STC660950:
Set Design for a Ballet, illustration from 'Maquettes de Theatre' by Alexandra Exter, published 1920s (litho), Exter, Alexandra Alexandrovna (1882-1949) / Bridgeman Images
ID: STC660950
Set Design for a Ballet, illustration from 'Maquettes de Theatre' by Alexandra Exter, published 1920s (litho)
Exter, Alexandra Alexandrovna (1882-1949)
STC660976:
Costume Design for Silphide in the Ballet of the Elements, late 18th century (hand-coloured engraving), Martin, Jean Baptiste (18th century) (after) / Bridgeman Images
ID: STC660976
Costume Design for Silphide in the Ballet of the Elements, late 18th century (hand-coloured engraving)
Martin, Jean Baptiste (18th century) (after)
LLM668800:
Jesus dies on the cross. The twelth Station of the Cross (chromolitho), French School, (19th century) / Bridgeman Images
ID: LLM668800
Jesus dies on the cross. The twelth Station of the Cross (chromolitho)
French School, (19th century)
LLM664891:
Martyrdom of St. Edmund by the Danes (engraving), English School, (19th century) / Bridgeman Images
ID: LLM664891
Martyrdom of St. Edmund by the Danes (engraving)
English School, (19th century)
CH657111:
Mrs Talmage and a Friend, 1916 (oil on canvas), Talmage, Algernon Mayow (1871-1939) / Bridgeman Images
ID: CH657111
Mrs Talmage and a Friend, 1916 (oil on canvas)
Talmage, Algernon Mayow (1871-1939)
CH659200:
A Barn Owl (Tyto Alba), (black chalk, bodycolour, with gold border, on fine vellum), Robert, Nicolas (1614-85) / Bridgeman Images
ID: CH659200
A Barn Owl (Tyto Alba), (black chalk, bodycolour, with gold border, on fine vellum)
Robert, Nicolas (1614-85)
XEE702569:
Assyrian: Reception of a victorious general, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images
ID: XEE702569
Assyrian: Reception of a victorious general, 1866 (coloured engraving)
Leutemann, Heinrich (1824-1905)
CH737340:
Imaginary Self Portrait of Titian (oil on canvas), Della Vecchia, Pietro (Pietro Muttoni) (1605-78) / Bridgeman Images
ID: CH737340
Imaginary Self Portrait of Titian (oil on canvas)
Della Vecchia, Pietro (Pietro Muttoni) (1605-78)
GIA745619:
Paradiso, Canto 12 : The rings of glorified souls in the sun, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: GIA745619
Paradiso, Canto 12 : The rings of glorified souls in the sun, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Dore, Gustave (1832-83)
GIA745669:
Purgatorio, Canto 4 : Virgil leads Dante up the rugged mountainside, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: GIA745669
Purgatorio, Canto 4 : Virgil leads Dante up the rugged mountainside, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Dore, Gustave (1832-83)
CH875535:
In the Snow (oil on canvas), Loir, Luigi (1845-1916) / Bridgeman Images
ID: CH875535
In the Snow (oil on canvas)
Loir, Luigi (1845-1916)
CH884217:
The Princess Tied to a Tree (oil on canvas), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images
ID: CH884217
The Princess Tied to a Tree (oil on canvas)
Burne-Jones, Edward Coley (1833-98)
BAL945265:
Pink Dining Room, known as the Matisse Room, 1913 (b/w photo), Russian Photographer (20th century) / Bridgeman Images
ID: BAL945265
Pink Dining Room, known as the Matisse Room, 1913 (b/w photo)
Russian Photographer (20th century)
LIP1038262:
Mission Work in Africa, Mrs Shaw's Sewing Class (engraving), English School, (19th century) / Bridgeman Images
ID: LIP1038262
Mission Work in Africa, Mrs Shaw's Sewing Class (engraving)
English School, (19th century)
LIP1046767:
The Brazilian Revolution, the Comte and Comtesse D'Eu and Family (engraving), English School, (19th century) / Bridgeman Images
ID: LIP1046767
The Brazilian Revolution, the Comte and Comtesse D'Eu and Family (engraving)
English School, (19th century)
CH2606749:
First Frost, 1876 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images
ID: CH2606749
First Frost, 1876 (oil on canvas)
Sisley, Alfred (1839-99)
CH1774748:
Mountain Storm, 1955 (oil on canvas), Frankenthaler, Helen (1928-2011) / Bridgeman Images
ID: CH1774748
Mountain Storm, 1955 (oil on canvas)
Frankenthaler, Helen (1928-2011)
LLM2790283:
Arrival at Jamestown (engraving), American School, (19th century) / Bridgeman Images
ID: LLM2790283
Arrival at Jamestown (engraving)
American School, (19th century)
AIS292005:
Marsan, 1966, Vasarely, Victor (1908-97) / Bridgeman Images
ID: AIS292005
Marsan, 1966
Vasarely, Victor (1908-97)
HSC272121:
Figure of Guanyin holding a child (carved ivory) (see also 272122), Chinese School, Ming Dynasty (1368-1644) / Bridgeman Images
ID: HSC272121
Figure of Guanyin holding a child (carved ivory) (see also 272122)
Chinese School, Ming Dynasty (1368-1644)
NUM116460:
The Eternal Spring, 1898 (bronze), Rodin, Auguste (1840-1917) / Bridgeman Images
ID: NUM116460
The Eternal Spring, 1898 (bronze)
Rodin, Auguste (1840-1917)
PFR142683:
Rectangular ink-cake with an imperial poem by the Ch'ien-lung emperor copied by the official P'eng Yuan-jui, mark and seal of the family workshop of Hu K'ai-Wen, Ch'ing dynasty, Hui-chou, Anhui (carved and gilded ink) (for reverse 142714), Chinese School (18th century) / Bridgeman Images
ID: PFR142683
Rectangular ink-cake with an imperial poem by the Ch'ien-lung emperor copied by the official P'eng Yuan-jui, mark and seal of the family workshop of Hu K'ai-Wen, Ch'ing dynasty, Hui-chou, Anhui (carved and gilded ink) (for reverse 142714)
Chinese School (18th century)
MFR348319:
Original set of Napier's Bones with fitted case and contemporary publication, 1685 (boxwood), English School, (17th century) / Bridgeman Images
ID: MFR348319
Original set of Napier's Bones with fitted case and contemporary publication, 1685 (boxwood)
English School, (17th century)
OSL345292:
The Crypt, c.1928 (linocut), Power, Cyril Edward (1874-1951) / Bridgeman Images
ID: OSL345292
The Crypt, c.1928 (linocut)
Power, Cyril Edward (1874-1951)
XRH993705:
John Maynard Keynes (b/w photo) / Bridgeman Images
ID: XRH993705
John Maynard Keynes (b/w photo)
EWU375287:
Oval Head, 2002 (pencil on paper), Utermohlen, William (1933-2007) / Bridgeman Images
ID: EWU375287
Oval Head, 2002 (pencil on paper)
Utermohlen, William (1933-2007)
RA10815:
Married to a Mermaid, songsheet, 1860s / Bridgeman Images
RA15090:
In the Peristylum, 1866 (oil on panel), Alma-Tadema, Lawrence (1836-1912) / Bridgeman Images
ID: RA15090
In the Peristylum, 1866 (oil on panel)
Alma-Tadema, Lawrence (1836-1912)
SR21942:
The Pardoner's Tale, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 91200 and 128927), English School, (15th century) (after) / Bridgeman Images
ID: SR21942
The Pardoner's Tale, detail from The Canterbury Tales, by Geoffrey Chaucer (c.1342-1400) Ellesmere Manuscript, facsimile edition, 1911 (for original detail see 91200 and 128927)
English School, (15th century) (after)
MR22957:
Cows in a snowstorm, Rowe, Maggie / Bridgeman Images
ANX6332482:
'TOO BRIGHT', 2020 (oil on canvas), Hoogeweegen, Barbara / Bridgeman Images
ID: ANX6332482
'TOO BRIGHT', 2020 (oil on canvas)
Hoogeweegen, Barbara
WNG6333025:
Even in a pit of darkness or despair, we can call out to our loving God, certain that He will hear us, 2000 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images
ID: WNG6333025
Even in a pit of darkness or despair, we can call out to our loving God, certain that He will hear us, 2000 (oil on board)
Wang, Elizabeth (1942-2016)
AHN5918347:
Structure a, 2019 (mixed media), Caminker, Alex / Bridgeman Images