BAL98678:
Good Morning City, Bleeding Town, 1969/70 (silkscreen), Hundertwasser, Friedensreich (1928-2000) / Bridgeman Images
ID: BAL98678
Good Morning City, Bleeding Town, 1969/70 (silkscreen)
Hundertwasser, Friedensreich (1928-2000)
IL99933:
Who Will Change Old Lamps for New Ones?, illustration to 'Aladdin' from 'The World's Fairy Tale Book' pub. by G.Harrap and Co. Ltd., London (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images
ID: IL99933
Who Will Change Old Lamps for New Ones?, illustration to 'Aladdin' from 'The World's Fairy Tale Book' pub. by G.Harrap and Co. Ltd., London (colour litho)
Orr, Monro Scott (1874-1955)
IL100125:
The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration), Noble, John Edwin (1876-1941) / Bridgeman Images
ID: IL100125
The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration)
Noble, John Edwin (1876-1941)
PWI96051:
At the Chateau Lacoste, 1946 (oil on canvas), Toyen, Marie Cerminova (1902-80) / Bridgeman Images
ID: PWI96051
At the Chateau Lacoste, 1946 (oil on canvas)
Toyen, Marie Cerminova (1902-80)
BON122391:
Leurs Ames Scent Bottle for D'Orsay (glass), Lalique, Rene Jules (1860-1945) / Bridgeman Images
ID: BON122391
Leurs Ames Scent Bottle for D'Orsay (glass)
Lalique, Rene Jules (1860-1945)
BAL124136:
Balboa Claiming Dominion over the South Sea, 25th September 1513, from 'The American Continent and its Inhabitants before its Discovery by Columbus' by Anne C. Cady (litho) 1893 (b&w photo), American School, (19th century) / Bridgeman Images
ID: BAL124136
Balboa Claiming Dominion over the South Sea, 25th September 1513, from 'The American Continent and its Inhabitants before its Discovery by Columbus' by Anne C. Cady (litho) 1893 (b&w photo)
American School, (19th century)
CH137843:
Place de Clichy (oil on panel), Lieven, Jacques (b.1850) / Bridgeman Images
ID: CH137843
Place de Clichy (oil on panel)
Lieven, Jacques (b.1850)
STC136987:
Port of Cheringhee, Calcutta, plate 32 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1798 (colour litho), Daniell, Thomas (1749-1840) (after) / Bridgeman Images
ID: STC136987
Port of Cheringhee, Calcutta, plate 32 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1798 (colour litho)
Daniell, Thomas (1749-1840) (after)
XJF137429:
Scenes of the 'Beagle' being repaired, on the distant cordillera of the Andes, and laid ashore on the Santa Cruz River, engraved by Thomas Landseer (1795-1880) (engraving) (b/w photo), Martens, Conrad (1801-78) (after) / Bridgeman Images
ID: XJF137429
Scenes of the 'Beagle' being repaired, on the distant cordillera of the Andes, and laid ashore on the Santa Cruz River, engraved by Thomas Landseer (1795-1880) (engraving) (b/w photo)
Martens, Conrad (1801-78) (after)
XJF106630:
The Kingdom's Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images
ID: XJF106630
The Kingdom's Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo)
English School, (17th century)
XJF106662:
Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images
ID: XJF106662
Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo)
English School, (17th century)
XJF105372:
A Pikeman Lighting a Cannon (woodcut), English School, (17th century) / Bridgeman Images
ID: XJF105372
A Pikeman Lighting a Cannon (woodcut)
English School, (17th century)
XJF105497:
Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo), English School, (17th century) / Bridgeman Images
ID: XJF105497
Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo)
English School, (17th century)
STC105283:
Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images
ID: STC105283
Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint)
Italian School, (19th century)
XJF105829:
Frontispiece to "The Witch of Edmonton, a Known True Story', 1658 (engraving) (b&w photo), English School, (17th century) / Bridgeman Images
ID: XJF105829
Frontispiece to "The Witch of Edmonton, a Known True Story', 1658 (engraving) (b&w photo)
English School, (17th century)
XJF105726:
Portrait of Samuel Taylor Coleridge (1772-1834) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
ID: XJF105726
Portrait of Samuel Taylor Coleridge (1772-1834) (engraving) (b/w photo)
XCF87212:
Banks of the Jordan, April 2nd 1839, plate 48 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images
ID: XCF87212
Banks of the Jordan, April 2nd 1839, plate 48 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho)
Roberts, David (1796-1864) (after)
STC87249:
Convent of St. Catherine, Mount Sinai, February 17th 1839, plate 120 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images
ID: STC87249
Convent of St. Catherine, Mount Sinai, February 17th 1839, plate 120 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho)
Roberts, David (1796-1864) (after)
STC86384:
Pirara and Lake Amucu, the Site of El Dorado, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho), Bentley, Charles (1806-54) (after) / Bridgeman Images
ID: STC86384
Pirara and Lake Amucu, the Site of El Dorado, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho)
Bentley, Charles (1806-54) (after)
STC95224:
Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864), Dayes, Edward (1763-1804) (after) / Bridgeman Images
ID: STC95224
Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864)
Dayes, Edward (1763-1804) (after)
STC89015:
The Public Dancers, from Volume II Costumes and Portraits of 'Description of Egypt', engraved by Jean Baptiste Massard, pub. under the orders of Napoleon, 1822 (engraving), Dutertre, Andre (1753-1842) (after) / Bridgeman Images
ID: STC89015
The Public Dancers, from Volume II Costumes and Portraits of 'Description of Egypt', engraved by Jean Baptiste Massard, pub. under the orders of Napoleon, 1822 (engraving)
Dutertre, Andre (1753-1842) (after)
STC89048:
A Brahmin who wears an iron collar to raise funds for a hospital and a Brahmin suspended over a fire in devotion, illustrations from 'Religious Ceremonies and Customs', c.1724 (engraving), Picart, Bernard (1673-1733) (after) / Bridgeman Images
ID: STC89048
A Brahmin who wears an iron collar to raise funds for a hospital and a Brahmin suspended over a fire in devotion, illustrations from 'Religious Ceremonies and Customs', c.1724 (engraving)
Picart, Bernard (1673-1733) (after)
CH96164:
The Coquette, c.1885 (oil on panel), Champney, James Wells (1843-1903) / Bridgeman Images
ID: CH96164
The Coquette, c.1885 (oil on panel)
Champney, James Wells (1843-1903)
STC94439:
The Tower and St. Catherine's, for 'Stow's Survey of London', pub. 1754 (engraving) (see 94440 for detail), English School, (18th century) / Bridgeman Images
ID: STC94439
The Tower and St. Catherine's, for 'Stow's Survey of London', pub. 1754 (engraving) (see 94440 for detail)
English School, (18th century)
STC96520:
Titus, costume for 'Berenice' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Antoine Carre, 1802 (coloured engraving), Chery, Philippe (1759-1838) (after) / Bridgeman Images
ID: STC96520
Titus, costume for 'Berenice' by Jean Racine, from Volume II of 'Research on the Costumes and Theatre of All Nations', engraved by Antoine Carre, 1802 (coloured engraving)
Chery, Philippe (1759-1838) (after)
STC112101:
"Be not amaz'd Dear Mother - It is indeed your Daughter Anne", from an original drawing by Grimm, printed for Carington Bowles, London, pub. 1774 (litho), English School, (18th century) / Bridgeman Images
ID: STC112101
"Be not amaz'd Dear Mother - It is indeed your Daughter Anne", from an original drawing by Grimm, printed for Carington Bowles, London, pub. 1774 (litho)
English School, (18th century)
SNG130232:
Poster advertising 'Violet Water', by Colgate & Co. (colour litho), American School, (19th century) / Bridgeman Images
ID: SNG130232
Poster advertising 'Violet Water', by Colgate & Co. (colour litho)
American School, (19th century)
SNG130284:
Poster advertising the 'World's Fair', Chicago, 1934 (colour litho), American School, (20th century) / Bridgeman Images
ID: SNG130284
Poster advertising the 'World's Fair', Chicago, 1934 (colour litho)
American School, (20th century)
STC131126:
Action off Camperdown, October 11th 1797, engraved by Thomas Sutherland for J. Jenkins's 'Naval Achievements', 1816 (colour engraving), Whitcombe, Thomas (c.1752-1824) (after) / Bridgeman Images
ID: STC131126
Action off Camperdown, October 11th 1797, engraved by Thomas Sutherland for J. Jenkins's 'Naval Achievements', 1816 (colour engraving)
Whitcombe, Thomas (c.1752-1824) (after)
XJF131242:
The Family of Thomas More (1478-1535), Chancellor of England (engraving) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images
ID: XJF131242
The Family of Thomas More (1478-1535), Chancellor of England (engraving) (b/w photo)