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1104718 Search Results

Lily of Laguna, 1984 (oil on board)
Lily of Laguna, 1984 (oil on board)

FFA151943: Lily of Laguna, 1984 (oil on board), Mackenzie, Lucy (b.1952) / Bridgeman Images

ID: FFA151943

Lily of Laguna, 1984 (oil on board)

Mackenzie, Lucy (b.1952)

Thin Disguises, 1990 (oil on board)
Thin Disguises, 1990 (oil on board)

FFA151957: Thin Disguises, 1990 (oil on board), Krut, Ansel (b.1959) / Bridgeman Images

ID: FFA151957

Thin Disguises, 1990 (oil on board)

Krut, Ansel (b.1959)

Untitled (with Figures on Horseback), 1987 (oil on paper)
Untitled (with Figures on Horseback), 1987 (oil on paper)

FFA151961: Untitled (with Figures on Horseback), 1987 (oil on paper), Krut, Ansel (b.1959) / Bridgeman Images

ID: FFA151961

Untitled (with Figures on Horseback), 1987 (oil on paper)

Krut, Ansel (b.1959)

Portrait Study (A Child), 1990 (oil on linen)
Portrait Study (A Child), 1990 (oil on linen)

FFA151965: Portrait Study (A Child), 1990 (oil on linen), Krut, Ansel (b.1959) / Bridgeman Images

ID: FFA151965

Portrait Study (A Child), 1990 (oil on linen)

Krut, Ansel (b.1959)

Chiang Tzu-ya at K'un-lun, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
Chiang Tzu-ya at K'un-lun, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122534: Chiang Tzu-ya at K'un-lun, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122534

Chiang Tzu-ya at K'un-lun, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

The Kitchen God, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
The Kitchen God, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122536: The Kitchen God, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122536

The Kitchen God, illustration from 'Myths and Legends of China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

Buddhists as Slaves in Slow-Carts Country, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)
Buddhists as Slaves in Slow-Carts Country, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

BAL122550: Buddhists as Slaves in Slow-Carts Country, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122550

Buddhists as Slaves in Slow-Carts Country, illustration from 'Myths and Legends in China', by Edward T.C. Werner, pub. by George G. Harrap & Co., 1922 (colour litho)

English School, (20th century)

Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)
Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

BAL122562: Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving), French School, (20th century) / Bridgeman Images

ID: BAL122562

Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

French School, (20th century)

Model for acupuncture, illustration from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)
Model for acupuncture, illustration from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

BAL122567: Model for acupuncture, illustration from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (engraving), French School, (20th century) / Bridgeman Images

ID: BAL122567

Model for acupuncture, illustration from 'Grandeur and Supremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

French School, (20th century)

Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho)
Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho)

BAL122571: Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122571

Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho)

English School, (20th century)

Two Long Horn Cows (bronze)
Two Long Horn Cows (bronze)

MFI122673: Two Long Horn Cows (bronze), Frink, Elisabeth (1930-93) / Bridgeman Images

ID: MFI122673

Two Long Horn Cows (bronze)

Frink, Elisabeth (1930-93)

Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122978: Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), American School, (20th century) / Bridgeman Images

ID: BAL122978

Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

American School, (20th century)

Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122979: Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), American School, (20th century) / Bridgeman Images

ID: BAL122979

Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

American School, (20th century)

'Svincolo' standard lamp by Ettore Sottsass, 1979 and a 'Tindouf' Tambour fronted cabinet by Paolo Navone, 1979, both for the 'Bauhaus Collection' (Studio Alchimia)
'Svincolo' standard lamp by Ettore Sottsass, 1979 and a 'Tindouf' Tambour fronted cabinet by Paolo Navone, 1979, both for the 'Bauhaus Collection' (Studio Alchimia)

BON120256: 'Svincolo' standard lamp by Ettore Sottsass, 1979 and a 'Tindouf' Tambour fronted cabinet by Paolo Navone, 1979, both for the 'Bauhaus Collection' (Studio Alchimia), Navone, Paola (20th Century) / Bridgeman Images

ID: BON120256

'Svincolo' standard lamp by Ettore Sottsass, 1979 and a 'Tindouf' Tambour fronted cabinet by Paolo Navone, 1979, both for the 'Bauhaus Collection' (Studio Alchimia)

Navone, Paola (20th Century)

The Lighthouse, 1946 (w/c, pen and ink on paper)
The Lighthouse, 1946 (w/c, pen and ink on paper)

NUM120321: The Lighthouse, 1946 (w/c, pen and ink on paper), Feininger, Lyonel (1871-1956) / Bridgeman Images

ID: NUM120321

The Lighthouse, 1946 (w/c, pen and ink on paper)

Feininger, Lyonel (1871-1956)

Grey Painting, c.1957 (oil on canvas)
Grey Painting, c.1957 (oil on canvas)

WH120363: Grey Painting, c.1957 (oil on canvas), Heath, Adrian (1920-1992) / Bridgeman Images

ID: WH120363

Grey Painting, c.1957 (oil on canvas)

Heath, Adrian (1920-1992)

Digging the Tunnel, 1972 (w/c on paper)
Digging the Tunnel, 1972 (w/c on paper)

TST123440: Digging the Tunnel, 1972 (w/c on paper), Nguyen Duc Tho (born 1930) / Bridgeman Images

ID: TST123440

Digging the Tunnel, 1972 (w/c on paper)

Nguyen Duc Tho (born 1930)

The Flower Market (pastel on paper)
The Flower Market (pastel on paper)

MLN123790: The Flower Market (pastel on paper), Richter, Herbert Davis (1874-1955) / Bridgeman Images

ID: MLN123790

The Flower Market (pastel on paper)

Richter, Herbert Davis (1874-1955)

A Slave-Coffle passing the Capitol, from 'A Popular History of the United States' by William Cullen Bryant and Sidney Howard Gay, 1880 (engraving) (b&w photo)
A Slave-Coffle passing the Capitol, from 'A Popular History of the United States' by William Cullen Bryant and Sidney Howard Gay, 1880 (engraving) (b&w photo)

BAL124132: A Slave-Coffle passing the Capitol, from 'A Popular History of the United States' by William Cullen Bryant and Sidney Howard Gay, 1880 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

ID: BAL124132

A Slave-Coffle passing the Capitol, from 'A Popular History of the United States' by William Cullen Bryant and Sidney Howard Gay, 1880 (engraving) (b&w photo)

American School, (19th century)

Slave Carrying a Child on her Back, c.1827 (w/c on watermarked paper and prickwork)
Slave Carrying a Child on her Back, c.1827 (w/c on watermarked paper and prickwork)

MGS120398: Slave Carrying a Child on her Back, c.1827 (w/c on watermarked paper and prickwork), English School, (19th century) / Bridgeman Images

ID: MGS120398

Slave Carrying a Child on her Back, c.1827 (w/c on watermarked paper and prickwork)

English School, (19th century)

The Golden Bowl (oil on canvas)
The Golden Bowl (oil on canvas)

MAA120455: The Golden Bowl (oil on canvas), Cowper, Frank Cadogan (1877-1958) / Bridgeman Images

ID: MAA120455

The Golden Bowl (oil on canvas)

Cowper, Frank Cadogan (1877-1958)

Benin chair seat, Omada carvers, Nigeria, c.1874 (wood)
Benin chair seat, Omada carvers, Nigeria, c.1874 (wood)

MGS120602: Benin chair seat, Omada carvers, Nigeria, c.1874 (wood), African School, (19th Century) / Bridgeman Images

ID: MGS120602

Benin chair seat, Omada carvers, Nigeria, c.1874 (wood)

African School, (19th Century)

Jug, decorated with a relief scene of a master whipping a slave mother and child, 1853 (pottery and pewter)
Jug, decorated with a relief scene of a master whipping a slave mother and child, 1853 (pottery and pewter)

MGS120610: Jug, decorated with a relief scene of a master whipping a slave mother and child, 1853 (pottery and pewter) / Bridgeman Images

ID: MGS120610

Jug, decorated with a relief scene of a master whipping a slave mother and child, 1853 (pottery and pewter)

The Result, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)
The Result, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)

MGS120612: The Result, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611) / Bridgeman Images

ID: MGS120612

The Result, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)

African Slave Trade, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)
African Slave Trade, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)

MGS120614: African Slave Trade, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611) / Bridgeman Images

ID: MGS120614

African Slave Trade, from a handkerchief depicting the Slave Trade along each edge, c.1890 (printed linen) (see also 120611)

An Emancipated Negro, published by Thomas McLean, Haymarket May 20, 1833 (litho with later w/c on paper)
An Emancipated Negro, published by Thomas McLean, Haymarket May 20, 1833 (litho with later w/c on paper)

MGS120621: An Emancipated Negro, published by Thomas McLean, Haymarket May 20, 1833 (litho with later w/c on paper), Brusle, J. (fl.1833) / Bridgeman Images

ID: MGS120621

An Emancipated Negro, published by Thomas McLean, Haymarket May 20, 1833 (litho with later w/c on paper)

Brusle, J. (fl.1833)

Portrait of Hermes Barry, c.1826 (w/c and ink on paper)
Portrait of Hermes Barry, c.1826 (w/c and ink on paper)

MGS120637: Portrait of Hermes Barry, c.1826 (w/c and ink on paper), American School, (19th century) / Bridgeman Images

ID: MGS120637

Portrait of Hermes Barry, c.1826 (w/c and ink on paper)

American School, (19th century)

A Man of Colour, and a Native of Jamaica, February 1843 (letterpress broadside with wood engraved vignette)
A Man of Colour, and a Native of Jamaica, February 1843 (letterpress broadside with wood engraved vignette)

MGS120641: A Man of Colour, and a Native of Jamaica, February 1843 (letterpress broadside with wood engraved vignette), English School, (19th century) / Bridgeman Images

ID: MGS120641

A Man of Colour, and a Native of Jamaica, February 1843 (letterpress broadside with wood engraved vignette)

English School, (19th century)

Still Life with a Japanese Print, 1912 (oil on canvas)
Still Life with a Japanese Print, 1912 (oil on canvas)

XAB120880: Still Life with a Japanese Print, 1912 (oil on canvas), Kuznetsov, Pavel Varfolomeevich (1878-1968) / Bridgeman Images

ID: XAB120880

Still Life with a Japanese Print, 1912 (oil on canvas)

Kuznetsov, Pavel Varfolomeevich (1878-1968)

Iconografia, 1975 (mixed media)
Iconografia, 1975 (mixed media)

NUM121230: Iconografia, 1975 (mixed media), Fabro, Luciano (1936-2007) / Bridgeman Images

ID: NUM121230

Iconografia, 1975 (mixed media)

Fabro, Luciano (1936-2007)

Ignis Fatuus (screenprint)
Ignis Fatuus (screenprint)

NUM121246: Ignis Fatuus (screenprint), Burwitz, Nils (b.1940) / Bridgeman Images

ID: NUM121246

Ignis Fatuus (screenprint)

Burwitz, Nils (b.1940)

After the Race, 1973 (oil on canvas)
After the Race, 1973 (oil on canvas)

NUM121588: After the Race, 1973 (oil on canvas), Yvel, Claude (20th century) / Bridgeman Images

ID: NUM121588

After the Race, 1973 (oil on canvas)

Yvel, Claude (20th century)

Tree on the Bank of a River, 1914 (oil on canvas)
Tree on the Bank of a River, 1914 (oil on canvas)

WH122005: Tree on the Bank of a River, 1914 (oil on canvas), Smet, Leon de (1881-1966) / Bridgeman Images

ID: WH122005

Tree on the Bank of a River, 1914 (oil on canvas)

Smet, Leon de (1881-1966)

The Sideboard, 1924 (oil on canvas)
The Sideboard, 1924 (oil on canvas)

WH122006: The Sideboard, 1924 (oil on canvas), Smet, Leon de (1881-1966) / Bridgeman Images

ID: WH122006

The Sideboard, 1924 (oil on canvas)

Smet, Leon de (1881-1966)

Pre Catalan, Paris, 1908 (oil on panel)
Pre Catalan, Paris, 1908 (oil on panel)

WH122022: Pre Catalan, Paris, 1908 (oil on panel), Fergusson, John Duncan (1874-1961) / Bridgeman Images

ID: WH122022

Pre Catalan, Paris, 1908 (oil on panel)

Fergusson, John Duncan (1874-1961)

Dahlias and Begonias, 1925 (oil on canvas)
Dahlias and Begonias, 1925 (oil on canvas)

WH122024: Dahlias and Begonias, 1925 (oil on canvas), Smet, Leon de (1881-1966) / Bridgeman Images

ID: WH122024

Dahlias and Begonias, 1925 (oil on canvas)

Smet, Leon de (1881-1966)


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