GIA4796153:
Calligram by Guillaume Apollinaire (1880-1918): “The mandolin, the carnation and the bamboo””, Apollinaire, Guillaume (1880-1918) / Bridgeman Images
ID: GIA4796153
Calligram by Guillaume Apollinaire (1880-1918): “The mandolin, the carnation and the bamboo””
Apollinaire, Guillaume (1880-1918)
GIA4796194:
Illustration by Armand Rassenfosse (1862 - 1934) for the poem “Femmes damnees”” in “Les fleurs du mal” by Charles Baudelaire (1821-1867) 1899, Rassenfosse, Armand (1862-1934) / Bridgeman Images
ID: GIA4796194
Illustration by Armand Rassenfosse (1862 - 1934) for the poem “Femmes damnees”” in “Les fleurs du mal” by Charles Baudelaire (1821-1867) 1899
Rassenfosse, Armand (1862-1934)
GIA4796207:
Frontispice of “The flowers of evil”” by the poet Charles Baudelaire (1821-1867) illustrated by A. Martin, 1909, French School, (20th century) / Bridgeman Images
ID: GIA4796207
Frontispice of “The flowers of evil”” by the poet Charles Baudelaire (1821-1867) illustrated by A. Martin, 1909
French School, (20th century)
GIA4798008:
Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798008
Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century
Unknown Artist, (19th century)
GIA4798062:
Portrait of Maria Garcia called the Malibran (1808-1836) singer in “Norma” by Bellini, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798062
Portrait of Maria Garcia called the Malibran (1808-1836) singer in “Norma” by Bellini
Unknown Artist, (19th century)
GIA4798243:
Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798243
Harpsichord. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Unknown Artist, (19th century)
GIA4798305:
Apparatus for accustoming oxen to the line. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798305
Apparatus for accustoming oxen to the line. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Unknown Artist, (19th century)
GIA4798314:
Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798314
Linen ecanguard machine. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Unknown Artist, (19th century)
GIA4798359:
At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798359
At the top, field irrigation system, at the bottom a draught horse. Plate drawn from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Unknown Artist, (19th century)
GIA4798380:
Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798380
Mechanical press. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Unknown Artist, (19th century)
GIA4798398:
Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798398
Level (or level) measurement system. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Unknown Artist, (19th century)
GIA4798571:
Hypnosis: a man practicing hypnosis on a cataleptic woman., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4798571
Hypnosis: a man practicing hypnosis on a cataleptic woman.
Unknown Artist, (19th century)
GIA4797728:
Portrait of the Italian doctor and politician Carlo Botta (1766-1837)., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4797728
Portrait of the Italian doctor and politician Carlo Botta (1766-1837).
Unknown Artist, (19th century)
GIA4797755:
Florist in Florence. Lithography around 1820, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4797755
Florist in Florence. Lithography around 1820
Unknown Artist, (19th century)
GIA4797849:
The lives of illustrious men. Frontispice of Plutarch di Cheronee's book, also called “Paralleles Lives””. Venetian edition 1561., Italian School, (16th century) / Bridgeman Images
ID: GIA4797849
The lives of illustrious men. Frontispice of Plutarch di Cheronee's book, also called “Paralleles Lives””. Venetian edition 1561.
Italian School, (16th century)
GIA4796453:
Illustration for Act IV of “Ricciarda” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4796453
Illustration for Act IV of “Ricciarda” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century
Unknown Artist, (19th century)
GIA4796496:
Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4796496
Portrait of the Italian poet Ippolito Pindemonte (1753-1828), friend of the poet and Italian playwright Ugo Foscolo (1778-1827) Engraving of the 19th century
Unknown Artist, (19th century)
GIA4796636:
Frontispice of “” Pensieri”” (Pensees) by the Italian poet Giacomo Leopardi (1798 - 1837) 19th century, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4796636
Frontispice of “” Pensieri”” (Pensees) by the Italian poet Giacomo Leopardi (1798 - 1837) 19th century
Unknown Artist, (19th century)
GIA4796649:
Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936, Unknown photographer, (20th century) / Bridgeman Images
ID: GIA4796649
Portrait of the Spanish writer Federico Garcia Lorca (1898-1936) Around 1936
Unknown photographer, (20th century)
GIA4796763:
Frontispice of the collection “Ed e subito sera”” by the Italian poet Salvatore Quasimodo (1901-1968)., Italian School, (20th century) / Bridgeman Images
ID: GIA4796763
Frontispice of the collection “Ed e subito sera”” by the Italian poet Salvatore Quasimodo (1901-1968).
Italian School, (20th century)
GIA4764909:
The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ID: GIA4764909
The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770).
Tiepolo, Giovanni Battista (Giambattista) (1696-1770)
GIA4764973:
Mobile restaurants in Singapore's Chinatown. Illustration by L. Sabatier. 19th century., Sabattier, Louis Remy (1863-1935) / Bridgeman Images
ID: GIA4764973
Mobile restaurants in Singapore's Chinatown. Illustration by L. Sabatier. 19th century.
Sabattier, Louis Remy (1863-1935)
GIA4765336:
View of Santa Lucia, Naples. Watercolour around 1850., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4765336
View of Santa Lucia, Naples. Watercolour around 1850.
Unknown Artist, (19th century)
GIA4765348:
View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4765348
View of the strada del molo and the Castel Sant'Elmo overlooking the city of Naples. Watercolour, 1850.
Unknown Artist, (19th century)
GIA4765422:
Portrait of the Venetian Bianca Cappello (1548 - 1587), wife of François de Medici. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4765422
Portrait of the Venetian Bianca Cappello (1548 - 1587), wife of François de Medici. Engraving of the 19th century.
Unknown Artist, (19th century)
GIA4765440:
Bike ride of a couple in love. 1909, Unknown Artist, (20th century) / Bridgeman Images
ID: GIA4765440
Bike ride of a couple in love. 1909
Unknown Artist, (20th century)
GIA4765455:
The promenade at the Bois de Boulogne in 1900: women driving a 5 cv Decauville., Unknown photographer, (20th century) / Bridgeman Images
ID: GIA4765455
The promenade at the Bois de Boulogne in 1900: women driving a 5 cv Decauville.
Unknown photographer, (20th century)
GIA4765722:
The death of the witch by Francesco Guaccio “” Compendium Maleficarum”” Milan 1608., Unknown Artist, (17th century) / Bridgeman Images
ID: GIA4765722
The death of the witch by Francesco Guaccio “” Compendium Maleficarum”” Milan 1608.
Unknown Artist, (17th century)
GIA4758941:
Attaque d'un transsibérien par des bandes chinoises aprés l'expulsion des russes. Ill d'Ugo Matania. ""Il mattino illustrato"". 1929, Matania, Ugo (1888-1979) / Bridgeman Images
ID: GIA4758941
Attaque d'un transsibérien par des bandes chinoises aprés l'expulsion des russes. Ill d'Ugo Matania. ""Il mattino illustrato"". 1929
Matania, Ugo (1888-1979)
GIA4758963:
Inauguration solennelle du Premier Parlement Corporatif en presence du roi Victor-Emmanuel III (Victor Emmanuel) (Vittorio Emanuele) et des princes. Ill. d'Ugo Montania. ""Il mattino illustrato"". 1929., Matania, Ugo (1888-1979) / Bridgeman Images
ID: GIA4758963
Inauguration solennelle du Premier Parlement Corporatif en presence du roi Victor-Emmanuel III (Victor Emmanuel) (Vittorio Emanuele) et des princes. Ill. d'Ugo Montania. ""Il mattino illustrato"". 1929.
Matania, Ugo (1888-1979)
GIA4758992:
The hydrogen balloon Oernen (Aquila) by Swedish engineer Solomon Andrée (1854 - 1897) during a snowstorm on an island in Denmark, shortly before the departure for the North Pole, an expedition that will be lost. 1897, Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4758992
The hydrogen balloon Oernen (Aquila) by Swedish engineer Solomon Andrée (1854 - 1897) during a snowstorm on an island in Denmark, shortly before the departure for the North Pole, an expedition that will be lost. 1897
Unknown Artist, (19th century)
GIA4759055:
Les années folles: Une jeune femme à la mode se promenant avec son levrier. Dessin pour ""Art - Goût - Beauté"" 1925., Unknown Artist, (20th century) / Bridgeman Images
ID: GIA4759055
Les années folles: Une jeune femme à la mode se promenant avec son levrier. Dessin pour ""Art - Goût - Beauté"" 1925.
Unknown Artist, (20th century)
GIA4759092:
Description of hell after a 17th century work., Unknown Artist, (17th century) / Bridgeman Images
ID: GIA4759092
Description of hell after a 17th century work.
Unknown Artist, (17th century)
GIA4759125:
View of Palermo from the Hermitage of the Convent of Santa Maria del Gesu. Anonymous painting of the 19th century., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4759125
View of Palermo from the Hermitage of the Convent of Santa Maria del Gesu. Anonymous painting of the 19th century.
Unknown Artist, (19th century)
GIA4759343:
Illustration de Auguste François Gorguet (1862 - 1927) pour ""Le Lys rouge"" d'Anatole France (1844 - 1924). 1894., Gorguet, Auguste Francois (1862-1927) / Bridgeman Images
ID: GIA4759343
Illustration de Auguste François Gorguet (1862 - 1927) pour ""Le Lys rouge"" d'Anatole France (1844 - 1924). 1894.
Gorguet, Auguste Francois (1862-1927)
GIA4759524:
Cover of the Fabian Society magazine “Socialism”, edited by G. B. Shaw. The allegory represents the privilege at the top of the scale symbolizing capital and supervising workers with two guns. Engraving., Unknown Artist, (19th century) / Bridgeman Images
ID: GIA4759524
Cover of the Fabian Society magazine “Socialism”, edited by G. B. Shaw. The allegory represents the privilege at the top of the scale symbolizing capital and supervising workers with two guns. Engraving.