius.

GIA4816571: Representation of the cycle of the Moon by Cellarius., Cellarius, Andreas (c.1596-1665) (after) / Bridgeman Images

Religious order: Capuchin. 16th century engraving.
Religious order: Capuchin. 16th century engraving.

GIA4816752: Religious order: Capuchin. 16th century engraving., Fialetti, Odoardo (1573-1638) / Bridgeman Images

Alchemist Nicola Barnaud, researcher of the philosophical stone.
Alchemist Nicola Barnaud, researcher of the philosophical stone.

GIA4816665: Alchemist Nicola Barnaud, researcher of the philosophical stone., Unknown Artist, (19th century) / Bridgeman Images

Anabaptists of Basel. 19th century. Lithography.
Anabaptists of Basel. 19th century. Lithography.

GIA4816777: Anabaptists of Basel. 19th century. Lithography., Unknown Artist, (19th century) / Bridgeman Images

Cistercian monk. Engraving in O. Fialetti. 16th century.
Cistercian monk. Engraving in O. Fialetti. 16th century.

GIA4816783: Cistercian monk. Engraving in O. Fialetti. 16th century., Fialetti, Odoardo (1573-1638) / Bridgeman Images

Gypsy reading in hand - in “” Custom of the Kingdom of Naples””, De Bourcard, 1830.
Gypsy reading in hand - in “” Custom of the Kingdom of Naples””, De Bourcard, 1830.

GIA4816849: Gypsy reading in hand - in “” Custom of the Kingdom of Naples””, De Bourcard, 1830., Unknown Artist, (19th century) / Bridgeman Images

Autocaricature of lyrical singer Enrico Caruso in the pianola, 1908.
Autocaricature of lyrical singer Enrico Caruso in the pianola, 1908.

GIA4794572: Autocaricature of lyrical singer Enrico Caruso in the pianola, 1908., Caruso, Enrico (1873-1921) / Bridgeman Images

A dragon beating his tail (or Ouroburo (?)). Plate taken from the trek of alchemy “” Atalanta fugiens hoc est Emblemata nova de secretis naturae chymica”” by Michel Maier (1568-1622), 1618.
A dragon beating his tail (or Ouroburo (?)). Plate taken from the trek of alchemy “” Atalanta fugiens hoc est Emblemata nova de secretis naturae chymica”” by Michel Maier (1568-1622), 1618.

GIA4794808: A dragon beating his tail (or Ouroburo (?)). Plate taken from the trek of alchemy “” Atalanta fugiens hoc est Emblemata nova de secretis naturae chymica”” by Michel Maier (1568-1622), 1618., Unknown Artist, (17th century) / Bridgeman Images

Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793487: Scene 4 of Act II of the comic piece “” Il ventaglio”” (The eventel) (1764) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

Fire of the Vienna Opera Wiener Ringtheater in 1881. 19th century drawing
Fire of the Vienna Opera Wiener Ringtheater in 1881. 19th century drawing

GIA4794595: Fire of the Vienna Opera Wiener Ringtheater in 1881. 19th century drawing, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Joris Karl Huysmans (1848-1907), writer and literary critic. Drawing by Auguste Leroux (1871-1954).
Portrait of Joris Karl Huysmans (1848-1907), writer and literary critic. Drawing by Auguste Leroux (1871-1954).

GIA4793687: Portrait of Joris Karl Huysmans (1848-1907), writer and literary critic. Drawing by Auguste Leroux (1871-1954)., Leroux, Jules Marie Auguste (1871-1954) / Bridgeman Images

Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.
Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.

GIA4793689: Last scene of Act III of the comic piece “” Ritorno della villeggiatura”” (Return of the City) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century., Italian School, (18th century) / Bridgeman Images

Portrait of Charles I (Carol I) (1839-1914), King of Romania.
Portrait of Charles I (Carol I) (1839-1914), King of Romania.

GIA4793857: Portrait of Charles I (Carol I) (1839-1914), King of Romania., Unknown Artist, (19th century) / Bridgeman Images

Page of a manuscript of a Hebrew Bible. Objects of worship. 14th century illumination.
Page of a manuscript of a Hebrew Bible. Objects of worship. 14th century illumination.

GIA4815689: Page of a manuscript of a Hebrew Bible. Objects of worship. 14th century illumination., Jewish School, (14th century) / Bridgeman Images

A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century
A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century

GIA4792514: A peasant from the surroundings of the city of Carini in Sicily Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

View of the city of Trieste (in the Austrian period), engraving from 1885
View of the city of Trieste (in the Austrian period), engraving from 1885

GIA4792799: View of the city of Trieste (in the Austrian period), engraving from 1885, Unknown Artist, (19th century) / Bridgeman Images

While waiting for harvest time: peasants rest. Sicily 19th century engraving
While waiting for harvest time: peasants rest. Sicily 19th century engraving

GIA4792422: While waiting for harvest time: peasants rest. Sicily 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images

The rowers on a boat on the Anapo River in Sicily.
The rowers on a boat on the Anapo River in Sicily.

GIA4792648: The rowers on a boat on the Anapo River in Sicily., Unknown Artist, (19th century) / Bridgeman Images

Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793323: Representation of a scene of the piece “” Monsieur de Pourceaugnac”” (1669) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century
Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century

GIA4792789: Representation of an indigenous Sami (living in the territories of Norway, Sweden, Russia, Finland) returning from fishing. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century
View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century

GIA4792980: View of the Khazneh (the Tresor) of Petra in Jordan, former capital of the Nabatean Empire. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

GIA4793270: Representation of a scene of the play “” Les plaisirs de l'île enchantee”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images

Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.
Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.

GIA4793290: Representation of a scene of the piece “” the precious ridicules”” (1659) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738., French School, (18th century) / Bridgeman Images

Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving)
Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving)

GIA4792754: Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna (engraving), Thevet, Andre (1504-92) (after) / Bridgeman Images

View of the Place de la Bourse in Trieste (during the Austrian period), engraving of the 19th century
View of the Place de la Bourse in Trieste (during the Austrian period), engraving of the 19th century

GIA4792817: View of the Place de la Bourse in Trieste (during the Austrian period), engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century
A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century

GIA4792656: A pretty woman has her flowered balcony one summer evening in Syracuse. Sicily Engraving from the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Representation of sirenes. 16th century engraving
Representation of sirenes. 16th century engraving

GIA4792336: Representation of sirenes. 16th century engraving, Unknown Artist, (16th century) / Bridgeman Images

Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century
Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century

GIA4792348: Representation of the sea snake seen by the Norwegian missionary Hans Egede (1686-1758) during his trip to Greenland. Engraving of the 18th century, Unknown artist, (18th century) / Bridgeman Images

Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793169: Representation of a scene of the piece “” les fourberies de Scapin”” (1671) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images


Back to top