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797711 Search Results

Clown, 1934 (oil on canvas)
Clown, 1934 (oil on canvas)

CH650656: Clown, 1934 (oil on canvas), Kuhn, Walt (1880-1949) / Bridgeman Images

A Kneeling Peasant Woman in Front of a Hut; Paysanne Agenouillee Devant une Cabane, 1883 (gouache and watercolour on paper)
A Kneeling Peasant Woman in Front of a Hut; Paysanne Agenouillee Devant une Cabane, 1883 (gouache and watercolour on paper)

CH656085: A Kneeling Peasant Woman in Front of a Hut; Paysanne Agenouillee Devant une Cabane, 1883 (gouache and watercolour on paper), Gogh, Vincent van (1853-90) / Bridgeman Images

Exile of the Acadians from Grand Pre (engraving)
Exile of the Acadians from Grand Pre (engraving)

LLM663854: Exile of the Acadians from Grand Pre (engraving), English School, (19th century) / Bridgeman Images

Venus and Aeneas, opening of Book I of Virgil's 'Aeneid' (w/c on vellum)
Venus and Aeneas, opening of Book I of Virgil's 'Aeneid' (w/c on vellum)

CH621800: Venus and Aeneas, opening of Book I of Virgil's 'Aeneid' (w/c on vellum) , Morris, William (1834-96) / Bridgeman Images

Harvest Time Near Holmbury Hill, Surrey, 1865 (watercolour heightened with white and gum arabic)
Harvest Time Near Holmbury Hill, Surrey, 1865 (watercolour heightened with white and gum arabic)

CH652028: Harvest Time Near Holmbury Hill, Surrey, 1865 (watercolour heightened with white and gum arabic), Cole, George Vicat (1833-93) / Bridgeman Images

A Lady Walking, (pencil, pen and brown ink and watercolour)
A Lady Walking, (pencil, pen and brown ink and watercolour)

CH651818: A Lady Walking, (pencil, pen and brown ink and watercolour), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

Cafe Royal, Montmartre, 1900 (b/w photo)
Cafe Royal, Montmartre, 1900 (b/w photo)

OPL1153101: Cafe Royal, Montmartre, 1900 (b/w photo), French Photographer, (20th century) / Bridgeman Images

The Governess (oil on canvas)
The Governess (oil on canvas)

CH1126852: The Governess (oil on canvas), Solomon, Rebecca (1832-86) / Bridgeman Images

I Wait (Rachel Gurney as an Angel), 1872 (b/w photo)
I Wait (Rachel Gurney as an Angel), 1872 (b/w photo)

GRC1126348: I Wait (Rachel Gurney as an Angel), 1872 (b/w photo), Cameron, Julia Margaret (1815-79) / Bridgeman Images

October on Cape Cod, 1946 (oil on canvas)
October on Cape Cod, 1946 (oil on canvas)

CH1125693: October on Cape Cod, 1946 (oil on canvas), Hopper, Edward (1882-1967) / Bridgeman Images

Still life, apples and pears, 1871 (oil on canvas)
Still life, apples and pears, 1871 (oil on canvas)

CH699944: Still life, apples and pears, 1871 (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

Ancient Rome: Via Appia (Appian Way) at the Imperial Era, 1866 (coloured engraving)
Ancient Rome: Via Appia (Appian Way) at the Imperial Era, 1866 (coloured engraving)

XEE702485: Ancient Rome: Via Appia (Appian Way) at the Imperial Era, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images

Royal group at Palais Edinburgh, Coburg, 1894 (b/w photo)
Royal group at Palais Edinburgh, Coburg, 1894 (b/w photo)

LLP728495: Royal group at Palais Edinburgh, Coburg, 1894 (b/w photo), English Photographer, (19th century) / Bridgeman Images

Ptolemy Philadelphus, King of Egypt, summons 72 men from Judaea to translate Jewish law into Greek, c.1700 (engraving)
Ptolemy Philadelphus, King of Egypt, summons 72 men from Judaea to translate Jewish law into Greek, c.1700 (engraving)

CHT694875: Ptolemy Philadelphus, King of Egypt, summons 72 men from Judaea to translate Jewish law into Greek, c.1700 (engraving), Dutch School, (18th century) / Bridgeman Images

Statue of Liberty, 1962 (silkscreen inks, spray enamel & graphite on canvas)
Statue of Liberty, 1962 (silkscreen inks, spray enamel & graphite on canvas)

CH693297: Statue of Liberty, 1962 (silkscreen inks, spray enamel & graphite on canvas), Warhol, Andy (1928-87) / Bridgeman Images

The Dressmakers, 1890 (oil on canvas)
The Dressmakers, 1890 (oil on canvas)

CH744756: The Dressmakers, 1890 (oil on canvas), Vuillard, Edouard (1868-1940) / Bridgeman Images

Painting 136 x 136 cm, 24 December 1990 (oil on canvas)
Painting 136 x 136 cm, 24 December 1990 (oil on canvas)

CH739795: Painting 136 x 136 cm, 24 December 1990 (oil on canvas), Soulages, Pierre (1919-2022) / Bridgeman Images

Field Hospital on the Isonzo, Italy, c.1914-16, (b/w photo)
Field Hospital on the Isonzo, Italy, c.1914-16, (b/w photo)

STC872380: Field Hospital on the Isonzo, Italy, c.1914-16, (b/w photo), European Photographer, (20th century) / Bridgeman Images

Grills and other; Grilles et autres, 1937 (oil on canvas)
Grills and other; Grilles et autres, 1937 (oil on canvas)

CH828074: Grills and other; Grilles et autres, 1937 (oil on canvas), Kandinsky, Wassily (1866-1944) / Bridgeman Images

Ancient Greece, Agora or market place (colour litho)
Ancient Greece, Agora or market place (colour litho)

IL872002: Ancient Greece, Agora or market place (colour litho), Baker, John L. (fl.1950) / Bridgeman Images

Black and Violet Arabesques on an Orange Background, 1947 (gouache on cut paper laid down on card)
Black and Violet Arabesques on an Orange Background, 1947 (gouache on cut paper laid down on card)

CH909140: Black and Violet Arabesques on an Orange Background, 1947 (gouache on cut paper laid down on card), Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024 / Bridgeman Images

Venus and Cupid, 19th century (oil on canvas)
Venus and Cupid, 19th century (oil on canvas)

CH938590: Venus and Cupid, 19th century (oil on canvas), Leighton, Frederic (1830-96) / Bridgeman Images

The Lake at Hakone, from 'Fifty-Three Stations of the Tokaido' (colour woodblock print)
The Lake at Hakone, from 'Fifty-Three Stations of the Tokaido' (colour woodblock print)

CH877036: The Lake at Hakone, from 'Fifty-Three Stations of the Tokaido' (colour woodblock print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

Construction on Reaumur Street - Transformations of Paris under the Second Empire, Haussmann Paris (Boulevard, Haussmann works) - Le Percement de la Rue Reaumur in the 3rd arrondissement of Paris, 1896
Construction on Reaumur Street - Transformations of Paris under the Second Empire, Haussmann Paris (Boulevard, Haussmann works) - Le Percement de la Rue Reaumur in the 3rd arrondissement of Paris, 1896

XEE4151082: Construction on Reaumur Street - Transformations of Paris under the Second Empire, Haussmann Paris (Boulevard, Haussmann works) - Le Percement de la Rue Reaumur in the 3rd arrondissement of Paris, 1896, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Queen Elizabeth I, c.1580 (oil on panel)
Portrait of Queen Elizabeth I, c.1580 (oil on panel)

CH4073484: Portrait of Queen Elizabeth I, c.1580 (oil on panel), English School, (16th century) / Bridgeman Images

Fantastic representation of the world system in the middle of the Middle Ages. Italian Picture of the 18th century in “” L'atmosphere: meteorologie populaire”” (Paris, 1888) by Camille Flammarion - A missionary of the Middle Ages tells us that he found the point where heaven and earth touch each other - The missionary is shown at the point at which the earth and sky join.
Fantastic representation of the world system in the middle of the Middle Ages. Italian Picture of the 18th century in “” L'atmosphere: meteorologie populaire”” (Paris, 1888) by Camille Flammarion - A missionary of the Middle Ages tells us that he found the point where heaven and earth touch each other - The missionary is shown at the point at which the earth and sky join.

XEE4113628: Fantastic representation of the world system in the middle of the Middle Ages. Italian Picture of the 18th century in “” L'atmosphere: meteorologie populaire”” (Paris, 1888) by Camille Flammarion - A missionary of the Middle Ages tells us that he found the point where heaven and earth touch each other - The missionary is shown at the point at which the earth and sky join., Unknown artist, (18th century) / Bridgeman Images

Portrait of Friedrich Nietzsche (1833 - 1900), 19th century
Portrait of Friedrich Nietzsche (1833 - 1900), 19th century

XEE4113303: Portrait of Friedrich Nietzsche (1833 - 1900), 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Nellie Bly, c.1890 (photo)
Portrait of Nellie Bly, c.1890 (photo)

DGC3959738: Portrait of Nellie Bly, c.1890 (photo), American Photographer, (19th century) / Bridgeman Images

The man who makes youth: Dr. Serge Abrahamovich Voronoff (1866-1951), a French surgeon of Russian origin, and his assistant experiment on a dog the method of rejuvenation that made the celebrity of the scholar practitioner in a laboratory of the College of France. Engraving in “” Le petit Journal Illustré””, on 10/22/1922.
The man who makes youth: Dr. Serge Abrahamovich Voronoff (1866-1951), a French surgeon of Russian origin, and his assistant experiment on a dog the method of rejuvenation that made the celebrity of the scholar practitioner in a laboratory of the College of France. Engraving in “” Le petit Journal Illustré””, on 10/22/1922.

XEE4186813: The man who makes youth: Dr. Serge Abrahamovich Voronoff (1866-1951), a French surgeon of Russian origin, and his assistant experiment on a dog the method of rejuvenation that made the celebrity of the scholar practitioner in a laboratory of the College of France. Engraving in “” Le petit Journal Illustré””, on 10/22/1922., Anonymous / Bridgeman Images

The first snow act: the start of the 1924 Winter Olympics in Chamonix on January 25, 1924. Jumping ski test. Engraving in “” Le Petite Journal illustrious”” 1924. Private collection.
The first snow act: the start of the 1924 Winter Olympics in Chamonix on January 25, 1924. Jumping ski test. Engraving in “” Le Petite Journal illustrious”” 1924. Private collection.

XEE4185213: The first snow act: the start of the 1924 Winter Olympics in Chamonix on January 25, 1924. Jumping ski test. Engraving in “” Le Petite Journal illustrious”” 1924. Private collection., Anonymous / Bridgeman Images

First World War (1914-1918): “” the attack of the French infantrymen on Mount des Monpes in Picardy (Chemin des Dames) as part of the Nivelle offensive in spring 1917
First World War (1914-1918): “” the attack of the French infantrymen on Mount des Monpes in Picardy (Chemin des Dames) as part of the Nivelle offensive in spring 1917

XEE4168989: First World War (1914-1918): “” the attack of the French infantrymen on Mount des Monpes in Picardy (Chemin des Dames) as part of the Nivelle offensive in spring 1917, French Photographer, (20th century) / Bridgeman Images

Louis Bleriot aboard his plane made the first crossing of the Channel on July 25, 1909, from Calais.
Louis Bleriot aboard his plane made the first crossing of the Channel on July 25, 1909, from Calais.

XEE4167327: Louis Bleriot aboard his plane made the first crossing of the Channel on July 25, 1909, from Calais., French School, (20th century) / Bridgeman Images

Appearance of the Virgin Mary to Bernadette Soubirous (1844-1879) in the cave of Lourdes, Hautes Pyrenees (65), 1858. Chromolithography in “” Notre Dame de Lourdes”” by Henri Lasserre, 1877.
Appearance of the Virgin Mary to Bernadette Soubirous (1844-1879) in the cave of Lourdes, Hautes Pyrenees (65), 1858. Chromolithography in “” Notre Dame de Lourdes”” by Henri Lasserre, 1877.

XEE4163943: Appearance of the Virgin Mary to Bernadette Soubirous (1844-1879) in the cave of Lourdes, Hautes Pyrenees (65), 1858. Chromolithography in “” Notre Dame de Lourdes”” by Henri Lasserre, 1877., French School, (19th century) / Bridgeman Images

Great Greek Tragedies: “The Oedipus King” by Sophocles. Oedipus, blind, relies on two of his daughters. To his left, his handsome father Creon, to his right the soother Tiresias and an old shepherd who reveal the true identity of Oedipus. Deep down the inanimate body of Jocaste. Chromolithography of the late 19th century.
Great Greek Tragedies: “The Oedipus King” by Sophocles. Oedipus, blind, relies on two of his daughters. To his left, his handsome father Creon, to his right the soother Tiresias and an old shepherd who reveal the true identity of Oedipus. Deep down the inanimate body of Jocaste. Chromolithography of the late 19th century.

XEE4409231: Great Greek Tragedies: “The Oedipus King” by Sophocles. Oedipus, blind, relies on two of his daughters. To his left, his handsome father Creon, to his right the soother Tiresias and an old shepherd who reveal the true identity of Oedipus. Deep down the inanimate body of Jocaste. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Palace of Versailles at the time of Louis XIV.
Palace of Versailles at the time of Louis XIV.

XEE4411244: Palace of Versailles at the time of Louis XIV., French School, (19th century) / Bridgeman Images

Edith Piaf at 5
Edith Piaf at 5

XEE4412674: Edith Piaf at 5, Unknown photographer, (20th century) / Bridgeman Images


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