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Fisherman's Jetty, Antibes (oil on canvas
Fisherman's Jetty, Antibes (oil on canvas

LEO216394: Fisherman's Jetty, Antibes (oil on canvas, Morrocco, Leon (b.1942) / Bridgeman Images

ID: LEO216394

Fisherman's Jetty, Antibes (oil on canvas

Morrocco, Leon (b.1942)

Port en Bretagne, 1861 (oil on canvas)
Port en Bretagne, 1861 (oil on canvas)

BAL210195: Port en Bretagne, 1861 (oil on canvas), Isabey, Louis Eugene Gabriel (1803-86) / Bridgeman Images

ID: BAL210195

Port en Bretagne, 1861 (oil on canvas)

Isabey, Louis Eugene Gabriel (1803-86)

Passy, c.1898 (w/c on paper)
Passy, c.1898 (w/c on paper)

MFA213457: Passy, c.1898 (w/c on paper), Signac, Paul (1863-1935) / Bridgeman Images

ID: MFA213457

Passy, c.1898 (w/c on paper)

Signac, Paul (1863-1935)

The Opening of the Suez Canal, Port Said 1869 (b/w photo)
The Opening of the Suez Canal, Port Said 1869 (b/w photo)

JHL701427: The Opening of the Suez Canal, Port Said 1869 (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: JHL701427

The Opening of the Suez Canal, Port Said 1869 (b/w photo)

French Photographer, (19th century)

Sailboat Race (oil on canvas)
Sailboat Race (oil on canvas)

ANA867733: Sailboat Race (oil on canvas), Macara, Andrew / Bridgeman Images

ID: ANA867733

Sailboat Race (oil on canvas)

Macara, Andrew

Ships (coloured engraving)
Ships (coloured engraving)

PRX997464: Ships (coloured engraving), German School, (19th century) / Bridgeman Images

ID: PRX997464

Ships (coloured engraving)

German School, (19th century)

Spinnakers, 1971 (etching, aquatint & soft ground)
Spinnakers, 1971 (etching, aquatint & soft ground)

BHG1090588: Spinnakers, 1971 (etching, aquatint & soft ground), Trevelyan, Julian (1910-88) / Bridgeman Images

ID: BHG1090588

Spinnakers, 1971 (etching, aquatint & soft ground)

Trevelyan, Julian (1910-88)

Balmy Backwaters, 2014 (oil on linen)
Balmy Backwaters, 2014 (oil on linen)

RCL1152350: Balmy Backwaters, 2014 (oil on linen), Campbell, Rebecca / Bridgeman Images

ID: RCL1152350

Balmy Backwaters, 2014 (oil on linen)

Campbell, Rebecca

A Breezy Day, c. 1960 (oil on canvas)
A Breezy Day, c. 1960 (oil on canvas)

CH1197076: A Breezy Day, c. 1960 (oil on canvas), Fedden, Mary (1915-2012) / Bridgeman Images

ID: CH1197076

A Breezy Day, c. 1960 (oil on canvas)

Fedden, Mary (1915-2012)

A Frigate, A Lugger And Merchant Ship In Dartmouth Harbour, 1808 (oil on canvas)
A Frigate, A Lugger And Merchant Ship In Dartmouth Harbour, 1808 (oil on canvas)

CH142208: A Frigate, A Lugger And Merchant Ship In Dartmouth Harbour, 1808 (oil on canvas), Luny, Thomas (1759-1837) / Bridgeman Images

ID: CH142208

A Frigate, A Lugger And Merchant Ship In Dartmouth Harbour, 1808 (oil on canvas)

Luny, Thomas (1759-1837)

The Seine Below Rouen (oil on canvas)
The Seine Below Rouen (oil on canvas)

BRM156244: The Seine Below Rouen (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: BRM156244

The Seine Below Rouen (oil on canvas)

Monet, Claude (1840-1926)

Lord Howe and the Comte d'Estaing off Rhode Island, 9th August 1778 (oil on canvas)
Lord Howe and the Comte d'Estaing off Rhode Island, 9th August 1778 (oil on canvas)

XCF4914: Lord Howe and the Comte d'Estaing off Rhode Island, 9th August 1778 (oil on canvas), Wilkins, Robert (c.1740-c.1790) / Bridgeman Images

ID: XCF4914

Lord Howe and the Comte d'Estaing off Rhode Island, 9th August 1778 (oil on canvas)

Wilkins, Robert (c.1740-c.1790)

'August Blue', 1896 (w/c on paper)
'August Blue', 1896 (w/c on paper)

BAL13743: 'August Blue', 1896 (w/c on paper), Tuke, Henry Scott (1858-1929) / Bridgeman Images

ID: BAL13743

'August Blue', 1896 (w/c on paper)

Tuke, Henry Scott (1858-1929)

Our First Interview with Caripuna Indians, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving)
Our First Interview with Caripuna Indians, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving)

BAL124987: Our First Interview with Caripuna Indians, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving), American School, (19th century) / Bridgeman Images

ID: BAL124987

Our First Interview with Caripuna Indians, from 'The Amazon and Madeira Rivers', by Franz Keller, 1874 (engraving)

American School, (19th century)

Sunset (oil on canvas)
Sunset (oil on canvas)

OWG199946: Sunset (oil on canvas), Maroniez, Georges Philibert Charles (1865-1933) / Bridgeman Images

ID: OWG199946

Sunset (oil on canvas)

Maroniez, Georges Philibert Charles (1865-1933)

H.M.S. Pique under Sail (oil on board)
H.M.S. Pique under Sail (oil on board)

TSH201041: H.M.S. Pique under Sail (oil on board), Condy, Nicholas Matthews (1816-51) / Bridgeman Images

ID: TSH201041

H.M.S. Pique under Sail (oil on board)

Condy, Nicholas Matthews (1816-51)

Queen Victoria (1819-1901) with the Princess Royal (1840-1901) as a baby (w/c on paper)
Queen Victoria (1819-1901) with the Princess Royal (1840-1901) as a baby (w/c on paper)

CW32222: Queen Victoria (1819-1901) with the Princess Royal (1840-1901) as a baby (w/c on paper), English School, (19th century) / Bridgeman Images

ID: CW32222

Queen Victoria (1819-1901) with the Princess Royal (1840-1901) as a baby (w/c on paper)

English School, (19th century)

Ancient Rome: “” The barbarians (cimbres and teutons) taunting the Romans of Caius Marius before the Battle of Aix en provence in 102 BC” (Teutones and Ambrones taunting the army of Gaius Marius before the Battle of Aquae Sextiae (Aix-en-Provence) in 102 BC) Engraving from “Storia di Roma” by Franco Bertolini
Ancient Rome: “” The barbarians (cimbres and teutons) taunting the Romans of Caius Marius before the Battle of Aix en provence in 102 BC” (Teutones and Ambrones taunting the army of Gaius Marius before the Battle of Aquae Sextiae (Aix-en-Provence) in 102 BC) Engraving from “Storia di Roma” by Franco Bertolini

ELD4963326: Ancient Rome: “” The barbarians (cimbres and teutons) taunting the Romans of Caius Marius before the Battle of Aix en provence in 102 BC” (Teutones and Ambrones taunting the army of Gaius Marius before the Battle of Aquae Sextiae (Aix-en-Provence) in 102 BC) Engraving from “Storia di Roma” by Franco Bertolini / Bridgeman Images

ID: ELD4963326

Ancient Rome: “” The barbarians (cimbres and teutons) taunting the Romans of Caius Marius before the Battle of Aix en provence in 102 BC” (Teutones and Ambrones taunting the army of Gaius Marius before the Battle of Aquae Sextiae (Aix-en-Provence) in 102 BC) Engraving from “Storia di Roma” by Franco Bertolini

Bodmin Moor (oil on canvas)
Bodmin Moor (oil on canvas)

NAP218070: Bodmin Moor (oil on canvas), Naper, Charles W.S. (1882-1968) / Bridgeman Images

ID: NAP218070

Bodmin Moor (oil on canvas)

Naper, Charles W.S. (1882-1968)

Poster demanding the right of women to vote, published for 'Frauen-Tag' 8th March 1914 (colour litho)
Poster demanding the right of women to vote, published for 'Frauen-Tag' 8th March 1914 (colour litho)

CHT218578: Poster demanding the right of women to vote, published for 'Frauen-Tag' 8th March 1914 (colour litho), Staedler, Karl Maria (fl. 1914) / Bridgeman Images

ID: CHT218578

Poster demanding the right of women to vote, published for 'Frauen-Tag' 8th March 1914 (colour litho)

Staedler, Karl Maria (fl. 1914)

Evening Return, Henley, 1998 (oil on canvas)
Evening Return, Henley, 1998 (oil on canvas)

EAS152062: Evening Return, Henley, 1998 (oil on canvas), Easton, Timothy (b.1943) / Bridgeman Images

ID: EAS152062

Evening Return, Henley, 1998 (oil on canvas)

Easton, Timothy (b.1943)

Portrait of Stendhal (Henry Beyle) (Grenoble, 1783 in Paris, 1842), French writer. Engraving of the 19th century.
Portrait of Stendhal (Henry Beyle) (Grenoble, 1783 in Paris, 1842), French writer. Engraving of the 19th century.

XEE4411875: Portrait of Stendhal (Henry Beyle) (Grenoble, 1783 in Paris, 1842), French writer. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4411875

Portrait of Stendhal (Henry Beyle) (Grenoble, 1783 in Paris, 1842), French writer. Engraving of the 19th century.

Unknown Artist, (19th century)

The crow and the fox) Le corbeau et le renard - Fables by La Fontaine, 19th century (engraving)
The crow and the fox) Le corbeau et le renard - Fables by La Fontaine, 19th century (engraving)

DUV4214241: The crow and the fox) Le corbeau et le renard - Fables by La Fontaine, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

ID: DUV4214241

The crow and the fox) Le corbeau et le renard - Fables by La Fontaine, 19th century (engraving)

Grandville (Jean Ignace Isidore Gerard) (1803-47)

Queen Victoria and the royal family standing around a Christmas tree (coloured engraving)
Queen Victoria and the royal family standing around a Christmas tree (coloured engraving)

LLJ1127457: Queen Victoria and the royal family standing around a Christmas tree (coloured engraving), English School, (19th century) / Bridgeman Images

ID: LLJ1127457

Queen Victoria and the royal family standing around a Christmas tree (coloured engraving)

English School, (19th century)

At 45 Genghis Khan was the ruler of a vast empire (colour litho)
At 45 Genghis Khan was the ruler of a vast empire (colour litho)

LAL957444: At 45 Genghis Khan was the ruler of a vast empire (colour litho), Salinas, Alberto (1932-2004) / Bridgeman Images

ID: LAL957444

At 45 Genghis Khan was the ruler of a vast empire (colour litho)

Salinas, Alberto (1932-2004)

Catchfly (Silene), 1843-49 (hand-coloured lithograph)
Catchfly (Silene), 1843-49 (hand-coloured lithograph)

CH986460: Catchfly (Silene), 1843-49 (hand-coloured lithograph), Loudon, Jane (1807-58) / Bridgeman Images

ID: CH986460

Catchfly (Silene), 1843-49 (hand-coloured lithograph)

Loudon, Jane (1807-58)

Four Gentlemen in Highland Dress, 1869 (litho)
Four Gentlemen in Highland Dress, 1869 (litho)

FAS71057: Four Gentlemen in Highland Dress, 1869 (litho), Macleay, Kenneth (1802-78) / Bridgeman Images

ID: FAS71057

Four Gentlemen in Highland Dress, 1869 (litho)

Macleay, Kenneth (1802-78)

God, who loves us, is like the most faithful lover who dazzles his beloved with His gifts, but touches her heart most deeply by his sweetness and gentle care, 2003 (w/c on paper)
God, who loves us, is like the most faithful lover who dazzles his beloved with His gifts, but touches her heart most deeply by his sweetness and gentle care, 2003 (w/c on paper)

WNG268482: God, who loves us, is like the most faithful lover who dazzles his beloved with His gifts, but touches her heart most deeply by his sweetness and gentle care, 2003 (w/c on paper), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG268482

God, who loves us, is like the most faithful lover who dazzles his beloved with His gifts, but touches her heart most deeply by his sweetness and gentle care, 2003 (w/c on paper)

Wang, Elizabeth (1942-2016)

The Conjunction of the Planets, from 'The Celestial Atlas, or Harmony of the Universe' (Atlas Coelestis Harmonia Macrocosmica), published by Joannes Janssonius, 1660-61 (hand coloured engraving)
The Conjunction of the Planets, from 'The Celestial Atlas, or Harmony of the Universe' (Atlas Coelestis Harmonia Macrocosmica), published by Joannes Janssonius, 1660-61 (hand coloured engraving)

XCF306021: The Conjunction of the Planets, from 'The Celestial Atlas, or Harmony of the Universe' (Atlas Coelestis Harmonia Macrocosmica), published by Joannes Janssonius, 1660-61 (hand coloured engraving), Cellarius, Andreas (c.1596-1665) / Bridgeman Images

ID: XCF306021

The Conjunction of the Planets, from 'The Celestial Atlas, or Harmony of the Universe' (Atlas Coelestis Harmonia Macrocosmica), published by Joannes Janssonius, 1660-61 (hand coloured engraving)

Cellarius, Andreas (c.1596-1665)

Rice Fields (w/c on paper)
Rice Fields (w/c on paper)

CHT173387: Rice Fields (w/c on paper), Chinese School (19th century) / Bridgeman Images

ID: CHT173387

Rice Fields (w/c on paper)

Chinese School (19th century)

Detail from Plate 17, from Papillons, pub. 1925 (pochoir print)
Detail from Plate 17, from Papillons, pub. 1925 (pochoir print)

STC3468042: Detail from Plate 17, from Papillons, pub. 1925 (pochoir print), Séguy, Émile-Allain (1877-1951) / Bridgeman Images

ID: STC3468042

Detail from Plate 17, from Papillons, pub. 1925 (pochoir print)

Séguy, Émile-Allain (1877-1951)

Sally Clarke in the Studio, 2008 (photo)
Sally Clarke in the Studio, 2008 (photo)

DDS2627117: Sally Clarke in the Studio, 2008 (photo), Dawson, David (b.1960) / Bridgeman Images

ID: DDS2627117

Sally Clarke in the Studio, 2008 (photo)

Dawson, David (b.1960)

The Coming of the Mayflower in 1620, 1941 (oil on canvas)
The Coming of the Mayflower in 1620, 1941 (oil on canvas)

XMV2653613: The Coming of the Mayflower in 1620, 1941 (oil on canvas) , Wyeth, Newell Convers (1882-1945) / Bridgeman Images

ID: XMV2653613

The Coming of the Mayflower in 1620, 1941 (oil on canvas)

Wyeth, Newell Convers (1882-1945)

View of Moret, 1889 (oil on canvas)
View of Moret, 1889 (oil on canvas)

CH1196371: View of Moret, 1889 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

ID: CH1196371

View of Moret, 1889 (oil on canvas)

Sisley, Alfred (1839-99)

Le Matin, 2000 (oil on canvas)
Le Matin, 2000 (oil on canvas)

ADD340358: Le Matin, 2000 (oil on canvas), Addinall, Ruth / Bridgeman Images

ID: ADD340358

Le Matin, 2000 (oil on canvas)

Addinall, Ruth

Moonlight, Nevlunghavn, 1922 (oil on canvas)
Moonlight, Nevlunghavn, 1922 (oil on canvas)

OVR364991: Moonlight, Nevlunghavn, 1922 (oil on canvas), Sohlberg, Harald Oscar (1869-1935) / Bridgeman Images

ID: OVR364991

Moonlight, Nevlunghavn, 1922 (oil on canvas)

Sohlberg, Harald Oscar (1869-1935)


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