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The Royal Milling Match, Caricature Showing Lord Yarmouth Hitting the Prince Regent in the Eye, As Lady Yarmouth Looks from behind Screen Covered with Caricatures.
The Royal Milling Match, Caricature Showing Lord Yarmouth Hitting the Prince Regent in the Eye, As Lady Yarmouth Looks from behind Screen Covered with Caricatures.

LZT1012520: The Royal Milling Match, Caricature Showing Lord Yarmouth Hitting the Prince Regent in the Eye, As Lady Yarmouth Looks from behind Screen Covered with Caricatures. / Bridgeman Images

ID: LZT1012520

The Royal Milling Match, Caricature Showing Lord Yarmouth Hitting the Prince Regent in the Eye, As Lady Yarmouth Looks from behind Screen Covered with Caricatures.

The Near in Blood, the Nearer Bloody, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1793, the Duke of Orleans Dressed As a Ragged Sansculotte, Holding an Axe Over the Head of Louis XVI which Rests on a Chopping Block, While Marie Antoinette Pleads for Him to Show a Touch of Pity.
The Near in Blood, the Nearer Bloody, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1793, the Duke of Orleans Dressed As a Ragged Sansculotte, Holding an Axe Over the Head of Louis XVI which Rests on a Chopping Block, While Marie Antoinette Pleads for Him to Show a Touch of Pity.

LZT1012525: The Near in Blood, the Nearer Bloody, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1793, the Duke of Orleans Dressed As a Ragged Sansculotte, Holding an Axe Over the Head of Louis XVI which Rests on a Chopping Block, While Marie Antoinette Pleads for Him to Show a Touch of Pity. / Bridgeman Images

ID: LZT1012525

The Near in Blood, the Nearer Bloody, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1793, the Duke of Orleans Dressed As a Ragged Sansculotte, Holding an Axe Over the Head of Louis XVI which Rests on a Chopping Block, While Marie Antoinette Pleads for Him to Show a Touch of Pity.

An Irish Union, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1799, William Pitt Joining the Hands of Paddy, an Irish Farmer, and John Bull, Neither of Whom Seem Anxious for the Union, While Lord Dundas, on the Left, Reading from a History of Scotland Says, Depend Upon It Paddy Ye Will Be Much Happier - and Mair Independent Than Ever.
An Irish Union, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1799, William Pitt Joining the Hands of Paddy, an Irish Farmer, and John Bull, Neither of Whom Seem Anxious for the Union, While Lord Dundas, on the Left, Reading from a History of Scotland Says, Depend Upon It Paddy Ye Will Be Much Happier - and Mair Independent Than Ever.

LZT1012532: An Irish Union, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1799, William Pitt Joining the Hands of Paddy, an Irish Farmer, and John Bull, Neither of Whom Seem Anxious for the Union, While Lord Dundas, on the Left, Reading from a History of Scotland Says, Depend Upon It Paddy Ye Will Be Much Happier - and Mair Independent Than Ever. / Bridgeman Images

ID: LZT1012532

An Irish Union, Cruikshank, Isaac, 1756?-1811?, Artist, Engraving 1799, William Pitt Joining the Hands of Paddy, an Irish Farmer, and John Bull, Neither of Whom Seem Anxious for the Union, While Lord Dundas, on the Left, Reading from a History of Scotland Says, Depend Upon It Paddy Ye Will Be Much Happier - and Mair Independent Than Ever.

The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,
The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,

LZT1012539: The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,, Gillray, James (1757-1815) / Bridgeman Images

ID: LZT1012539

The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,

Gillray, James (1757-1815)

Panorama of the Times, [1821], a Man, the Celebrated Juggler, Standing on a Stage Greeting the Audience, Sitting at His Sides Are Two Hurdy-Gurdy Players, One on a Box Labeled Money Box and the Other on a Box Labeled Quack Medicine. The Stage Projects from the Back or Side of a Carriage with Two Panels that Open to the Right and Left, Each with Two Scenes, on the Left, Shooting Dint at Yo Inocent (King George IV Spraying Caroline) and a Bit of Fun or a Scene at Manchester!!! (Cavalry Using Swords to Cut Their Way Through a Mob), on the Right, Bank Restrictions (Four People Hanging from a Gallows) and Kinglike Amusement (the King(?) and Bishop Drinking). Includes Lengthy Verse which Alludes to the Trial of Caroline.
Panorama of the Times, [1821], a Man, the Celebrated Juggler, Standing on a Stage Greeting the Audience, Sitting at His Sides Are Two Hurdy-Gurdy Players, One on a Box Labeled Money Box and the Other on a Box Labeled Quack Medicine. The Stage Projects from the Back or Side of a Carriage with Two Panels that Open to the Right and Left, Each with Two Scenes, on the Left, Shooting Dint at Yo Inocent (King George IV Spraying Caroline) and a Bit of Fun or a Scene at Manchester!!! (Cavalry Using Swords to Cut Their Way Through a Mob), on the Right, Bank Restrictions (Four People Hanging from a Gallows) and Kinglike Amusement (the King(?) and Bishop Drinking). Includes Lengthy Verse which Alludes to the Trial of Caroline.

LZT1012555: Panorama of the Times, [1821], a Man, the Celebrated Juggler, Standing on a Stage Greeting the Audience, Sitting at His Sides Are Two Hurdy-Gurdy Players, One on a Box Labeled Money Box and the Other on a Box Labeled Quack Medicine. The Stage Projects from the Back or Side of a Carriage with Two Panels that Open to the Right and Left, Each with Two Scenes, on the Left, Shooting Dint at Yo Inocent (King George IV Spraying Caroline) and a Bit of Fun or a Scene at Manchester!!! (Cavalry Using Swords to Cut Their Way Through a Mob), on the Right, Bank Restrictions (Four People Hanging from a Gallows) and Kinglike Amusement (the King(?) and Bishop Drinking). Includes Lengthy Verse which Alludes to the Trial of Caroline. / Bridgeman Images

ID: LZT1012555

Panorama of the Times, [1821], a Man, the Celebrated Juggler, Standing on a Stage Greeting the Audience, Sitting at His Sides Are Two Hurdy-Gurdy Players, One on a Box Labeled Money Box and the Other on a Box Labeled Quack Medicine. The Stage Projects from the Back or Side of a Carriage with Two Panels that Open to the Right and Left, Each with Two Scenes, on the Left, Shooting Dint at Yo Inocent (King George IV Spraying Caroline) and a Bit of Fun or a Scene at Manchester!!! (Cavalry Using Swords to Cut Their Way Through a Mob), on the Right, Bank Restrictions (Four People Hanging from a Gallows) and Kinglike Amusement (the King(?) and Bishop Drinking). Includes Lengthy Verse which Alludes to the Trial of Caroline.

Modern Characters from Shakespeare. Macbeth, Engraving 1783, Man on Stage, Playing Macbeth, Full-Length, Standing, Facing Left, Holding Dagger.
Modern Characters from Shakespeare. Macbeth, Engraving 1783, Man on Stage, Playing Macbeth, Full-Length, Standing, Facing Left, Holding Dagger.

LZT1012564: Modern Characters from Shakespeare. Macbeth, Engraving 1783, Man on Stage, Playing Macbeth, Full-Length, Standing, Facing Left, Holding Dagger. / Bridgeman Images

ID: LZT1012564

Modern Characters from Shakespeare. Macbeth, Engraving 1783, Man on Stage, Playing Macbeth, Full-Length, Standing, Facing Left, Holding Dagger.

The Strollers Progress Plte 1st. A Peep at Black Jack's Origin Previous to His Going to Douay, Cruikshank, Invt., Engraving 1809, Scene in a Poverty-Stricken Room, in which John Philip Kemble's Father, Roger, As a Barber, Dresses a Wig, While He (John) Talks to His Mother; Sarah, Stephen, Charles, and a Younger Sister Are Variously Occupied.
The Strollers Progress Plte 1st. A Peep at Black Jack's Origin Previous to His Going to Douay, Cruikshank, Invt., Engraving 1809, Scene in a Poverty-Stricken Room, in which John Philip Kemble's Father, Roger, As a Barber, Dresses a Wig, While He (John) Talks to His Mother; Sarah, Stephen, Charles, and a Younger Sister Are Variously Occupied.

LZT1012568: The Strollers Progress Plte 1st. A Peep at Black Jack's Origin Previous to His Going to Douay, Cruikshank, Invt., Engraving 1809, Scene in a Poverty-Stricken Room, in which John Philip Kemble's Father, Roger, As a Barber, Dresses a Wig, While He (John) Talks to His Mother; Sarah, Stephen, Charles, and a Younger Sister Are Variously Occupied. / Bridgeman Images

ID: LZT1012568

The Strollers Progress Plte 1st. A Peep at Black Jack's Origin Previous to His Going to Douay, Cruikshank, Invt., Engraving 1809, Scene in a Poverty-Stricken Room, in which John Philip Kemble's Father, Roger, As a Barber, Dresses a Wig, While He (John) Talks to His Mother; Sarah, Stephen, Charles, and a Younger Sister Are Variously Occupied.

The Op Spectacles, Cruikshank, George, 1792-1878, Artist, Engraving 1809, Satire Showing Head of Clifford with Two Circles Representing Huge Spectacles, Old House Old Prices & No Private Boxes and Old House Old Prices & No Pigeon Holes, Over His Eyes. Each Circle Contains a Symmetrical View of Covent Garden Theatre Seen from the Stage. Superimposed on the Middle of One Circle is a Large O and in the Other Circle a Large P.
The Op Spectacles, Cruikshank, George, 1792-1878, Artist, Engraving 1809, Satire Showing Head of Clifford with Two Circles Representing Huge Spectacles, Old House Old Prices & No Private Boxes and Old House Old Prices & No Pigeon Holes, Over His Eyes. Each Circle Contains a Symmetrical View of Covent Garden Theatre Seen from the Stage. Superimposed on the Middle of One Circle is a Large O and in the Other Circle a Large P.

LZT1012569: The Op Spectacles, Cruikshank, George, 1792-1878, Artist, Engraving 1809, Satire Showing Head of Clifford with Two Circles Representing Huge Spectacles, Old House Old Prices & No Private Boxes and Old House Old Prices & No Pigeon Holes, Over His Eyes. Each Circle Contains a Symmetrical View of Covent Garden Theatre Seen from the Stage. Superimposed on the Middle of One Circle is a Large O and in the Other Circle a Large P. / Bridgeman Images

ID: LZT1012569

The Op Spectacles, Cruikshank, George, 1792-1878, Artist, Engraving 1809, Satire Showing Head of Clifford with Two Circles Representing Huge Spectacles, Old House Old Prices & No Private Boxes and Old House Old Prices & No Pigeon Holes, Over His Eyes. Each Circle Contains a Symmetrical View of Covent Garden Theatre Seen from the Stage. Superimposed on the Middle of One Circle is a Large O and in the Other Circle a Large P.

The Death of the Property Tax! or 37 Mortal Wounds for Ministers & the Inquisitoral Commissioners!, Cruikshank, George, 1792-1878, Engraving 1816, Henry Brougham, John Bull, and the British Lion (Leo Britannicus) Attacking a Hydra Representing the Property Tax. At Tail of the Monster Mr. Tierney Tells Britannia to Rise. In the Background, Liverpool, the Regent, Castlereagh, and Vansittart Hasten Up a Slope with a Sign-Post Pointing to Economy.
The Death of the Property Tax! or 37 Mortal Wounds for Ministers & the Inquisitoral Commissioners!, Cruikshank, George, 1792-1878, Engraving 1816, Henry Brougham, John Bull, and the British Lion (Leo Britannicus) Attacking a Hydra Representing the Property Tax. At Tail of the Monster Mr. Tierney Tells Britannia to Rise. In the Background, Liverpool, the Regent, Castlereagh, and Vansittart Hasten Up a Slope with a Sign-Post Pointing to Economy.

LZT1012584: The Death of the Property Tax! or 37 Mortal Wounds for Ministers & the Inquisitoral Commissioners!, Cruikshank, George, 1792-1878, Engraving 1816, Henry Brougham, John Bull, and the British Lion (Leo Britannicus) Attacking a Hydra Representing the Property Tax. At Tail of the Monster Mr. Tierney Tells Britannia to Rise. In the Background, Liverpool, the Regent, Castlereagh, and Vansittart Hasten Up a Slope with a Sign-Post Pointing to Economy. / Bridgeman Images

ID: LZT1012584

The Death of the Property Tax! or 37 Mortal Wounds for Ministers & the Inquisitoral Commissioners!, Cruikshank, George, 1792-1878, Engraving 1816, Henry Brougham, John Bull, and the British Lion (Leo Britannicus) Attacking a Hydra Representing the Property Tax. At Tail of the Monster Mr. Tierney Tells Britannia to Rise. In the Background, Liverpool, the Regent, Castlereagh, and Vansittart Hasten Up a Slope with a Sign-Post Pointing to Economy.

The Blessing of New Taxes!!! Engraving
The Blessing of New Taxes!!! Engraving

LZT1012587: The Blessing of New Taxes!!! Engraving / Bridgeman Images

ID: LZT1012587

The Blessing of New Taxes!!! Engraving

A Petitioning, Remonstrating, Reforming, Republican, R.S., 1782, a Republican Squatting Over an Upturned Crown, Urinating Into an Upturned Bishop's Mitre. He Supports Himself with a Staff on which is a Liberty Cap with the Word Liberty Crossed Out and Rebellion Written Underneath. a Doggrel Your Petitioner Sheweth is Written Underneath the Image.
A Petitioning, Remonstrating, Reforming, Republican, R.S., 1782, a Republican Squatting Over an Upturned Crown, Urinating Into an Upturned Bishop's Mitre. He Supports Himself with a Staff on which is a Liberty Cap with the Word Liberty Crossed Out and Rebellion Written Underneath. a Doggrel Your Petitioner Sheweth is Written Underneath the Image.

LZT1012596: A Petitioning, Remonstrating, Reforming, Republican, R.S., 1782, a Republican Squatting Over an Upturned Crown, Urinating Into an Upturned Bishop's Mitre. He Supports Himself with a Staff on which is a Liberty Cap with the Word Liberty Crossed Out and Rebellion Written Underneath. a Doggrel Your Petitioner Sheweth is Written Underneath the Image. / Bridgeman Images

ID: LZT1012596

A Petitioning, Remonstrating, Reforming, Republican, R.S., 1782, a Republican Squatting Over an Upturned Crown, Urinating Into an Upturned Bishop's Mitre. He Supports Himself with a Staff on which is a Liberty Cap with the Word Liberty Crossed Out and Rebellion Written Underneath. a Doggrel Your Petitioner Sheweth is Written Underneath the Image.

The Scots Triumph, or a Peep behind the Curtain, 1768, the Entrance to a Large Building Furnished with Columns, from which Heavy Curtains Are Suspended. In the Distance is the Dome of St. Paul's to Signify that the Scene is in London. A Coach, which is About to Crush a Scotch Thistle in the Road, Occupies the Middle of the Foreground, and Contains John Wilkes and Three of His Supporters. In the Foreground Britannia Lies Mourning, Saying: I Am Griev'D at the Unhappy Fate of My Dear Country, and My Much Beloved Son Wilkes.
The Scots Triumph, or a Peep behind the Curtain, 1768, the Entrance to a Large Building Furnished with Columns, from which Heavy Curtains Are Suspended. In the Distance is the Dome of St. Paul's to Signify that the Scene is in London. A Coach, which is About to Crush a Scotch Thistle in the Road, Occupies the Middle of the Foreground, and Contains John Wilkes and Three of His Supporters. In the Foreground Britannia Lies Mourning, Saying: I Am Griev'D at the Unhappy Fate of My Dear Country, and My Much Beloved Son Wilkes.

LZT1012597: The Scots Triumph, or a Peep behind the Curtain, 1768, the Entrance to a Large Building Furnished with Columns, from which Heavy Curtains Are Suspended. In the Distance is the Dome of St. Paul's to Signify that the Scene is in London. A Coach, which is About to Crush a Scotch Thistle in the Road, Occupies the Middle of the Foreground, and Contains John Wilkes and Three of His Supporters. In the Foreground Britannia Lies Mourning, Saying: I Am Griev'D at the Unhappy Fate of My Dear Country, and My Much Beloved Son Wilkes. / Bridgeman Images

ID: LZT1012597

The Scots Triumph, or a Peep behind the Curtain, 1768, the Entrance to a Large Building Furnished with Columns, from which Heavy Curtains Are Suspended. In the Distance is the Dome of St. Paul's to Signify that the Scene is in London. A Coach, which is About to Crush a Scotch Thistle in the Road, Occupies the Middle of the Foreground, and Contains John Wilkes and Three of His Supporters. In the Foreground Britannia Lies Mourning, Saying: I Am Griev'D at the Unhappy Fate of My Dear Country, and My Much Beloved Son Wilkes.

Sandwich-Carrots! Dainty Sandwich Carrots, a Buxom Girl Pushing a Wheelbarrow of Carrots Along Bond Street, Looking Over Her Shoulder at an Older Man, Possibly the Son of John Montagu, 4th Earl of Sandwich, Who is Tugging at Her Apron. In the Background is a Bookstore Exhibiting the Royal Arms. Displayed in the Window Are Books with the Titles a Chip of the Old Block, Doe Hunting an Ode by an Old Buck Hound, a List of Servant Maids, the Beauties of Bond Street and a Journey Through Life from Maddox Street Unto Conduit Street and Back Again
Sandwich-Carrots! Dainty Sandwich Carrots, a Buxom Girl Pushing a Wheelbarrow of Carrots Along Bond Street, Looking Over Her Shoulder at an Older Man, Possibly the Son of John Montagu, 4th Earl of Sandwich, Who is Tugging at Her Apron. In the Background is a Bookstore Exhibiting the Royal Arms. Displayed in the Window Are Books with the Titles a Chip of the Old Block, Doe Hunting an Ode by an Old Buck Hound, a List of Servant Maids, the Beauties of Bond Street and a Journey Through Life from Maddox Street Unto Conduit Street and Back Again

LZT1012641: Sandwich-Carrots! Dainty Sandwich Carrots, a Buxom Girl Pushing a Wheelbarrow of Carrots Along Bond Street, Looking Over Her Shoulder at an Older Man, Possibly the Son of John Montagu, 4th Earl of Sandwich, Who is Tugging at Her Apron. In the Background is a Bookstore Exhibiting the Royal Arms. Displayed in the Window Are Books with the Titles a Chip of the Old Block, Doe Hunting an Ode by an Old Buck Hound, a List of Servant Maids, the Beauties of Bond Street and a Journey Through Life from Maddox Street Unto Conduit Street and Back Again / Bridgeman Images

ID: LZT1012641

Sandwich-Carrots! Dainty Sandwich Carrots, a Buxom Girl Pushing a Wheelbarrow of Carrots Along Bond Street, Looking Over Her Shoulder at an Older Man, Possibly the Son of John Montagu, 4th Earl of Sandwich, Who is Tugging at Her Apron. In the Background is a Bookstore Exhibiting the Royal Arms. Displayed in the Window Are Books with the Titles a Chip of the Old Block, Doe Hunting an Ode by an Old Buck Hound, a List of Servant Maids, the Beauties of Bond Street and a Journey Through Life from Maddox Street Unto Conduit Street and Back Again

The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.
The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.

LZT1012644: The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin. / Bridgeman Images

ID: LZT1012644

The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.

Hell in Triumph or the Devil Has Got His Own, Peepo Mellico, Scratchavit., En Sanguine Engraving 1779, Sir Hugh Palliser, a Naval Admiral and Accuser of Admiral Augustus Keppel Following the Inconclusive Battle Off the Coast of Ushant in 1778, Being Pulled Off a Cliff by Demons Toward the Open Mouth of the Devil. During Keppel's Trial He Was Compared to Admiral John Byng, Shown Blindfolded at Center, Who Was Executed on Charges for Losing Minorca in 1756. Also Shown is Alexander Hood, an Admiral in Palliser's Fleet, Holding a Log-Book; He Testified in Defense of Keppel. Fame Flies Overhead Bearing Two Medallions, A.K. for Augustus Keppel, and S.R.H. Possibly for Admiral Samuel Hood, Brother of Alexander Hood.
Hell in Triumph or the Devil Has Got His Own, Peepo Mellico, Scratchavit., En Sanguine Engraving 1779, Sir Hugh Palliser, a Naval Admiral and Accuser of Admiral Augustus Keppel Following the Inconclusive Battle Off the Coast of Ushant in 1778, Being Pulled Off a Cliff by Demons Toward the Open Mouth of the Devil. During Keppel's Trial He Was Compared to Admiral John Byng, Shown Blindfolded at Center, Who Was Executed on Charges for Losing Minorca in 1756. Also Shown is Alexander Hood, an Admiral in Palliser's Fleet, Holding a Log-Book; He Testified in Defense of Keppel. Fame Flies Overhead Bearing Two Medallions, A.K. for Augustus Keppel, and S.R.H. Possibly for Admiral Samuel Hood, Brother of Alexander Hood.

LZT1012658: Hell in Triumph or the Devil Has Got His Own, Peepo Mellico, Scratchavit., En Sanguine Engraving 1779, Sir Hugh Palliser, a Naval Admiral and Accuser of Admiral Augustus Keppel Following the Inconclusive Battle Off the Coast of Ushant in 1778, Being Pulled Off a Cliff by Demons Toward the Open Mouth of the Devil. During Keppel's Trial He Was Compared to Admiral John Byng, Shown Blindfolded at Center, Who Was Executed on Charges for Losing Minorca in 1756. Also Shown is Alexander Hood, an Admiral in Palliser's Fleet, Holding a Log-Book; He Testified in Defense of Keppel. Fame Flies Overhead Bearing Two Medallions, A.K. for Augustus Keppel, and S.R.H. Possibly for Admiral Samuel Hood, Brother of Alexander Hood. / Bridgeman Images

ID: LZT1012658

Hell in Triumph or the Devil Has Got His Own, Peepo Mellico, Scratchavit., En Sanguine Engraving 1779, Sir Hugh Palliser, a Naval Admiral and Accuser of Admiral Augustus Keppel Following the Inconclusive Battle Off the Coast of Ushant in 1778, Being Pulled Off a Cliff by Demons Toward the Open Mouth of the Devil. During Keppel's Trial He Was Compared to Admiral John Byng, Shown Blindfolded at Center, Who Was Executed on Charges for Losing Minorca in 1756. Also Shown is Alexander Hood, an Admiral in Palliser's Fleet, Holding a Log-Book; He Testified in Defense of Keppel. Fame Flies Overhead Bearing Two Medallions, A.K. for Augustus Keppel, and S.R.H. Possibly for Admiral Samuel Hood, Brother of Alexander Hood.

John Bull Fighting the French Single Handed, P.F.L.B. Fecit., [England : Publisher Not Named, Between 1800 and 1815], 1 Print : Etching, Hand-Colored ; 19.2 X 29.9 (Border, Plate Marks Cropped), Print Shows John Bull Rapping a French Soldier on the Head with a Cudgel, Stomping on a French Officer with His Right Foot, and Using His Left Foot to Kick the French Nobility Out of England and Back to France During the Napoleonic Era.
John Bull Fighting the French Single Handed, P.F.L.B. Fecit., [England : Publisher Not Named, Between 1800 and 1815], 1 Print : Etching, Hand-Colored ; 19.2 X 29.9 (Border, Plate Marks Cropped), Print Shows John Bull Rapping a French Soldier on the Head with a Cudgel, Stomping on a French Officer with His Right Foot, and Using His Left Foot to Kick the French Nobility Out of England and Back to France During the Napoleonic Era.

LZT1012663: John Bull Fighting the French Single Handed, P.F.L.B. Fecit., [England : Publisher Not Named, Between 1800 and 1815], 1 Print : Etching, Hand-Colored ; 19.2 X 29.9 (Border, Plate Marks Cropped), Print Shows John Bull Rapping a French Soldier on the Head with a Cudgel, Stomping on a French Officer with His Right Foot, and Using His Left Foot to Kick the French Nobility Out of England and Back to France During the Napoleonic Era. / Bridgeman Images

ID: LZT1012663

John Bull Fighting the French Single Handed, P.F.L.B. Fecit., [England : Publisher Not Named, Between 1800 and 1815], 1 Print : Etching, Hand-Colored ; 19.2 X 29.9 (Border, Plate Marks Cropped), Print Shows John Bull Rapping a French Soldier on the Head with a Cudgel, Stomping on a French Officer with His Right Foot, and Using His Left Foot to Kick the French Nobility Out of England and Back to France During the Napoleonic Era.

The Curious Zebra Alive from America! Walk in Gem'Men and Ladies, Walk in, Cartoon Shows a Group of Men, Including George Washington Who is Standing to the Right Holding the Tail of the Zebra, and Lord North, Standing on the Left Gripping the Reins, Trying to Guide the Zebra on Whose Stripes Are the Names of the Thirteen Colonies.
The Curious Zebra Alive from America! Walk in Gem'Men and Ladies, Walk in, Cartoon Shows a Group of Men, Including George Washington Who is Standing to the Right Holding the Tail of the Zebra, and Lord North, Standing on the Left Gripping the Reins, Trying to Guide the Zebra on Whose Stripes Are the Names of the Thirteen Colonies.

LZT1012665: The Curious Zebra Alive from America! Walk in Gem'Men and Ladies, Walk in, Cartoon Shows a Group of Men, Including George Washington Who is Standing to the Right Holding the Tail of the Zebra, and Lord North, Standing on the Left Gripping the Reins, Trying to Guide the Zebra on Whose Stripes Are the Names of the Thirteen Colonies. / Bridgeman Images

ID: LZT1012665

The Curious Zebra Alive from America! Walk in Gem'Men and Ladies, Walk in, Cartoon Shows a Group of Men, Including George Washington Who is Standing to the Right Holding the Tail of the Zebra, and Lord North, Standing on the Left Gripping the Reins, Trying to Guide the Zebra on Whose Stripes Are the Names of the Thirteen Colonies.

Het Lusthuys Van Pater Peters, En De Jesuwijten En Munniken, Ontdekt Door, Sic Itur Ad Astra, Scilicet, [1681?], 1 Print (Broadside) : Etching with Letterpress., Print Shows Scene in a Bawdy House of Pleasure Frequented by Father Petre, Jesuits, and Monks, Where They Mingle and Dine with Such Figures As: Wantonness, Avarice, Sloth, Fury, and Vanity. Priests Engage in Lascivious Acts and Steal Money from a Dying Person, a Protestant Minister is Driven Away from the Door, a Fox Delivers a Sermon from a Pulpit, and Jesuits Help Themselves to Treasures in India. Individual Figures Numbered with Key Contained in Dialogue Between Eusebius and Simplicius.
Het Lusthuys Van Pater Peters, En De Jesuwijten En Munniken, Ontdekt Door, Sic Itur Ad Astra, Scilicet, [1681?], 1 Print (Broadside) : Etching with Letterpress., Print Shows Scene in a Bawdy House of Pleasure Frequented by Father Petre, Jesuits, and Monks, Where They Mingle and Dine with Such Figures As: Wantonness, Avarice, Sloth, Fury, and Vanity. Priests Engage in Lascivious Acts and Steal Money from a Dying Person, a Protestant Minister is Driven Away from the Door, a Fox Delivers a Sermon from a Pulpit, and Jesuits Help Themselves to Treasures in India. Individual Figures Numbered with Key Contained in Dialogue Between Eusebius and Simplicius.

LZT1012666: Het Lusthuys Van Pater Peters, En De Jesuwijten En Munniken, Ontdekt Door, Sic Itur Ad Astra, Scilicet, [1681?], 1 Print (Broadside) : Etching with Letterpress., Print Shows Scene in a Bawdy House of Pleasure Frequented by Father Petre, Jesuits, and Monks, Where They Mingle and Dine with Such Figures As: Wantonness, Avarice, Sloth, Fury, and Vanity. Priests Engage in Lascivious Acts and Steal Money from a Dying Person, a Protestant Minister is Driven Away from the Door, a Fox Delivers a Sermon from a Pulpit, and Jesuits Help Themselves to Treasures in India. Individual Figures Numbered with Key Contained in Dialogue Between Eusebius and Simplicius. / Bridgeman Images

ID: LZT1012666

Het Lusthuys Van Pater Peters, En De Jesuwijten En Munniken, Ontdekt Door, Sic Itur Ad Astra, Scilicet, [1681?], 1 Print (Broadside) : Etching with Letterpress., Print Shows Scene in a Bawdy House of Pleasure Frequented by Father Petre, Jesuits, and Monks, Where They Mingle and Dine with Such Figures As: Wantonness, Avarice, Sloth, Fury, and Vanity. Priests Engage in Lascivious Acts and Steal Money from a Dying Person, a Protestant Minister is Driven Away from the Door, a Fox Delivers a Sermon from a Pulpit, and Jesuits Help Themselves to Treasures in India. Individual Figures Numbered with Key Contained in Dialogue Between Eusebius and Simplicius.

De Ridder Der Louisen Doende De Revu Over Zyne Troupen, Goldsmit, Fredrich, Artist, En Sanguine Engraving 1705, on the Left, Louis, the Duke of Burgundy, Identified As Louis Le Petit, Sitting at a Table Outside a Tent. In His Right Hand, He Appears to Be Holding a Louis D'or Coin, and with His Left Hand He Holds a Balance above Other Coins on the Table (the Table Top is Supported by an Eagle). An Essayeur, Identified As Celuy Qui Epreuve L'or, is Standing Opposite of Louis, He Holds a Triangle from which Coins Dangle. Fleurs-De-Lis Decorate Louis's Clothing, and the Assayer's Clothing Shows the Design of a Cross Saltire and Orle, Possibily Representing the House of Bourbon or Navarre.
De Ridder Der Louisen Doende De Revu Over Zyne Troupen, Goldsmit, Fredrich, Artist, En Sanguine Engraving 1705, on the Left, Louis, the Duke of Burgundy, Identified As Louis Le Petit, Sitting at a Table Outside a Tent. In His Right Hand, He Appears to Be Holding a Louis D'or Coin, and with His Left Hand He Holds a Balance above Other Coins on the Table (the Table Top is Supported by an Eagle). An Essayeur, Identified As Celuy Qui Epreuve L'or, is Standing Opposite of Louis, He Holds a Triangle from which Coins Dangle. Fleurs-De-Lis Decorate Louis's Clothing, and the Assayer's Clothing Shows the Design of a Cross Saltire and Orle, Possibily Representing the House of Bourbon or Navarre.

LZT1012671: De Ridder Der Louisen Doende De Revu Over Zyne Troupen, Goldsmit, Fredrich, Artist, En Sanguine Engraving 1705, on the Left, Louis, the Duke of Burgundy, Identified As Louis Le Petit, Sitting at a Table Outside a Tent. In His Right Hand, He Appears to Be Holding a Louis D'or Coin, and with His Left Hand He Holds a Balance above Other Coins on the Table (the Table Top is Supported by an Eagle). An Essayeur, Identified As Celuy Qui Epreuve L'or, is Standing Opposite of Louis, He Holds a Triangle from which Coins Dangle. Fleurs-De-Lis Decorate Louis's Clothing, and the Assayer's Clothing Shows the Design of a Cross Saltire and Orle, Possibily Representing the House of Bourbon or Navarre. / Bridgeman Images

ID: LZT1012671

De Ridder Der Louisen Doende De Revu Over Zyne Troupen, Goldsmit, Fredrich, Artist, En Sanguine Engraving 1705, on the Left, Louis, the Duke of Burgundy, Identified As Louis Le Petit, Sitting at a Table Outside a Tent. In His Right Hand, He Appears to Be Holding a Louis D'or Coin, and with His Left Hand He Holds a Balance above Other Coins on the Table (the Table Top is Supported by an Eagle). An Essayeur, Identified As Celuy Qui Epreuve L'or, is Standing Opposite of Louis, He Holds a Triangle from which Coins Dangle. Fleurs-De-Lis Decorate Louis's Clothing, and the Assayer's Clothing Shows the Design of a Cross Saltire and Orle, Possibily Representing the House of Bourbon or Navarre.

New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.
New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.

LZT1012675: New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan. / Bridgeman Images

ID: LZT1012675

New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.

A Convention of the Not-Ables, Engraving 1787, Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and Others Attempting to Break Into the Royal Treasury.
A Convention of the Not-Ables, Engraving 1787, Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and Others Attempting to Break Into the Royal Treasury.

LZT1012676: A Convention of the Not-Ables, Engraving 1787, Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and Others Attempting to Break Into the Royal Treasury. / Bridgeman Images

ID: LZT1012676

A Convention of the Not-Ables, Engraving 1787, Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and Others Attempting to Break Into the Royal Treasury.

Comedy in the Country. Tragedy in London, Rowlandson, Thomas, 1756-1827, Engraving 1807, Two Designs on One Plate. Above, Two Rows of Burlesqued Yokels (with Two Comely Women, and an Ugly Old One), Seated behind the Orchestra and Backed by a Rough Brick Wall, below, Three Members of the Orchestra Play, Grotesquely Weeping
Comedy in the Country. Tragedy in London, Rowlandson, Thomas, 1756-1827, Engraving 1807, Two Designs on One Plate. Above, Two Rows of Burlesqued Yokels (with Two Comely Women, and an Ugly Old One), Seated behind the Orchestra and Backed by a Rough Brick Wall, below, Three Members of the Orchestra Play, Grotesquely Weeping

LZT1012679: Comedy in the Country. Tragedy in London, Rowlandson, Thomas, 1756-1827, Engraving 1807, Two Designs on One Plate. Above, Two Rows of Burlesqued Yokels (with Two Comely Women, and an Ugly Old One), Seated behind the Orchestra and Backed by a Rough Brick Wall, below, Three Members of the Orchestra Play, Grotesquely Weeping / Bridgeman Images

ID: LZT1012679

Comedy in the Country. Tragedy in London, Rowlandson, Thomas, 1756-1827, Engraving 1807, Two Designs on One Plate. Above, Two Rows of Burlesqued Yokels (with Two Comely Women, and an Ugly Old One), Seated behind the Orchestra and Backed by a Rough Brick Wall, below, Three Members of the Orchestra Play, Grotesquely Weeping

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales
Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

LZT1012279: Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales, Busch, Wilhelm (1832-1908) / Bridgeman Images

ID: LZT1012279

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

Busch, Wilhelm (1832-1908)

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales
Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

LZT1012281: Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales, Busch, Wilhelm (1832-1908) / Bridgeman Images

ID: LZT1012281

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

Busch, Wilhelm (1832-1908)

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales
Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

LZT1012286: Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales, Busch, Wilhelm (1832-1908) / Bridgeman Images

ID: LZT1012286

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

Busch, Wilhelm (1832-1908)

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales
Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

LZT1012287: Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales, Busch, Wilhelm (1832-1908) / Bridgeman Images

ID: LZT1012287

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

Busch, Wilhelm (1832-1908)

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales
Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

LZT1012291: Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales, Busch, Wilhelm (1832-1908) / Bridgeman Images

ID: LZT1012291

Schnaken and Schnurren, 1866, Mosquitoes and Purring. A Humorous Story in Pictures from the Writer and Illustrator of Max Und Moritz, Munchener Bilderbogen and Fliegende Blatter. Children's Literature from the 19th Century, Comic Illustrated Cautionary Tales

Busch, Wilhelm (1832-1908)

American Civil War: Captain J. M. Knap's Pennsylvania Independent Battery E Light Artillery Approaching the Battlefield at Antietam, Maryland after the Battle in September 1862. A Dead Horse Lay in the Foreground. Photo, Albumen Print
American Civil War: Captain J. M. Knap's Pennsylvania Independent Battery E Light Artillery Approaching the Battlefield at Antietam, Maryland after the Battle in September 1862. A Dead Horse Lay in the Foreground. Photo, Albumen Print

LZT1012302: American Civil War: Captain J. M. Knap's Pennsylvania Independent Battery E Light Artillery Approaching the Battlefield at Antietam, Maryland after the Battle in September 1862. A Dead Horse Lay in the Foreground. Photo, Albumen Print, American School, (19th century) / Bridgeman Images

ID: LZT1012302

American Civil War: Captain J. M. Knap's Pennsylvania Independent Battery E Light Artillery Approaching the Battlefield at Antietam, Maryland after the Battle in September 1862. A Dead Horse Lay in the Foreground. Photo, Albumen Print

American School, (19th century)

American Civil War: Taken on Battlefield of Antietam Oct. 18 [...] 1.Geo. H. Bangs, 2. Wm. B. Moore, Private Secy of [...] 3. Allan Pinkerton, 4. John C. Babcock, 5. A. K. Littlefield, Group at Secret Service Headquarters at Antietam, Maryland Standing in Front of a Tent. Hand Written Numbers Under Each of the Five Men Correspond to a List on the Verso. Photo, Albumen Print
American Civil War: Taken on Battlefield of Antietam Oct. 18 [...] 1.Geo. H. Bangs, 2. Wm. B. Moore, Private Secy of [...] 3. Allan Pinkerton, 4. John C. Babcock, 5. A. K. Littlefield, Group at Secret Service Headquarters at Antietam, Maryland Standing in Front of a Tent. Hand Written Numbers Under Each of the Five Men Correspond to a List on the Verso. Photo, Albumen Print

LZT1012304: American Civil War: Taken on Battlefield of Antietam Oct. 18 [...] 1.Geo. H. Bangs, 2. Wm. B. Moore, Private Secy of [...] 3. Allan Pinkerton, 4. John C. Babcock, 5. A. K. Littlefield, Group at Secret Service Headquarters at Antietam, Maryland Standing in Front of a Tent. Hand Written Numbers Under Each of the Five Men Correspond to a List on the Verso. Photo, Albumen Print, American School, (19th century) / Bridgeman Images

ID: LZT1012304

American Civil War: Taken on Battlefield of Antietam Oct. 18 [...] 1.Geo. H. Bangs, 2. Wm. B. Moore, Private Secy of [...] 3. Allan Pinkerton, 4. John C. Babcock, 5. A. K. Littlefield, Group at Secret Service Headquarters at Antietam, Maryland Standing in Front of a Tent. Hand Written Numbers Under Each of the Five Men Correspond to a List on the Verso. Photo, Albumen Print

American School, (19th century)

American Civil War: Bridge on the Boonsboro Pike, Antietam, Md., a Stone House on the Eastern Side of Antietam Bridge. Photo, Albumen Print
American Civil War: Bridge on the Boonsboro Pike, Antietam, Md., a Stone House on the Eastern Side of Antietam Bridge. Photo, Albumen Print

LZT1012310: American Civil War: Bridge on the Boonsboro Pike, Antietam, Md., a Stone House on the Eastern Side of Antietam Bridge. Photo, Albumen Print, American School, (19th century) / Bridgeman Images

ID: LZT1012310

American Civil War: Bridge on the Boonsboro Pike, Antietam, Md., a Stone House on the Eastern Side of Antietam Bridge. Photo, Albumen Print

American School, (19th century)

American Civil War: 93d New York Infantry, Antietam, Md, Sept., 1862. Photo, Albumen Print
American Civil War: 93d New York Infantry, Antietam, Md, Sept., 1862. Photo, Albumen Print

LZT1012315: American Civil War: 93d New York Infantry, Antietam, Md, Sept., 1862. Photo, Albumen Print, American School, (19th century) / Bridgeman Images

ID: LZT1012315

American Civil War: 93d New York Infantry, Antietam, Md, Sept., 1862. Photo, Albumen Print

American School, (19th century)

Robert Havell after John James Audubon, Trumpeter Swan, American, 1793 1878, 1838, Hand Colored Etching and Aquatint
Robert Havell after John James Audubon, Trumpeter Swan, American, 1793 1878, 1838, Hand Colored Etching and Aquatint

LZT1012318: Robert Havell after John James Audubon, Trumpeter Swan, American, 1793 1878, 1838, Hand Colored Etching and Aquatint / Bridgeman Images

ID: LZT1012318

Robert Havell after John James Audubon, Trumpeter Swan, American, 1793 1878, 1838, Hand Colored Etching and Aquatint

Thomas Rowlandson, British, 1756 1827, a Cully Pillaged, Probably 1784 1785, Hand Colored Etching
Thomas Rowlandson, British, 1756 1827, a Cully Pillaged, Probably 1784 1785, Hand Colored Etching

LZT1012319: Thomas Rowlandson, British, 1756 1827, a Cully Pillaged, Probably 1784 1785, Hand Colored Etching / Bridgeman Images

ID: LZT1012319

Thomas Rowlandson, British, 1756 1827, a Cully Pillaged, Probably 1784 1785, Hand Colored Etching

Thomas Rowlandson (British, 1756 1827 ), Rustic Courtship, 1785, Hand Colored Etching and Aquatint
Thomas Rowlandson (British, 1756 1827 ), Rustic Courtship, 1785, Hand Colored Etching and Aquatint

LZT1012321: Thomas Rowlandson (British, 1756 1827 ), Rustic Courtship, 1785, Hand Colored Etching and Aquatint / Bridgeman Images

ID: LZT1012321

Thomas Rowlandson (British, 1756 1827 ), Rustic Courtship, 1785, Hand Colored Etching and Aquatint

Thomas Rowlandson (British, 1756 1827 ), Comfort in the Gout, 1785, Hand Colored Etching
Thomas Rowlandson (British, 1756 1827 ), Comfort in the Gout, 1785, Hand Colored Etching

LZT1012332: Thomas Rowlandson (British, 1756 1827 ), Comfort in the Gout, 1785, Hand Colored Etching / Bridgeman Images

ID: LZT1012332

Thomas Rowlandson (British, 1756 1827 ), Comfort in the Gout, 1785, Hand Colored Etching

Thomas Rowlandson (British, 1756 1827 ), Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand Colored Etching
Thomas Rowlandson (British, 1756 1827 ), Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand Colored Etching

LZT1012336: Thomas Rowlandson (British, 1756 1827 ), Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand Colored Etching / Bridgeman Images

ID: LZT1012336

Thomas Rowlandson (British, 1756 1827 ), Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand Colored Etching


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