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1104738 Search Results

Portrait of Harriet Elizabeth Stowe (nee Beecher) (b/w photo)
Portrait of Harriet Elizabeth Stowe (nee Beecher) (b/w photo)

TPG112197: Portrait of Harriet Elizabeth Stowe (nee Beecher) (b/w photo) / Bridgeman Images

ID: TPG112197

Portrait of Harriet Elizabeth Stowe (nee Beecher) (b/w photo)

The Jacobin Club, French Revolution, 14 May 1790 (chromolitho)
The Jacobin Club, French Revolution, 14 May 1790 (chromolitho)

LLM977323: The Jacobin Club, French Revolution, 14 May 1790 (chromolitho), French School, (19th century) / Bridgeman Images

ID: LLM977323

The Jacobin Club, French Revolution, 14 May 1790 (chromolitho)

French School, (19th century)

Khama, c.1910 (gelatin silver print)
Khama, c.1910 (gelatin silver print)

MGS622582: Khama, c.1910 (gelatin silver print) / Bridgeman Images

ID: MGS622582

Khama, c.1910 (gelatin silver print)

A Wet Night, Columbus Circle, New York, 1897-98 (gelatin silver print)
A Wet Night, Columbus Circle, New York, 1897-98 (gelatin silver print)

CH1766839: A Wet Night, Columbus Circle, New York, 1897-98 (gelatin silver print), Fraser, William A. (c.1840-1925) / Bridgeman Images

ID: CH1766839

A Wet Night, Columbus Circle, New York, 1897-98 (gelatin silver print)

Fraser, William A. (c.1840-1925)

Portrait of the French navigator and privateer Robert Surcouf (1736-1826). Portrait of Robert Surcouf (1736-1827)
Portrait of the French navigator and privateer Robert Surcouf (1736-1826). Portrait of Robert Surcouf (1736-1827)

XEE4406377: Portrait of the French navigator and privateer Robert Surcouf (1736-1826). Portrait of Robert Surcouf (1736-1827), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4406377

Portrait of the French navigator and privateer Robert Surcouf (1736-1826). Portrait of Robert Surcouf (1736-1827)

Unknown Artist, (19th century)

Portrait of Alexandre Dumas Père by Carjat.
Portrait of Alexandre Dumas Père by Carjat.

XEE4405849: Portrait of Alexandre Dumas Père by Carjat., Carjat, Etienne (1828-1906) / Bridgeman Images

ID: XEE4405849

Portrait of Alexandre Dumas Père by Carjat.

Carjat, Etienne (1828-1906)

Arthur Schopenhauer (1788-1860), German philosopher.
Arthur Schopenhauer (1788-1860), German philosopher.

GIA4772008: Arthur Schopenhauer (1788-1860), German philosopher., Unknown photographer, (19th century) / Bridgeman Images

ID: GIA4772008

Arthur Schopenhauer (1788-1860), German philosopher.

Unknown photographer, (19th century)

The Crawlers, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo)
The Crawlers, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo)

STC659978: The Crawlers, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo) , Thomson, John (1837-1921) / Bridgeman Images

ID: STC659978

The Crawlers, from 'Street Life in London', by J. Thomson and Adolphe Smith, 1877 (b/w photo)

Thomson, John (1837-1921)

Portrait of Herman Melville (1819 -1891) American novelist.
Portrait of Herman Melville (1819 -1891) American novelist.

XEE4405472: Portrait of Herman Melville (1819 -1891) American novelist., Unknown photographer, (19th century) / Bridgeman Images

ID: XEE4405472

Portrait of Herman Melville (1819 -1891) American novelist.

Unknown photographer, (19th century)

The Palace Theatre of Varieties, c.1893 (litho) 88;London West End theatre, opera house and music hall; opened in 1891 by Richard D'Oyly Carte as 'The Royal English Opera House'; later leased by Sarah Bernhardt for a season of French drama; name changed in 1892 to 'Palace Theatre of Varieties' and has been ever since a popular venue for musicals and revues, featuring stars like Marie Lloyd, Little Tich, George Robey and Vesta Tilley;
The Palace Theatre of Varieties, c.1893 (litho) 88;London West End theatre, opera house and music hall; opened in 1891 by Richard D'Oyly Carte as 'The Royal English Opera House'; later leased by Sarah Bernhardt for a season of French drama; name changed in 1892 to 'Palace Theatre of Varieties' and has been ever since a popular venue for musicals and revues, featuring stars like Marie Lloyd, Little Tich, George Robey and Vesta Tilley;

XJF465722: The Palace Theatre of Varieties, c.1893 (litho) 88;London West End theatre, opera house and music hall; opened in 1891 by Richard D'Oyly Carte as 'The Royal English Opera House'; later leased by Sarah Bernhardt for a season of French drama; name changed in 1892 to 'Palace Theatre of Varieties' and has been ever since a popular venue for musicals and revues, featuring stars like Marie Lloyd, Little Tich, George Robey and Vesta Tilley;, English School, (19th century) / Bridgeman Images

ID: XJF465722

The Palace Theatre of Varieties, c.1893 (litho) 88;London West End theatre, opera house and music hall; opened in 1891 by Richard D'Oyly Carte as 'The Royal English Opera House'; later leased by Sarah Bernhardt for a season of French drama; name changed in 1892 to 'Palace Theatre of Varieties' and has been ever since a popular venue for musicals and revues, featuring stars like Marie Lloyd, Little Tich, George Robey and Vesta Tilley;

English School, (19th century)

'Why should we Wait till To-morrow?'
'Why should we Wait till To-morrow?'

LLM459952: 'Why should we Wait till To-morrow?', English School, (20th century) / Bridgeman Images

ID: LLM459952

'Why should we Wait till To-morrow?'

English School, (20th century)

The great water lily, Victoria Regia
The great water lily, Victoria Regia

LLM455082: The great water lily, Victoria Regia, English School, (19th century) / Bridgeman Images

ID: LLM455082

The great water lily, Victoria Regia

English School, (19th century)

Portrait of Lord William Campbell, M. P. (oil on canvas)
Portrait of Lord William Campbell, M. P. (oil on canvas)

CH441557: Portrait of Lord William Campbell, M. P. (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: CH441557

Portrait of Lord William Campbell, M. P. (oil on canvas)

Gainsborough, Thomas (1727-88)

Ballerina Reading Le Figaro, c.1885 (oil on panel)
Ballerina Reading Le Figaro, c.1885 (oil on panel)

CH424195: Ballerina Reading Le Figaro, c.1885 (oil on panel), Gervex, Henri (1852-1929) / Bridgeman Images

ID: CH424195

Ballerina Reading Le Figaro, c.1885 (oil on panel)

Gervex, Henri (1852-1929)

The correspondence between the human and the universe, from Robert Fludd's 'Utriusque Cosmi Historia', 1617-19 (engraving)
The correspondence between the human and the universe, from Robert Fludd's 'Utriusque Cosmi Historia', 1617-19 (engraving)

XJF447345: The correspondence between the human and the universe, from Robert Fludd's 'Utriusque Cosmi Historia', 1617-19 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF447345

The correspondence between the human and the universe, from Robert Fludd's 'Utriusque Cosmi Historia', 1617-19 (engraving)

English School, (17th century)

The Lamp, 1916 (watercolour, pencil and charcoal on board)
The Lamp, 1916 (watercolour, pencil and charcoal on board)

CH990834: The Lamp, 1916 (watercolour, pencil and charcoal on board), Gris, Juan (1887-1927) / Bridgeman Images

ID: CH990834

The Lamp, 1916 (watercolour, pencil and charcoal on board)

Gris, Juan (1887-1927)

Faraway Thoughts, (oil on canvas)
Faraway Thoughts, (oil on canvas)

CH824488: Faraway Thoughts, (oil on canvas), Harlamoff, Alexei Alexevich (1840-1925) / Bridgeman Images

ID: CH824488

Faraway Thoughts, (oil on canvas)

Harlamoff, Alexei Alexevich (1840-1925)

William Carey (colour litho)
William Carey (colour litho)

LLE816679: William Carey (colour litho), English School, (19th century) / Bridgeman Images

ID: LLE816679

William Carey (colour litho)

English School, (19th century)

The Return from Fishing, 1893 (oil on canvas)
The Return from Fishing, 1893 (oil on canvas)

CH658605: The Return from Fishing, 1893 (oil on canvas), Sorolla y Bastida, Joaquin (1863-1923) / Bridgeman Images

ID: CH658605

The Return from Fishing, 1893 (oil on canvas)

Sorolla y Bastida, Joaquin (1863-1923)

Barbary Lion, 1824 (colour litho)
Barbary Lion, 1824 (colour litho)

PRX1001824: Barbary Lion, 1824 (colour litho), Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: PRX1001824

Barbary Lion, 1824 (colour litho)

Brodtmann, Karl Joseph (1787-1862)

Portrait of the Artist's Mother, Madame le Sevre, (oil on canvas)
Portrait of the Artist's Mother, Madame le Sevre, (oil on canvas)

CH990352: Portrait of the Artist's Mother, Madame le Sevre, (oil on canvas), Vigee-Lebrun, Elisabeth Louise (1755-1842) / Bridgeman Images

ID: CH990352

Portrait of the Artist's Mother, Madame le Sevre, (oil on canvas)

Vigee-Lebrun, Elisabeth Louise (1755-1842)

A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas)
A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas)

CH824371: A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas), Moore, Albert Joseph (1841-93) / Bridgeman Images

ID: CH824371

A Revery- A Look of Sadness on a Restful Face - She Hath no Cares - A Thing Hereditary in the Race, Comes Unawares, And Will Recur 'til Death it's Smile Shall Place Where Now it Fares, (oil on canvas)

Moore, Albert Joseph (1841-93)

Arranging Flowers (w/c on paper)
Arranging Flowers (w/c on paper)

XPG939701: Arranging Flowers (w/c on paper), Margetson, William Henry (1861-1940) / Bridgeman Images

ID: XPG939701

Arranging Flowers (w/c on paper)

Margetson, William Henry (1861-1940)

Dancing Couple, 1914 (oil on canvas)
Dancing Couple, 1914 (oil on canvas)

FFA274499: Dancing Couple, 1914 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

ID: FFA274499

Dancing Couple, 1914 (oil on canvas)

Kirchner, Ernst Ludwig (1880-1938)

Set design for a production of Hamlet (Act One) at the Comedie Francaise, 1884 (w/c on paper)
Set design for a production of Hamlet (Act One) at the Comedie Francaise, 1884 (w/c on paper)

CHT289109: Set design for a production of Hamlet (Act One) at the Comedie Francaise, 1884 (w/c on paper), French School, (19th century) / Bridgeman Images

ID: CHT289109

Set design for a production of Hamlet (Act One) at the Comedie Francaise, 1884 (w/c on paper)

French School, (19th century)

The expulsion of the Jews from Spain, 1492 (colour litho)
The expulsion of the Jews from Spain, 1492 (colour litho)

STC358052: The expulsion of the Jews from Spain, 1492 (colour litho), Hart, Solomon (1806-81) (after) / Bridgeman Images

ID: STC358052

The expulsion of the Jews from Spain, 1492 (colour litho)

Hart, Solomon (1806-81) (after)

Deianira, 1878 (gouache on paper)
Deianira, 1878 (gouache on paper)

PNH351383: Deianira, 1878 (gouache on paper), Morgan, Evelyn De (1855-1919) / Bridgeman Images

ID: PNH351383

Deianira, 1878 (gouache on paper)

Morgan, Evelyn De (1855-1919)

In Sere and Yellow Leaf, 1879 (oil on canvas)
In Sere and Yellow Leaf, 1879 (oil on canvas)

PNH353223: In Sere and Yellow Leaf, 1879 (oil on canvas), Grimshaw, John Atkinson (1836-93) / Bridgeman Images

ID: PNH353223

In Sere and Yellow Leaf, 1879 (oil on canvas)

Grimshaw, John Atkinson (1836-93)

Moonlight, Nevlunghavn, 1922 (oil on canvas)
Moonlight, Nevlunghavn, 1922 (oil on canvas)

OVR364991: Moonlight, Nevlunghavn, 1922 (oil on canvas), Sohlberg, Harald Oscar (1869-1935) / Bridgeman Images

ID: OVR364991

Moonlight, Nevlunghavn, 1922 (oil on canvas)

Sohlberg, Harald Oscar (1869-1935)

Monuments on Easter Island (pencil on paper)
Monuments on Easter Island (pencil on paper)

CHT215716: Monuments on Easter Island (pencil on paper), Loti, Pierre (1850-1923) / Bridgeman Images

ID: CHT215716

Monuments on Easter Island (pencil on paper)

Loti, Pierre (1850-1923)

Gilles de Laval (1404-40) Lord of Rais, in 'A Popular History of France' by J. Michelet, c.1900 (colour litho)
Gilles de Laval (1404-40) Lord of Rais, in 'A Popular History of France' by J. Michelet, c.1900 (colour litho)

CHT239235: Gilles de Laval (1404-40) Lord of Rais, in 'A Popular History of France' by J. Michelet, c.1900 (colour litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: CHT239235

Gilles de Laval (1404-40) Lord of Rais, in 'A Popular History of France' by J. Michelet, c.1900 (colour litho)

Bombled, Louis Charles (1862-1927)

Polyphemus, from 'The Children's Hour: Stories from the Classics', published by the Waverley Book Company (colour litho)
Polyphemus, from 'The Children's Hour: Stories from the Classics', published by the Waverley Book Company (colour litho)

IL262829: Polyphemus, from 'The Children's Hour: Stories from the Classics', published by the Waverley Book Company (colour litho), Brock, Charles Edmund (1870-1938) / Bridgeman Images

ID: IL262829

Polyphemus, from 'The Children's Hour: Stories from the Classics', published by the Waverley Book Company (colour litho)

Brock, Charles Edmund (1870-1938)

Fifty billion mark banknote, 1923 (colour lithograph)
Fifty billion mark banknote, 1923 (colour lithograph)

WNB250137: Fifty billion mark banknote, 1923 (colour lithograph), German School, (20th century) / Bridgeman Images

ID: WNB250137

Fifty billion mark banknote, 1923 (colour lithograph)

German School, (20th century)

Dancer arranging her hair, c.1900-12 (pastel on paper)
Dancer arranging her hair, c.1900-12 (pastel on paper)

CH259615: Dancer arranging her hair, c.1900-12 (pastel on paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: CH259615

Dancer arranging her hair, c.1900-12 (pastel on paper)

Degas, Edgar (1834-1917)

Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho)
Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho)

STC219916: Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho), Trentsensky, Matthias (1790-1868) / Bridgeman Images

ID: STC219916

Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho)

Trentsensky, Matthias (1790-1868)

A Bond and Judgement, Sir John Fielding presiding over the Bow Street Court, 1779 (etching)
A Bond and Judgement, Sir John Fielding presiding over the Bow Street Court, 1779 (etching)

XJF380268: A Bond and Judgement, Sir John Fielding presiding over the Bow Street Court, 1779 (etching), English School, (18th century) / Bridgeman Images

ID: XJF380268

A Bond and Judgement, Sir John Fielding presiding over the Bow Street Court, 1779 (etching)

English School, (18th century)


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