1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

797714 Search Results

Interior of Cezanne's studio at Aix-en-Provence, c.1900-02 (b/w photo)
Interior of Cezanne's studio at Aix-en-Provence, c.1900-02 (b/w photo)

XIR198488: Interior of Cezanne's studio at Aix-en-Provence, c.1900-02 (b/w photo), French Photographer / Bridgeman Images

ID: XIR198488

Interior of Cezanne's studio at Aix-en-Provence, c.1900-02 (b/w photo)

French Photographer

The Advanced Gallery on the French Side of the Mont Cenis Tunnel, with the 'Perforatrices' at Work, from 'The Ascent of the Matterhorn' by Edward Whymper, published 1860s-80s (engraving)
The Advanced Gallery on the French Side of the Mont Cenis Tunnel, with the 'Perforatrices' at Work, from 'The Ascent of the Matterhorn' by Edward Whymper, published 1860s-80s (engraving)

STC188689: The Advanced Gallery on the French Side of the Mont Cenis Tunnel, with the 'Perforatrices' at Work, from 'The Ascent of the Matterhorn' by Edward Whymper, published 1860s-80s (engraving), Whymper, Edward (1840-1911) / Bridgeman Images

ID: STC188689

The Advanced Gallery on the French Side of the Mont Cenis Tunnel, with the 'Perforatrices' at Work, from 'The Ascent of the Matterhorn' by Edward Whymper, published 1860s-80s (engraving)

Whymper, Edward (1840-1911)

Advertisement for the Renault 40cv Sport, from 'Femina', July 1925 (colour litho)
Advertisement for the Renault 40cv Sport, from 'Femina', July 1925 (colour litho)

CHT189506: Advertisement for the Renault 40cv Sport, from 'Femina', July 1925 (colour litho), French School, (20th century) / Bridgeman Images

ID: CHT189506

Advertisement for the Renault 40cv Sport, from 'Femina', July 1925 (colour litho)

French School, (20th century)

Three Witches in a Graveyard, c.1790s (coloured engraving)
Three Witches in a Graveyard, c.1790s (coloured engraving)

STC198815: Three Witches in a Graveyard, c.1790s (coloured engraving), English School, (18th century) / Bridgeman Images

ID: STC198815

Three Witches in a Graveyard, c.1790s (coloured engraving)

English School, (18th century)

Map of Montpellier, Tours, and Poitiers, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)
Map of Montpellier, Tours, and Poitiers, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

STC121038: Map of Montpellier, Tours, and Poitiers, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121038

Map of Montpellier, Tours, and Poitiers, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Map of Toledo and Valladolid, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)
Map of Toledo and Valladolid, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

STC121054: Map of Toledo and Valladolid, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121054

Map of Toledo and Valladolid, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

Camellia Thea from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)
Camellia Thea from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

STC148916: Camellia Thea from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving), Hoquart, L.F.J. (fl 1821) / Bridgeman Images

ID: STC148916

Camellia Thea from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

Hoquart, L.F.J. (fl 1821)

Costume design for the Ballet 'La Legende de Joseph', 1914 (charcoal and gouache on paper)
Costume design for the Ballet 'La Legende de Joseph', 1914 (charcoal and gouache on paper)

FFA149023: Costume design for the Ballet 'La Legende de Joseph', 1914 (charcoal and gouache on paper), Bakst, Leon (1866-1924) / Bridgeman Images

ID: FFA149023

Costume design for the Ballet 'La Legende de Joseph', 1914 (charcoal and gouache on paper)

Bakst, Leon (1866-1924)

Vertical, 1928 (no. 274) (gouache and w/c on paper)
Vertical, 1928 (no. 274) (gouache and w/c on paper)

FFA149677: Vertical, 1928 (no. 274) (gouache and w/c on paper), Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: FFA149677

Vertical, 1928 (no. 274) (gouache and w/c on paper)

Kandinsky, Wassily (1866-1944)

The Foundlings, engraved by Francois Morellon La Cave, 1739 (engraving)
The Foundlings, engraved by Francois Morellon La Cave, 1739 (engraving)

XJF397647: The Foundlings, engraved by Francois Morellon La Cave, 1739 (engraving), Hogarth, William (1697-1764) (after) / Bridgeman Images

ID: XJF397647

The Foundlings, engraved by Francois Morellon La Cave, 1739 (engraving)

Hogarth, William (1697-1764) (after)

Pericles delivering the funeral oration over the Athenians (litho)
Pericles delivering the funeral oration over the Athenians (litho)

STC416115: Pericles delivering the funeral oration over the Athenians (litho), English School, (19th century) / Bridgeman Images

ID: STC416115

Pericles delivering the funeral oration over the Athenians (litho)

English School, (19th century)

Edward John Smith, ship's captain of the Titanic (b/w photo)
Edward John Smith, ship's captain of the Titanic (b/w photo)

DGC418667: Edward John Smith, ship's captain of the Titanic (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: DGC418667

Edward John Smith, ship's captain of the Titanic (b/w photo)

English Photographer, (20th century)

Modern Science: Picking up a telegraph cable at sea, engraved by W.J. Palmer (engraving)
Modern Science: Picking up a telegraph cable at sea, engraved by W.J. Palmer (engraving)

STC418722: Modern Science: Picking up a telegraph cable at sea, engraved by W.J. Palmer (engraving), Overend, William Heysham (1851-98) (after) / Bridgeman Images

ID: STC418722

Modern Science: Picking up a telegraph cable at sea, engraved by W.J. Palmer (engraving)

Overend, William Heysham (1851-98) (after)

Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)
Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)

XJF438480: Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print), Parsons, John R. (fl.1860s) / Bridgeman Images

ID: XJF438480

Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)

Parsons, John R. (fl.1860s)

The Parsee beginning to eat his cake on the Uninhabited Island, illustration from 'Just So Stories for Little Children' by Rudyard Kipling, pub. London, 1951 (litho)
The Parsee beginning to eat his cake on the Uninhabited Island, illustration from 'Just So Stories for Little Children' by Rudyard Kipling, pub. London, 1951 (litho)

STC405560: The Parsee beginning to eat his cake on the Uninhabited Island, illustration from 'Just So Stories for Little Children' by Rudyard Kipling, pub. London, 1951 (litho), Kipling, Joseph Rudyard (1865-1936) (after) / Bridgeman Images

ID: STC405560

The Parsee beginning to eat his cake on the Uninhabited Island, illustration from 'Just So Stories for Little Children' by Rudyard Kipling, pub. London, 1951 (litho)

Kipling, Joseph Rudyard (1865-1936) (after)

Design from 'Relais', c.1920s-1930 (colour litho)
Design from 'Relais', c.1920s-1930 (colour litho)

STC404339: Design from 'Relais', c.1920s-1930 (colour litho), Benedictus, Edouard (1878-1930) / Bridgeman Images

ID: STC404339

Design from 'Relais', c.1920s-1930 (colour litho)

Benedictus, Edouard (1878-1930)

Portrait of Lina Cavalieri, c.1901 (oil on canvas)
Portrait of Lina Cavalieri, c.1901 (oil on canvas)

CH401832: Portrait of Lina Cavalieri, c.1901 (oil on canvas), Boldini, Giovanni (1842-1931) / Bridgeman Images

ID: CH401832

Portrait of Lina Cavalieri, c.1901 (oil on canvas)

Boldini, Giovanni (1842-1931)

Shakespeare, Twelfth Night, Act II, Scene V (oil on canvas)
Shakespeare, Twelfth Night, Act II, Scene V (oil on canvas)

CH401903: Shakespeare, Twelfth Night, Act II, Scene V (oil on canvas), Horsley, John Callcott (1817-1903) / Bridgeman Images

ID: CH401903

Shakespeare, Twelfth Night, Act II, Scene V (oil on canvas)

Horsley, John Callcott (1817-1903)

Piccadilly, 1894 (pencil & w/c on paper)
Piccadilly, 1894 (pencil & w/c on paper)

CH402435: Piccadilly, 1894 (pencil & w/c on paper), Barton, Rose Maynard (1856-1929) / Bridgeman Images

ID: CH402435

Piccadilly, 1894 (pencil & w/c on paper)

Barton, Rose Maynard (1856-1929)

Le Pont de l'Europe, 1876 (oil on canvas)
Le Pont de l'Europe, 1876 (oil on canvas)

CH402560: Le Pont de l'Europe, 1876 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: CH402560

Le Pont de l'Europe, 1876 (oil on canvas)

Caillebotte, Gustave (1848-94)

Hernan Cortes, engraved by William Holl, c.1830s (engraving)
Hernan Cortes, engraved by William Holl, c.1830s (engraving)

XJF448222: Hernan Cortes, engraved by William Holl, c.1830s (engraving), Italian School, (16th century) (after) / Bridgeman Images

ID: XJF448222

Hernan Cortes, engraved by William Holl, c.1830s (engraving)

Italian School, (16th century) (after)

'He came down to see the place', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)
'He came down to see the place', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)

XJF451371: 'He came down to see the place', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving), Thomson, Hugh (1860-1920) / Bridgeman Images

ID: XJF451371

'He came down to see the place', illustration from 'Pride & Prejudice' by Jane Austen, edition published in 1894 (engraving)

Thomson, Hugh (1860-1920)

Crown of the Andes (gold, velvet & emeralds)
Crown of the Andes (gold, velvet & emeralds)

XBP341882: Crown of the Andes (gold, velvet & emeralds) / Bridgeman Images

ID: XBP341882

Crown of the Andes (gold, velvet & emeralds)

The jockey led to the start (colour litho)
The jockey led to the start (colour litho)

XZO349759: The jockey led to the start (colour litho), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XZO349759

The jockey led to the start (colour litho)

Toulouse-Lautrec, Henri de (1864-1901)

Barrels of molasses in the West India Docks (sepia photo)
Barrels of molasses in the West India Docks (sepia photo)

STC347646: Barrels of molasses in the West India Docks (sepia photo), English Photographer, (20th century) / Bridgeman Images

ID: STC347646

Barrels of molasses in the West India Docks (sepia photo)

English Photographer, (20th century)

Karl Marx (b/w photo)
Karl Marx (b/w photo)

PNP380457: Karl Marx (b/w photo), Russian Photographer, (19th century) / Bridgeman Images

ID: PNP380457

Karl Marx (b/w photo)

Russian Photographer, (19th century)

Mephisto Cigars label, printed by F. Heppenheimer's sons, New York, 1897 (colour litho)
Mephisto Cigars label, printed by F. Heppenheimer's sons, New York, 1897 (colour litho)

PNP382187: Mephisto Cigars label, printed by F. Heppenheimer's sons, New York, 1897 (colour litho), American School, (19th century) / Bridgeman Images

ID: PNP382187

Mephisto Cigars label, printed by F. Heppenheimer's sons, New York, 1897 (colour litho)

American School, (19th century)

View of the Cloaca Maxima, 1833 (etching with brown wash)
View of the Cloaca Maxima, 1833 (etching with brown wash)

STC384952: View of the Cloaca Maxima, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

ID: STC384952

View of the Cloaca Maxima, 1833 (etching with brown wash)

Tofanelli, Agostino (1770-1834)

Inauguration of President Lincoln, 4th March 1861 (photogravure)
Inauguration of President Lincoln, 4th March 1861 (photogravure)

STC398845: Inauguration of President Lincoln, 4th March 1861 (photogravure), Brady, Mathew (1823-96) / Bridgeman Images

ID: STC398845

Inauguration of President Lincoln, 4th March 1861 (photogravure)

Brady, Mathew (1823-96)

Beer Street, 1751 (engraving)
Beer Street, 1751 (engraving)

XJF396061: Beer Street, 1751 (engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: XJF396061

Beer Street, 1751 (engraving)

Hogarth, William (1697-1764)

The Globe Theatre, Bankside, Southwark, after a drawing from 'Pennant's London', first published 1793, engraved by James Stow (c.1770-p.1820), published 1812 (engraving)
The Globe Theatre, Bankside, Southwark, after a drawing from 'Pennant's London', first published 1793, engraved by James Stow (c.1770-p.1820), published 1812 (engraving)

XJF396092: The Globe Theatre, Bankside, Southwark, after a drawing from 'Pennant's London', first published 1793, engraved by James Stow (c.1770-p.1820), published 1812 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF396092

The Globe Theatre, Bankside, Southwark, after a drawing from 'Pennant's London', first published 1793, engraved by James Stow (c.1770-p.1820), published 1812 (engraving)

English School, (19th century)

Crashing waves, 1892 (oil on canvas)
Crashing waves, 1892 (oil on canvas)

CH408861: Crashing waves, 1892 (oil on canvas), James, David (1834-97) / Bridgeman Images

ID: CH408861

Crashing waves, 1892 (oil on canvas)

James, David (1834-97)

The court in chateaus of the Loire, illustration from 'Francois Ier: Le Roi Chevalier, by George G. Toudouze, pub. 1909 (colour litho)
The court in chateaus of the Loire, illustration from 'Francois Ier: Le Roi Chevalier, by George G. Toudouze, pub. 1909 (colour litho)

STC441449: The court in chateaus of the Loire, illustration from 'Francois Ier: Le Roi Chevalier, by George G. Toudouze, pub. 1909 (colour litho), Robida, Albert (1848-1926) / Bridgeman Images

ID: STC441449

The court in chateaus of the Loire, illustration from 'Francois Ier: Le Roi Chevalier, by George G. Toudouze, pub. 1909 (colour litho)

Robida, Albert (1848-1926)

Chief accountant and treasurer, Tawantin Suyu Khipuq Kuraka, keeper of the khipu (woodcut)
Chief accountant and treasurer, Tawantin Suyu Khipuq Kuraka, keeper of the khipu (woodcut)

XJF441926: Chief accountant and treasurer, Tawantin Suyu Khipuq Kuraka, keeper of the khipu (woodcut), Poma de Ayala, Felipe Huaman (1526-1613) / Bridgeman Images

ID: XJF441926

Chief accountant and treasurer, Tawantin Suyu Khipuq Kuraka, keeper of the khipu (woodcut)

Poma de Ayala, Felipe Huaman (1526-1613)

Sieglinde and Siegmund, scene from Wagner's opera 'The Valkyrie', 1887 (litho)
Sieglinde and Siegmund, scene from Wagner's opera 'The Valkyrie', 1887 (litho)

XJF441941: Sieglinde and Siegmund, scene from Wagner's opera 'The Valkyrie', 1887 (litho), Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

ID: XJF441941

Sieglinde and Siegmund, scene from Wagner's opera 'The Valkyrie', 1887 (litho)

Fantin-Latour, Ignace Henri Jean (1836-1904)

A Small Venetian Canal, 1895 (oil on cradled panel)
A Small Venetian Canal, 1895 (oil on cradled panel)

CH401025: A Small Venetian Canal, 1895 (oil on cradled panel), Boudin, Eugene Louis (1824-98) / Bridgeman Images

ID: CH401025

A Small Venetian Canal, 1895 (oil on cradled panel)

Boudin, Eugene Louis (1824-98)


Back to top