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San Bonaventura and the ruins of the Palace of the Caesars, 1833 (etching with brown wash)
San Bonaventura and the ruins of the Palace of the Caesars, 1833 (etching with brown wash)

STC384971: San Bonaventura and the ruins of the Palace of the Caesars, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

Torre di Mezza via, 1833 (etching with brown wash)
Torre di Mezza via, 1833 (etching with brown wash)

STC384985: Torre di Mezza via, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

The Villa Conti Fountains, 1833 (etching with brown wash)
The Villa Conti Fountains, 1833 (etching with brown wash)

STC384999: The Villa Conti Fountains, 1833 (etching with brown wash), Tofanelli, Agostino (1770-1834) / Bridgeman Images

First design for the Chateau du Bouilh, Saint Andre de Cubzac, Aquitaine, c.1787 (pen, ink & w/c)
First design for the Chateau du Bouilh, Saint Andre de Cubzac, Aquitaine, c.1787 (pen, ink & w/c)

XIR386094: First design for the Chateau du Bouilh, Saint Andre de Cubzac, Aquitaine, c.1787 (pen, ink & w/c), Louis, Victor (1731-1800) / Bridgeman Images

Wash-house at the Brixton Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
Wash-house at the Brixton Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386209: Wash-house at the Brixton Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

Convicts scraping shot, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
Convicts scraping shot, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386211: Convicts scraping shot, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

The convict nursery at Brixton, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
The convict nursery at Brixton, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386214: The convict nursery at Brixton, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

Dormitory at Coldbath Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
Dormitory at Coldbath Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386219: Dormitory at Coldbath Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

Condemned Cell, Newgate, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
Condemned Cell, Newgate, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386223: Condemned Cell, Newgate, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

Boys' school-room at Tothill Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
Boys' school-room at Tothill Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386230: Boys' school-room at Tothill Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

Mat-room at Coldbath Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
Mat-room at Coldbath Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386231: Mat-room at Coldbath Fields Prison, illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

Female convict in canvas dress (under punishment for tearing her clothes), illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)
Female convict in canvas dress (under punishment for tearing her clothes), illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving)

STC386235: Female convict in canvas dress (under punishment for tearing her clothes), illustration from 'The Criminal Prisons of London and Scenes from Prison Life' by Henry Mayhew and John Binny, pub. 1862 (engraving), English School, (19th century) / Bridgeman Images

The Panama Affair, from the front page of the illustrated supplement of 'Le Petit Journal', 8th April 1893 (color litho)
The Panama Affair, from the front page of the illustrated supplement of 'Le Petit Journal', 8th April 1893 (color litho)

XIR386249: The Panama Affair, from the front page of the illustrated supplement of 'Le Petit Journal', 8th April 1893 (color litho), Meyer, Henri (1841-99) / Bridgeman Images

Poseidon,, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho)
Poseidon,, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho)

STC386306: Poseidon,, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho), Schmied, Francois-Louis (1873-1941) / Bridgeman Images

Conwy Castle, 1820 (colour engraving)
Conwy Castle, 1820 (colour engraving)

STC386329: Conwy Castle, 1820 (colour engraving), Gandy, T. (fl.1820) / Bridgeman Images

Europe - Winter pursuits for the daytime, 1885 (colour litho)
Europe - Winter pursuits for the daytime, 1885 (colour litho)

STC386341: Europe - Winter pursuits for the daytime, 1885 (colour litho), Casa, Giacomo (1835-87) / Bridgeman Images

The widow (litho)
The widow (litho)

STC386351: The widow (litho) / Bridgeman Images

The Mausoleum of Sultan Mohmed, Brusa (w/c)
The Mausoleum of Sultan Mohmed, Brusa (w/c)

STC386353: The Mausoleum of Sultan Mohmed, Brusa (w/c), Allom, Thomas (1804-72) / Bridgeman Images

A Princess, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho)
A Princess, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho)

STC386357: A Princess, an illustration from 'L'Odyssee', by Homer, translated by Victor Berard, 1929-33 (colour litho), Schmied, Francois-Louis (1873-1941) / Bridgeman Images

Bathroom interior designed by Henri Sauvage & Sarazin, from 'Documents d'Art Moderne', 1900-03
Bathroom interior designed by Henri Sauvage & Sarazin, from 'Documents d'Art Moderne', 1900-03

STC386365: Bathroom interior designed by Henri Sauvage & Sarazin, from 'Documents d'Art Moderne', 1900-03 / Bridgeman Images

An eclipse, illustration from an emblem book, c.1700 (engraving)
An eclipse, illustration from an emblem book, c.1700 (engraving)

BLL386547: An eclipse, illustration from an emblem book, c.1700 (engraving), English School / Bridgeman Images

LLM386603: "There was a young lady whose eyes were unique as to colour and size", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386623: "There was an Old Person of Ischia, whose conduct grew friskier and friskier", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386627: "There was an Old Man of Vesuvius, who studied the works of Vitruvius", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386632: "There was a Young Person of Smyrna, whose Grandmother threatened to burn her", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386635: "There was an Old Person of Rhodes, who strongly objected to toads", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386637: "There was an Old Man with a flute- a 'sarpint' ran into his boot!", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386648: "There was an Old Man who supposed that the street door was partially closed", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386655: "There was an Old Person of Hurst, who drank when he was not athirst", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386663: "There was an Old Man of the Nile, who sharpened his nails with a file", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386686: "There was an Old Man who said, 'Well! Will nobody answer this bell?'", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386690: "There was an Old Man of the North, who fell into a basin on broth", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386695: "There was an Old Man of Vienna, who lived upon Tincture of Senna", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386707: "There was an Old Man of Kanschatka, who possessed a remarkably fat Cur", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386708: "There was an Old Man of Leghorn, the smallest that ever was born", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images

LLM386711: "There was an Old Man of the Cape, who possessed a large Barbary Ape", from 'A Book of Nonsense', published by Frederick Warne and Co., London, c.1875 (colour litho), Lear, Edward (1812-88) / Bridgeman Images


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