CH15805:
Reading: Abbey Gate, Sandby, Paul (1725-1809) / Bridgeman Images
ID: CH15805
Reading: Abbey Gate
Sandby, Paul (1725-1809)
BAL20757:
The Newborn Child, Gerard, Theodore (1829-95) / Bridgeman Images
ID: BAL20757
The Newborn Child
Gerard, Theodore (1829-95)
CH20639:
The British man-o'-war `The Royal James' flying the royal ensign off a coast, Velde, Willem van de, the Younger (1633-1707) / Bridgeman Images
ID: CH20639
The British man-o'-war `The Royal James' flying the royal ensign off a coast
Velde, Willem van de, the Younger (1633-1707)
BAL81089:
The Kermesse (panel), Beest, Sybrandt van (1610-74) / Bridgeman Images
CH139747:
Mother's Darling (oil on canvas), Morgan, Frederick (1856-1927) / Bridgeman Images
ID: CH139747
Mother's Darling (oil on canvas)
Morgan, Frederick (1856-1927)
CH142272:
Portrait of Wilhelmina Campbell, Viscountess Glenorchy (1741-1786) (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images
ID: CH142272
Portrait of Wilhelmina Campbell, Viscountess Glenorchy (1741-1786) (oil on canvas)
Gainsborough, Thomas (1727-88)
BAL98678:
Good Morning City, Bleeding Town, 1969/70 (silkscreen), Hundertwasser, Friedensreich (1928-2000) / Bridgeman Images
ID: BAL98678
Good Morning City, Bleeding Town, 1969/70 (silkscreen)
Hundertwasser, Friedensreich (1928-2000)
IL99933:
Who Will Change Old Lamps for New Ones?, illustration to 'Aladdin' from 'The World's Fairy Tale Book' pub. by G.Harrap and Co. Ltd., London (colour litho), Orr, Monro Scott (1874-1955) / Bridgeman Images
ID: IL99933
Who Will Change Old Lamps for New Ones?, illustration to 'Aladdin' from 'The World's Fairy Tale Book' pub. by G.Harrap and Co. Ltd., London (colour litho)
Orr, Monro Scott (1874-1955)
IL100125:
The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration), Noble, John Edwin (1876-1941) / Bridgeman Images
ID: IL100125
The Mice in the Council from 'Aesop's Fables', pub. by Raphael Tuck & Sons Ltd., London (book illustration)
Noble, John Edwin (1876-1941)
PWI96051:
At the Chateau Lacoste, 1946 (oil on canvas), Toyen, Marie Cerminova (1902-80) / Bridgeman Images
ID: PWI96051
At the Chateau Lacoste, 1946 (oil on canvas)
Toyen, Marie Cerminova (1902-80)
BON122391:
Leurs Ames Scent Bottle for D'Orsay (glass), Lalique, Rene Jules (1860-1945) / Bridgeman Images
ID: BON122391
Leurs Ames Scent Bottle for D'Orsay (glass)
Lalique, Rene Jules (1860-1945)
BAL124136:
Balboa Claiming Dominion over the South Sea, 25th September 1513, from 'The American Continent and its Inhabitants before its Discovery by Columbus' by Anne C. Cady (litho) 1893 (b&w photo), American School, (19th century) / Bridgeman Images
ID: BAL124136
Balboa Claiming Dominion over the South Sea, 25th September 1513, from 'The American Continent and its Inhabitants before its Discovery by Columbus' by Anne C. Cady (litho) 1893 (b&w photo)
American School, (19th century)
CH137843:
Place de Clichy (oil on panel), Lieven, Jacques (b.1850) / Bridgeman Images
ID: CH137843
Place de Clichy (oil on panel)
Lieven, Jacques (b.1850)
STC136987:
Port of Cheringhee, Calcutta, plate 32 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1798 (colour litho), Daniell, Thomas (1749-1840) (after) / Bridgeman Images
ID: STC136987
Port of Cheringhee, Calcutta, plate 32 from 'Oriental Scenery: Twenty Four Views in Hindoostan', engraved by Thomas and William (1769-1837) Daniell, published 1798 (colour litho)
Daniell, Thomas (1749-1840) (after)
XJF137429:
Scenes of the 'Beagle' being repaired, on the distant cordillera of the Andes, and laid ashore on the Santa Cruz River, engraved by Thomas Landseer (1795-1880) (engraving) (b/w photo), Martens, Conrad (1801-78) (after) / Bridgeman Images
ID: XJF137429
Scenes of the 'Beagle' being repaired, on the distant cordillera of the Andes, and laid ashore on the Santa Cruz River, engraved by Thomas Landseer (1795-1880) (engraving) (b/w photo)
Martens, Conrad (1801-78) (after)
XJF106630:
The Kingdom's Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images
ID: XJF106630
The Kingdom's Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo)
English School, (17th century)
XJF106662:
Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images
ID: XJF106662
Titlepage of 'The London News', Communicating the High Counsels of Both Parliaments in England and Scotland (woodcut) (b/w photo)
English School, (17th century)
XJF105372:
A Pikeman Lighting a Cannon (woodcut), English School, (17th century) / Bridgeman Images
ID: XJF105372
A Pikeman Lighting a Cannon (woodcut)
English School, (17th century)
XJF105497:
Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo), English School, (17th century) / Bridgeman Images
ID: XJF105497
Dedication page in 'The Holy Bible', pub. by Robert Barker, 1611 (b&w photo)
English School, (17th century)
STC105283:
Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint), Italian School, (19th century) / Bridgeman Images
ID: STC105283
Richard the Lionheart, John of Gaunt, Edward III, Joan Plantagenet and Philippa of Hainault, plate 9 from 'The History of the Nations' (aquatint)
Italian School, (19th century)
XJF105829:
Frontispiece to "The Witch of Edmonton, a Known True Story', 1658 (engraving) (b&w photo), English School, (17th century) / Bridgeman Images
ID: XJF105829
Frontispiece to "The Witch of Edmonton, a Known True Story', 1658 (engraving) (b&w photo)
English School, (17th century)
XJF105726:
Portrait of Samuel Taylor Coleridge (1772-1834) (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
ID: XJF105726
Portrait of Samuel Taylor Coleridge (1772-1834) (engraving) (b/w photo)
XCF87212:
Banks of the Jordan, April 2nd 1839, plate 48 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images
ID: XCF87212
Banks of the Jordan, April 2nd 1839, plate 48 from Volume II of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1843 (litho)
Roberts, David (1796-1864) (after)
STC87249:
Convent of St. Catherine, Mount Sinai, February 17th 1839, plate 120 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho), Roberts, David (1796-1864) (after) / Bridgeman Images
ID: STC87249
Convent of St. Catherine, Mount Sinai, February 17th 1839, plate 120 from Volume III of 'The Holy Land', engraved by Louis Haghe (1806-85) pub. 1849 (litho)
Roberts, David (1796-1864) (after)
STC86384:
Pirara and Lake Amucu, the Site of El Dorado, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho), Bentley, Charles (1806-54) (after) / Bridgeman Images
ID: STC86384
Pirara and Lake Amucu, the Site of El Dorado, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho)
Bentley, Charles (1806-54) (after)
STC95224:
Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864), Dayes, Edward (1763-1804) (after) / Bridgeman Images
ID: STC95224
Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864)
Dayes, Edward (1763-1804) (after)
STC89015:
The Public Dancers, from Volume II Costumes and Portraits of 'Description of Egypt', engraved by Jean Baptiste Massard, pub. under the orders of Napoleon, 1822 (engraving), Dutertre, Andre (1753-1842) (after) / Bridgeman Images
ID: STC89015
The Public Dancers, from Volume II Costumes and Portraits of 'Description of Egypt', engraved by Jean Baptiste Massard, pub. under the orders of Napoleon, 1822 (engraving)
Dutertre, Andre (1753-1842) (after)
STC89048:
A Brahmin who wears an iron collar to raise funds for a hospital and a Brahmin suspended over a fire in devotion, illustrations from 'Religious Ceremonies and Customs', c.1724 (engraving), Picart, Bernard (1673-1733) (after) / Bridgeman Images
ID: STC89048
A Brahmin who wears an iron collar to raise funds for a hospital and a Brahmin suspended over a fire in devotion, illustrations from 'Religious Ceremonies and Customs', c.1724 (engraving)
Picart, Bernard (1673-1733) (after)
CH96164:
The Coquette, c.1885 (oil on panel), Champney, James Wells (1843-1903) / Bridgeman Images