AGN35548:
Young Girl wearing a pearl earring, Rotari, Pietro Antonio (1707-62) / Bridgeman Images
ID: AGN35548
Young Girl wearing a pearl earring
Rotari, Pietro Antonio (1707-62)
SSI39824:
Grand Canyon of the Yellowstone Park (oil on canvas), Moran, Thomas (1837-1926) / Bridgeman Images
ID: SSI39824
Grand Canyon of the Yellowstone Park (oil on canvas)
Moran, Thomas (1837-1926)
BON40278:
Horse Grazing in an Urban Landscape, Trevelyan, Julian (1910-88) / Bridgeman Images
ID: BON40278
Horse Grazing in an Urban Landscape
Trevelyan, Julian (1910-88)
MOU39513:
Portrait of Samuel Pepys (1633-1703), copy after John Riley (1646-91) (oil on canvas), Closterman, Johann (1660-1711) / Bridgeman Images
ID: MOU39513
Portrait of Samuel Pepys (1633-1703), copy after John Riley (1646-91) (oil on canvas)
Closterman, Johann (1660-1711)
MAL39548:
Taking out the Washing (w/c on paper), Strachan, Arthur Claude (1865-1935) / Bridgeman Images
ID: MAL39548
Taking out the Washing (w/c on paper)
Strachan, Arthur Claude (1865-1935)
FAS46399:
Study for Ariadne, 1907 (oil on panel), Lavery, John (1856-1941) / Bridgeman Images
ID: FAS46399
Study for Ariadne, 1907 (oil on panel)
Lavery, John (1856-1941)
BAX44745:
While Shepherds Watched Their Flocks by Night, Baxter, Cathy / Bridgeman Images
ID: BAX44745
While Shepherds Watched Their Flocks by Night
Baxter, Cathy
BAX44588:
Stars and Snow (watercolour), Baxter, Cathy / Bridgeman Images
ID: BAX44588
Stars and Snow (watercolour)
Baxter, Cathy
FAS45908:
Jesus Returning to Nazareth with his Parents, Dobson, William Charles Thomas (1817-98) / Bridgeman Images
ID: FAS45908
Jesus Returning to Nazareth with his Parents
Dobson, William Charles Thomas (1817-98)
ILL45519:
Asakusa Rice Fields during the festival of the Cock from the series '100 Views of Edo', pub. 1857 (colour woodblock print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images
ID: ILL45519
Asakusa Rice Fields during the festival of the Cock from the series '100 Views of Edo', pub. 1857 (colour woodblock print)
Hiroshige, Ando or Utagawa (1797-1858)
BAL47204:
Verso of penny of Aethelberht, Anglo-Saxon King of East Anglia (silver) (see 46895), Anglo-Saxon (8th century) / Bridgeman Images
ID: BAL47204
Verso of penny of Aethelberht, Anglo-Saxon King of East Anglia (silver) (see 46895)
Anglo-Saxon (8th century)
AH49958:
Rosa Indica, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images
ID: AH49958
Rosa Indica
Redouté, Pierre Joseph (1759-1840)
MAL48995:
The Chorale, Grimshaw, John Atkinson (1836-93) / Bridgeman Images
ID: MAL48995
The Chorale
Grimshaw, John Atkinson (1836-93)
XJF150849:
Augusta Ada Byron (1815-52) Countess of Lovelace (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
ID: XJF150849
Augusta Ada Byron (1815-52) Countess of Lovelace (engraving) (b/w photo)
English School, (19th century)
XJF150850:
Portrait of Augusta Ada Byron (1815-52) Countess of Lovelace (oil on canvas) (b/w photo), English School, (19th century) / Bridgeman Images
ID: XJF150850
Portrait of Augusta Ada Byron (1815-52) Countess of Lovelace (oil on canvas) (b/w photo)
English School, (19th century)
CBR170552:
Anemones, 1921 (oil on canvas), Valtat, Louis (1869-1952) / Bridgeman Images
ID: CBR170552
Anemones, 1921 (oil on canvas)
Valtat, Louis (1869-1952)
LIZ172818:
The Sum of Recollections, 2002 (oil on panel), Riches, Lizzie (b.1950) / Bridgeman Images
ID: LIZ172818
The Sum of Recollections, 2002 (oil on panel)
Riches, Lizzie (b.1950)
CPH172838:
The Remains of the Campanile in Venice, which collapsed in 1902, from 'La Domenica del Corriere', 27th July 1902 (colour litho), Beltrame, Achille (1871-1945) / Bridgeman Images
ID: CPH172838
The Remains of the Campanile in Venice, which collapsed in 1902, from 'La Domenica del Corriere', 27th July 1902 (colour litho)
Beltrame, Achille (1871-1945)
STC151324:
Cinchona from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving), Hoquart, L.F.J. (fl 1821) / Bridgeman Images
ID: STC151324
Cinchona from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)
Hoquart, L.F.J. (fl 1821)
FAS151080:
Rose Petals, 1900 (oil on panel), Bell, Robert Anning (1863-1933) / Bridgeman Images
ID: FAS151080
Rose Petals, 1900 (oil on panel)
Bell, Robert Anning (1863-1933)
STC169779:
The King's Closet, Windsor Castle, from 'Royal Residences', engraved by William James Bennett (1769-1844), published by William Henry Pyne (1769-1843), 1816, Wild, Charles (1781-1835) (after) / Bridgeman Images
ID: STC169779
The King's Closet, Windsor Castle, from 'Royal Residences', engraved by William James Bennett (1769-1844), published by William Henry Pyne (1769-1843), 1816
Wild, Charles (1781-1835) (after)
XIR179471:
Summer (oil on canvas), Arcimboldo, Giuseppe (1527-93) (school of) / Bridgeman Images
ID: XIR179471
Summer (oil on canvas)
Arcimboldo, Giuseppe (1527-93) (school of)
STC179003:
Old London Bridge (oil), c.1630, Jongh, Claude de (c.1610-63) / Bridgeman Images
ID: STC179003
Old London Bridge (oil), c.1630
Jongh, Claude de (c.1610-63)
STC181183:
Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper), Fabris, Pietro (fl.1768-78) / Bridgeman Images
ID: STC181183
Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)
Fabris, Pietro (fl.1768-78)
XIR181517:
Landscape in Martinique (oil on canvas), Laval, Charles (1862-94) / Bridgeman Images
ID: XIR181517
Landscape in Martinique (oil on canvas)
Laval, Charles (1862-94)
STC147625:
Knight and horse in armour, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho), Reibisch, Friedrich Martin von (fl.1842) / Bridgeman Images
ID: STC147625
Knight and horse in armour, plate from 'A History of the Development and Customs of Chivalry', by Dr. Franz Kottenkamp, published by Carl Hoffmann, 1842 (colour litho)