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Costume for a Fury in 'Iphigenia in Tauris' and several other operas, engraved by Rene Gaillard (c.1710-90) c.1780 (engraving)
Costume for a Fury in 'Iphigenia in Tauris' and several other operas, engraved by Rene Gaillard (c.1710-90) c.1780 (engraving)

STC94435: Costume for a Fury in 'Iphigenia in Tauris' and several other operas, engraved by Rene Gaillard (c.1710-90) c.1780 (engraving), Martin, Jean Baptiste (18th century) (after) / Bridgeman Images

Grosvenor Square, for 'Stow's Survey of London', pub. 1754 (engraving)
Grosvenor Square, for 'Stow's Survey of London', pub. 1754 (engraving)

STC94442: Grosvenor Square, for 'Stow's Survey of London', pub. 1754 (engraving), English School, (18th century) / Bridgeman Images

Long Island Sound at Darien (oil on canvas)
Long Island Sound at Darien (oil on canvas)

CH92952: Long Island Sound at Darien (oil on canvas), Kensett, John Frederick (1816-72) / Bridgeman Images

Whitby (oil on canvas)
Whitby (oil on canvas)

NUM116569: Whitby (oil on canvas), Grimshaw, John Atkinson (1836-93) / Bridgeman Images

View of the city of Potosi, Bolivia, with its famous hill renowned for its mineral deposits, especially silver and tin, from the 'Nouvel Atlas', 1643 (engraving)
View of the city of Potosi, Bolivia, with its famous hill renowned for its mineral deposits, especially silver and tin, from the 'Nouvel Atlas', 1643 (engraving)

IND113081: View of the city of Potosi, Bolivia, with its famous hill renowned for its mineral deposits, especially silver and tin, from the 'Nouvel Atlas', 1643 (engraving), Spanish School, (18th century) / Bridgeman Images

Autumn in Kensington Gardens (oil on canvas)
Autumn in Kensington Gardens (oil on canvas)

CW142028: Autumn in Kensington Gardens (oil on canvas), Wallace, James (1872-1911) / Bridgeman Images

Portrait of Sir John Blunt (c.1665-1733) (oil on canvas) (b/w photo)
Portrait of Sir John Blunt (c.1665-1733) (oil on canvas) (b/w photo)

XJF140289: Portrait of Sir John Blunt (c.1665-1733) (oil on canvas) (b/w photo), English School, (18th century) / Bridgeman Images

The Costume Ball (oil on canvas)
The Costume Ball (oil on canvas)

XIR167341: The Costume Ball (oil on canvas), French School / Bridgeman Images

The Multiplication of Loaves and Fishes, 1491 (colour woodcut)
The Multiplication of Loaves and Fishes, 1491 (colour woodcut)

CHT163343: The Multiplication of Loaves and Fishes, 1491 (colour woodcut), Wolgemut or Wolgemuth, Michael (1434-1519) / Bridgeman Images

A French Theatre (colour engraving)
A French Theatre (colour engraving)

CHT169427: A French Theatre (colour engraving), French School, (18th century) / Bridgeman Images

The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083)
The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083)

XIR155933: The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083), Benard, Robert (fl.1734) / Bridgeman Images

Fonthill Abbey from the north-west, from 'Graphic and Literary Illustrations of Fonthill Abbey' by John Britton, 1823 (engraving)
Fonthill Abbey from the north-west, from 'Graphic and Literary Illustrations of Fonthill Abbey' by John Britton, 1823 (engraving)

STC156076: Fonthill Abbey from the north-west, from 'Graphic and Literary Illustrations of Fonthill Abbey' by John Britton, 1823 (engraving), English School, (19th century) / Bridgeman Images

Portrait of Joachim du Bellay (1522-60) (engraving) (b/w photo)
Portrait of Joachim du Bellay (1522-60) (engraving) (b/w photo)

XIR161167: Portrait of Joachim du Bellay (1522-60) (engraving) (b/w photo), French School, (16th century) / Bridgeman Images

Christopher Columbus (1451-1506) plants the Spanish flag into the soil, 1933 (colour litho)
Christopher Columbus (1451-1506) plants the Spanish flag into the soil, 1933 (colour litho)

CHT174191: Christopher Columbus (1451-1506) plants the Spanish flag into the soil, 1933 (colour litho), Beuzon, Joseph (1864-1940) / Bridgeman Images

Frontispiece to 'L Émile, ou De l'éducation' by J.J Rousseau, c.1782 (engraving)
Frontispiece to 'L Émile, ou De l'éducation' by J.J Rousseau, c.1782 (engraving)

CHT169034: Frontispiece to 'L Émile, ou De l'éducation' by J.J Rousseau, c.1782 (engraving), Cochin, Charles Nicolas II (1715-90) (after) / Bridgeman Images

South East View of Windsor Castle, from 'Windsor and its Surrounding Scenery', 1838 (chromolitho)
South East View of Windsor Castle, from 'Windsor and its Surrounding Scenery', 1838 (chromolitho)

STC169785: South East View of Windsor Castle, from 'Windsor and its Surrounding Scenery', 1838 (chromolitho), Pyne, James Baker (1800-70) (after) / Bridgeman Images

Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving)
Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving)

XRH1703302: Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Brotherhood of Spirit, 1849 (oil on canvas)
Brotherhood of Spirit, 1849 (oil on canvas)

JLJ4647586: Brotherhood of Spirit, 1849 (oil on canvas), Durand, Asher Brown (1796-1886) / Bridgeman Images

Roman soldier - Legionary - Velites (light infantry) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Roman soldier - Legionary - Velites (light infantry) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155514: Roman soldier - Legionary - Velites (light infantry) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Portrait of DANTE ALIGHIERI Italian poet.
Portrait of DANTE ALIGHIERI Italian poet.

XEE4145279: Portrait of DANTE ALIGHIERI Italian poet., Anonymous / Bridgeman Images

Portrait of BENJAMIN FRANKLIN American printer, publisher, scientist, inventor, statesman and diplomat (chromo)
Portrait of BENJAMIN FRANKLIN American printer, publisher, scientist, inventor, statesman and diplomat (chromo)

XEE4145291: Portrait of BENJAMIN FRANKLIN American printer, publisher, scientist, inventor, statesman and diplomat (chromo), Anonymous / Bridgeman Images

Holy Basil, and Two Further Varieties of Basil, from 'Hortus Eystettensis', by Basil Besler (1561-1629), pub. 1613 (hand-coloured engraving)
Holy Basil, and Two Further Varieties of Basil, from 'Hortus Eystettensis', by Basil Besler (1561-1629), pub. 1613 (hand-coloured engraving)

STC3284650: Holy Basil, and Two Further Varieties of Basil, from 'Hortus Eystettensis', by Basil Besler (1561-1629), pub. 1613 (hand-coloured engraving), German School, (17th century) / Bridgeman Images

Last portrait of Napoleon I (1769-1821), 1815 (oil on canvas)
Last portrait of Napoleon I (1769-1821), 1815 (oil on canvas)

JLJ4677719: Last portrait of Napoleon I (1769-1821), 1815 (oil on canvas), Prud'hon, Pierre-Paul (1758-1823) / Bridgeman Images

Painters in building in 1877 (oil on canvas)
Painters in building in 1877 (oil on canvas)

JLJ4601124: Painters in building in 1877 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

Pope Clement V and Philip IV the Bel, King of France, decided to eliminate the Templars, 1307. Engraving of the 19th century.
Pope Clement V and Philip IV the Bel, King of France, decided to eliminate the Templars, 1307. Engraving of the 19th century.

XEE4411732: Pope Clement V and Philip IV the Bel, King of France, decided to eliminate the Templars, 1307. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Merlin's as a white-footed stag visits Julius Caesar, illustration from 'Geschichte der Franzosischen Literatur' by Hermann Suchier, 1913
Merlin's as a white-footed stag visits Julius Caesar, illustration from 'Geschichte der Franzosischen Literatur' by Hermann Suchier, 1913

XEE4181848: Merlin's as a white-footed stag visits Julius Caesar, illustration from 'Geschichte der Franzosischen Literatur' by Hermann Suchier, 1913 / Bridgeman Images

The Oaths of Strasbourg between Louis the German (876), ruler of East France, and his half-brother Charles the Bald (? 877), ruler of West Francia - Le oath de Strasbourg: traite de Verdun, 843. The sons of Louis the Pious divided the territory (the Carolingian Empire): Charles the Bald received the West, Louis the Germanic the East, and Lothaire, who had the imperial title, the center. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891
The Oaths of Strasbourg between Louis the German (876), ruler of East France, and his half-brother Charles the Bald (? 877), ruler of West Francia - Le oath de Strasbourg: traite de Verdun, 843. The sons of Louis the Pious divided the territory (the Carolingian Empire): Charles the Bald received the West, Louis the Germanic the East, and Lothaire, who had the imperial title, the center. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891

XEE4180950: The Oaths of Strasbourg between Louis the German (876), ruler of East France, and his half-brother Charles the Bald (? 877), ruler of West Francia - Le oath de Strasbourg: traite de Verdun, 843. The sons of Louis the Pious divided the territory (the Carolingian Empire): Charles the Bald received the West, Louis the Germanic the East, and Lothaire, who had the imperial title, the center. Engraving in “” Histoire De France En Cent Paintings by Paul Lehugeur “” 1891, French School, (19th century) / Bridgeman Images

How was the impossible possible, that is, the theft from the Louvre of the portrait of Mona Lisa by … (colour litho)
How was the impossible possible, that is, the theft from the Louvre of the portrait of Mona Lisa by … (colour litho)

LLM2815470: How was the impossible possible, that is, the theft from the Louvre of the portrait of Mona Lisa by … (colour litho), Beltrame, Achille (1871-1945) / Bridgeman Images

America's first national map, 1784 (hand-coloured engraving)
America's first national map, 1784 (hand-coloured engraving)

CH1268147: America's first national map, 1784 (hand-coloured engraving), Buell, Abel (1742-1822) / Bridgeman Images

Adam and Eve chased from Paradise. Anonymous engraving from the middle of the 19th century.
Adam and Eve chased from Paradise. Anonymous engraving from the middle of the 19th century.

XEE4415167: Adam and Eve chased from Paradise. Anonymous engraving from the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Theophile Gautier (1811-1872), French writer.
Portrait of Theophile Gautier (1811-1872), French writer.

XEE4406749: Portrait of Theophile Gautier (1811-1872), French writer., Unknown Artist, (19th century) / Bridgeman Images

Ned Land, Professor Aronnax and his servant Conseil look at the Giant Octopus through the porthole of the submarine Nautilus Engraving of the book of Jules Verne “Twenty thousand leagues under the seas” (Twenty-thousand - 20,000 - 20000), 1870.
Ned Land, Professor Aronnax and his servant Conseil look at the Giant Octopus through the porthole of the submarine Nautilus Engraving of the book of Jules Verne “Twenty thousand leagues under the seas” (Twenty-thousand - 20,000 - 20000), 1870.

GIA4807447: Ned Land, Professor Aronnax and his servant Conseil look at the Giant Octopus through the porthole of the submarine Nautilus Engraving of the book of Jules Verne “Twenty thousand leagues under the seas” (Twenty-thousand - 20,000 - 20000), 1870., Unknown Artist, (19th century) / Bridgeman Images

Ancient Rome: The Empress Valeria Messalina knocking at the door of a brothel to work clandestinely night all as a prostitute” The Roman Impresresses”” 1888 Private Collection
Ancient Rome: The Empress Valeria Messalina knocking at the door of a brothel to work clandestinely night all as a prostitute” The Roman Impresresses”” 1888 Private Collection

ELD4875470: Ancient Rome: The Empress Valeria Messalina knocking at the door of a brothel to work clandestinely night all as a prostitute” The Roman Impresresses”” 1888 Private Collection / Bridgeman Images

June 30, 1934: Heil Hitler (in blood letters) - photomontage denouncing the “night of the long knives”, by Heartfield
June 30, 1934: Heil Hitler (in blood letters) - photomontage denouncing the “night of the long knives”, by Heartfield

XEE4106094: June 30, 1934: Heil Hitler (in blood letters) - photomontage denouncing the “night of the long knives”, by Heartfield, Heartfield, John (1891-1968) / Bridgeman Images

The King of Dahomey's Levee, plate 1 from 'The History of Dahomey' by Archibald Dalzel, engraved by Francis Chesham (1749-1806) pub. 1793 (engraving) (see 89088 for detail)
The King of Dahomey's Levee, plate 1 from 'The History of Dahomey' by Archibald Dalzel, engraved by Francis Chesham (1749-1806) pub. 1793 (engraving) (see 89088 for detail)

STC89087: The King of Dahomey's Levee, plate 1 from 'The History of Dahomey' by Archibald Dalzel, engraved by Francis Chesham (1749-1806) pub. 1793 (engraving) (see 89088 for detail), Norris, Robert (d.1791) (after) / Bridgeman Images

Black people Cutting Sugar Cane on a Jamaican Plantation, 1825 (aquatint) (b&w photo)
Black people Cutting Sugar Cane on a Jamaican Plantation, 1825 (aquatint) (b&w photo)

XJF108985: Black people Cutting Sugar Cane on a Jamaican Plantation, 1825 (aquatint) (b&w photo), English School, (19th century) / Bridgeman Images


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