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Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.
Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.

GIA4709435: Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912. / Bridgeman Images

ID: GIA4709435

Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.

Fishing has the line, 1878 (oil on canvas)
Fishing has the line, 1878 (oil on canvas)

JLJ4601334: Fishing has the line, 1878 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: JLJ4601334

Fishing has the line, 1878 (oil on canvas)

Caillebotte, Gustave (1848-94)

Self-Portrait With White Hat, 1910 (oil on canvas)
Self-Portrait With White Hat, 1910 (oil on canvas)

FIA5402235: Self-Portrait With White Hat, 1910 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: FIA5402235

Self-Portrait With White Hat, 1910 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

The Tabernacle in the Wilderness
The Tabernacle in the Wilderness

LLM460884: The Tabernacle in the Wilderness, English School, (19th century) / Bridgeman Images

ID: LLM460884

The Tabernacle in the Wilderness

English School, (19th century)

River Arno, Florence (w/c on paper)
River Arno, Florence (w/c on paper)

TRC115550: River Arno, Florence (w/c on paper), Chamberlain, Trevor / Bridgeman Images

ID: TRC115550

River Arno, Florence (w/c on paper)

Chamberlain, Trevor

Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving)
Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving)

XEE702539: Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images

ID: XEE702539

Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving)

Leutemann, Heinrich (1824-1905)

Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745676: Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745676

Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745740: Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745740

Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Elizabeth Cady Stanton at the Seneca Falls convention, 2004 (w/c on paper)
Elizabeth Cady Stanton at the Seneca Falls convention, 2004 (w/c on paper)

WRH884098: Elizabeth Cady Stanton at the Seneca Falls convention, 2004 (w/c on paper), Frey, Matthew (b.1974) / Bridgeman Images

ID: WRH884098

Elizabeth Cady Stanton at the Seneca Falls convention, 2004 (w/c on paper)

Frey, Matthew (b.1974)

Ryu Shoten, Dragon Rising to the Heavens. 1897., 1 Print : Woodcut, Color ; 37.5 X 24.7 ., Print Shows a Serpent or Dragon Ascending on a Cloud to the Top of a Mountain.
Ryu Shoten, Dragon Rising to the Heavens. 1897., 1 Print : Woodcut, Color ; 37.5 X 24.7 ., Print Shows a Serpent or Dragon Ascending on a Cloud to the Top of a Mountain.

LZT1112505: Ryu Shoten, Dragon Rising to the Heavens. 1897., 1 Print : Woodcut, Color ; 37.5 X 24.7 ., Print Shows a Serpent or Dragon Ascending on a Cloud to the Top of a Mountain., Gekko, Ogata (1859-1920) / Bridgeman Images

ID: LZT1112505

Ryu Shoten, Dragon Rising to the Heavens. 1897., 1 Print : Woodcut, Color ; 37.5 X 24.7 ., Print Shows a Serpent or Dragon Ascending on a Cloud to the Top of a Mountain.

Gekko, Ogata (1859-1920)

The Moonlight Ride, illustration from 'Idylls of the King' by Alfred Tennyson, 1868 (engraving)
The Moonlight Ride, illustration from 'Idylls of the King' by Alfred Tennyson, 1868 (engraving)

XJF396023: The Moonlight Ride, illustration from 'Idylls of the King' by Alfred Tennyson, 1868 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XJF396023

The Moonlight Ride, illustration from 'Idylls of the King' by Alfred Tennyson, 1868 (engraving)

Dore, Gustave (1832-83)

STC411997: "I am old Philemon!" murmured the oak, illustration from 'A Wonder Book for Girls and Boys' by Nathaniel Hawthorne, 1928 (colour litho), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: STC411997

"I am old Philemon!" murmured the oak, illustration from 'A Wonder Book for Girls and Boys' by Nathaniel Hawthorne, 1928 (colour litho)

Rackham, Arthur (1867-1939)

Mr. Micawber, illustration from 'Character Sketches from Charles Dickens', c.1890 (colour litho)
Mr. Micawber, illustration from 'Character Sketches from Charles Dickens', c.1890 (colour litho)

LLM405144: Mr. Micawber, illustration from 'Character Sketches from Charles Dickens', c.1890 (colour litho), Clarke, Joseph Clayton (Kyd) (1856-1937) / Bridgeman Images

ID: LLM405144

Mr. Micawber, illustration from 'Character Sketches from Charles Dickens', c.1890 (colour litho)

Clarke, Joseph Clayton (Kyd) (1856-1937)

Mother's Pride (oil on panel)
Mother's Pride (oil on panel)

OWG199939: Mother's Pride (oil on panel), Caille, Leon (1836-1907) / Bridgeman Images

ID: OWG199939

Mother's Pride (oil on panel)

Caille, Leon (1836-1907)

Baptism by the Devil, copy of an illustration from 'Compendium Maleficarum' by Fr M Guaccius, Milan 1608, used in 'History of Magic', published late 19th century (woodcut) (b/w photo)
Baptism by the Devil, copy of an illustration from 'Compendium Maleficarum' by Fr M Guaccius, Milan 1608, used in 'History of Magic', published late 19th century (woodcut) (b/w photo)

STC205005: Baptism by the Devil, copy of an illustration from 'Compendium Maleficarum' by Fr M Guaccius, Milan 1608, used in 'History of Magic', published late 19th century (woodcut) (b/w photo), Italian School, (17th century) (after) / Bridgeman Images

ID: STC205005

Baptism by the Devil, copy of an illustration from 'Compendium Maleficarum' by Fr M Guaccius, Milan 1608, used in 'History of Magic', published late 19th century (woodcut) (b/w photo)

Italian School, (17th century) (after)

The Antilles and the Gulf of Mexico, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published Geneva, 1780 (coloured engraving)
The Antilles and the Gulf of Mexico, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published Geneva, 1780 (coloured engraving)

KWE205836: The Antilles and the Gulf of Mexico, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published Geneva, 1780 (coloured engraving), Bonne, Charles Marie Rigobert (1727-95) / Bridgeman Images

ID: KWE205836

The Antilles and the Gulf of Mexico, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published Geneva, 1780 (coloured engraving)

Bonne, Charles Marie Rigobert (1727-95)

The Battle of Camperdown on 11th October 1797 (oil on canvas)
The Battle of Camperdown on 11th October 1797 (oil on canvas)

REA188281: The Battle of Camperdown on 11th October 1797 (oil on canvas), Schotel, Petrus Johann (1808-65) / Bridgeman Images

ID: REA188281

The Battle of Camperdown on 11th October 1797 (oil on canvas)

Schotel, Petrus Johann (1808-65)

Self Portrait, c.1818 (oil on canvas)
Self Portrait, c.1818 (oil on canvas)

XIR188737: Self Portrait, c.1818 (oil on canvas), Dubufe, Claude-Marie (1790-1864) / Bridgeman Images

ID: XIR188737

Self Portrait, c.1818 (oil on canvas)

Dubufe, Claude-Marie (1790-1864)

Genghis Khan (c.1162-1227) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)
Genghis Khan (c.1162-1227) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)

STC188396: Genghis Khan (c.1162-1227) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving), Duflos, Pierre (1742-1816) / Bridgeman Images

ID: STC188396

Genghis Khan (c.1162-1227) from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand-coloured engraving)

Duflos, Pierre (1742-1816)

Path through the Vines, Argenteuil, 1872 (oil on canvas)
Path through the Vines, Argenteuil, 1872 (oil on canvas)

LEF221932: Path through the Vines, Argenteuil, 1872 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: LEF221932

Path through the Vines, Argenteuil, 1872 (oil on canvas)

Monet, Claude (1840-1926)

A Palanquin being Carried in the Ile de France, from 'Voyage Autour du Monde sur les Corvettes de L'Uranie 1817-20', engraved by Choubard, published 1825 (engraving)
A Palanquin being Carried in the Ile de France, from 'Voyage Autour du Monde sur les Corvettes de L'Uranie 1817-20', engraved by Choubard, published 1825 (engraving)

TRV173948: A Palanquin being Carried in the Ile de France, from 'Voyage Autour du Monde sur les Corvettes de L'Uranie 1817-20', engraved by Choubard, published 1825 (engraving), Arago, Jacques Etienne Victor (1790-1855) (after) / Bridgeman Images

ID: TRV173948

A Palanquin being Carried in the Ile de France, from 'Voyage Autour du Monde sur les Corvettes de L'Uranie 1817-20', engraved by Choubard, published 1825 (engraving)

Arago, Jacques Etienne Victor (1790-1855) (after)

Road Turning under Trees, c.1873-75 (oil on canvas)
Road Turning under Trees, c.1873-75 (oil on canvas)

LEF218822: Road Turning under Trees, c.1873-75 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: LEF218822

Road Turning under Trees, c.1873-75 (oil on canvas)

Cezanne, Paul (1839-1906)

Lambert Simnel, Knight of the Golden Tulip, from a set of playing cards (engraving)
Lambert Simnel, Knight of the Golden Tulip, from a set of playing cards (engraving)

XCF274389: Lambert Simnel, Knight of the Golden Tulip, from a set of playing cards (engraving), English School, (17th century) / Bridgeman Images

ID: XCF274389

Lambert Simnel, Knight of the Golden Tulip, from a set of playing cards (engraving)

English School, (17th century)

Portrait of Queen Elizabeth I, when a princess, c.1547-58 (oil on panel)
Portrait of Queen Elizabeth I, when a princess, c.1547-58 (oil on panel)

MOU275464: Portrait of Queen Elizabeth I, when a princess, c.1547-58 (oil on panel), Anglo-Italian School, (16th century) / Bridgeman Images

ID: MOU275464

Portrait of Queen Elizabeth I, when a princess, c.1547-58 (oil on panel)

Anglo-Italian School, (16th century)

Illustration of a Quipu, from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum)
Illustration of a Quipu, from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum)

XCF307370: Illustration of a Quipu, from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum), Spanish School, (16th century) / Bridgeman Images

ID: XCF307370

Illustration of a Quipu, from 'Historia y Genealogia Real de los Reyes Incas del Peru, de sus hechos, costumbres, trajes y manera de Gobierno', known as the Codice Murua (vellum)

Spanish School, (16th century)

Death taking the Bishop and the Nobleman, from the Danse Macabre, published Paris, 1485 (woodcut) (b/w photo)
Death taking the Bishop and the Nobleman, from the Danse Macabre, published Paris, 1485 (woodcut) (b/w photo)

BBC211051: Death taking the Bishop and the Nobleman, from the Danse Macabre, published Paris, 1485 (woodcut) (b/w photo), Marchant, Guy (fl.1485) / Bridgeman Images

ID: BBC211051

Death taking the Bishop and the Nobleman, from the Danse Macabre, published Paris, 1485 (woodcut) (b/w photo)

Marchant, Guy (fl.1485)

A Garland for May Day, 1895 (litho)
A Garland for May Day, 1895 (litho)

KWE282132: A Garland for May Day, 1895 (litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: KWE282132

A Garland for May Day, 1895 (litho)

Crane, Walter (1845-1915)

Caller Herrin' (oil on canvas)
Caller Herrin' (oil on canvas)

AGN35523: Caller Herrin' (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

ID: AGN35523

Caller Herrin' (oil on canvas)

Millais, John Everett (1829-96)

A Rich Man Spurns a Ragged Beggar, from 'A Christall Glass of Christian Reformation' by Stephen Bateman, 1569 (woodcut) (b/w photo)
A Rich Man Spurns a Ragged Beggar, from 'A Christall Glass of Christian Reformation' by Stephen Bateman, 1569 (woodcut) (b/w photo)

XJF100256: A Rich Man Spurns a Ragged Beggar, from 'A Christall Glass of Christian Reformation' by Stephen Bateman, 1569 (woodcut) (b/w photo), English School, (16th century) / Bridgeman Images

ID: XJF100256

A Rich Man Spurns a Ragged Beggar, from 'A Christall Glass of Christian Reformation' by Stephen Bateman, 1569 (woodcut) (b/w photo)

English School, (16th century)

Portrait of Rene Descartes (1596-1650) (engraving)
Portrait of Rene Descartes (1596-1650) (engraving)

XJF105730: Portrait of Rene Descartes (1596-1650) (engraving), Hals, Frans (1582/83-1666) (after) / Bridgeman Images

ID: XJF105730

Portrait of Rene Descartes (1596-1650) (engraving)

Hals, Frans (1582/83-1666) (after)

The Battle of Trafalgar, 21st October 1805, engraved by Thomas Sutherland for J. Jenkins's 'Naval Achievements', 1816 (engraving)
The Battle of Trafalgar, 21st October 1805, engraved by Thomas Sutherland for J. Jenkins's 'Naval Achievements', 1816 (engraving)

STC97234: The Battle of Trafalgar, 21st October 1805, engraved by Thomas Sutherland for J. Jenkins's 'Naval Achievements', 1816 (engraving), Whitcombe, Thomas (c.1752-1824) (after) / Bridgeman Images

ID: STC97234

The Battle of Trafalgar, 21st October 1805, engraved by Thomas Sutherland for J. Jenkins's 'Naval Achievements', 1816 (engraving)

Whitcombe, Thomas (c.1752-1824) (after)

Studies of Feathers, 1855 (w/c on paper)
Studies of Feathers, 1855 (w/c on paper)

CJP107520: Studies of Feathers, 1855 (w/c on paper), Bowen, Anne (fl.1850-60) / Bridgeman Images

ID: CJP107520

Studies of Feathers, 1855 (w/c on paper)

Bowen, Anne (fl.1850-60)

Hope (oil on canvas) (see also 114743)
Hope (oil on canvas) (see also 114743)

TWG114745: Hope (oil on canvas) (see also 114743), Watts, George Frederic (1817-1904) / Bridgeman Images

ID: TWG114745

Hope (oil on canvas) (see also 114743)

Watts, George Frederic (1817-1904)

Rapallo, 1905 (oil on canvas)
Rapallo, 1905 (oil on canvas)

NUM117577: Rapallo, 1905 (oil on canvas), Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: NUM117577

Rapallo, 1905 (oil on canvas)

Kandinsky, Wassily (1866-1944)

The Regatta at Cowes (watercolour on paper)
The Regatta at Cowes (watercolour on paper)

NUM122361: The Regatta at Cowes (watercolour on paper), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: NUM122361

The Regatta at Cowes (watercolour on paper)

Dufy, Raoul (1877-1953)

Moose, 1920 (w/c on paper)
Moose, 1920 (w/c on paper)

AGR251747: Moose, 1920 (w/c on paper), Falat, Julian (1853-1929) / Bridgeman Images

ID: AGR251747

Moose, 1920 (w/c on paper)

Falat, Julian (1853-1929)


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