CH3701709:
The Banishment of Hagar, 1841 (oil on canvas), Overbeck, Friedrich (1789-1869) / Bridgeman Images
ID: CH3701709
The Banishment of Hagar, 1841 (oil on canvas)
Overbeck, Friedrich (1789-1869)
LLM6005606:
The muscles of the human body (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6005606
The muscles of the human body (engraving)
English School, (19th century)
XEE5033269:
The Phantom of the Opera by Gaston Leroux, 1911 (illustration), Castaigne, Jean Alexandre Michel Andre (1861-1929) / Bridgeman Images
ID: XEE5033269
The Phantom of the Opera by Gaston Leroux, 1911 (illustration)
Castaigne, Jean Alexandre Michel Andre (1861-1929)
FIA5401175:
Teresa of Ávila, 17th century (painting), Spanish School, (17th century) / Bridgeman Images
ID: FIA5401175
Teresa of Ávila, 17th century (painting)
Spanish School, (17th century)
CH5614228:
Corn Stooks and Farmsteads - Hill Farm, Capel-yffin, Wales, 1938 (pencil & w/c on paper), Ravilious, Eric (1903-42) / Bridgeman Images
ID: CH5614228
Corn Stooks and Farmsteads - Hill Farm, Capel-yffin, Wales, 1938 (pencil & w/c on paper)
Ravilious, Eric (1903-42)
CH5322823:
La route de Vétheuil, effet de neige, 1879 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images
ID: CH5322823
La route de Vétheuil, effet de neige, 1879 (oil on canvas)
Monet, Claude (1840-1926)
FIA5409948:
Napoleon I In His Study, 1807 (oil on canvas), Delaroche, Hippolyte (Paul) (1797-1856) / Bridgeman Images
ID: FIA5409948
Napoleon I In His Study, 1807 (oil on canvas)
Delaroche, Hippolyte (Paul) (1797-1856)
CH497392:
Gimcrack on Newmarket Heath with a trainer, a jockey and a stable lad (oil on canvas), Stubbs, George (1724-1806) / Bridgeman Images
ID: CH497392
Gimcrack on Newmarket Heath with a trainer, a jockey and a stable lad (oil on canvas)
Stubbs, George (1724-1806)
XJF137003:
The Shoemaker (woodcut) (b/w photo), English School, (16th century) / Bridgeman Images
ID: XJF137003
The Shoemaker (woodcut) (b/w photo)
English School, (16th century)
STC138923:
Map of Palermo, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images
ID: STC138923
Map of Palermo, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Hoefnagel, Joris (1542-1600) (after)
STC138935:
map of Luneburg, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images
ID: STC138935
map of Luneburg, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Hoefnagel, Joris (1542-1600) (after)
BAL137439:
Frontispiece to 'The Rights of Man' by Thomas Paine (1737-1809) 1930 (engraving), English School, (20th century) / Bridgeman Images
ID: BAL137439
Frontispiece to 'The Rights of Man' by Thomas Paine (1737-1809) 1930 (engraving)
English School, (20th century)
BAL139081:
Farewell, She Cried, and Rose up in the Water, from 'The Little Mermaid' in an edition of 'Fairy Tales' by Hans Christian Andersen (1805-75) 1920 (w/c on paper), Appleton, Honor Charlotte (1879-1951) / Bridgeman Images
ID: BAL139081
Farewell, She Cried, and Rose up in the Water, from 'The Little Mermaid' in an edition of 'Fairy Tales' by Hans Christian Andersen (1805-75) 1920 (w/c on paper)
Appleton, Honor Charlotte (1879-1951)
CHT167381:
Le Boeuf sur le Toit, illustration from the first issue of 'La Vogue Musicale', 1920 (colour lithograph), Dufy, Raoul (1877-1953) / Bridgeman Images
ID: CHT167381
Le Boeuf sur le Toit, illustration from the first issue of 'La Vogue Musicale', 1920 (colour lithograph)
Dufy, Raoul (1877-1953)
CH139979:
Arab Street Scene, 1872 (oil on canvas), Boze, Honore (1830-1908) / Bridgeman Images
ID: CH139979
Arab Street Scene, 1872 (oil on canvas)
Boze, Honore (1830-1908)
XIR154164:
Copy of a Self Portrait (engraving) (b/w photo), Copernicus, Nicolaus (1473-1543) (after) / Bridgeman Images
ID: XIR154164
Copy of a Self Portrait (engraving) (b/w photo)
Copernicus, Nicolaus (1473-1543) (after)
BRM156505:
The Goods Station (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images
ID: BRM156505
The Goods Station (oil on canvas)
Sisley, Alfred (1839-99)
BRM156511:
Walk at Argenteuil, 1883 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images
ID: BRM156511
Walk at Argenteuil, 1883 (oil on canvas)
Caillebotte, Gustave (1848-94)
STC135158:
Entrance to the Kojak Pass from Parush, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85), published by Henry Graves, 1842 (colour litho), Atkinson, James (1780-1852) (after) / Bridgeman Images
ID: STC135158
Entrance to the Kojak Pass from Parush, from 'Sketches in Afghaunistan', engraved by Charles Haghe (1810-88) and Louis Haghe (1806-85), published by Henry Graves, 1842 (colour litho)
Atkinson, James (1780-1852) (after)
CH146644:
A Lady at her Writing Desk in a Biedermeier Sitting Room, c.1821 (pen and black ink and w/c on paper), Alt, Jakob (1789-1872) / Bridgeman Images
ID: CH146644
A Lady at her Writing Desk in a Biedermeier Sitting Room, c.1821 (pen and black ink and w/c on paper)
Alt, Jakob (1789-1872)
STC147710:
Vayu, engraved by C. de Motte (1785-1836) (colour litho), French School, (19th century) / Bridgeman Images
ID: STC147710
Vayu, engraved by C. de Motte (1785-1836) (colour litho)
French School, (19th century)
KWE131078:
Valley of the Blackwater between Youghal (County Cork) and Lismore (County Waterford), Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving), Bartlett, William Henry (1809-54) (after) / Bridgeman Images
ID: KWE131078
Valley of the Blackwater between Youghal (County Cork) and Lismore (County Waterford), Ireland, from 'Scenery and Antiquities of Ireland' by George Virtue, 1860s (engraving)
Bartlett, William Henry (1809-54) (after)
PFA131680:
After Culloden: Rebel Hunting (oil on canvas), Lucas, John Seymour (1849-1923) / Bridgeman Images
ID: PFA131680
After Culloden: Rebel Hunting (oil on canvas)
Lucas, John Seymour (1849-1923)
KWE151728:
Louise-Eleanore de la Tour du Pil (1700-62), Baronne de Warens (engraving), French School, (19th century) / Bridgeman Images
ID: KWE151728
Louise-Eleanore de la Tour du Pil (1700-62), Baronne de Warens (engraving)
French School, (19th century)
STC153070:
Garden design from 'The Gardens of Wilton', c.1645 (engraving), Caus, Isaac de (c.1600-48) / Bridgeman Images
ID: STC153070
Garden design from 'The Gardens of Wilton', c.1645 (engraving)
Caus, Isaac de (c.1600-48)
STC153410:
Statilia Messalina third wife of Nero (engraving), Sadeler or Saedeler, Aegidius (1570-1629) / Bridgeman Images
ID: STC153410
Statilia Messalina third wife of Nero (engraving)
Sadeler or Saedeler, Aegidius (1570-1629)
XZL151530:
The Leipzig Gewandhaus with a piece of music by Felix Mendelssohn (1809-47) (w/c on paper), German School, (19th century) / Bridgeman Images
ID: XZL151530
The Leipzig Gewandhaus with a piece of music by Felix Mendelssohn (1809-47) (w/c on paper)
German School, (19th century)
CHT170016:
Advertisement for 'Nivea' sun cream, from 'Marie Claire', 1938 (colour litho), French School, (20th century) / Bridgeman Images
ID: CHT170016
Advertisement for 'Nivea' sun cream, from 'Marie Claire', 1938 (colour litho)
French School, (20th century)
STC172300:
The Machine at Marly, from 'Les Plans, Profils et Elevations des Ville et Chateau de Versailles', published after 1724 (engraving) (b/w photo), Martin, Pierre-Denis (1663-1742) (after) / Bridgeman Images
ID: STC172300
The Machine at Marly, from 'Les Plans, Profils et Elevations des Ville et Chateau de Versailles', published after 1724 (engraving) (b/w photo)
Martin, Pierre-Denis (1663-1742) (after)
STC406139:
Captive French soldier helps his wounded comrade (b/w photo), German Photographer, (20th Century) / Bridgeman Images
ID: STC406139
Captive French soldier helps his wounded comrade (b/w photo)
German Photographer, (20th Century)
STC451178:
A Midnight Modern Conversation, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images
ID: STC451178
A Midnight Modern Conversation, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Hogarth, William (1697-1764)
LAL453155:
Pony Express, English School, (20th century) / Bridgeman Images
ID: LAL453155
Pony Express
English School, (20th century)
CH419558:
The Madonna of the Yarnwinder (oil on canvas), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images
ID: CH419558
The Madonna of the Yarnwinder (oil on canvas)
Vinci, Leonardo da (1452-1519) (after)
CHT418491:
Aztec Pulque Deity blowing on a tube above a jar of pulque and men drinking pulque, illustration from the Codex Magliabechiano (vellum), Aztec / Bridgeman Images
ID: CHT418491
Aztec Pulque Deity blowing on a tube above a jar of pulque and men drinking pulque, illustration from the Codex Magliabechiano (vellum)
Aztec
LLM457214:
Sweet Pea, Hulme, Frederick Edward (1841-1909) / Bridgeman Images
ID: LLM457214
Sweet Pea
Hulme, Frederick Edward (1841-1909)
LLM457330:
Lily of the Valley, Hulme, Frederick Edward (1841-1909) / Bridgeman Images