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Representation of newts, legendary creatures mi man mi fish. chromolithographof the 19th century
Representation of newts, legendary creatures mi man mi fish. chromolithographof the 19th century

GIA4808484: Representation of newts, legendary creatures mi man mi fish. chromolithographof the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis Pasteur (1822-1895) in his property in Villeneuve-l'Etang (Villeneuve l'Etang) in Marnes-la-Coquette (Marnes la Coquette) in Seine-et-Oise (Seine et Oise). Sketch by Laurent Gsell (1860-1944). DR
Portrait of Louis Pasteur (1822-1895) in his property in Villeneuve-l'Etang (Villeneuve l'Etang) in Marnes-la-Coquette (Marnes la Coquette) in Seine-et-Oise (Seine et Oise). Sketch by Laurent Gsell (1860-1944). DR

GIA4809114: Portrait of Louis Pasteur (1822-1895) in his property in Villeneuve-l'Etang (Villeneuve l'Etang) in Marnes-la-Coquette (Marnes la Coquette) in Seine-et-Oise (Seine et Oise). Sketch by Laurent Gsell (1860-1944). DR, Gsell, Laurent Lucien (1860-1944) / Bridgeman Images

Illustration of the tale by Giambattista Basile (1575-1632) “” Poucet et Poucet (Nennillo e Nennella)””” from the book “” Pentamerone””, day v, tale 8. Editions of Naples 1754.
Illustration of the tale by Giambattista Basile (1575-1632) “” Poucet et Poucet (Nennillo e Nennella)””” from the book “” Pentamerone””, day v, tale 8. Editions of Naples 1754.

GIA4804430: Illustration of the tale by Giambattista Basile (1575-1632) “” Poucet et Poucet (Nennillo e Nennella)””” from the book “” Pentamerone””, day v, tale 8. Editions of Naples 1754., Italian School, (18th century) / Bridgeman Images

Guido d'Arezzo (Gui or Guy d'Arezzo), Italian Benedictine, music theorist (990-1050) teaching music. Illustration of the end of the 19th century.
Guido d'Arezzo (Gui or Guy d'Arezzo), Italian Benedictine, music theorist (990-1050) teaching music. Illustration of the end of the 19th century.

GIA4804518: Guido d'Arezzo (Gui or Guy d'Arezzo), Italian Benedictine, music theorist (990-1050) teaching music. Illustration of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Fashion 18th century: the hats of Berlin women. Engraving from 1793.
Fashion 18th century: the hats of Berlin women. Engraving from 1793.

GIA4804569: Fashion 18th century: the hats of Berlin women. Engraving from 1793., Unknown artist, (18th century) / Bridgeman Images

Fashion 18th century: hairstyle and hats of French women around 1787.
Fashion 18th century: hairstyle and hats of French women around 1787.

GIA4804595: Fashion 18th century: hairstyle and hats of French women around 1787., French School, (18th century) / Bridgeman Images

The prophete Daniel sees monsters appearing: Haniel, Kafziel, Azriel, Aniel. Engraving from the Bible illustrated by Gustave Dore. 19th century
The prophete Daniel sees monsters appearing: Haniel, Kafziel, Azriel, Aniel. Engraving from the Bible illustrated by Gustave Dore. 19th century

GIA4805016: The prophete Daniel sees monsters appearing: Haniel, Kafziel, Azriel, Aniel. Engraving from the Bible illustrated by Gustave Dore. 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Jan Hus (or Jean Huss, 1371 - 1415) Czech religious reformer.
Portrait of Jan Hus (or Jean Huss, 1371 - 1415) Czech religious reformer.

GIA4805066: Portrait of Jan Hus (or Jean Huss, 1371 - 1415) Czech religious reformer., Unknown Artist, (19th century) / Bridgeman Images

The trial of Belial: “” The demon Belial dances before Judge Solomon””” Engraving from “The trial of Belial”” by Jacobus de Teramo (or Palladino), Ausburg, 1473
The trial of Belial: “” The demon Belial dances before Judge Solomon””” Engraving from “The trial of Belial”” by Jacobus de Teramo (or Palladino), Ausburg, 1473

GIA4805089: The trial of Belial: “” The demon Belial dances before Judge Solomon””” Engraving from “The trial of Belial”” by Jacobus de Teramo (or Palladino), Ausburg, 1473, Unknown Artist, (15th century) / Bridgeman Images

The Belial Proces: “The Belial Demon Returning to the Entrance of the Underworld”” Engraving from “The Belial Proces” by Jacobus de Teramo (or Palladino), Ausburg, 1473
The Belial Proces: “The Belial Demon Returning to the Entrance of the Underworld”” Engraving from “The Belial Proces” by Jacobus de Teramo (or Palladino), Ausburg, 1473

GIA4805146: The Belial Proces: “The Belial Demon Returning to the Entrance of the Underworld”” Engraving from “The Belial Proces” by Jacobus de Teramo (or Palladino), Ausburg, 1473, Unknown Artist, (15th century) / Bridgeman Images

Antigone Act I, scene 3. Italian tragedie by Vittorio Alfieri written in 1783 after Greek mythology. Engraving of the 18th century.
Antigone Act I, scene 3. Italian tragedie by Vittorio Alfieri written in 1783 after Greek mythology. Engraving of the 18th century.

GIA4805267: Antigone Act I, scene 3. Italian tragedie by Vittorio Alfieri written in 1783 after Greek mythology. Engraving of the 18th century., Unknown artist, (18th century) / Bridgeman Images

Antigone Act 4, scene 5. Italian tragedie by Vittorio Alfieri written in 1783 after Greek mythology. Engraving of the 18th century.
Antigone Act 4, scene 5. Italian tragedie by Vittorio Alfieri written in 1783 after Greek mythology. Engraving of the 18th century.

GIA4805323: Antigone Act 4, scene 5. Italian tragedie by Vittorio Alfieri written in 1783 after Greek mythology. Engraving of the 18th century., Unknown artist, (18th century) / Bridgeman Images

Prince Charming and the Girl Illustration by Umberto Brunelleschi (1879-1949) 20th century
Prince Charming and the Girl Illustration by Umberto Brunelleschi (1879-1949) 20th century

GIA4805366: Prince Charming and the Girl Illustration by Umberto Brunelleschi (1879-1949) 20th century, Brunelleschi, Umberto (1879-1949) / Bridgeman Images

The monks handed over silkworms to the Byzantine emperor Justinian I (483-565). The emperor will thus begin the silk trade. Engraving by Giovanni Stradano (Jan Van Der Straet) (Johannes Stradanus) (1523-1605) 17th century
The monks handed over silkworms to the Byzantine emperor Justinian I (483-565). The emperor will thus begin the silk trade. Engraving by Giovanni Stradano (Jan Van Der Straet) (Johannes Stradanus) (1523-1605) 17th century

GIA4805380: The monks handed over silkworms to the Byzantine emperor Justinian I (483-565). The emperor will thus begin the silk trade. Engraving by Giovanni Stradano (Jan Van Der Straet) (Johannes Stradanus) (1523-1605) 17th century, Straet, Jan van der (Joannes Stradanus) (1523-1605) / Bridgeman Images

Representation of a harpy Engraving by Ulisse Aldrovandi (1522-1605), “” Monstrorum Historiae””, Bologna 1642
Representation of a harpy Engraving by Ulisse Aldrovandi (1522-1605), “” Monstrorum Historiae””, Bologna 1642

GIA4805733: Representation of a harpy Engraving by Ulisse Aldrovandi (1522-1605), “” Monstrorum Historiae””, Bologna 1642, Unknown Artist, (17th century) / Bridgeman Images

Portrait of Michele Enrico Carafa, Prince of Colobrano, (1787 -1872) Italian composer.
Portrait of Michele Enrico Carafa, Prince of Colobrano, (1787 -1872) Italian composer.

GIA4805927: Portrait of Michele Enrico Carafa, Prince of Colobrano, (1787 -1872) Italian composer., Unknown Artist, (19th century) / Bridgeman Images

Original drawing of the Nautilus, the first underwater boat (submarine), presented by its inventor Robert Fulton (1765-1815) to the American Senate in 1806.
Original drawing of the Nautilus, the first underwater boat (submarine), presented by its inventor Robert Fulton (1765-1815) to the American Senate in 1806.

GIA4806106: Original drawing of the Nautilus, the first underwater boat (submarine), presented by its inventor Robert Fulton (1765-1815) to the American Senate in 1806., Fulton, Robert (1765-1815) / Bridgeman Images

Portrait of Anne Marie Louise d'Orleans, Duchess of (Madame) Montpensier dit la grande Mademoiselle (1627-1693) Engraving of the 18th century
Portrait of Anne Marie Louise d'Orleans, Duchess of (Madame) Montpensier dit la grande Mademoiselle (1627-1693) Engraving of the 18th century

GIA4807170: Portrait of Anne Marie Louise d'Orleans, Duchess of (Madame) Montpensier dit la grande Mademoiselle (1627-1693) Engraving of the 18th century, Unknown artist, (18th century) / Bridgeman Images

Portrait of the attic orator Isorate (436-338 BC).
Portrait of the attic orator Isorate (436-338 BC).

GIA4806803: Portrait of the attic orator Isorate (436-338 BC)., Unknown Artist, (19th century) / Bridgeman Images

Study of blood circulation in flying fish and other animals Description by Dutch trader and scientist Antoine van Leeuwenhoek (or Leeuvenhoek Leeuwenhoeck) (or Antoni or Anthonie) (1632-1723) Engraving from “Arcana Natura Detecta” 1695.
Study of blood circulation in flying fish and other animals Description by Dutch trader and scientist Antoine van Leeuwenhoek (or Leeuvenhoek Leeuwenhoeck) (or Antoni or Anthonie) (1632-1723) Engraving from “Arcana Natura Detecta” 1695.

GIA4807246: Study of blood circulation in flying fish and other animals Description by Dutch trader and scientist Antoine van Leeuwenhoek (or Leeuvenhoek Leeuwenhoeck) (or Antoni or Anthonie) (1632-1723) Engraving from “Arcana Natura Detecta” 1695., Unknown artist, (18th century) / Bridgeman Images

On the left a container uses for the first experience of the water hammer (represented on the right) to demonstrate that in the vacuum, liquids fall like a solid mass. Engraving
On the left a container uses for the first experience of the water hammer (represented on the right) to demonstrate that in the vacuum, liquids fall like a solid mass. Engraving

GIA4806432: On the left a container uses for the first experience of the water hammer (represented on the right) to demonstrate that in the vacuum, liquids fall like a solid mass. Engraving, Unknown Artist, (17th century) / Bridgeman Images

A marine monster has a dog's head and a fish body. Detail of a map in “Theatrum Orbis Terrarum” by Abraham Ortelius, Antwerp 1584.
A marine monster has a dog's head and a fish body. Detail of a map in “Theatrum Orbis Terrarum” by Abraham Ortelius, Antwerp 1584.

GIA4807438: A marine monster has a dog's head and a fish body. Detail of a map in “Theatrum Orbis Terrarum” by Abraham Ortelius, Antwerp 1584., Ortelius, Abraham (1527-98) / Bridgeman Images

O Tanit! You love me, don't you? Illustration by V.A. Poirson (1890) for the novel “” Salammbo”” by Gustave Flaubert, taking as part the mercenary war at the time of the First Punic War (246-241 BC) between the Romans and the Carthaginians.
O Tanit! You love me, don't you? Illustration by V.A. Poirson (1890) for the novel “” Salammbo”” by Gustave Flaubert, taking as part the mercenary war at the time of the First Punic War (246-241 BC) between the Romans and the Carthaginians.

GIA4808132: O Tanit! You love me, don't you? Illustration by V.A. Poirson (1890) for the novel “” Salammbo”” by Gustave Flaubert, taking as part the mercenary war at the time of the First Punic War (246-241 BC) between the Romans and the Carthaginians., Poirson, Victor-Armand (1858-93) / Bridgeman Images

Illustration by Georges Antoine Rochegrosse (1859-1938) for the novel “Salammbo” by Gustave Flaubert, taking as a frame the war of mercenaries at the time of the first Punic War (246-241 BC) between the Romans and Carthaginians.
Illustration by Georges Antoine Rochegrosse (1859-1938) for the novel “Salammbo” by Gustave Flaubert, taking as a frame the war of mercenaries at the time of the first Punic War (246-241 BC) between the Romans and Carthaginians.

GIA4808124: Illustration by Georges Antoine Rochegrosse (1859-1938) for the novel “Salammbo” by Gustave Flaubert, taking as a frame the war of mercenaries at the time of the first Punic War (246-241 BC) between the Romans and Carthaginians., Rochegrosse, Georges Marie (1859-1938) / Bridgeman Images

Advertising for French corsets. 1888
Advertising for French corsets. 1888

GIA4808158: Advertising for French corsets. 1888, Unknown Artist, (19th century) / Bridgeman Images

The dawn (the chariot of the sun). Allegory of the sunrise with the characters of Greek and Roman mythology in the sky. Plate taken from “” Dictionary of mythology”” 1888
The dawn (the chariot of the sun). Allegory of the sunrise with the characters of Greek and Roman mythology in the sky. Plate taken from “” Dictionary of mythology”” 1888

GIA4808257: The dawn (the chariot of the sun). Allegory of the sunrise with the characters of Greek and Roman mythology in the sky. Plate taken from “” Dictionary of mythology”” 1888, Unknown Artist, (19th century) / Bridgeman Images

Representation of a seal Plate illustrated from a manuscript of Natural History by Ulisse Aldrovandi (1522-1605), Ulisse Aldrovandi fonds, University Library of Bologna, ed. 1603.
Representation of a seal Plate illustrated from a manuscript of Natural History by Ulisse Aldrovandi (1522-1605), Ulisse Aldrovandi fonds, University Library of Bologna, ed. 1603.

GIA4808296: Representation of a seal Plate illustrated from a manuscript of Natural History by Ulisse Aldrovandi (1522-1605), Ulisse Aldrovandi fonds, University Library of Bologna, ed. 1603., Aldrovandi, Ulisse (1522-1605) / Bridgeman Images

The legend of Saint Brendan (Brandan), heros and Irish saint of the 6th century. The meeting of Saint Brendan with the Sirene. Engraving of “” Die Wunderbare Meerfahrt des Hl. Brandan.” Bale, 19/2/1491
The legend of Saint Brendan (Brandan), heros and Irish saint of the 6th century. The meeting of Saint Brendan with the Sirene. Engraving of “” Die Wunderbare Meerfahrt des Hl. Brandan.” Bale, 19/2/1491

GIA4808399: The legend of Saint Brendan (Brandan), heros and Irish saint of the 6th century. The meeting of Saint Brendan with the Sirene. Engraving of “” Die Wunderbare Meerfahrt des Hl. Brandan.” Bale, 19/2/1491, Unknown Artist, (15th century) / Bridgeman Images

The legend of Saint Brendan (Brandan), heros and Irish saint of the 6th century The devil takes away the thief monk. Engraving of “” Die Wunderbare Meerfahrt des Hl. Brandan.” Bale, 19/2/1491
The legend of Saint Brendan (Brandan), heros and Irish saint of the 6th century The devil takes away the thief monk. Engraving of “” Die Wunderbare Meerfahrt des Hl. Brandan.” Bale, 19/2/1491

GIA4808413: The legend of Saint Brendan (Brandan), heros and Irish saint of the 6th century The devil takes away the thief monk. Engraving of “” Die Wunderbare Meerfahrt des Hl. Brandan.” Bale, 19/2/1491, Unknown Artist, (15th century) / Bridgeman Images

View of a Dutch camp (from Pioneers Boers or Voortrekkers, Afrikaners) in Pampoen Kraal (Pampoen-Kraal), Cape Province, South Africa. 1860
View of a Dutch camp (from Pioneers Boers or Voortrekkers, Afrikaners) in Pampoen Kraal (Pampoen-Kraal), Cape Province, South Africa. 1860

GIA4808891: View of a Dutch camp (from Pioneers Boers or Voortrekkers, Afrikaners) in Pampoen Kraal (Pampoen-Kraal), Cape Province, South Africa. 1860, Unknown Artist, (19th century) / Bridgeman Images

A fireman extinguishes a fire, 19th century (Epinal print)
A fireman extinguishes a fire, 19th century (Epinal print)

ELD4839859: A fireman extinguishes a fire, 19th century (Epinal print) / Bridgeman Images

The King of the Francs Charlemagne (742-814) establishing schools for lay children in 789 and meeting with schoolchildren to promote education. End of the 19th century (chromolithograph)
The King of the Francs Charlemagne (742-814) establishing schools for lay children in 789 and meeting with schoolchildren to promote education. End of the 19th century (chromolithograph)

ELD4852569: The King of the Francs Charlemagne (742-814) establishing schools for lay children in 789 and meeting with schoolchildren to promote education. End of the 19th century (chromolithograph) / Bridgeman Images

Fronde (1648-1653): on the day of the straws on 4/07/1652, the Town Hall was burned and about thirty notables, who became in favor of King Louis XIV because they wished to end the siege of Paris, were massacres by soldiers disguished as workers - (Fronde rebellion, the massacre of parisian notables at the city hall, 4th July 1652) Illustration by Louis Charles Bombled (1862-1927) from Mercier's “The Great Days of the City Hall” - Private Collection
Fronde (1648-1653): on the day of the straws on 4/07/1652, the Town Hall was burned and about thirty notables, who became in favor of King Louis XIV because they wished to end the siege of Paris, were massacres by soldiers disguished as workers - (Fronde rebellion, the massacre of parisian notables at the city hall, 4th July 1652) Illustration by Louis Charles Bombled (1862-1927) from Mercier's “The Great Days of the City Hall” - Private Collection

ELD4853752: Fronde (1648-1653): on the day of the straws on 4/07/1652, the Town Hall was burned and about thirty notables, who became in favor of King Louis XIV because they wished to end the siege of Paris, were massacres by soldiers disguished as workers - (Fronde rebellion, the massacre of parisian notables at the city hall, 4th July 1652) Illustration by Louis Charles Bombled (1862-1927) from Mercier's “The Great Days of the City Hall” - Private Collection, Bombled, Louis Charles (1862-1927) / Bridgeman Images

Les rois faineants (do-nothing or lazy kings) referring to the later kings of the Merovingian dynasty, portrayed traveling lying in chariots pulled by oxens. End of the 19th century (chromolithograph)
Les rois faineants (do-nothing or lazy kings) referring to the later kings of the Merovingian dynasty, portrayed traveling lying in chariots pulled by oxens. End of the 19th century (chromolithograph)

ELD4855711: Les rois faineants (do-nothing or lazy kings) referring to the later kings of the Merovingian dynasty, portrayed traveling lying in chariots pulled by oxens. End of the 19th century (chromolithograph) / Bridgeman Images

Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)
Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)

ELD4835336: Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Meat traders and butchers at the cattle market of la Villette, Paris, 1890 (engraving)
Meat traders and butchers at the cattle market of la Villette, Paris, 1890 (engraving)

ELD4836759: Meat traders and butchers at the cattle market of la Villette, Paris, 1890 (engraving) / Bridgeman Images


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