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The Ship Wreck, 1807 (mezzotint)
The Ship Wreck, 1807 (mezzotint)

CH5673757: The Ship Wreck, 1807 (mezzotint), Turner, Charles (1773-1857) / Bridgeman Images

Algiers The port and the Kasbah Photography around 1920
Algiers The port and the Kasbah Photography around 1920

GEG7139485: Algiers The port and the Kasbah Photography around 1920 / Bridgeman Images

Paul Kruger in Europe, 1900
Paul Kruger in Europe, 1900

CCI7143086: Paul Kruger in Europe, 1900 / Bridgeman Images

Camping in Slovenia, 1954
Camping in Slovenia, 1954

CCI7143191: Camping in Slovenia, 1954 / Bridgeman Images

Regatta in St Moritz, ca 1930
Regatta in St Moritz, ca 1930

CCI7143210: Regatta in St Moritz, ca 1930 / Bridgeman Images

Christopher Columbus, 1925
Christopher Columbus, 1925

CCI7143217: Christopher Columbus, 1925 / Bridgeman Images

Earthquake of Messine, 1909
Earthquake of Messine, 1909

CCI7143364: Earthquake of Messine, 1909 / Bridgeman Images

Yermak icebreaker, 1902
Yermak icebreaker, 1902

CCI7143377: Yermak icebreaker, 1902 / Bridgeman Images

Sailing Club, Callela De Palafrugell, Spain, 2020, 16x30
Sailing Club, Callela De Palafrugell, Spain, 2020, 16x30

ANA7144074: Sailing Club, Callela De Palafrugell, Spain, 2020, 16x30" (oil on canvas), Macara, Andrew / Bridgeman Images

French conquest of Tunisia. The Algerian conflict. Engraving, 1881.
French conquest of Tunisia. The Algerian conflict. Engraving, 1881.

TRK7144462: French conquest of Tunisia. The Algerian conflict. Engraving, 1881. / Bridgeman Images

The french ship
The french ship

JAB7147166: The french ship " Le Nautile " and the diving bell, 1886 (engraving) / Bridgeman Images

Fishing the sturgeon on the Volga river, Russia. 1867 (engraving)
Fishing the sturgeon on the Volga river, Russia. 1867 (engraving)

JAB6947884: Fishing the sturgeon on the Volga river, Russia. 1867 (engraving), Moynet, Jean Pierre (1819-76) / Bridgeman Images

Camber Coastline, 2019 (oil on board)
Camber Coastline, 2019 (oil on board)

FCU6866982: Camber Coastline, 2019 (oil on board), Cuming, Fred (1930-2022) / Bridgeman Images

Fowey Estuary, Dawn, 2019 (oil on board)
Fowey Estuary, Dawn, 2019 (oil on board)

FCU6866988: Fowey Estuary, Dawn, 2019 (oil on board), Cuming, Fred (1930-2022) / Bridgeman Images

Fisherman, woman and child by the quay, 1878
Fisherman, woman and child by the quay, 1878

OVR7079359: Fisherman, woman and child by the quay, 1878, Sinding, Otto Ludvig (1842-1909) / Bridgeman Images

Newquay, Cornwall, 2021, (Brush pens)
Newquay, Cornwall, 2021, (Brush pens)

AET7177425: Newquay, Cornwall, 2021, (Brush pens), Orr, Charlotte / Bridgeman Images

Hinduism: The Sati (Virtuous è, faithful to death), a widow's sacrifice, a symbol of her husband's total devouement, consists for the widow to climb on the butcher of the deceased and die brulee alive (Hinduism: Sati or suttee, funeral custom where a widow immolates herself on her husband's pyre or takes her own life in another fashion shortly after her husband's death) Engraving from “Picturesque History of Religions” by Clavel 1844 Private collection
Hinduism: The Sati (Virtuous è, faithful to death), a widow's sacrifice, a symbol of her husband's total devouement, consists for the widow to climb on the butcher of the deceased and die brulee alive (Hinduism: Sati or suttee, funeral custom where a widow immolates herself on her husband's pyre or takes her own life in another fashion shortly after her husband's death) Engraving from “Picturesque History of Religions” by Clavel 1844 Private collection

ELD4961176: Hinduism: The Sati (Virtuous è, faithful to death), a widow's sacrifice, a symbol of her husband's total devouement, consists for the widow to climb on the butcher of the deceased and die brulee alive (Hinduism: Sati or suttee, funeral custom where a widow immolates herself on her husband's pyre or takes her own life in another fashion shortly after her husband's death) Engraving from “Picturesque History of Religions” by Clavel 1844 Private collection / Bridgeman Images

The Sacred Mistletoe - The Gauls and their priests or Druids - Picking mistletoe from the druids in Gaul - Druids Cutting the Mistletoe - Engraving from Clavel 1844 “Picturesque History of Religions”
The Sacred Mistletoe - The Gauls and their priests or Druids - Picking mistletoe from the druids in Gaul - Druids Cutting the Mistletoe - Engraving from Clavel 1844 “Picturesque History of Religions”

ELD4961225: The Sacred Mistletoe - The Gauls and their priests or Druids - Picking mistletoe from the druids in Gaul - Druids Cutting the Mistletoe - Engraving from Clavel 1844 “Picturesque History of Religions” / Bridgeman Images

Celebration of the fete dieu instituted by King Rene of Anjou in 1462 in Provence, mixing the sacred and the profane with the donkey (French celebration of the Corpus Christi with a donkey, 15th century) Engraving taken from “” Histoire picturesque des religions”” by Clavel 1844 Collection privee
Celebration of the fete dieu instituted by King Rene of Anjou in 1462 in Provence, mixing the sacred and the profane with the donkey (French celebration of the Corpus Christi with a donkey, 15th century) Engraving taken from “” Histoire picturesque des religions”” by Clavel 1844 Collection privee

ELD4961270: Celebration of the fete dieu instituted by King Rene of Anjou in 1462 in Provence, mixing the sacred and the profane with the donkey (French celebration of the Corpus Christi with a donkey, 15th century) Engraving taken from “” Histoire picturesque des religions”” by Clavel 1844 Collection privee / Bridgeman Images

Ancient Rome: “” Tarquin the superb and his son Sextus Tarquin (died 509 BC) sending him to Gabies to take power”” (Lucius Tarquinius Superbus (Tarquin the Proud) and his son Sextus Tarquinius) Engraving from “Storia di Roma” by Francesco Bertolini
Ancient Rome: “” Tarquin the superb and his son Sextus Tarquin (died 509 BC) sending him to Gabies to take power”” (Lucius Tarquinius Superbus (Tarquin the Proud) and his son Sextus Tarquinius) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4961476: Ancient Rome: “” Tarquin the superb and his son Sextus Tarquin (died 509 BC) sending him to Gabies to take power”” (Lucius Tarquinius Superbus (Tarquin the Proud) and his son Sextus Tarquinius) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Ancient Rome: Sacrifice Ceremony at the Temple of Jupiter on Mount Albain (Albanus mons or Monte Albano) near Rome, Italy (Roman sacrificial offering) Engraving from “Storia di Roma” by Francesco Bertolini
Ancient Rome: Sacrifice Ceremony at the Temple of Jupiter on Mount Albain (Albanus mons or Monte Albano) near Rome, Italy (Roman sacrificial offering) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4961478: Ancient Rome: Sacrifice Ceremony at the Temple of Jupiter on Mount Albain (Albanus mons or Monte Albano) near Rome, Italy (Roman sacrificial offering) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Roman Antiquite: Marcus Furius Camillus dit Camillus chooses a location on the Aventine for a temple dedicated to Juno 392 BC (Temple of Juno regina dedicated by Furius Camillus in 392 BC stood on the Aventine, Rome) Queen Engraving from “Storia di Roma” by Francesco Bertolini
Roman Antiquite: Marcus Furius Camillus dit Camillus chooses a location on the Aventine for a temple dedicated to Juno 392 BC (Temple of Juno regina dedicated by Furius Camillus in 392 BC stood on the Aventine, Rome) Queen Engraving from “Storia di Roma” by Francesco Bertolini

ELD4961565: Roman Antiquite: Marcus Furius Camillus dit Camillus chooses a location on the Aventine for a temple dedicated to Juno 392 BC (Temple of Juno regina dedicated by Furius Camillus in 392 BC stood on the Aventine, Rome) Queen Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Roman Antiquite Second Punic War “” the Carthaginian ambassadors facing the Roman consuls, 203 BC” (Second Punic War, carthaginian embassy received by the roman consuls 203 BC) Engraving from “” Storia di Roma” by Francesco Bertolini
Roman Antiquite Second Punic War “” the Carthaginian ambassadors facing the Roman consuls, 203 BC” (Second Punic War, carthaginian embassy received by the roman consuls 203 BC) Engraving from “” Storia di Roma” by Francesco Bertolini

ELD4961939: Roman Antiquite Second Punic War “” the Carthaginian ambassadors facing the Roman consuls, 203 BC” (Second Punic War, carthaginian embassy received by the roman consuls 203 BC) Engraving from “” Storia di Roma” by Francesco Bertolini / Bridgeman Images

Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula “” Alea jacta est”” (Julius Caesar (100-44 BC) Crossing the Rubicon in 49 BC from Cisalpine Gaul to Italy to make his way to Rome - Caesar uttered the famous phrase alea iacta est (“the die has been cast”)) Engraving from “” Storia di Roma by Francesco Bertolini
Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula “” Alea jacta est”” (Julius Caesar (100-44 BC) Crossing the Rubicon in 49 BC from Cisalpine Gaul to Italy to make his way to Rome - Caesar uttered the famous phrase alea iacta est (“the die has been cast”)) Engraving from “” Storia di Roma by Francesco Bertolini

ELD4961977: Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula “” Alea jacta est”” (Julius Caesar (100-44 BC) Crossing the Rubicon in 49 BC from Cisalpine Gaul to Italy to make his way to Rome - Caesar uttered the famous phrase alea iacta est (“the die has been cast”)) Engraving from “” Storia di Roma by Francesco Bertolini / Bridgeman Images

Roman Antiquite “” the funeral of Jules Cesar (100-44 BC) in 44 BC” (Julius Caesar's funeral 44 BC) Engraving from “Storia di Roma” by Francesco Bertolini
Roman Antiquite “” the funeral of Jules Cesar (100-44 BC) in 44 BC” (Julius Caesar's funeral 44 BC) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962065: Roman Antiquite “” the funeral of Jules Cesar (100-44 BC) in 44 BC” (Julius Caesar's funeral 44 BC) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Roman Antiquite “” ceremony of dedication of the pantheon by Marcus Vipsanius Agrippa (63 BC-12 AD) in 27 BC” (Marcus Vipsanius Agrippa on the dedication day of the pantheon in Rome, 27 BC) Engraving from “Storia di Roma” by Francesco Bertolini
Roman Antiquite “” ceremony of dedication of the pantheon by Marcus Vipsanius Agrippa (63 BC-12 AD) in 27 BC” (Marcus Vipsanius Agrippa on the dedication day of the pantheon in Rome, 27 BC) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962156: Roman Antiquite “” ceremony of dedication of the pantheon by Marcus Vipsanius Agrippa (63 BC-12 AD) in 27 BC” (Marcus Vipsanius Agrippa on the dedication day of the pantheon in Rome, 27 BC) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

A Jewish embassy led by Philo of Alexandria to plead the cause of the Jews of Alexandria was received by Emperor Caligula in 39-40 AD (Legatio ad Caium) (The diplomatic mission (Embassy to Gaius) to Caligula led by Philo of Alexandria (Philo Judaeus) Hellenistic Jewish philosopher representing the jews of Alexandria, in 39 - 40 AD) Engraving from Storia di Roma” by Francesco Bertolini
A Jewish embassy led by Philo of Alexandria to plead the cause of the Jews of Alexandria was received by Emperor Caligula in 39-40 AD (Legatio ad Caium) (The diplomatic mission (Embassy to Gaius) to Caligula led by Philo of Alexandria (Philo Judaeus) Hellenistic Jewish philosopher representing the jews of Alexandria, in 39 - 40 AD) Engraving from Storia di Roma” by Francesco Bertolini

ELD4962207: A Jewish embassy led by Philo of Alexandria to plead the cause of the Jews of Alexandria was received by Emperor Caligula in 39-40 AD (Legatio ad Caium) (The diplomatic mission (Embassy to Gaius) to Caligula led by Philo of Alexandria (Philo Judaeus) Hellenistic Jewish philosopher representing the jews of Alexandria, in 39 - 40 AD) Engraving from Storia di Roma” by Francesco Bertolini / Bridgeman Images

Roman Antiquite “” First Christians of Rome in the Catacombs, 2nd century” (Catacombs of the Christian, Rome, 2nd century) Engraving from “Storia di Roma” by Francesco Bertolini
Roman Antiquite “” First Christians of Rome in the Catacombs, 2nd century” (Catacombs of the Christian, Rome, 2nd century) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962402: Roman Antiquite “” First Christians of Rome in the Catacombs, 2nd century” (Catacombs of the Christian, Rome, 2nd century) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Roman Antiquite “” a portrait of Emperor Heliogabale (203-222) or elagabal exhibits in the temple of victory on Mount Palatine, 218-222”” (Portrait of Elagabalus or Heliogabalus exposed in the temple of the victory, Rome 218 - 222) Engraving from “Storia di Roma” by Francesco Bertolini
Roman Antiquite “” a portrait of Emperor Heliogabale (203-222) or elagabal exhibits in the temple of victory on Mount Palatine, 218-222”” (Portrait of Elagabalus or Heliogabalus exposed in the temple of the victory, Rome 218 - 222) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962489: Roman Antiquite “” a portrait of Emperor Heliogabale (203-222) or elagabal exhibits in the temple of victory on Mount Palatine, 218-222”” (Portrait of Elagabalus or Heliogabalus exposed in the temple of the victory, Rome 218 - 222) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Milenary of Rome: From 21 April 247 to 21 April 248, Philippe l'Arabe marks the tenth secular games for a year of grand celebrations (Ludi Saeculares, celebrated under the reign of Philip the arab, coincided with the one thousandth anniversary of the foundation of Rome, 247-248 AD) Engraving from “Storia di Roma” by Francesco Bertolini
Milenary of Rome: From 21 April 247 to 21 April 248, Philippe l'Arabe marks the tenth secular games for a year of grand celebrations (Ludi Saeculares, celebrated under the reign of Philip the arab, coincided with the one thousandth anniversary of the foundation of Rome, 247-248 AD) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962517: Milenary of Rome: From 21 April 247 to 21 April 248, Philippe l'Arabe marks the tenth secular games for a year of grand celebrations (Ludi Saeculares, celebrated under the reign of Philip the arab, coincided with the one thousandth anniversary of the foundation of Rome, 247-248 AD) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

Roman Antiquite “” Emperor Probus (232-282) allowing families of Germans, Francs and Alamans to settle on abandoned agricultural lands - these settlers are known as deditices, lets, gentiles vers 280” (Laeti, communities of barbari (“barbarians”) foreigners, or people from outside the Empire, allowed to settle on, and granted land in, imperial territory on condition that they provide recruits for the Roman military under the reign of Probus, 280 ca) Engraving from “Storia di Roma” by Francesco Bertolini
Roman Antiquite “” Emperor Probus (232-282) allowing families of Germans, Francs and Alamans to settle on abandoned agricultural lands - these settlers are known as deditices, lets, gentiles vers 280” (Laeti, communities of barbari (“barbarians”) foreigners, or people from outside the Empire, allowed to settle on, and granted land in, imperial territory on condition that they provide recruits for the Roman military under the reign of Probus, 280 ca) Engraving from “Storia di Roma” by Francesco Bertolini

ELD4962571: Roman Antiquite “” Emperor Probus (232-282) allowing families of Germans, Francs and Alamans to settle on abandoned agricultural lands - these settlers are known as deditices, lets, gentiles vers 280” (Laeti, communities of barbari (“barbarians”) foreigners, or people from outside the Empire, allowed to settle on, and granted land in, imperial territory on condition that they provide recruits for the Roman military under the reign of Probus, 280 ca) Engraving from “Storia di Roma” by Francesco Bertolini / Bridgeman Images

The foundation of Constantinople by Emperor Constantine the great (engraving)
The foundation of Constantinople by Emperor Constantine the great (engraving)

ELD4962602: The foundation of Constantinople by Emperor Constantine the great (engraving) / Bridgeman Images

View of the summit of Puy de Dome, Auvergne (The Puy de dome lava dome, Chaine des puys, central massif) Postcard 1910
View of the summit of Puy de Dome, Auvergne (The Puy de dome lava dome, Chaine des puys, central massif) Postcard 1910

ELD4962801: View of the summit of Puy de Dome, Auvergne (The Puy de dome lava dome, Chaine des puys, central massif) Postcard 1910 / Bridgeman Images

View of Saint-Quay-Portrieux (Saint Quay Portrieux) in Cotes d'armor, Brittany - postcard ca. 1910
View of Saint-Quay-Portrieux (Saint Quay Portrieux) in Cotes d'armor, Brittany - postcard ca. 1910

ELD4962853: View of Saint-Quay-Portrieux (Saint Quay Portrieux) in Cotes d'armor, Brittany - postcard ca. 1910 / Bridgeman Images

Scene taken from “Britannicus” representing Neron imprisoning Britannicus (Nero and Britannicus. By Staal 19th century (engraving from works by Jean Racine (1639-1699))
Scene taken from “Britannicus” representing Neron imprisoning Britannicus (Nero and Britannicus. By Staal 19th century (engraving from works by Jean Racine (1639-1699))

ELD4962910: Scene taken from “Britannicus” representing Neron imprisoning Britannicus (Nero and Britannicus. By Staal 19th century (engraving from works by Jean Racine (1639-1699)) / Bridgeman Images

Titus discovering that Berenice wants to die in the tragedy
Titus discovering that Berenice wants to die in the tragedy

ELD4962914: Titus discovering that Berenice wants to die in the tragedy "Berenice". By Staal 19th century (engraving from “Works” by Jean Racine (1639-1699)) / Bridgeman Images


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