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Reading: Abbey Gate
Reading: Abbey Gate

CH15805: Reading: Abbey Gate, Sandby, Paul (1725-1809) / Bridgeman Images

The Newborn Child
The Newborn Child

BAL20757: The Newborn Child, Gerard, Theodore (1829-95) / Bridgeman Images

The British man-o'-war `The Royal James' flying the royal ensign off a coast
The British man-o'-war `The Royal James' flying the royal ensign off a coast

CH20639: The British man-o'-war `The Royal James' flying the royal ensign off a coast, Velde, Willem van de, the Younger (1633-1707) / Bridgeman Images

The Kermesse (panel)
The Kermesse (panel)

BAL81089: The Kermesse (panel), Beest, Sybrandt van (1610-74) / Bridgeman Images

Self Portrait, 1749 (engraving)
Self Portrait, 1749 (engraving)

XTD140280: Self Portrait, 1749 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

Mother's Darling (oil on canvas)
Mother's Darling (oil on canvas)

CH139747: Mother's Darling (oil on canvas), Morgan, Frederick (1856-1927) / Bridgeman Images

Portrait of Wilhelmina Campbell, Viscountess Glenorchy (1741-1786) (oil on canvas)
Portrait of Wilhelmina Campbell, Viscountess Glenorchy (1741-1786) (oil on canvas)

CH142272: Portrait of Wilhelmina Campbell, Viscountess Glenorchy (1741-1786) (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

Good Morning City, Bleeding Town, 1969/70 (silkscreen)
Good Morning City, Bleeding Town, 1969/70 (silkscreen)

BAL98678: Good Morning City, Bleeding Town, 1969/70 (silkscreen), Hundertwasser, Friedensreich (1928-2000) / Bridgeman Images

Who Will Change Old Lamps for New Ones?, illustration to 'Aladdin' from 'The World's Fairy Tale Book' pub. by G.Harrap and Co. Ltd., London (colour litho)
Who Will Change Old Lamps for New Ones?, illustration to 'Aladdin' from 'The World's Fairy Tale Book' pub. by G.Harrap and Co. Ltd., London (colour litho)

IL99933: Who Will Change Old Lamps for New Ones?, illustration to 'Aladdin' from 'The World's Fairy Tale Book' pub. by G.Harrap and Co. Ltd., London (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images

The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration)
The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration)

IL100125: The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration), Noble, John Edwin (1876-1941) / Bridgeman Images

At the Chateau Lacoste, 1946 (oil on canvas)
At the Chateau Lacoste, 1946 (oil on canvas)

PWI96051: At the Chateau Lacoste, 1946 (oil on canvas), Toyen, Marie Cerminova (1902-80) / Bridgeman Images

Leurs Ames Scent Bottle for D'Orsay (glass)
Leurs Ames Scent Bottle for D'Orsay (glass)

BON122391: Leurs Ames Scent Bottle for D'Orsay (glass), Lalique, Rene Jules (1860-1945) / Bridgeman Images

Balboa Claiming Dominion over the South Sea, 25th September 1513, from 'The American Continent and its Inhabitants before its Discovery by Columbus' by Anne C. Cady (litho) 1893 (b&w photo)
Balboa Claiming Dominion over the South Sea, 25th September 1513, from 'The American Continent and its Inhabitants before its Discovery by Columbus' by Anne C. Cady (litho) 1893 (b&w photo)

BAL124136: Balboa Claiming Dominion over the South Sea, 25th September 1513, from 'The American Continent and its Inhabitants before its Discovery by Columbus' by Anne C. Cady (litho) 1893 (b&w photo), American School, (19th century) / Bridgeman Images

Place de Clichy (oil on panel)
Place de Clichy (oil on panel)

CH137843: Place de Clichy (oil on panel), Lieven, Jacques (b.1850) / Bridgeman Images

Port of Cheringhee, Calcutta, plate 32 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1798 (colour litho)
Port of Cheringhee, Calcutta, plate 32 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1798 (colour litho)

STC136987: Port of Cheringhee, Calcutta, plate 32 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1798 (colour litho), Daniell, Thomas (1749-1840) (after) / Bridgeman Images

Scenes of the 'Beagle' being repaired, on the distant cordillera of the Andes, and laid ashore on the Santa Cruz River, engraved by Thomas Landseer (1795-1880) (engraving) (b/w photo)
Scenes of the 'Beagle' being repaired, on the distant cordillera of the Andes, and laid ashore on the Santa Cruz River, engraved by Thomas Landseer (1795-1880) (engraving) (b/w photo)

XJF137429: Scenes of the 'Beagle' being repaired, on the distant cordillera of the Andes, and laid ashore on the Santa Cruz River, engraved by Thomas Landseer (1795-1880) (engraving) (b/w photo), Martens, Conrad (1801-78) (after) / Bridgeman Images

The Kingdom's Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo)
The Kingdom's Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo)

XJF106630: The Kingdom's Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo)
Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo)

XJF106662: Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

A Pikeman Lighting a Cannon (woodcut)
A Pikeman Lighting a Cannon (woodcut)

XJF105372: A Pikeman Lighting a Cannon (woodcut), English School, (17th century) / Bridgeman Images

Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo)
Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo)

XJF105497: Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo), English School, (17th century) / Bridgeman Images

Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint)
Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint)

STC105283: Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images

Frontispiece to
Frontispiece to

XJF105829: Frontispiece to "The Witch of Edmonton, a Known True Story', 1658 (engraving) (b&w photo), English School, (17th century) / Bridgeman Images

Portrait of Samuel Taylor Coleridge (1772-1834) (engraving) (b/w photo)
Portrait of Samuel Taylor Coleridge (1772-1834) (engraving) (b/w photo)

XJF105726: Portrait of Samuel Taylor Coleridge (1772-1834) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

Blaise Pascal (1623-62) (engraving)
Blaise Pascal (1623-62) (engraving)

XZO116030: Blaise Pascal (1623-62) (engraving), Saint-Aubin, Augustin de (1736-1807) / Bridgeman Images

Kandinsky, c.1910 (oil on canvas)
Kandinsky, c.1910 (oil on canvas)

REV118908: Kandinsky, c.1910 (oil on canvas), Münter, Gabriele (1877-1962) / Bridgeman Images

Allied Encampment, Crimea, c.1855 (b&w photo)
Allied Encampment, Crimea, c.1855 (b&w photo)

XJF115142: Allied Encampment, Crimea, c.1855 (b&w photo), Fenton, Roger (1819-69) / Bridgeman Images

Confession, 1862 (oil on canvas)
Confession, 1862 (oil on canvas)

PFA134455: Confession, 1862 (oil on canvas), Long, Edwin Longsden (1829-91) / Bridgeman Images

Neo-plastic composition
Neo-plastic composition

CH34956: Neo-plastic composition, Domela, Cesar (1900-1992) / Bridgeman Images

T24641 Fiesta Pig, 1972 (screenprint)
T24641 Fiesta Pig, 1972 (screenprint)

PFA64674: T24641 Fiesta Pig, 1972 (screenprint), Warhol, Andy (1928-87) / Bridgeman Images

Banks of the Jordan, April 2nd 1839, plate 48 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho)
Banks of the Jordan, April 2nd 1839, plate 48 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho)

XCF87212: Banks of the Jordan, April 2nd 1839, plate 48 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images

Convent of St. Catherine, Mount Sinai, February 17th 1839, plate 120 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho)
Convent of St. Catherine, Mount Sinai, February 17th 1839, plate 120 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho)

STC87249: Convent of St. Catherine, Mount Sinai, February 17th 1839, plate 120 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images

Pirara and Lake Amucu, the Site of El Dorado, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho)
Pirara and Lake Amucu, the Site of El Dorado, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho)

STC86384: Pirara and Lake Amucu, the Site of El Dorado, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho), Bentley, Charles (1806-54) (after) / Bridgeman Images

Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864)
Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864)

STC95224: Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864), Dayes, Edward (1763-1804) (after) / Bridgeman Images

The Public Dancers, from Volume II Costumes and Portraits of 'Description of Egypt', engraved by Jean Baptiste Massard, pub. under the orders of Napoleon, 1822 (engraving)
The Public Dancers, from Volume II Costumes and Portraits of 'Description of Egypt', engraved by Jean Baptiste Massard, pub. under the orders of Napoleon, 1822 (engraving)

STC89015: The Public Dancers, from Volume II Costumes and Portraits of 'Description of Egypt', engraved by Jean Baptiste Massard, pub. under the orders of Napoleon, 1822 (engraving), Dutertre, Andre (1753-1842) (after) / Bridgeman Images

A Brahmin who wears an iron collar to raise funds for a hospital and a Brahmin suspended over a fire in devotion, illustrations from 'Religious Ceremonies and Customs', c.1724 (engraving)
A Brahmin who wears an iron collar to raise funds for a hospital and a Brahmin suspended over a fire in devotion, illustrations from 'Religious Ceremonies and Customs', c.1724 (engraving)

STC89048: A Brahmin who wears an iron collar to raise funds for a hospital and a Brahmin suspended over a fire in devotion, illustrations from 'Religious Ceremonies and Customs', c.1724 (engraving), Picart, Bernard (1673-1733) (after) / Bridgeman Images

The Coquette, c.1885 (oil on panel)
The Coquette, c.1885 (oil on panel)

CH96164: The Coquette, c.1885 (oil on panel), Champney, James Wells (1843-1903) / Bridgeman Images


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