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Landing of the Pilgrims, 1620, engraved by A. Bollett, from 'Harper's Monthly', 1857 (engraving) (b&w photo)
Landing of the Pilgrims, 1620, engraved by A. Bollett, from 'Harper's Monthly', 1857 (engraving) (b&w photo)

BAL124139: Landing of the Pilgrims, 1620, engraved by A. Bollett, from 'Harper's Monthly', 1857 (engraving) (b&w photo), Darley, Felix Octavius Carr (1822-88) (after) / Bridgeman Images

Plate I, Illustrating Law II from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving) (see 136315)
Plate I, Illustrating Law II from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving) (see 136315)

BAL136314: Plate I, Illustrating Law II from Volume I of 'The Mathematical Principles of Natural Philosophy' by Sir Isaac Newton (1642-1727) engraved by John Lodge (fl. 1782) 1777 (engraving) (see 136315), English School, (18th century) / Bridgeman Images

The Manor House (oil on canvas)
The Manor House (oil on canvas)

CK135581: The Manor House (oil on canvas), English School, (19th century) / Bridgeman Images

The Entry of the French into Moscow, 14 September 1812, engraved by Edme Bovinet (1767-1832) (aquatint)
The Entry of the French into Moscow, 14 September 1812, engraved by Edme Bovinet (1767-1832) (aquatint)

STC101331: The Entry of the French into Moscow, 14 September 1812, engraved by Edme Bovinet (1767-1832) (aquatint), Couche, Louis Francois (1782-1849) (after) / Bridgeman Images

The Guardian (acrylic on canvas)
The Guardian (acrylic on canvas)

PJC108619: The Guardian (acrylic on canvas), Crook, PJ / Bridgeman Images

Self portrait, 1959 (oil on tempera)
Self portrait, 1959 (oil on tempera)

CIC128179: Self portrait, 1959 (oil on tempera), Ciccone, Antonio / Bridgeman Images

Peacock, Japanese (embroidery on silk)
Peacock, Japanese (embroidery on silk)

BAL128326: Peacock, Japanese (embroidery on silk), Japanese School, (20th century) / Bridgeman Images

Rosa muscosa (moss rose), engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)
Rosa muscosa (moss rose), engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)

NP125902: Rosa muscosa (moss rose), engraved by Victor, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

Truman Capote (1924-84) photographed by William Paley (b&w photo)
Truman Capote (1924-84) photographed by William Paley (b&w photo)

BAL126121: Truman Capote (1924-84) photographed by William Paley (b&w photo), Paley, William (20th Century) / Bridgeman Images

The Glass (collage, gouache & pencil on paper)
The Glass (collage, gouache & pencil on paper)

NUM117086: The Glass (collage, gouache & pencil on paper), Gris, Juan (1887-1927) / Bridgeman Images

Seascape (oil on canvas)
Seascape (oil on canvas)

JGG117619: Seascape (oil on canvas), Prendergast, Maurice Brazil (1858-1924) / Bridgeman Images

La Chaume, 1921 (oil on canvas)
La Chaume, 1921 (oil on canvas)

NUM117963: La Chaume, 1921 (oil on canvas), Marquet, Albert (1875-1947) / Bridgeman Images

Pigs, c.1912 (oil on canvas)
Pigs, c.1912 (oil on canvas)

NUM117980: Pigs, c.1912 (oil on canvas), Marc, Franz (1880-1916) / Bridgeman Images

Drinking Coffee and Reading in the Garden (w/c on paper)
Drinking Coffee and Reading in the Garden (w/c on paper)

NUM122575: Drinking Coffee and Reading in the Garden (w/c on paper), Johnson, Edward Killingworth (1825-1923) / Bridgeman Images

The Fatal Hour: Fantastic Subject II (oil on canvas)
The Fatal Hour: Fantastic Subject II (oil on canvas)

SSM122717: The Fatal Hour: Fantastic Subject II (oil on canvas), Fragonard, Alexandre Evariste (1780-1850) / Bridgeman Images

Charles V (1500-58) received by Francis I (1494-1547) at the Louvre, c.1843 (oil on canvas)
Charles V (1500-58) received by Francis I (1494-1547) at the Louvre, c.1843 (oil on canvas)

SSM122728: Charles V (1500-58) received by Francis I (1494-1547) at the Louvre, c.1843 (oil on canvas), Colin, Alexandre Marie (1798-1875) / Bridgeman Images

Poetry, 1998 (mixed media)
Poetry, 1998 (mixed media)

ENN122242: Poetry, 1998 (mixed media), Engel, Nissan (1931-2016) / Bridgeman Images

Potters, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)
Potters, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho)

STC137312: Potters, from 'Costume of Great Britain', published by William Miller, 1805 (colour litho), Pyne, William Henry (1769-1843) / Bridgeman Images

A View of Heidelberg, 1873 (oil on canvas) (see also 24081)
A View of Heidelberg, 1873 (oil on canvas) (see also 24081)

CH136663: A View of Heidelberg, 1873 (oil on canvas) (see also 24081), Webb, James (1825-95) / Bridgeman Images

Francis Drake (c.1540-96) in the New World (engraving) (b/w photo)
Francis Drake (c.1540-96) in the New World (engraving) (b/w photo)

XJF137058: Francis Drake (c.1540-96) in the New World (engraving) (b/w photo), English School, (16th century) / Bridgeman Images

Britannic and Mauretania in Ocean Dock, Southampton, World War I, 1986 (oil on canvas)
Britannic and Mauretania in Ocean Dock, Southampton, World War I, 1986 (oil on canvas)

HCR110376: Britannic and Mauretania in Ocean Dock, Southampton, World War I, 1986 (oil on canvas), Crossley, Harley (1936-2013) / Bridgeman Images

Dancing Girls (oil on canvas)
Dancing Girls (oil on canvas)

GG110459: Dancing Girls (oil on canvas), Fabbi, Fabio (1861-1946) / Bridgeman Images

Branding a Negress, engraved by Whitney Jocelyn Annin (engraving) (b&w photo)
Branding a Negress, engraved by Whitney Jocelyn Annin (engraving) (b&w photo)

XJF103982: Branding a Negress, engraved by Whitney Jocelyn Annin (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

British Guyana: Surinam, the Slave Rebellion, plate 65, from 'Le Costume Ancien et Moderne', by Jules Ferrario, engraved by D.K. Bonatti, published c.1820s-30s (colour engraving)
British Guyana: Surinam, the Slave Rebellion, plate 65, from 'Le Costume Ancien et Moderne', by Jules Ferrario, engraved by D.K. Bonatti, published c.1820s-30s (colour engraving)

STC109041: British Guyana: Surinam, the Slave Rebellion, plate 65, from 'Le Costume Ancien et Moderne', by Jules Ferrario, engraved by D.K. Bonatti, published c.1820s-30s (colour engraving), Bramati, G. (19th century) (after) / Bridgeman Images

Independence Hall, Philadelphia, Pennsylvania, from 'Le Costume Ancien et Moderne', Volume I, plate 41, by Jules Ferrario, published c.1820s-30s (colour engraving)
Independence Hall, Philadelphia, Pennsylvania, from 'Le Costume Ancien et Moderne', Volume I, plate 41, by Jules Ferrario, published c.1820s-30s (colour engraving)

STC109090: Independence Hall, Philadelphia, Pennsylvania, from 'Le Costume Ancien et Moderne', Volume I, plate 41, by Jules Ferrario, published c.1820s-30s (colour engraving), Fumagalli, Paolo (19th century) / Bridgeman Images

Barber Saddened by the Persistence of Good Weather (The Anguished Barber) 1934 (oil on canvas)
Barber Saddened by the Persistence of Good Weather (The Anguished Barber) 1934 (oil on canvas)

XIR112795: Barber Saddened by the Persistence of Good Weather (The Anguished Barber) 1934 (oil on canvas), Dali, Salvador (1904-89) / Bridgeman Images

The Peace Conference on Staten Island, Interview between Lord Howe and the Committee of Congress, 11th September 1776 (engraving) (b&w photo)
The Peace Conference on Staten Island, Interview between Lord Howe and the Committee of Congress, 11th September 1776 (engraving) (b&w photo)

BAL111657: The Peace Conference on Staten Island, Interview between Lord Howe and the Committee of Congress, 11th September 1776 (engraving) (b&w photo), Chappel, Alonzo (1828-87) (after) / Bridgeman Images

Promenading, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print)
Promenading, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print)

PT112212: Promenading, fashion plate from 'Art, Gout, Beaute', pub. Paris, 1920's (pochoir print), French School, (20th century) / Bridgeman Images

Giovanni Boccaccio (1313-1375) (engraving)
Giovanni Boccaccio (1313-1375) (engraving)

KWE129210: Giovanni Boccaccio (1313-1375) (engraving), English School, (19th century) / Bridgeman Images

School Dinners (acrylic on wood)
School Dinners (acrylic on wood)

PJC128797: School Dinners (acrylic on wood), Crook, PJ / Bridgeman Images

White Bordeaux, 1913 (gouache & pencil on paper)
White Bordeaux, 1913 (gouache & pencil on paper)

NUM128427: White Bordeaux, 1913 (gouache & pencil on paper), Gris, Juan (1887-1927) / Bridgeman Images

Christening, Portrait of A Mother And Child, c.1595 (oil on canvas)
Christening, Portrait of A Mother And Child, c.1595 (oil on canvas)

CH141097: Christening, Portrait of A Mother And Child, c.1595 (oil on canvas), English School, (16th century) / Bridgeman Images

Portrait of Tzu Hsi, the Empress Dowager (1835-1908) (colour litho)
Portrait of Tzu Hsi, the Empress Dowager (1835-1908) (colour litho)

XTD141113: Portrait of Tzu Hsi, the Empress Dowager (1835-1908) (colour litho), Chinese School (19th century) / Bridgeman Images

The Rose, 2002 (oil on canvas)
The Rose, 2002 (oil on canvas)

MBS228441: The Rose, 2002 (oil on canvas), Sim, Myung-Bo / Bridgeman Images

Allegorical Group with Masonic Symbolism, 1810 (oil on canvas)
Allegorical Group with Masonic Symbolism, 1810 (oil on canvas)

BON228383: Allegorical Group with Masonic Symbolism, 1810 (oil on canvas), English School, (19th century) / Bridgeman Images

Fern, 1987 (oil on canvas)
Fern, 1987 (oil on canvas)

GRD241901: Fern, 1987 (oil on canvas), Grandval, Sophie (b.1936) / Bridgeman Images


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