STC101334:
The Abdication of Napoleon and his Departure from Fontainebleau for the Island of Elba, 20 April 1814, engraved by Francois Pigeot (b.1775) (aquatint), Couche, Louis Francois (1782-1849) (after) / Bridgeman Images
ID: STC101334
The Abdication of Napoleon and his Departure from Fontainebleau for the Island of Elba, 20 April 1814, engraved by Francois Pigeot (b.1775) (aquatint)
Couche, Louis Francois (1782-1849) (after)
GLY109408:
The Children's Party, 1871 (oil on canvas), O'Neill, George Bernard (1828-1917) / Bridgeman Images
ID: GLY109408
The Children's Party, 1871 (oil on canvas)
O'Neill, George Bernard (1828-1917)
STC109687:
Ibex, Mughal (gouache on paper), Indian School, (17th century) / Bridgeman Images
ID: STC109687
Ibex, Mughal (gouache on paper)
Indian School, (17th century)
MDR106949:
Larboard Battery, Main Deck of the 'Victory', 16 September 1835 (w/c on paper), Cooke, Edward William (1811-80) / Bridgeman Images
ID: MDR106949
Larboard Battery, Main Deck of the 'Victory', 16 September 1835 (w/c on paper)
Cooke, Edward William (1811-80)
XJF106632:
View of the Hilwerue House belonging to Peter Paul Rubens (1577-1640) 1692 (engraving) (b/w photo), English School, (17th century) / Bridgeman Images
ID: XJF106632
View of the Hilwerue House belonging to Peter Paul Rubens (1577-1640) 1692 (engraving) (b/w photo)
English School, (17th century)
STC136986:
South East View of Fort St. George, Madras, plate 33 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1797 (colour litho), Daniell, Thomas (1749-1840) (after) / Bridgeman Images
ID: STC136986
South East View of Fort St. George, Madras, plate 33 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1797 (colour litho)
Daniell, Thomas (1749-1840) (after)
STC135038:
Lysystrate commanding Athenian women to refuse sexual relations, c.1896 (litho), Beardsley, Aubrey (1872-98) / Bridgeman Images
ID: STC135038
Lysystrate commanding Athenian women to refuse sexual relations, c.1896 (litho)
Beardsley, Aubrey (1872-98)
STC135170:
The Main Street in the Bazaar at Caubul, in the Fruit Season, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho), Atkinson, James (1780-1852) (after) / Bridgeman Images
ID: STC135170
The Main Street in the Bazaar at Caubul, in the Fruit Season, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85) published by Henry Graves, 1842 (colour litho)
Atkinson, James (1780-1852) (after)
XJF137064:
The Typographer, published by Hartman Schopper (woodcut) (b/w photo), German School, (16th century) / Bridgeman Images
ID: XJF137064
The Typographer, published by Hartman Schopper (woodcut) (b/w photo)
German School, (16th century)
STC135748:
Oscar Wilde (1854-1900) a Bijou Portrait, from 'Society' (litho) (b/w photo), English School, (19th century) / Bridgeman Images
ID: STC135748
Oscar Wilde (1854-1900) a Bijou Portrait, from 'Society' (litho) (b/w photo)
English School, (19th century)
FEH105042:
Facsimile of the Great Seal of England of 1651, reverse showing a map of England, Wales and Ireland (see 105041 for obverse), English School / Bridgeman Images
ID: FEH105042
Facsimile of the Great Seal of England of 1651, reverse showing a map of England, Wales and Ireland (see 105041 for obverse)
English School
PFA123522:
The Race of Atalanta and Hippomenes (oil on panel), Jordaens, Hans III (1595-1643/44) / Bridgeman Images
ID: PFA123522
The Race of Atalanta and Hippomenes (oil on panel)
Jordaens, Hans III (1595-1643/44)
STC121210:
Reproduction of a Poster Advertising 'Loie Fuller' at the Folies-Bergere, 1893 (litho), Cheret, Jules (1836-1932) / Bridgeman Images
ID: STC121210
Reproduction of a Poster Advertising 'Loie Fuller' at the Folies-Bergere, 1893 (litho)
Cheret, Jules (1836-1932)
STC133627:
Costume design from Le Dieu Bleu, 1911 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images
ID: STC133627
Costume design from Le Dieu Bleu, 1911 (colour litho)
Bakst, Leon (1866-1924)
STC133648:
Costume design for Seefenfel, from Sadko, 1917 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images
ID: STC133648
Costume design for Seefenfel, from Sadko, 1917 (colour litho)
Bakst, Leon (1866-1924)
STC133650:
Costume design for a peasant woman, from Sadko, 1917 (colour litho), Bakst, Leon (1866-1924) / Bridgeman Images
ID: STC133650
Costume design for a peasant woman, from Sadko, 1917 (colour litho)
Bakst, Leon (1866-1924)
CH133743:
Grouse Shooting on the Glentanar Estate in Aberdeenshire, 1889 (oil on canvas), Suhrlandt, Carl (1828-1919) / Bridgeman Images
ID: CH133743
Grouse Shooting on the Glentanar Estate in Aberdeenshire, 1889 (oil on canvas)
Suhrlandt, Carl (1828-1919)
MAX103586:
Chess Players, 1991 (oil on panel), Ferguson, Max (b.1959) / Bridgeman Images
ID: MAX103586
Chess Players, 1991 (oil on panel)
Ferguson, Max (b.1959)
PFA105963:
The Statue of Liberty from the Railroad Club, c.1919 (oil on canvas), Nevinson, Christopher Richard Wynne (1889-1946) / Bridgeman Images
ID: PFA105963
The Statue of Liberty from the Railroad Club, c.1919 (oil on canvas)
Nevinson, Christopher Richard Wynne (1889-1946)
SGS106169:
School for Boys, 1738 (oil on canvas), Mercier, Philippe (1689-1760) / Bridgeman Images
ID: SGS106169
School for Boys, 1738 (oil on canvas)
Mercier, Philippe (1689-1760)
HSC104265:
Figure, Djenne, Mali (terracotta), African School / Bridgeman Images
ID: HSC104265
Figure, Djenne, Mali (terracotta)
African School
XJF105797:
'Mr. Collins and Charlotte were both standing at the gate in conversation with the ladies', illustration from 'Pride and Prejudice' by Jane Austen, 1895 (engraving) (b/w photo), Brock, Charles Edmund (1870-1938) / Bridgeman Images
ID: XJF105797
'Mr. Collins and Charlotte were both standing at the gate in conversation with the ladies', illustration from 'Pride and Prejudice' by Jane Austen, 1895 (engraving) (b/w photo)
Brock, Charles Edmund (1870-1938)
STC105270:
The Return after Three Days, c.1865 (b/w photo), Cameron, Julia Margaret (1815-79) / Bridgeman Images
ID: STC105270
The Return after Three Days, c.1865 (b/w photo)
Cameron, Julia Margaret (1815-79)
STC105282:
The Fleet of William the Conqueror, plate 8 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images
ID: STC105282
The Fleet of William the Conqueror, plate 8 from 'The History of the Nations' (aquatint)
Italian School, (19th century)
XJF105838:
Mary Sutton, a suspected witch, being 'swum' in 1612 (engraving) (b&w photo), English School, (17th century) / Bridgeman Images
ID: XJF105838
Mary Sutton, a suspected witch, being 'swum' in 1612 (engraving) (b&w photo)
English School, (17th century)
XJF128022:
Handwriting and Signature of Napoleon Bonaparte (1769-1821) (pen and ink on paper) / Bridgeman Images
ID: XJF128022
Handwriting and Signature of Napoleon Bonaparte (1769-1821) (pen and ink on paper)
BAL126976:
Gold Mining, from 'Santo Domingo Past and Present' by Samuel Hazard, pub. 1873 (engraving), Bry, Theodor de (1528-98) (after) / Bridgeman Images
ID: BAL126976
Gold Mining, from 'Santo Domingo Past and Present' by Samuel Hazard, pub. 1873 (engraving)
Bry, Theodor de (1528-98) (after)
NUM128402:
Collioure, 1905 (oil on canvas), Derain, Andre (1880-1954) / Bridgeman Images
ID: NUM128402
Collioure, 1905 (oil on canvas)
Derain, Andre (1880-1954)
KWE129249:
William Morris (1834-96) (b/w photo) / Bridgeman Images
ID: KWE129249
William Morris (1834-96) (b/w photo)
XJF105449:
The County of Leinster with the City of Dublin Described, engraved by Jodocus Hondius (1563-1612), from 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (engraving) (b&w photo), Speed, John (1552-1629) / Bridgeman Images
ID: XJF105449
The County of Leinster with the City of Dublin Described, engraved by Jodocus Hondius (1563-1612), from 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (engraving) (b&w photo)
Speed, John (1552-1629)
XJF105471:
Incident During Tyrone's Rebellion at Portadown, in 1641-42 (engraving), English School, (17th century) / Bridgeman Images
ID: XJF105471
Incident During Tyrone's Rebellion at Portadown, in 1641-42 (engraving)
English School, (17th century)
JLE112704:
Bird Table II, 1997 (pastel), Lewis, Jane (b.1953) / Bridgeman Images
ID: JLE112704
Bird Table II, 1997 (pastel)
Lewis, Jane (b.1953)
STV130840:
Portrait of Aubrey Beardsley, 1998 (fibre tip on paper), Taylor, Stevie / Bridgeman Images
ID: STV130840
Portrait of Aubrey Beardsley, 1998 (fibre tip on paper)
Taylor, Stevie
BAL130543:
The Grape Harvest (vellum) from Tacuinum Sanitatis, Arabic School, (13th century) / Bridgeman Images
ID: BAL130543
The Grape Harvest (vellum) from Tacuinum Sanitatis
Arabic School, (13th century)
AGN130354:
Landscape with Gumtree, 1964 (oil on board), Nolan, Sidney (1917-92) / Bridgeman Images
ID: AGN130354
Landscape with Gumtree, 1964 (oil on board)
Nolan, Sidney (1917-92)
PFA131163:
Harmensz van Rijn Rembrandt (1606-69) Knocking on the Door of the Theatrum Anatomicum Collegium Chiricurgicum, Amsterdam in 1633 (oil on canvas), Bisschop, Christoffel (1828-1904) / Bridgeman Images
ID: PFA131163
Harmensz van Rijn Rembrandt (1606-69) Knocking on the Door of the Theatrum Anatomicum Collegium Chiricurgicum, Amsterdam in 1633 (oil on canvas)