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Statue of Olympian Zeus, made by Phidias in gold and ivory, drawn after Pausanias's (143-176 AD) exact description, from 'Entwurf einer historischen Architektur', 1721 (engraving)
Statue of Olympian Zeus, made by Phidias in gold and ivory, drawn after Pausanias's (143-176 AD) exact description, from 'Entwurf einer historischen Architektur', 1721 (engraving)

STC132734: Statue of Olympian Zeus, made by Phidias in gold and ivory, drawn after Pausanias's (143-176 AD) exact description, from 'Entwurf einer historischen Architektur', 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

The Musketeer's Tale. 1897 (oil on panel)
The Musketeer's Tale. 1897 (oil on panel)

PFA131440: The Musketeer's Tale. 1897 (oil on panel), Lesrel, Adolphe Alexandre (1839-1929) / Bridgeman Images

Study of a Negro, c.1905 (oil on canvas)
Study of a Negro, c.1905 (oil on canvas)

AGN125607: Study of a Negro, c.1905 (oil on canvas), Gilman, Harold (1876-1919) / Bridgeman Images

Ramapithecus (pencil on paper)
Ramapithecus (pencil on paper)

XZL151549: Ramapithecus (pencil on paper), English School, (20th century) / Bridgeman Images

Urban Grandier, engraved by Eugene Grasset, 1880 (engraving)
Urban Grandier, engraved by Eugene Grasset, 1880 (engraving)

XJF342451: Urban Grandier, engraved by Eugene Grasset, 1880 (engraving), French School, (17th century) (after) / Bridgeman Images

Heidelberg, Germany (w/c on paper)
Heidelberg, Germany (w/c on paper)

AGN342981: Heidelberg, Germany (w/c on paper), Stanfield, William Clarkson (1793-1867) / Bridgeman Images

'Irishmen, Avenge the Lusitania, Join an Irish Regiment Today', Irish Recruitment Poster (colour litho)
'Irishmen, Avenge the Lusitania, Join an Irish Regiment Today', Irish Recruitment Poster (colour litho)

KWE342847: 'Irishmen, Avenge the Lusitania, Join an Irish Regiment Today', Irish Recruitment Poster (colour litho), Irish School / Bridgeman Images

Basket of flowers (oil on canvas)
Basket of flowers (oil on canvas)

XIR375775: Basket of flowers (oil on canvas), Monnoyer, Jean-Baptiste (1636-99) / Bridgeman Images

The Battle of Dybboel in the Second Schleswig War, on 18 April 1864, published by Verlag A. Felgner, Berlin, 1864 (colour litho)
The Battle of Dybboel in the Second Schleswig War, on 18 April 1864, published by Verlag A. Felgner, Berlin, 1864 (colour litho)

DHC379902: The Battle of Dybboel in the Second Schleswig War, on 18 April 1864, published by Verlag A. Felgner, Berlin, 1864 (colour litho), German School, (19th century) / Bridgeman Images

The big oak tree shadows the whole king's estate, 1913 (watercolour & pencil on paper)
The big oak tree shadows the whole king's estate, 1913 (watercolour & pencil on paper)

OVR358723: The big oak tree shadows the whole king's estate, 1913 (watercolour & pencil on paper), Kittelsen, Theodor Severin (1857-1914) / Bridgeman Images

Christ Enthroned (cloisonne enamel)
Christ Enthroned (cloisonne enamel)

XBP343635: Christ Enthroned (cloisonne enamel), Russian School, (12th century) / Bridgeman Images

Fairlight Downs, Sunlight on the Sea (oil on panel)
Fairlight Downs, Sunlight on the Sea (oil on panel)

PNH353935: Fairlight Downs, Sunlight on the Sea (oil on panel), Hunt, William Holman (1827-1910) / Bridgeman Images

Gulls at Sea, 1910 (colour woodblock print)
Gulls at Sea, 1910 (colour woodblock print)

ZWR341721: Gulls at Sea, 1910 (colour woodblock print), Koson, Ohara (1877-1945) / Bridgeman Images

The Snake Goddess of Crete, illustration from 'Myths of Crete and Pre-Hellenic Europe' by Donald A. Mackenzie, published in 1917 (colour litho)
The Snake Goddess of Crete, illustration from 'Myths of Crete and Pre-Hellenic Europe' by Donald A. Mackenzie, published in 1917 (colour litho)

KWE342887: The Snake Goddess of Crete, illustration from 'Myths of Crete and Pre-Hellenic Europe' by Donald A. Mackenzie, published in 1917 (colour litho), Duncan, John (1866-1945) (after) / Bridgeman Images

Now King Arthur saw the Questing Beast , 1893-94 (black ink and graphite)
Now King Arthur saw the Questing Beast , 1893-94 (black ink and graphite)

XJF362934: Now King Arthur saw the Questing Beast , 1893-94 (black ink and graphite), Beardsley, Aubrey (1872-98) / Bridgeman Images

Frontispiece and opening lines to 'The History of Robin Hood' (woodcut)
Frontispiece and opening lines to 'The History of Robin Hood' (woodcut)

XJF362998: Frontispiece and opening lines to 'The History of Robin Hood' (woodcut), English School, (17th century) / Bridgeman Images

Bar scene, c.1891 (pastel on cardboard)
Bar scene, c.1891 (pastel on cardboard)

BRM349516: Bar scene, c.1891 (pastel on cardboard), Anquetin, Louis (1861-1932) / Bridgeman Images

An Iron Work for Casting of Cannon and a Boreing Mill taken from the Madeley side of the River Severn, Shropshire, engraved by Wilson Lowry (1762-1824) 1788 (engraving)
An Iron Work for Casting of Cannon and a Boreing Mill taken from the Madeley side of the River Severn, Shropshire, engraved by Wilson Lowry (1762-1824) 1788 (engraving)

XJF349789: An Iron Work for Casting of Cannon and a Boreing Mill taken from the Madeley side of the River Severn, Shropshire, engraved by Wilson Lowry (1762-1824) 1788 (engraving), Robertson, George (1742-88) (after) / Bridgeman Images

Sextant (brass, wood & glass)
Sextant (brass, wood & glass)

MFR348329: Sextant (brass, wood & glass), Adams, George (1750-95) / Bridgeman Images

Houses in Murnau, 1908 (mixed media on paper laid on board)
Houses in Murnau, 1908 (mixed media on paper laid on board)

MAY388865: Houses in Murnau, 1908 (mixed media on paper laid on board), Kandinsky, Wassily (1866-1944) / Bridgeman Images

Sergeant Ewart capturing the Eagle at Waterloo, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho)
Sergeant Ewart capturing the Eagle at Waterloo, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho)

STC397054: Sergeant Ewart capturing the Eagle at Waterloo, illustration from 'Battles of the Nineteenth Century' by Archibald Forbes, G.A. Henty and Major Arthur Griffiths (colour litho), Wollen, William Barnes (1857-1936) (after) / Bridgeman Images

Letter from Beethoven to 'The Immortal Beloved' (pen & ink)
Letter from Beethoven to 'The Immortal Beloved' (pen & ink)

KWE417978: Letter from Beethoven to 'The Immortal Beloved' (pen & ink), Beethoven, Ludwig van (1770-1827) / Bridgeman Images

How Queen Guenever Rode on Maying, 1894 (litho)
How Queen Guenever Rode on Maying, 1894 (litho)

XJF417301: How Queen Guenever Rode on Maying, 1894 (litho), Beardsley, Aubrey (1872-98) / Bridgeman Images

A Collection of Men's and Women's 18th Century Wigs, 1875 (litho)
A Collection of Men's and Women's 18th Century Wigs, 1875 (litho)

KWE421812: A Collection of Men's and Women's 18th Century Wigs, 1875 (litho), French School, (19th century) / Bridgeman Images

Scene at the Departure from Leith of the Darien Expedition, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)
Scene at the Departure from Leith of the Darien Expedition, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo)

STC393255: Scene at the Departure from Leith of the Darien Expedition, illustration from 'Cassell's Illustrated History of England' (engraving) (sepia photo), Hardy, Paul (19th Century) (after) / Bridgeman Images

The Pilot faints, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Pilot faints, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393855: The Pilot faints, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Archibishop Cranmer, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)
Archibishop Cranmer, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo)

STC393364: Archibishop Cranmer, illustration from 'The Church of England: A History for the People' by H.D.M. Spence-Jones, pub. c.1910 (litho) (sepia photo), Flicke, Gerlach (fl.1547-58) (after) / Bridgeman Images

Aerostat, 1887 (engraving) (later colouration)
Aerostat, 1887 (engraving) (later colouration)

TRK406642: Aerostat, 1887 (engraving) (later colouration), French School, (19th century) / Bridgeman Images

Death of the Persian admiral at Salamis, illustration from 'Plutarch's Lives for Boys and Girls', retold by W.H. Weston, London c.1910 (colour litho)
Death of the Persian admiral at Salamis, illustration from 'Plutarch's Lives for Boys and Girls', retold by W.H. Weston, London c.1910 (colour litho)

STC412030: Death of the Persian admiral at Salamis, illustration from 'Plutarch's Lives for Boys and Girls', retold by W.H. Weston, London c.1910 (colour litho), Rainey, William (1852-1936) / Bridgeman Images

Opium Smoking - The Lascar's Room, scene from 'The Mystery of Edwin Drood' by Charles Dickens, illustrated in 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94), engraved by A. Doms, pub. 1872 (engraving)
Opium Smoking - The Lascar's Room, scene from 'The Mystery of Edwin Drood' by Charles Dickens, illustrated in 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94), engraved by A. Doms, pub. 1872 (engraving)

XJF396036: Opium Smoking - The Lascar's Room, scene from 'The Mystery of Edwin Drood' by Charles Dickens, illustrated in 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94), engraved by A. Doms, pub. 1872 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

View of Amsterdam, c.1640 (etching)
View of Amsterdam, c.1640 (etching)

XJF405744: View of Amsterdam, c.1640 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

The Town and Lake Como, 1834 (oil on canvas)
The Town and Lake Como, 1834 (oil on canvas)

LEF218810: The Town and Lake Como, 1834 (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

Richard I (1157-99) the Lionheart delivering Jaffa, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Richard I (1157-99) the Lionheart delivering Jaffa, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219441: Richard I (1157-99) the Lionheart delivering Jaffa, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Division Unite, 1943 (oil on board)
Division Unite, 1943 (oil on board)

LEF219990: Division Unite, 1943 (oil on board), Kandinsky, Wassily (1866-1944) / Bridgeman Images

The Spanish Capture Fort Caroline, 1565, from 'Newe Welt und Americanische Historien' by Johann Ludwig Gottfried, published by Mattaeus Merian, Frankfurt, 1631 (engraving)
The Spanish Capture Fort Caroline, 1565, from 'Newe Welt und Americanische Historien' by Johann Ludwig Gottfried, published by Mattaeus Merian, Frankfurt, 1631 (engraving)

STC221835: The Spanish Capture Fort Caroline, 1565, from 'Newe Welt und Americanische Historien' by Johann Ludwig Gottfried, published by Mattaeus Merian, Frankfurt, 1631 (engraving), Bry, Theodor de (1528-98) (after) / Bridgeman Images

The Black Fan, 1915 (oil on canvas)
The Black Fan, 1915 (oil on canvas)

LEF221936: The Black Fan, 1915 (oil on canvas), Cadell, Francis Campbell Boileau (1883-1937) / Bridgeman Images


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