STC404435:
Illustration from a portfolio of watercolours of shoes (w/c on paper), German School, (20th century) / Bridgeman Images
ID: STC404435
Illustration from a portfolio of watercolours of shoes (w/c on paper)
German School, (20th century)
CH402201:
Robin Hood and his Merry Men, 1859 (mixed media on paper), Warren, Edmund George (1834-1909) / Bridgeman Images
ID: CH402201
Robin Hood and his Merry Men, 1859 (mixed media on paper)
Warren, Edmund George (1834-1909)
BON51211:
First Introduction, Barker, Wright (1864-1941) / Bridgeman Images
ID: BON51211
First Introduction
Barker, Wright (1864-1941)
BAL72308:
The Marchioness of Northampton, Playing a Harp, c.1820, Raeburn, Henry (1756-1823) / Bridgeman Images
ID: BAL72308
The Marchioness of Northampton, Playing a Harp, c.1820
Raeburn, Henry (1756-1823)
PFA88829:
Blind Man's Bluff, Dargelas, Andre Henri (1828-1906) / Bridgeman Images
ID: PFA88829
Blind Man's Bluff
Dargelas, Andre Henri (1828-1906)
STC87556:
Amurath (Murad) II (1404-51) Sultan 1421-51, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c), Young, John (1755-1825) / Bridgeman Images
ID: STC87556
Amurath (Murad) II (1404-51) Sultan 1421-51, from 'A Series of Portraits of the Emperors of Turkey', 1808 (w/c)
Young, John (1755-1825)
STC137382:
Reproduction of a poster advertising the 'Taverne Olympia', Paris, 1899 (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images
ID: STC137382
Reproduction of a poster advertising the 'Taverne Olympia', Paris, 1899 (colour litho)
Cheret, Jules (1836-1932)
STC94403:
Poster for an Exhibition of Secessionist Art, 1893 (litho), Stuck, Franz von (1863-1928) / Bridgeman Images
ID: STC94403
Poster for an Exhibition of Secessionist Art, 1893 (litho)
Stuck, Franz von (1863-1928)
STC94435:
Costume for a Fury in 'Iphigenia in Tauris' and several other operas, engraved by Rene Gaillard (c.1710-90) c.1780 (engraving), Martin, Jean Baptiste (18th century) (after) / Bridgeman Images
ID: STC94435
Costume for a Fury in 'Iphigenia in Tauris' and several other operas, engraved by Rene Gaillard (c.1710-90) c.1780 (engraving)
Martin, Jean Baptiste (18th century) (after)
PWI96062:
Amusement (oil on canvas), Dongen, Kees van (1877-1968) / Bridgeman Images
ID: PWI96062
Amusement (oil on canvas)
Dongen, Kees van (1877-1968)
CH99148:
Cliffs at Pourville, 1896 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images
ID: CH99148
Cliffs at Pourville, 1896 (oil on canvas)
Monet, Claude (1840-1926)
STC98140:
India, from 'The Art of Perfume', pub. 1912 (pochoir print), Barbier, Georges (1882-1932) / Bridgeman Images
ID: STC98140
India, from 'The Art of Perfume', pub. 1912 (pochoir print)
Barbier, Georges (1882-1932)
STC98144:
Ballroom Scene, illustration from 'Les Liaisons Dangereuses' by Pierre Choderlos de Laclos (1741-1803) 1930 (pochoir print), Barbier, Georges (1882-1932) / Bridgeman Images
ID: STC98144
Ballroom Scene, illustration from 'Les Liaisons Dangereuses' by Pierre Choderlos de Laclos (1741-1803) 1930 (pochoir print)
Barbier, Georges (1882-1932)
STC101377:
A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images
ID: STC101377
A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint)
Bodmer, Karl (1809-93) (after)
BAL128341:
Allegory of Vice and Virtue (oil on panel), Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613) / Bridgeman Images
ID: BAL128341
Allegory of Vice and Virtue (oil on panel)
Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613)
STC86387:
Junction of the Kundanama with the Paramu, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho), Bentley, Charles (1806-54) (after) / Bridgeman Images
ID: STC86387
Junction of the Kundanama with the Paramu, from 'Views in the Interior of Guiana', engraved by George Barnard (fl.1832-90) pub. by Ackermann, 1840 (litho)
Bentley, Charles (1806-54) (after)
XNR145048:
The Malaquais Quay in the Morning, Sunny Weather, 1903 (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images
ID: XNR145048
The Malaquais Quay in the Morning, Sunny Weather, 1903 (oil on canvas)
Pissarro, Camille (1830-1903)
AGR145100:
Tea Time, c.1910 (oil on panel), Stubner, Robert Emil (1874-1931) / Bridgeman Images
ID: AGR145100
Tea Time, c.1910 (oil on panel)
Stubner, Robert Emil (1874-1931)
XIR161167:
Portrait of Joachim du Bellay (1522-60) (engraving) (b/w photo), French School, (16th century) / Bridgeman Images
ID: XIR161167
Portrait of Joachim du Bellay (1522-60) (engraving) (b/w photo)
French School, (16th century)
CHT163343:
The Multiplication of Loaves and Fishes, 1491 (colour woodcut), Wolgemut or Wolgemuth, Michael (1434-1519) / Bridgeman Images
ID: CHT163343
The Multiplication of Loaves and Fishes, 1491 (colour woodcut)
XIR155933:
The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083), Benard, Robert (fl.1734) / Bridgeman Images
ID: XIR155933
The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083)
Benard, Robert (fl.1734)
PFA124409:
Group Portrait at a Drawing Room Table (oil on canvas), Spilsbury, Maria (1777-c.1823) / Bridgeman Images
ID: PFA124409
Group Portrait at a Drawing Room Table (oil on canvas)
Spilsbury, Maria (1777-c.1823)
XIR167341:
The Costume Ball (oil on canvas), French School / Bridgeman Images
ID: XIR167341
The Costume Ball (oil on canvas)
French School
XIR154708:
Solomon meeting the Queen of Sheba, Ethiopian School, (20th century) / Bridgeman Images
ID: XIR154708
Solomon meeting the Queen of Sheba
Ethiopian School, (20th century)
LAL453318:
A busy scene in a 15th century Medici bank, Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images
ID: LAL453318
A busy scene in a 15th century Medici bank
Nicolle, Pat (Patrick) (1907-95)
LAL453154:
Barbarians at the Gate, Baraldi, Severino (b.1930) / Bridgeman Images
ID: LAL453154
Barbarians at the Gate
Baraldi, Severino (b.1930)
LLM462175:
Queen Victoria, English Photographer / Bridgeman Images
ID: LLM462175
Queen Victoria
English Photographer
LLJ582343:
The Royal Albert Hall, London (photo), English Photographer, (20th century) / Bridgeman Images
ID: LLJ582343
The Royal Albert Hall, London (photo)
English Photographer, (20th century)
XEE556590:
Portrait of Louis Antoine, Comte de Bougainville (1729-1811), French admiral and explorer. , French School, (19th century) / Bridgeman Images
ID: XEE556590
Portrait of Louis Antoine, Comte de Bougainville (1729-1811), French admiral and explorer.
French School, (19th century)
LAL297341:
Assault on Carthage, Baraldi, Severino (b.1930) / Bridgeman Images
ID: LAL297341
Assault on Carthage
Baraldi, Severino (b.1930)
LAL297552:
Costumes from the Middle Ages, Jackson, Peter (1922-2003) / Bridgeman Images
ID: LAL297552
Costumes from the Middle Ages
Jackson, Peter (1922-2003)
PNP332814:
View of Boston and the Battle of Bunker Hill, 17 June 1775 (colour litho), American School, (18th century) / Bridgeman Images
ID: PNP332814
View of Boston and the Battle of Bunker Hill, 17 June 1775 (colour litho)
American School, (18th century)
PNP332849:
American troops storm a British redoubt during the Siege of Yorktown, 14 October 1781 (colour litho), McBarron, H. Charles Jr. (1902-92) / Bridgeman Images
ID: PNP332849
American troops storm a British redoubt during the Siege of Yorktown, 14 October 1781 (colour litho)
McBarron, H. Charles Jr. (1902-92)
STC323650:
The Daemon of evil, with his fierce ravening, greedily grasped them, from 'Hero Myths and Legends of the British Race' by M.I. Ebbutt, 1910 (litho), Bacon, John Henry Frederick (1868-1914) (after) / Bridgeman Images
ID: STC323650
The Daemon of evil, with his fierce ravening, greedily grasped them, from 'Hero Myths and Legends of the British Race' by M.I. Ebbutt, 1910 (litho)