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Portrait of Pépin II (823 - 864), King of Aquitaine. engraving from 1830.
Portrait of Pépin II (823 - 864), King of Aquitaine. engraving from 1830.

GIA4766410: Portrait of Pépin II (823 - 864), King of Aquitaine. engraving from 1830., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4766410

Portrait of Pépin II (823 - 864), King of Aquitaine. engraving from 1830.

Unknown Artist, (19th century)

Portrait of Umberto Giordano (1867 - 1948), Don Lorenzo Perosi (1872 - 1956) and Pietro Mascagni (1863 - 1945), Italian composers.
Portrait of Umberto Giordano (1867 - 1948), Don Lorenzo Perosi (1872 - 1956) and Pietro Mascagni (1863 - 1945), Italian composers.

GIA4766495: Portrait of Umberto Giordano (1867 - 1948), Don Lorenzo Perosi (1872 - 1956) and Pietro Mascagni (1863 - 1945), Italian composers., Unknown photographer, (20th century) / Bridgeman Images

ID: GIA4766495

Portrait of Umberto Giordano (1867 - 1948), Don Lorenzo Perosi (1872 - 1956) and Pietro Mascagni (1863 - 1945), Italian composers.

Unknown photographer, (20th century)

The great Italian triumph in the Schneider Cup. The arrival of the intrepid Major Mario de Bernardi, acclaimed by the crowd. Ill. d'A. Beltrame.
The great Italian triumph in the Schneider Cup. The arrival of the intrepid Major Mario de Bernardi, acclaimed by the crowd. Ill. d'A. Beltrame.

GIA4766582: The great Italian triumph in the Schneider Cup. The arrival of the intrepid Major Mario de Bernardi, acclaimed by the crowd. Ill. d'A. Beltrame. "La Domenica del Corriere", 28/11/1926., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: GIA4766582

The great Italian triumph in the Schneider Cup. The arrival of the intrepid Major Mario de Bernardi, acclaimed by the crowd. Ill. d'A. Beltrame. "La Domenica del Corriere", 28/11/1926.

Beltrame, Achille (1871-1945)

The gathering on the coast of Bologna, where Benito Mussolini gave the speech in front of 150,000 people. Cover of
The gathering on the coast of Bologna, where Benito Mussolini gave the speech in front of 150,000 people. Cover of

GIA4766596: The gathering on the coast of Bologna, where Benito Mussolini gave the speech in front of 150,000 people. Cover of ""La Domenica del Corriere"" of 14/11/1926. Illustration by Achille Beltrame., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: GIA4766596

The gathering on the coast of Bologna, where Benito Mussolini gave the speech in front of 150,000 people. Cover of ""La Domenica del Corriere"" of 14/11/1926. Illustration by Achille Beltrame.

Beltrame, Achille (1871-1945)

The funeral of Giacomo Puccini in Brussels. Ill. by R. Salvadori.
The funeral of Giacomo Puccini in Brussels. Ill. by R. Salvadori.

GIA4766650: The funeral of Giacomo Puccini in Brussels. Ill. by R. Salvadori. "La Domenica del Corriere"". 14/12/1924., Salvadori, Riccardo (1866-1927) / Bridgeman Images

ID: GIA4766650

The funeral of Giacomo Puccini in Brussels. Ill. by R. Salvadori. "La Domenica del Corriere"". 14/12/1924.

Salvadori, Riccardo (1866-1927)

The Poesy of War: The latest popular songs inspired by the Libyan War are sung in the streets of Naples by street artists. Ill. de Beltrame. La Domenica del Corriere. 1912
The Poesy of War: The latest popular songs inspired by the Libyan War are sung in the streets of Naples by street artists. Ill. de Beltrame. La Domenica del Corriere. 1912

GIA4766684: The Poesy of War: The latest popular songs inspired by the Libyan War are sung in the streets of Naples by street artists. Ill. de Beltrame. La Domenica del Corriere. 1912, Beltrame, Achille (1871-1945) / Bridgeman Images

ID: GIA4766684

The Poesy of War: The latest popular songs inspired by the Libyan War are sung in the streets of Naples by street artists. Ill. de Beltrame. La Domenica del Corriere. 1912

Beltrame, Achille (1871-1945)

Leonardo Vinci, Italian composer, 1690-1732.
Leonardo Vinci, Italian composer, 1690-1732.

GIA4766732: Leonardo Vinci, Italian composer, 1690-1732., Unknown artist, (18th century) / Bridgeman Images

ID: GIA4766732

Leonardo Vinci, Italian composer, 1690-1732.

Unknown artist, (18th century)

Portrait of Menelik II (1844 - 1913) King of Ethiopia.
Portrait of Menelik II (1844 - 1913) King of Ethiopia.

GIA4766777: Portrait of Menelik II (1844 - 1913) King of Ethiopia., Unknown photographer, (19th century) / Bridgeman Images

ID: GIA4766777

Portrait of Menelik II (1844 - 1913) King of Ethiopia.

Unknown photographer, (19th century)

Portrait of Dr. Elie Metchnikoff (1845 - 1916) Russian zoologist and microbiologist. He was awarded the Nobel Prize in 1908.
Portrait of Dr. Elie Metchnikoff (1845 - 1916) Russian zoologist and microbiologist. He was awarded the Nobel Prize in 1908.

GIA4765955: Portrait of Dr. Elie Metchnikoff (1845 - 1916) Russian zoologist and microbiologist. He was awarded the Nobel Prize in 1908., Unknown Artist, (20th century) / Bridgeman Images

ID: GIA4765955

Portrait of Dr. Elie Metchnikoff (1845 - 1916) Russian zoologist and microbiologist. He was awarded the Nobel Prize in 1908.

Unknown Artist, (20th century)

The end of the world: the last men will not have a grave, the skeletons will be on the ground. 20th century.
The end of the world: the last men will not have a grave, the skeletons will be on the ground. 20th century.

GIA4766013: The end of the world: the last men will not have a grave, the skeletons will be on the ground. 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: GIA4766013

The end of the world: the last men will not have a grave, the skeletons will be on the ground. 20th century.

Unknown Artist, (20th century)

Nunzio Guglielmo, mad painter, attacked the masterpiece of Raffaello de la Pinacoteca di Brera “The Marriage of the Virgin” by Raffaello Sanzio, 1958 (illustration)
Nunzio Guglielmo, mad painter, attacked the masterpiece of Raffaello de la Pinacoteca di Brera “The Marriage of the Virgin” by Raffaello Sanzio, 1958 (illustration)

GIA4766055: Nunzio Guglielmo, mad painter, attacked the masterpiece of Raffaello de la Pinacoteca di Brera “The Marriage of the Virgin” by Raffaello Sanzio, 1958 (illustration) / Bridgeman Images

ID: GIA4766055

Nunzio Guglielmo, mad painter, attacked the masterpiece of Raffaello de la Pinacoteca di Brera “The Marriage of the Virgin” by Raffaello Sanzio, 1958 (illustration)

Schonbrunn Park, a complex of palaces and gardens located not far from Vienna, was the summer residence of the Habsburg family since the 18th century. Lithograph of the 19th century.
Schonbrunn Park, a complex of palaces and gardens located not far from Vienna, was the summer residence of the Habsburg family since the 18th century. Lithograph of the 19th century.

GIA4766182: Schonbrunn Park, a complex of palaces and gardens located not far from Vienna, was the summer residence of the Habsburg family since the 18th century. Lithograph of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4766182

Schonbrunn Park, a complex of palaces and gardens located not far from Vienna, was the summer residence of the Habsburg family since the 18th century. Lithograph of the 19th century.

Unknown Artist, (19th century)

Baptism ceremony in the Cedar River in Iowa (USA) of black members of the Church of God sect. Ill. of A. Beltrame. La Domenica del Corriere, 1925.
Baptism ceremony in the Cedar River in Iowa (USA) of black members of the Church of God sect. Ill. of A. Beltrame. La Domenica del Corriere, 1925.

GIA4766306: Baptism ceremony in the Cedar River in Iowa (USA) of black members of the Church of God sect. Ill. of A. Beltrame. La Domenica del Corriere, 1925., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: GIA4766306

Baptism ceremony in the Cedar River in Iowa (USA) of black members of the Church of God sect. Ill. of A. Beltrame. La Domenica del Corriere, 1925.

Beltrame, Achille (1871-1945)

Portrait of Louis XI (1423 - 1483), King of France.
Portrait of Louis XI (1423 - 1483), King of France.

GIA4766340: Portrait of Louis XI (1423 - 1483), King of France., Massard, Leopold (1812-1889) / Bridgeman Images

ID: GIA4766340

Portrait of Louis XI (1423 - 1483), King of France.

Massard, Leopold (1812-1889)

Ruggiero Leoncavallo (1858-1919) with the performers of the premiere of Opera Zazà. from left E. Garbin, Rosina Storchio, Leoncavallo, Sammarco.Milano, Teatro Lirico, 10 November 1900
Ruggiero Leoncavallo (1858-1919) with the performers of the premiere of Opera Zazà. from left E. Garbin, Rosina Storchio, Leoncavallo, Sammarco.Milano, Teatro Lirico, 10 November 1900

GIA4761475: Ruggiero Leoncavallo (1858-1919) with the performers of the premiere of Opera Zazà. from left E. Garbin, Rosina Storchio, Leoncavallo, Sammarco.Milano, Teatro Lirico, 10 November 1900, Unknown photographer, (20th century) / Bridgeman Images

ID: GIA4761475

Ruggiero Leoncavallo (1858-1919) with the performers of the premiere of Opera Zazà. from left E. Garbin, Rosina Storchio, Leoncavallo, Sammarco.Milano, Teatro Lirico, 10 November 1900

Unknown photographer, (20th century)

Illustration of the farm game. Italy, early 20th century.
Illustration of the farm game. Italy, early 20th century.

GIA4761497: Illustration of the farm game. Italy, early 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: GIA4761497

Illustration of the farm game. Italy, early 20th century.

Unknown Artist, (20th century)

A woman's bleeding. Xylography in “Buch de Surgery” by Hyeronimus Braunschweig. Strasbourg 1497
A woman's bleeding. Xylography in “Buch de Surgery” by Hyeronimus Braunschweig. Strasbourg 1497

GIA4761735: A woman's bleeding. Xylography in “Buch de Surgery” by Hyeronimus Braunschweig. Strasbourg 1497, Unknown Artist, (15th century) / Bridgeman Images

ID: GIA4761735

A woman's bleeding. Xylography in “Buch de Surgery” by Hyeronimus Braunschweig. Strasbourg 1497

Unknown Artist, (15th century)

Dalila is about to cut Samson's hair reforming her strength. 19th century.
Dalila is about to cut Samson's hair reforming her strength. 19th century.

GIA4761846: Dalila is about to cut Samson's hair reforming her strength. 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4761846

Dalila is about to cut Samson's hair reforming her strength. 19th century.

Unknown Artist, (19th century)

Antoine or Marc Antoine (83 BC - 30 BC) dying in Cleopatra's arms after having died believing in Cleopatra's suicide. Engraving of the 19th century.
Antoine or Marc Antoine (83 BC - 30 BC) dying in Cleopatra's arms after having died believing in Cleopatra's suicide. Engraving of the 19th century.

GIA4761847: Antoine or Marc Antoine (83 BC - 30 BC) dying in Cleopatra's arms after having died believing in Cleopatra's suicide. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4761847

Antoine or Marc Antoine (83 BC - 30 BC) dying in Cleopatra's arms after having died believing in Cleopatra's suicide. Engraving of the 19th century.

Unknown Artist, (19th century)

Cleopatra (69 BC - 30 BC), Queen of Egypt and Octave, came to talk with her after the defeat of Actium and the death of Marc Antony. Engraving of the 19th century. Storia d'Italia.
Cleopatra (69 BC - 30 BC), Queen of Egypt and Octave, came to talk with her after the defeat of Actium and the death of Marc Antony. Engraving of the 19th century. Storia d'Italia.

GIA4761985: Cleopatra (69 BC - 30 BC), Queen of Egypt and Octave, came to talk with her after the defeat of Actium and the death of Marc Antony. Engraving of the 19th century. Storia d'Italia., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4761985

Cleopatra (69 BC - 30 BC), Queen of Egypt and Octave, came to talk with her after the defeat of Actium and the death of Marc Antony. Engraving of the 19th century. Storia d'Italia.

Unknown Artist, (19th century)

Shop of the Compagnie Moka Zanzibar, coffee shop in Paris.
Shop of the Compagnie Moka Zanzibar, coffee shop in Paris.

GIA4762605: Shop of the Compagnie Moka Zanzibar, coffee shop in Paris., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4762605

Shop of the Compagnie Moka Zanzibar, coffee shop in Paris.

Unknown Artist, (19th century)

Horoscope: the sign of cancer.
Horoscope: the sign of cancer.

GIA4762609: Horoscope: the sign of cancer., Unknown Artist, (20th century) / Bridgeman Images

ID: GIA4762609

Horoscope: the sign of cancer.

Unknown Artist, (20th century)

A Winning Hazard, scene 2: seduction around a pool table. Illustration of St. Reichan, 1887
A Winning Hazard, scene 2: seduction around a pool table. Illustration of St. Reichan, 1887

GIA4762482: A Winning Hazard, scene 2: seduction around a pool table. Illustration of St. Reichan, 1887, Reichan, St. (active c.1887) / Bridgeman Images

ID: GIA4762482

A Winning Hazard, scene 2: seduction around a pool table. Illustration of St. Reichan, 1887

Reichan, St. (active c.1887)

The end of the world: the beginning of the universal madness of humanity due to an atmospheric disturbance. Ill. by Horace Orazi (1906 - 1979). 20th century.
The end of the world: the beginning of the universal madness of humanity due to an atmospheric disturbance. Ill. by Horace Orazi (1906 - 1979). 20th century.

GIA4765833: The end of the world: the beginning of the universal madness of humanity due to an atmospheric disturbance. Ill. by Horace Orazi (1906 - 1979). 20th century., Orazi, Horace (1906-1979) / Bridgeman Images

ID: GIA4765833

The end of the world: the beginning of the universal madness of humanity due to an atmospheric disturbance. Ill. by Horace Orazi (1906 - 1979). 20th century.

Orazi, Horace (1906-1979)

Representation of a scene from the play “” L'avare ou l'ecole du Lensonge”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene from the play “” L'avare ou l'ecole du Lensonge”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793083: Representation of a scene from the play “” L'avare ou l'ecole du Lensonge”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

ID: GIA4793083

Representation of a scene from the play “” L'avare ou l'ecole du Lensonge”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

French School, (18th century)

Representation of a scene of the play “” Le bourgeois gentilhomme”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the play “” Le bourgeois gentilhomme”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793183: Representation of a scene of the play “” Le bourgeois gentilhomme”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

ID: GIA4793183

Representation of a scene of the play “” Le bourgeois gentilhomme”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

French School, (18th century)

Representation of a scene of the play “” Le malade imaginaire”” (1673) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the play “” Le malade imaginaire”” (1673) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793221: Representation of a scene of the play “” Le malade imaginaire”” (1673) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

ID: GIA4793221

Representation of a scene of the play “” Le malade imaginaire”” (1673) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

French School, (18th century)

Representation of a scene from the piece “” Le medecin malgre lui” (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
Representation of a scene from the piece “” Le medecin malgre lui” (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

GIA4793233: Representation of a scene from the piece “” Le medecin malgre lui” (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images

ID: GIA4793233

Representation of a scene from the piece “” Le medecin malgre lui” (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

French School, (18th century)

Representation of a scene of the piece “” Les lovers magnificients”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the piece “” Les lovers magnificients”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793239: Representation of a scene of the piece “” Les lovers magnificients”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

ID: GIA4793239

Representation of a scene of the piece “” Les lovers magnificients”” (1670) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

French School, (18th century)

Representation of a scene of the piece “” Prologue de Psyche”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene of the piece “” Prologue de Psyche”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793343: Representation of a scene of the piece “” Prologue de Psyche”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

ID: GIA4793343

Representation of a scene of the piece “” Prologue de Psyche”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

French School, (18th century)

Illustration for the second act of the opera “Alessandro Stradella” by Friedrich von Flotow (1812-1883) German composer, 1844. In the illustration the composer Alessandro Stradella.
Illustration for the second act of the opera “Alessandro Stradella” by Friedrich von Flotow (1812-1883) German composer, 1844. In the illustration the composer Alessandro Stradella.

GIA4793358: Illustration for the second act of the opera “Alessandro Stradella” by Friedrich von Flotow (1812-1883) German composer, 1844. In the illustration the composer Alessandro Stradella., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4793358

Illustration for the second act of the opera “Alessandro Stradella” by Friedrich von Flotow (1812-1883) German composer, 1844. In the illustration the composer Alessandro Stradella.

Unknown Artist, (19th century)

Scene 10 of Act II of the comic piece “” The avventure della villeggiatura”” (The Adventures of the City) (1756) by Carlo Goldoni (1707-1793): game tables. Engraving of the 18th century
Scene 10 of Act II of the comic piece “” The avventure della villeggiatura”” (The Adventures of the City) (1756) by Carlo Goldoni (1707-1793): game tables. Engraving of the 18th century

GIA4793452: Scene 10 of Act II of the comic piece “” The avventure della villeggiatura”” (The Adventures of the City) (1756) by Carlo Goldoni (1707-1793): game tables. Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

ID: GIA4793452

Scene 10 of Act II of the comic piece “” The avventure della villeggiatura”” (The Adventures of the City) (1756) by Carlo Goldoni (1707-1793): game tables. Engraving of the 18th century

Italian School, (18th century)

Masquerade: procession and dance of people masks on the occasion of carnival. Milan 20/02/1764 Engraving of the 18th century
Masquerade: procession and dance of people masks on the occasion of carnival. Milan 20/02/1764 Engraving of the 18th century

GIA4793557: Masquerade: procession and dance of people masks on the occasion of carnival. Milan 20/02/1764 Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

ID: GIA4793557

Masquerade: procession and dance of people masks on the occasion of carnival. Milan 20/02/1764 Engraving of the 18th century

Italian School, (18th century)

Scene 1 of Act I of the comic piece “” Le smania per la villeggiatura”” (La ville) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.
Scene 1 of Act I of the comic piece “” Le smania per la villeggiatura”” (La ville) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.

GIA4793610: Scene 1 of Act I of the comic piece “” Le smania per la villeggiatura”” (La ville) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century., Italian School, (18th century) / Bridgeman Images

ID: GIA4793610

Scene 1 of Act I of the comic piece “” Le smania per la villeggiatura”” (La ville) (1761) by Carlo Goldoni (1707-1793). Engraving of the 18th century.

Italian School, (18th century)

Portrait of Charles Darwin (1809-1882) playing with squirrels.
Portrait of Charles Darwin (1809-1882) playing with squirrels.

GIA4793720: Portrait of Charles Darwin (1809-1882) playing with squirrels., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4793720

Portrait of Charles Darwin (1809-1882) playing with squirrels.

Unknown Artist, (19th century)

Illustration for the novel “The lame devil” by Alain Rene Lesage (Alain-Rene Le Sage) (1668-1747) (1707). Drawing by E.Torrent, about 1930.
Illustration for the novel “The lame devil” by Alain Rene Lesage (Alain-Rene Le Sage) (1668-1747) (1707). Drawing by E.Torrent, about 1930.

GIA4793753: Illustration for the novel “The lame devil” by Alain Rene Lesage (Alain-Rene Le Sage) (1668-1747) (1707). Drawing by E.Torrent, about 1930., Torrent, Evelio (1876-1940) / Bridgeman Images

ID: GIA4793753

Illustration for the novel “The lame devil” by Alain Rene Lesage (Alain-Rene Le Sage) (1668-1747) (1707). Drawing by E.Torrent, about 1930.

Torrent, Evelio (1876-1940)


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