BAL124139:
Landing of the Pilgrims, 1620, engraved by A. Bollett, from 'Harper's Monthly', 1857 (engraving) (b&w photo), Darley, Felix Octavius Carr (1822-88) (after) / Bridgeman Images
ID: BAL124139
Landing of the Pilgrims, 1620, engraved by A. Bollett, from 'Harper's Monthly', 1857 (engraving) (b&w photo)
Darley, Felix Octavius Carr (1822-88) (after)
BAL136314:
Plate I, Illustrating Law II from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving) (see 136315), English School, (18th century) / Bridgeman Images
ID: BAL136314
Plate I, Illustrating Law II from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving) (see 136315)
English School, (18th century)
CK135581:
The Manor House (oil on canvas), English School, (19th century) / Bridgeman Images
ID: CK135581
The Manor House (oil on canvas)
English School, (19th century)
STC101331:
The Entry of the French into Moscow, 14 September 1812, engraved by Edme Bovinet (1767-1832) (aquatint), Couche, Louis Francois (1782-1849) (after) / Bridgeman Images
ID: STC101331
The Entry of the French into Moscow, 14 September 1812, engraved by Edme Bovinet (1767-1832) (aquatint)
Couche, Louis Francois (1782-1849) (after)
PJC108619:
The Guardian (acrylic on canvas), Crook, PJ / Bridgeman Images
ID: PJC108619
The Guardian (acrylic on canvas)
Crook, PJ
CIC128179:
Self portrait, 1959 (oil on tempera), Ciccone, Antonio / Bridgeman Images
ID: CIC128179
Self portrait, 1959 (oil on tempera)
Ciccone, Antonio
BAL128326:
Peacock, Japanese (embroidery on silk), Japanese School, (20th century) / Bridgeman Images
ID: BAL128326
Peacock, Japanese (embroidery on silk)
Japanese School, (20th century)
NP125902:
Rosa muscosa (moss rose), engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images
ID: NP125902
Rosa muscosa (moss rose), engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)
Redoute, Pierre Joseph (1759-1840) (after)
BAL126121:
Truman Capote (1924-84) photographed by William Paley (b&w photo), Paley, William (20th Century) / Bridgeman Images
ID: BAL126121
Truman Capote (1924-84) photographed by William Paley (b&w photo)
Paley, William (20th Century)
NUM117086:
The Glass (collage, gouache & pencil on paper), Gris, Juan (1887-1927) / Bridgeman Images
ID: NUM117086
The Glass (collage, gouache & pencil on paper)
Gris, Juan (1887-1927)
JGG117619:
Seascape (oil on canvas), Prendergast, Maurice Brazil (1858-1924) / Bridgeman Images
ID: JGG117619
Seascape (oil on canvas)
Prendergast, Maurice Brazil (1858-1924)
NUM117963:
La Chaume, 1921 (oil on canvas), Marquet, Albert (1875-1947) / Bridgeman Images
ID: NUM117963
La Chaume, 1921 (oil on canvas)
Marquet, Albert (1875-1947)
NUM117980:
Pigs, c.1912 (oil on canvas), Marc, Franz (1880-1916) / Bridgeman Images
ID: NUM117980
Pigs, c.1912 (oil on canvas)
Marc, Franz (1880-1916)
NUM122575:
Drinking Coffee and Reading in the Garden (w/c on paper), Johnson, Edward Killingworth (1825-1923) / Bridgeman Images
ID: NUM122575
Drinking Coffee and Reading in the Garden (w/c on paper)
Johnson, Edward Killingworth (1825-1923)
SSM122717:
The Fatal Hour: Fantastic Subject II (oil on canvas), Fragonard, Alexandre Evariste (1780-1850) / Bridgeman Images
ID: SSM122717
The Fatal Hour: Fantastic Subject II (oil on canvas)
Fragonard, Alexandre Evariste (1780-1850)
SSM122728:
Charles V (1500-58) received by Francis I (1494-1547) at the Louvre, c.1843 (oil on canvas), Colin, Alexandre Marie (1798-1875) / Bridgeman Images
ID: SSM122728
Charles V (1500-58) received by Francis I (1494-1547) at the Louvre, c.1843 (oil on canvas)
STC137312:
Potters, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images
ID: STC137312
Potters, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
Pyne, William Henry (1769-1843)
CH136663:
A View of Heidelberg, 1873 (oil on canvas) (see also 24081), Webb, James (1825-95) / Bridgeman Images
ID: CH136663
A View of Heidelberg, 1873 (oil on canvas) (see also 24081)
Webb, James (1825-95)
XJF137058:
Francis Drake (c.1540-96) in the New World (engraving) (b/w photo), English School, (16th century) / Bridgeman Images
ID: XJF137058
Francis Drake (c.1540-96) in the New World (engraving) (b/w photo)
English School, (16th century)
HCR110376:
Britannic and Mauretania in Ocean Dock, Southampton, World War I, 1986 (oil on canvas), Crossley, Harley (1936-2013) / Bridgeman Images
ID: HCR110376
Britannic and Mauretania in Ocean Dock, Southampton, World War I, 1986 (oil on canvas)
XJF103982:
Branding a Negress, engraved by Whitney Jocelyn Annin (engraving) (b&w photo), American School, (19th century) / Bridgeman Images
ID: XJF103982
Branding a Negress, engraved by Whitney Jocelyn Annin (engraving) (b&w photo)
American School, (19th century)
STC109041:
British Guyana: Surinam, the Slave Rebellion, plate 65, from 'Le Costume Ancien et Moderne', by Jules Ferrario, engraved by D.K. Bonatti, published c.1820s-30s (colour engraving), Bramati, G. (19th century) (after) / Bridgeman Images
ID: STC109041
British Guyana: Surinam, the Slave Rebellion, plate 65, from 'Le Costume Ancien et Moderne', by Jules Ferrario, engraved by D.K. Bonatti, published c.1820s-30s (colour engraving)
Bramati, G. (19th century) (after)
STC109090:
Independence Hall, Philadelphia, Pennsylvania, from 'Le Costume Ancien et Moderne', Volume I, plate 41, by Jules Ferrario, published c.1820s-30s (colour engraving), Fumagalli, Paolo (19th century) / Bridgeman Images
ID: STC109090
Independence Hall, Philadelphia, Pennsylvania, from 'Le Costume Ancien et Moderne', Volume I, plate 41, by Jules Ferrario, published c.1820s-30s (colour engraving)
Fumagalli, Paolo (19th century)
XIR112795:
Barber Saddened by the Persistence of Good Weather (The Anguished Barber) 1934 (oil on canvas), Dali, Salvador (1904-89) / Bridgeman Images
ID: XIR112795
Barber Saddened by the Persistence of Good Weather (The Anguished Barber) 1934 (oil on canvas)
Dali, Salvador (1904-89)
BAL111657:
The Peace Conference on Staten Island, Interview between Lord Howe and the Committee of Congress, 11th September 1776 (engraving) (b&w photo), Chappel, Alonzo (1828-87) (after) / Bridgeman Images
ID: BAL111657
The Peace Conference on Staten Island, Interview between Lord Howe and the Committee of Congress, 11th September 1776 (engraving) (b&w photo)
Chappel, Alonzo (1828-87) (after)
PT112212:
Promenading, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print), French School, (20th century) / Bridgeman Images