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Calligram by Guillaume Apollinaire (1880-1918): “The mandolin, the carnation and the bamboo””
Calligram by Guillaume Apollinaire (1880-1918): “The mandolin, the carnation and the bamboo””

GIA4796153: Calligram by Guillaume Apollinaire (1880-1918): “The mandolin, the carnation and the bamboo””, Apollinaire, Guillaume (1880-1918) / Bridgeman Images

Illustration by Armand Rassenfosse (1862 - 1934) for the poem “Femmes damnees”” in “Les fleurs du mal” by Charles Baudelaire (1821-1867) 1899
Illustration by Armand Rassenfosse (1862 - 1934) for the poem “Femmes damnees”” in “Les fleurs du mal” by Charles Baudelaire (1821-1867) 1899

GIA4796194: Illustration by Armand Rassenfosse (1862 - 1934) for the poem “Femmes damnees”” in “Les fleurs du mal” by Charles Baudelaire (1821-1867) 1899, Rassenfosse, Armand (1862-1934) / Bridgeman Images

Frontispice of “The flowers of evil”” by the poet Charles Baudelaire (1821-1867) illustrated by A. Martin, 1909
Frontispice of “The flowers of evil”” by the poet Charles Baudelaire (1821-1867) illustrated by A. Martin, 1909

GIA4796207: Frontispice of “The flowers of evil”” by the poet Charles Baudelaire (1821-1867) illustrated by A. Martin, 1909, French School, (20th century) / Bridgeman Images

Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century
Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century

GIA4798008: Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Maria Garcia called the Malibran (1808-1836) singer in “Norma” by Bellini
Portrait of Maria Garcia called the Malibran (1808-1836) singer in “Norma” by Bellini

GIA4798062: Portrait of Maria Garcia called the Malibran (1808-1836) singer in “Norma” by Bellini, Unknown Artist, (19th century) / Bridgeman Images

Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798243: Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Apparatus for accustoming oxen to the line. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Apparatus for accustoming oxen to the line. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798305: Apparatus for accustoming oxen to the line. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798314: Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798359: At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798380: Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798398: Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Hypnosis: a man practicing hypnosis on a cataleptic woman.
Hypnosis: a man practicing hypnosis on a cataleptic woman.

GIA4798571: Hypnosis: a man practicing hypnosis on a cataleptic woman., Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Italian doctor and politician Carlo Botta (1766-1837).
Portrait of the Italian doctor and politician Carlo Botta (1766-1837).

GIA4797728: Portrait of the Italian doctor and politician Carlo Botta (1766-1837)., Unknown Artist, (19th century) / Bridgeman Images

Florist in Florence. Lithography around 1820
Florist in Florence. Lithography around 1820

GIA4797755: Florist in Florence. Lithography around 1820, Unknown Artist, (19th century) / Bridgeman Images

The lives of illustrious men. Frontispice of Plutarch di Cheronee's book, also called “Paralleles Lives””. Venetian edition 1561.
The lives of illustrious men. Frontispice of Plutarch di Cheronee's book, also called “Paralleles Lives””. Venetian edition 1561.

GIA4797849: The lives of illustrious men. Frontispice of Plutarch di Cheronee's book, also called “Paralleles Lives””. Venetian edition 1561., Italian School, (16th century) / Bridgeman Images

Illustration for Act IV of “Ricciarda” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century
Illustration for Act IV of “Ricciarda” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century

GIA4796453: Illustration for Act IV of “Ricciarda” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century
Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century

GIA4796496: Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Frontispice of “” Pensieri”” (Pensees) by the Italian poet Giacomo Leopardi (1798 - 1837) 19th century
Frontispice of “” Pensieri”” (Pensees) by the Italian poet Giacomo Leopardi (1798 - 1837) 19th century

GIA4796636: Frontispice of “” Pensieri”” (Pensees) by the Italian poet Giacomo Leopardi (1798 - 1837) 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936
Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936

GIA4796649: Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936, Unknown photographer, (20th century) / Bridgeman Images

Frontispice of the collection “Ed e subito sera”” by the Italian poet Salvatore Quasimodo (1901-1968).
Frontispice of the collection “Ed e subito sera”” by the Italian poet Salvatore Quasimodo (1901-1968).

GIA4796763: Frontispice of the collection “Ed e subito sera”” by the Italian poet Salvatore Quasimodo (1901-1968)., Italian School, (20th century) / Bridgeman Images

The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770).
The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770).

GIA4764909: The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Mobile restaurants in Singapore's Chinatown. Illustration by L. Sabatier. 19th century.
Mobile restaurants in Singapore's Chinatown. Illustration by L. Sabatier. 19th century.

GIA4764973: Mobile restaurants in Singapore's Chinatown. Illustration by L. Sabatier. 19th century., Sabattier, Louis Remy (1863-1935) / Bridgeman Images

View of Santa Lucia, Naples. Watercolour around 1850.
View of Santa Lucia, Naples. Watercolour around 1850.

GIA4765336: View of Santa Lucia, Naples. Watercolour around 1850., Unknown Artist, (19th century) / Bridgeman Images

View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850.
View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850.

GIA4765348: View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850., Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Venetian Bianca Cappello (1548 - 1587), wife of François de Medici. Engraving of the 19th century.
Portrait of the Venetian Bianca Cappello (1548 - 1587), wife of François de Medici. Engraving of the 19th century.

GIA4765422: Portrait of the Venetian Bianca Cappello (1548 - 1587), wife of François de Medici. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Bike ride of a couple in love. 1909
Bike ride of a couple in love. 1909

GIA4765440: Bike ride of a couple in love. 1909, Unknown Artist, (20th century) / Bridgeman Images

The promenade at the Bois de Boulogne in 1900: women driving a 5 cv Decauville.
The promenade at the Bois de Boulogne in 1900: women driving a 5 cv Decauville.

GIA4765455: The promenade at the Bois de Boulogne in 1900: women driving a 5 cv Decauville., Unknown photographer, (20th century) / Bridgeman Images

The death of the witch by Francesco Guaccio “” Compendium Maleficarum”” Milan 1608.
The death of the witch by Francesco Guaccio “” Compendium Maleficarum”” Milan 1608.

GIA4765722: The death of the witch by Francesco Guaccio “” Compendium Maleficarum”” Milan 1608., Unknown Artist, (17th century) / Bridgeman Images

Attaque d'un transsibérien par des bandes chinoises aprés l'expulsion des russes. Ill d'Ugo Matania.
Attaque d'un transsibérien par des bandes chinoises aprés l'expulsion des russes. Ill d'Ugo Matania.

GIA4758941: Attaque d'un transsibérien par des bandes chinoises aprés l'expulsion des russes. Ill d'Ugo Matania. ""Il mattino illustrato"". 1929, Matania, Ugo (1888-1979) / Bridgeman Images

Inauguration solennelle du Premier Parlement Corporatif en presence du roi Victor-Emmanuel III (Victor Emmanuel) (Vittorio Emanuele) et des princes. Ill. d'Ugo Montania.
Inauguration solennelle du Premier Parlement Corporatif en presence du roi Victor-Emmanuel III (Victor Emmanuel) (Vittorio Emanuele) et des princes. Ill. d'Ugo Montania.

GIA4758963: Inauguration solennelle du Premier Parlement Corporatif en presence du roi Victor-Emmanuel III (Victor Emmanuel) (Vittorio Emanuele) et des princes. Ill. d'Ugo Montania. ""Il mattino illustrato"". 1929., Matania, Ugo (1888-1979) / Bridgeman Images

The hydrogen balloon Oernen (Aquila) by Swedish engineer Solomon Andrée (1854 - 1897) during a snowstorm on an island in Denmark, shortly before the departure for the North Pole, an expedition that will be lost. 1897
The hydrogen balloon Oernen (Aquila) by Swedish engineer Solomon Andrée (1854 - 1897) during a snowstorm on an island in Denmark, shortly before the departure for the North Pole, an expedition that will be lost. 1897

GIA4758992: The hydrogen balloon Oernen (Aquila) by Swedish engineer Solomon Andrée (1854 - 1897) during a snowstorm on an island in Denmark, shortly before the departure for the North Pole, an expedition that will be lost. 1897, Unknown Artist, (19th century) / Bridgeman Images

Les années folles: Une jeune femme à la mode se promenant avec son levrier. Dessin pour
Les années folles: Une jeune femme à la mode se promenant avec son levrier. Dessin pour

GIA4759055: Les années folles: Une jeune femme à la mode se promenant avec son levrier. Dessin pour ""Art - Goût - Beauté"" 1925., Unknown Artist, (20th century) / Bridgeman Images

Description of hell after a 17th century work.
Description of hell after a 17th century work.

GIA4759092: Description of hell after a 17th century work., Unknown Artist, (17th century) / Bridgeman Images

View of Palermo from the Hermitage of the Convent of Santa Maria del Gesu. Anonymous painting of the 19th century.
View of Palermo from the Hermitage of the Convent of Santa Maria del Gesu. Anonymous painting of the 19th century.

GIA4759125: View of Palermo from the Hermitage of the Convent of Santa Maria del Gesu. Anonymous painting of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration de Auguste François Gorguet (1862 - 1927) pour
Illustration de Auguste François Gorguet (1862 - 1927) pour

GIA4759343: Illustration de Auguste François Gorguet (1862 - 1927) pour ""Le Lys rouge"" d'Anatole France (1844 - 1924). 1894., Gorguet, Auguste Francois (1862-1927) / Bridgeman Images

Cover of the Fabian Society magazine “Socialism”, edited by G. B. Shaw. The allegory represents the privilege at the top of the scale symbolizing capital and supervising workers with two guns. Engraving.
Cover of the Fabian Society magazine “Socialism”, edited by G. B. Shaw. The allegory represents the privilege at the top of the scale symbolizing capital and supervising workers with two guns. Engraving.

GIA4759524: Cover of the Fabian Society magazine “Socialism”, edited by G. B. Shaw. The allegory represents the privilege at the top of the scale symbolizing capital and supervising workers with two guns. Engraving., Unknown Artist, (19th century) / Bridgeman Images


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