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Nature Morte Au Compotier, 1918 (oil on canvas)
Nature Morte Au Compotier, 1918 (oil on canvas)

CH652876: Nature Morte Au Compotier, 1918 (oil on canvas), Valadon, Marie Clementine (Suzanne) (1865-1938) / Bridgeman Images

ID: CH652876

Nature Morte Au Compotier, 1918 (oil on canvas)

Valadon, Marie Clementine (Suzanne) (1865-1938)

Overtone; Obertone, 1928 (pen and blue ink on paper)
Overtone; Obertone, 1928 (pen and blue ink on paper)

CH653314: Overtone; Obertone, 1928 (pen and blue ink on paper), Klee, Paul (1879-1940) / Bridgeman Images

ID: CH653314

Overtone; Obertone, 1928 (pen and blue ink on paper)

Klee, Paul (1879-1940)

A Cat Basking in the Sun, 1884 (oil on canvas)
A Cat Basking in the Sun, 1884 (oil on canvas)

CH659657: A Cat Basking in the Sun, 1884 (oil on canvas), Liljefors, Bruno Andreas (1860-1939) / Bridgeman Images

ID: CH659657

A Cat Basking in the Sun, 1884 (oil on canvas)

Liljefors, Bruno Andreas (1860-1939)

Six Heads of Children; Six Tetes des Enfants, c.1910 (oil on paper)
Six Heads of Children; Six Tetes des Enfants, c.1910 (oil on paper)

CH655986: Six Heads of Children; Six Tetes des Enfants, c.1910 (oil on paper), Lhote, Andre (1885-1962) / Bridgeman Images

ID: CH655986

Six Heads of Children; Six Tetes des Enfants, c.1910 (oil on paper)

Lhote, Andre (1885-1962)

Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: 'He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare, The Prince Did on Him Wait', (oil on canvas)
Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: 'He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare, The Prince Did on Him Wait', (oil on canvas)

CH658318: Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: 'He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare, The Prince Did on Him Wait', (oil on canvas), Grant, William James (1829-66) / Bridgeman Images

ID: CH658318

Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: 'He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare, The Prince Did on Him Wait', (oil on canvas)

Grant, William James (1829-66)

A Wooded Winter Landscape with Deer, 1912 (oil on canvas)
A Wooded Winter Landscape with Deer, 1912 (oil on canvas)

CH658618: A Wooded Winter Landscape with Deer, 1912 (oil on canvas), Monsted, Peder (1859-1941) / Bridgeman Images

ID: CH658618

A Wooded Winter Landscape with Deer, 1912 (oil on canvas)

Monsted, Peder (1859-1941)

Nostalgia, 55.8 x 44cm (oil on panel)
Nostalgia, 55.8 x 44cm (oil on panel)

CH658817: Nostalgia, 55.8 x 44cm (oil on panel), Baugniet, Charles (1814-86) / Bridgeman Images

ID: CH658817

Nostalgia, 55.8 x 44cm (oil on panel)

Baugniet, Charles (1814-86)

A Breezy Day, c.1898 (oil on canvas)
A Breezy Day, c.1898 (oil on canvas)

CH650914: A Breezy Day, c.1898 (oil on canvas), Reid, Robert (1862-1929) / Bridgeman Images

ID: CH650914

A Breezy Day, c.1898 (oil on canvas)

Reid, Robert (1862-1929)

Alcazar Gardens, Seville, (oil on canvasboard)
Alcazar Gardens, Seville, (oil on canvasboard)

CH650379: Alcazar Gardens, Seville, (oil on canvasboard), Cooper, Colin Campbell (1856-1937) / Bridgeman Images

ID: CH650379

Alcazar Gardens, Seville, (oil on canvasboard)

Cooper, Colin Campbell (1856-1937)

..The moon, like to a silver bow New-bent in heaven, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho)
..The moon, like to a silver bow New-bent in heaven, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho)

STC418726: ..The moon, like to a silver bow New-bent in heaven, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho), Rackham, Arthur (1867-1939) (after) / Bridgeman Images

ID: STC418726

..The moon, like to a silver bow New-bent in heaven, illustration from 'Midsummer Nights Dream' by William Shakespeare, 1908 (colour litho)

Rackham, Arthur (1867-1939) (after)

The Last Supper, engraved by Frederick Bacon, 1863 (engraving)
The Last Supper, engraved by Frederick Bacon, 1863 (engraving)

XJF417375: The Last Supper, engraved by Frederick Bacon, 1863 (engraving), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

ID: XJF417375

The Last Supper, engraved by Frederick Bacon, 1863 (engraving)

Vinci, Leonardo da (1452-1519) (after)

View of the Palace of Versailles, 1794 (colour engraving)
View of the Palace of Versailles, 1794 (colour engraving)

XCF415724: View of the Palace of Versailles, 1794 (colour engraving), Rigaud, Jacques (1681-1754) (after) / Bridgeman Images

ID: XCF415724

View of the Palace of Versailles, 1794 (colour engraving)

Rigaud, Jacques (1681-1754) (after)

The Battle of Marathon (litho)
The Battle of Marathon (litho)

STC416107: The Battle of Marathon (litho), English School, (19th century) / Bridgeman Images

ID: STC416107

The Battle of Marathon (litho)

English School, (19th century)

The Vaudois taking their oath, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
The Vaudois taking their oath, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC621440: The Vaudois taking their oath, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

ID: STC621440

The Vaudois taking their oath, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

English School, (19th century)

Seal of King John to the Magna Carta (engraving)
Seal of King John to the Magna Carta (engraving)

STC619708: Seal of King John to the Magna Carta (engraving), English School, (19th century) / Bridgeman Images

ID: STC619708

Seal of King John to the Magna Carta (engraving)

English School, (19th century)

Wodin (engraving)
Wodin (engraving)

LLM655201: Wodin (engraving), English School, (19th century) / Bridgeman Images

ID: LLM655201

Wodin (engraving)

English School, (19th century)

La Breste', Maison Rouge, Environs de Marseille, 1919 (oil on canvas)
La Breste', Maison Rouge, Environs de Marseille, 1919 (oil on canvas)

CH656741: La Breste', Maison Rouge, Environs de Marseille, 1919 (oil on canvas), Manguin, Henri-Charles (1874-1949) / Bridgeman Images

ID: CH656741

La Breste', Maison Rouge, Environs de Marseille, 1919 (oil on canvas)

Manguin, Henri-Charles (1874-1949)

Still Life; Natura Morta, 1960 (oil on canvas)
Still Life; Natura Morta, 1960 (oil on canvas)

CH656633: Still Life; Natura Morta, 1960 (oil on canvas), Morandi, Giorgio (1890-1964) / Bridgeman Images

ID: CH656633

Still Life; Natura Morta, 1960 (oil on canvas)

Morandi, Giorgio (1890-1964)

Christie's Auction Room, illustration from 'Microcosm of London' by R. Ackermann, 1808 (colour litho)
Christie's Auction Room, illustration from 'Microcosm of London' by R. Ackermann, 1808 (colour litho)

STC661042: Christie's Auction Room, illustration from 'Microcosm of London' by R. Ackermann, 1808 (colour litho), Rowlandson, T.(1756-1827) & Pugin, A.C.(1762-1832) / Bridgeman Images

ID: STC661042

Christie's Auction Room, illustration from 'Microcosm of London' by R. Ackermann, 1808 (colour litho)

Rowlandson, T.(1756-1827) & Pugin, A.C.(1762-1832)

Rustic economics, cotton, from 'Encyclopedia' by Denis Diderot (1713-84) (engraving) (b/w photo) (detail of 164438)
Rustic economics, cotton, from 'Encyclopedia' by Denis Diderot (1713-84) (engraving) (b/w photo) (detail of 164438)

CHT164439: Rustic economics, cotton, from 'Encyclopedia' by Denis Diderot (1713-84) (engraving) (b/w photo) (detail of 164438), Benard, Robert (fl.1734) / Bridgeman Images

ID: CHT164439

Rustic economics, cotton, from 'Encyclopedia' by Denis Diderot (1713-84) (engraving) (b/w photo) (detail of 164438)

Benard, Robert (fl.1734)

Page from one of Balzac's works with handwritten corrections (pen & ink on paper) (b/w photo)
Page from one of Balzac's works with handwritten corrections (pen & ink on paper) (b/w photo)

XIR154174: Page from one of Balzac's works with handwritten corrections (pen & ink on paper) (b/w photo), Balzac, Honore de (1799-1850) / Bridgeman Images

ID: XIR154174

Page from one of Balzac's works with handwritten corrections (pen & ink on paper) (b/w photo)

Balzac, Honore de (1799-1850)

Threshing scene, late 19th century (b/w photo)
Threshing scene, late 19th century (b/w photo)

CHT163153: Threshing scene, late 19th century (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT163153

Threshing scene, late 19th century (b/w photo)

French School, (19th century)

'Lord Have Mercy Upon Us': The Plague in London (woodcut) (b/w photo)
'Lord Have Mercy Upon Us': The Plague in London (woodcut) (b/w photo)

XJF180916: 'Lord Have Mercy Upon Us': The Plague in London (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

ID: XJF180916

'Lord Have Mercy Upon Us': The Plague in London (woodcut) (b/w photo)

English School, (17th century)

Bride and Bridegroom (colour litho)
Bride and Bridegroom (colour litho)

CHT181051: Bride and Bridegroom (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT181051

Bride and Bridegroom (colour litho)

French School, (19th century)

View of the Atrio di Cavallo between Somma and Vesuvius, plate 33 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)
View of the Atrio di Cavallo between Somma and Vesuvius, plate 33 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)

STC181186: View of the Atrio di Cavallo between Somma and Vesuvius, plate 33 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper), Fabris, Pietro (fl.1768-78) / Bridgeman Images

ID: STC181186

View of the Atrio di Cavallo between Somma and Vesuvius, plate 33 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)

Fabris, Pietro (fl.1768-78)

Seated Woman, 1916 (pencil on Japan paper) (b/w photo)
Seated Woman, 1916 (pencil on Japan paper) (b/w photo)

FFA145377: Seated Woman, 1916 (pencil on Japan paper) (b/w photo), Klimt, Gustav (1862-1918) / Bridgeman Images

ID: FFA145377

Seated Woman, 1916 (pencil on Japan paper) (b/w photo)

Klimt, Gustav (1862-1918)

Two knights at a tournament, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)
Two knights at a tournament, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)

STC147627: Two knights at a tournament, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho), Reibisch, Friedrich Martin von (fl.1842) / Bridgeman Images

ID: STC147627

Two knights at a tournament, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)

Reibisch, Friedrich Martin von (fl.1842)

Mary and Martha (oil on panel)
Mary and Martha (oil on panel)

PFA166295: Mary and Martha (oil on panel), Luini, Bernardino (c.1480-1532) (circle of) / Bridgeman Images

ID: PFA166295

Mary and Martha (oil on panel)

Luini, Bernardino (c.1480-1532) (circle of)

The Turkish Bath (mixed media)
The Turkish Bath (mixed media)

BLY167324: The Turkish Bath (mixed media), Raysse, Martial (b.1936) / Bridgeman Images

ID: BLY167324

The Turkish Bath (mixed media)

Raysse, Martial (b.1936)

Study for 'The Parquet Planers', 1875 (oil on canvas)
Study for 'The Parquet Planers', 1875 (oil on canvas)

BRM167853: Study for 'The Parquet Planers', 1875 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: BRM167853

Study for 'The Parquet Planers', 1875 (oil on canvas)

Caillebotte, Gustave (1848-94)

Portrait of Napoleon Bonaparte (1769-1821) and scenes from his life, 19th-20th century (coloured photo)
Portrait of Napoleon Bonaparte (1769-1821) and scenes from his life, 19th-20th century (coloured photo)

MTL181597: Portrait of Napoleon Bonaparte (1769-1821) and scenes from his life, 19th-20th century (coloured photo), French School / Bridgeman Images

ID: MTL181597

Portrait of Napoleon Bonaparte (1769-1821) and scenes from his life, 19th-20th century (coloured photo)

French School

Adam and Eve, from 'The Kelmscott Chaucer', published by Kelmscott Press, 1896 (engraving)
Adam and Eve, from 'The Kelmscott Chaucer', published by Kelmscott Press, 1896 (engraving)

STC156432: Adam and Eve, from 'The Kelmscott Chaucer', published by Kelmscott Press, 1896 (engraving), Morris, William (1834-96) / Bridgeman Images

ID: STC156432

Adam and Eve, from 'The Kelmscott Chaucer', published by Kelmscott Press, 1896 (engraving)

Morris, William (1834-96)

'Wanderers, This Land is Free', liberty pole at the Franco-Luxembourgeois border at the Moselle, reproduction of an original watercolour done in 1792, c.1847 (colour litho)
'Wanderers, This Land is Free', liberty pole at the Franco-Luxembourgeois border at the Moselle, reproduction of an original watercolour done in 1792, c.1847 (colour litho)

CHT157407: 'Wanderers, This Land is Free', liberty pole at the Franco-Luxembourgeois border at the Moselle, reproduction of an original watercolour done in 1792, c.1847 (colour litho), Goethe, Johann Wolfgang von (1749-1832) (after) / Bridgeman Images

ID: CHT157407

'Wanderers, This Land is Free', liberty pole at the Franco-Luxembourgeois border at the Moselle, reproduction of an original watercolour done in 1792, c.1847 (colour litho)

Goethe, Johann Wolfgang von (1749-1832) (after)

View of Buckingham Palace with a Crowd Outside Applauding Queen Victoria (1819-1901) and Prince Albert (1819-61) as they Ride Out in a Carriage, c.1855 (colour litho)
View of Buckingham Palace with a Crowd Outside Applauding Queen Victoria (1819-1901) and Prince Albert (1819-61) as they Ride Out in a Carriage, c.1855 (colour litho)

XCF174424: View of Buckingham Palace with a Crowd Outside Applauding Queen Victoria (1819-1901) and Prince Albert (1819-61) as they Ride Out in a Carriage, c.1855 (colour litho), English School, (19th century) / Bridgeman Images

ID: XCF174424

View of Buckingham Palace with a Crowd Outside Applauding Queen Victoria (1819-1901) and Prince Albert (1819-61) as they Ride Out in a Carriage, c.1855 (colour litho)

English School, (19th century)

Haymaking in the countryside near Moscow, c.1900 (colour litho)
Haymaking in the countryside near Moscow, c.1900 (colour litho)

CHT173074: Haymaking in the countryside near Moscow, c.1900 (colour litho), Russian School, (20th century) / Bridgeman Images

ID: CHT173074

Haymaking in the countryside near Moscow, c.1900 (colour litho)

Russian School, (20th century)

Geoffrey Chaucer (c.1342/43-1400) (engraving)
Geoffrey Chaucer (c.1342/43-1400) (engraving)

KWE151745: Geoffrey Chaucer (c.1342/43-1400) (engraving), English School, (19th century) / Bridgeman Images

ID: KWE151745

Geoffrey Chaucer (c.1342/43-1400) (engraving)

English School, (19th century)


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