LZT1012531: Erin Go Bray,Engraving 1799, an Irish Field Officer on His Charger, or an Irishman Holding a Lance, Sitting on a Donkey which is Braying O How I Long for a Union with the English Bull, Ay by My Soul or the English Cow, or the English Any Thing! to the Devil with All the Priests and Proctors They Have Not Left Us a Potatoe Between Us. / Bridgeman Images
LZT1012536: The Irish Bull Broke Loose, Cruikshank, Isaac, 1756?-1811?, Engraving 1799, the Irish Bull Tossing William Pitt Into the Air and About to Do the Same to Lord Dundas Who Runs to the Left; on the Far Right, Those Opposed to Pitt's Union Bill Cheer on the Bull, Go It My Boy. / Bridgeman Images
LZT1012545: Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, Preceded by the Procureur De La Commune, Gillray, James, 1756-1815, Engraving 1799, an Obese, Copt, Holding a Mace or Staff, Rides an Ass which, Though Led Processionally by a Copt, Proceeds on Account of the Bayonet with which a Grinning French Soldier Stabs Its Hind Quarters., Gillray, James (1757-1815) / Bridgeman Images
LZT1012552: The Comforts of a Rumford Stove Vide Dr. G-Rn-Ts Lectures /, Gillray, James, 1756-1815, Engraving 1800, Full-Length View of Count Rumford (Benjamin Thompson), Inventor of the Rumford Stove, Standing with His Back to the Fire, His Coat-Tails Spread to Permit Enjoyment from the Warmth., Gillray, James (1757-1815) / Bridgeman Images
LZT1012560: The Moment of Imagination, Engraving 1785, Edward Topham, a Pen in His Hand, Has Just Kicked Over His Circular Writing Table in Frenzied Inspiration. He Raises His Clenched Fist. An Inkstand and Fragments of Paper Inscribed Epilogue Mrs. W... [Wells] Hay-Market, Epilogue Mrs. S...S [Siddons] Drury-Lane, and Prologue for Miss F... [Farren] Covent Garden Lie on the Floor. On the Wall Hangs an Oval Bust Portrait of Mrs. Siddons. Over Topham's Head is a Small Parrot in a Cage, Saying, Bravo Cptn. Prologue! Bravo! / Bridgeman Images
LZT1012562: A Peep at Christies or Tally Ho, and His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue. / Bridgeman Images
LZT1012572: Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose. / Bridgeman Images
LZT1012573: Picture of Europe for July 1772, Catherine II, Leopold II, and Frederick William II Seated at Table on which Rests a Map of Poland; Standing behind Them and Looking Over Their Shoulders Are Louis XV and Charles III, Still Further Back, Asleep on a Throne is George III; on the Left, with Head Bowed, Wearing a Broken Crown, and with Hands Bound behind Him, Sits the King of Poland, to His Left Sits Selim III in Chains; a Scale the Ballance of Power Hangs above the Table, the Lighter Side is Labeled Great Britain Reflecting George III's Influence on, or Concern for, the Affairs of Europe. / Bridgeman Images
LZT1012575: The Genius of France Extirpating Despotism Tyranny and Oppression from the Face of the Earth or the Royal Warriors Defeated, Cruikshank, Isaac, 1764 1811, Engraving 1792, a Woman Wearing a Liberty Cap, Representing the Genius of France, Holding a Cat O' Nine Tails in One Hand and the Reins of a Donkey in the Other; on This Donkey and Another Bucking in the Background Are Several Monarchs Identified As Prussia, Germany, Russia, Sweden, Brunswick, Turkey, Spain, and, Falling to the Ground, China; Louis XVI Lies on the Ground Beneath the Donkey Held by the Woman; in the Left Foreground, Sitting on the Ground Tearing Her Hair is Marie I of Portugal. / Bridgeman Images
LZT1012581: The Modern Job! or John Bull and His Comforts!, Engraving 1816, John Bull, in Tattered Clothes, Seated on a Stool, Gazing Gloomily at a Book on the Ground: The Extraordinary Red Book. He is Surrounded by the Regent with Two Gouty Legs Supported on Crutches, Liverpool, Mahon, Canning, Sidmouth, Ellenborough, the Duke of York, and the Dukes of Kent and Cambridge. / Bridgeman Images
LZT1012592: Sick of the Property Tax or Ministerial Influnza, Cruikshank, George, 1792-1878, Artist, Engraving 1816, Ministers, Among Them Vansittart and Castlereagh, Vomiting Taxes Into a Large Bag Labeled Budget. The Prince Regent Stands Nearby, Supported on Crutches Labeled More Money and Increase in Income, Holding Rolled Documents Under His Arms Labeled with Descriptions of Some of His Extravagant Expenses. / Bridgeman Images
LZT1012606: A Return from an Invasion, or, Napoleon at a Nonplus, Engraving 1803, Napoleon I Coming Ashore at Calais, France, Defeated at Every Turn, Without Men and Ships, to Face the Ridicule of Fisherwomen, the Governor, a French Soldier, and an English Sailor Who Says, Take One Kick at Parting & Thank Your Own Insignificance the English Suffer'D You to Return to France Alive. / Bridgeman Images
LZT1012611: Noah's Ark Improved, or an Attempt to Land in the Teeth of the Wind, Holland, William, Active 1782-1817, En Sanguine Engraving 1790, British Satire on Charles Stanhope's Toleration Bill of 1789 which Was an Attempt to Remove the Yoke of Religious Obligations on Persons Seeking Public Office (Cf. Test and Corporation Acts). Despite the Fact that a Person Seeking a Position in the Clergy Was Bound by the Same Obligations, the Clergy Was Opposed to Passage of Stanhope's Bill, As is Shown in This Image in which Two Bishops, Standing on Shore, Prevent Stanhope and His Ark, Filled with Three Sacks Bearing Labels Pertaining to the Penal Laws, from Landing. / Bridgeman Images
LZT1012621: Characters in the New Piece Now Poforming at the Theatre Royal Cotten Garden 1820, 16 Vignettes Regarding the Collection of Evidence, the Infamous Green Bags Documenting the Affair Between Caroline and Bartolomeo Bergami, for the Attempt by George IV to Divorce His Wife. / Bridgeman Images
LZT1012625: The Orangerie or the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women. / Bridgeman Images
LZT1012629: Gloria Mundi, or the Devil Addressing the Sun Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death. / Bridgeman Images
LZT1012646: The Nuptial Bower, with the Evil One, Peeping at the Charms of Eden, from Milton, [London]: Pubd. By H. Humphrey, 1797, William Pitt Escorting Eleanor Eden to a Vine-Shaded Bower Within which Are Three Large Sacks with the British Pound Symbol on Them, Possibly Representing Pitt's Debt. Bunches of Grapes, Crowns, and Medallions, Suspended from Ribbons, Hang from the Bower. A Devil-Like Creature, the Evil-One, Representing Charles James Fox, Peers Around the Bower from the Right., Gillray, James (1757-1815) / Bridgeman Images
LZT1012673: Prodigal Son, Scene in a Bordello Where the Prince of Wales Lounges on a Sofa Next to a Large, Bare-Breasted Woman, Probably Representing Charles James Fox. A Second Bare-Breasted Woman,Lounges at the Feet of the Prince, While a Third Holds a Man Who is Leaning on a Chair Vomiting. / Bridgeman Images
LZT1012683: De Verslagen Actionist in De Stoel Met Rinkels, Overreeden Geweest Van'T Gelauwerd Paard Van Troje, En Sanguine Engraving 1720, Satire on the South Sea Company and Other Bubble Schemes of 1720, and Shortly Before, is No. 38 in Vol. I. of Het Groote Tafereel Der Dwaasheid, a Collection of Dutch Satires on the Schemes in Question / Bridgeman Images