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Chateau de Vayres (13th century), Gironde - 1910s, postcard. France, 20th century.
Chateau de Vayres (13th century), Gironde - 1910s, postcard. France, 20th century.

XEE4163092: Chateau de Vayres (13th century), Gironde - 1910s, postcard. France, 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4163092

Chateau de Vayres (13th century), Gironde - 1910s, postcard. France, 20th century.

Unknown Artist, (20th century)

Les cascades de Cernay-La-Ville (Cernay la Ville), Yvelines - 1910s, postcard. France, 20th century.
Les cascades de Cernay-La-Ville (Cernay la Ville), Yvelines - 1910s, postcard. France, 20th century.

XEE4163099: Les cascades de Cernay-La-Ville (Cernay la Ville), Yvelines - 1910s, postcard. France, 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4163099

Les cascades de Cernay-La-Ville (Cernay la Ville), Yvelines - 1910s, postcard. France, 20th century.

Unknown Artist, (20th century)

Arrival of the boat du Havre at the jetee promenade de la Reine des Beaches in Trouville, Calvados - 1910s, postcard. France, 20th century.
Arrival of the boat du Havre at the jetee promenade de la Reine des Beaches in Trouville, Calvados - 1910s, postcard. France, 20th century.

XEE4163105: Arrival of the boat du Havre at the jetee promenade de la Reine des Beaches in Trouville, Calvados - 1910s, postcard. France, 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4163105

Arrival of the boat du Havre at the jetee promenade de la Reine des Beaches in Trouville, Calvados - 1910s, postcard. France, 20th century.

Unknown Artist, (20th century)

Interior of the church of Montlouis (Mont Louis, Mont-Louis), Pyrenees Orientales - 1910s, postcard. France, 20th century.
Interior of the church of Montlouis (Mont Louis, Mont-Louis), Pyrenees Orientales - 1910s, postcard. France, 20th century.

XEE4163113: Interior of the church of Montlouis (Mont Louis, Mont-Louis), Pyrenees Orientales - 1910s, postcard. France, 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4163113

Interior of the church of Montlouis (Mont Louis, Mont-Louis), Pyrenees Orientales - 1910s, postcard. France, 20th century.

Unknown Artist, (20th century)

First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915.
First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915.

XEE4168031: First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915., Unknown photographer, (19th-20th century) / Bridgeman Images

ID: XEE4168031

First World War (1914-1918): August von Mackensen, German military (1849 -1945), horseback in 1915.

Unknown photographer, (19th-20th century)

Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860.
Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860.

XEE4168062: Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860., French School, (19th century) / Bridgeman Images

ID: XEE4168062

Frontispice of the “Factums'” against the French Academy by Antoine Furetiere (1619-1688). Engraving from 1860.

French School, (19th century)

View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.
View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.

XEE4168071: View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860., Thorigny, Felix (1824-70) / Bridgeman Images

ID: XEE4168071

View of the Gobelins tapestry factory in Paris, with the Capuchins convent, the Observatory and the castle of the Queen Blanche. Engraving by Thorigny, 1860.

Thorigny, Felix (1824-70)

First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915.
First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915.

XEE4168080: First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915., Unknown photographer, (19th-20th century) / Bridgeman Images

ID: XEE4168080

First World War (1914-1918): King George V (Georges Frederic Ernest Albert) (1865-1936), King of England with Prince of Wales (then Edward VIII, 1894-1972), Raymond Poincare (1860-1934), and generals Joseph Joffre, Dubois and Wilson reviewed the French troops in 1915.

Unknown photographer, (19th-20th century)

1878 World Exhibition in Paris: swelling of Henri Giffard's captive balloon settles in the courtyard of the Tuileries. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878.
1878 World Exhibition in Paris: swelling of Henri Giffard's captive balloon settles in the courtyard of the Tuileries. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878.

XEE4168229: 1878 World Exhibition in Paris: swelling of Henri Giffard's captive balloon settles in the courtyard of the Tuileries. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878., French School, (19th century) / Bridgeman Images

ID: XEE4168229

1878 World Exhibition in Paris: swelling of Henri Giffard's captive balloon settles in the courtyard of the Tuileries. Engraving in “” Le Monde Illustré”” n°1112 of 20 July 1878.

French School, (19th century)

Parisian department stores: view of the Little Saint Thomas store hall in 1878. Engraving by Scott in “” The Illustrous World”” n°1124 of October 12, 1878.
Parisian department stores: view of the Little Saint Thomas store hall in 1878. Engraving by Scott in “” The Illustrous World”” n°1124 of October 12, 1878.

XEE4168230: Parisian department stores: view of the Little Saint Thomas store hall in 1878. Engraving by Scott in “” The Illustrous World”” n°1124 of October 12, 1878., French School, (19th century) / Bridgeman Images

ID: XEE4168230

Parisian department stores: view of the Little Saint Thomas store hall in 1878. Engraving by Scott in “” The Illustrous World”” n°1124 of October 12, 1878.

French School, (19th century)

Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.
Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.

XEE4168237: Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168237

Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.

Marie, Adrien Emmanuel (1848-91)

Portrait of Paul Soleillet (1842-1886), French explorer. Engraving in “” Le Monde Illustré”” n°1118 of 31 August 1878.
Portrait of Paul Soleillet (1842-1886), French explorer. Engraving in “” Le Monde Illustré”” n°1118 of 31 August 1878.

XEE4168254: Portrait of Paul Soleillet (1842-1886), French explorer. Engraving in “” Le Monde Illustré”” n°1118 of 31 August 1878., French School, (19th century) / Bridgeman Images

ID: XEE4168254

Portrait of Paul Soleillet (1842-1886), French explorer. Engraving in “” Le Monde Illustré”” n°1118 of 31 August 1878.

French School, (19th century)

World Exhibition 1878 in Paris: South American gauchos at the Jardin d'Acclimatation. Engraving by Gustave Janet in “” The Illustrous World”” n°1116 of August 17, 1878.
World Exhibition 1878 in Paris: South American gauchos at the Jardin d'Acclimatation. Engraving by Gustave Janet in “” The Illustrous World”” n°1116 of August 17, 1878.

XEE4168255: World Exhibition 1878 in Paris: South American gauchos at the Jardin d'Acclimatation. Engraving by Gustave Janet in “” The Illustrous World”” n°1116 of August 17, 1878., Janet, Gustave (b. 1829) / Bridgeman Images

ID: XEE4168255

World Exhibition 1878 in Paris: South American gauchos at the Jardin d'Acclimatation. Engraving by Gustave Janet in “” The Illustrous World”” n°1116 of August 17, 1878.

Janet, Gustave (b. 1829)

Cartoon by Oscar Wilde (1854-1900), dressed in dandy, made during his trip to the United States in 1882. Drawing by Thomas Nast (1840-1902) in “” Harper's weekly”” of September 9, 1882.
Cartoon by Oscar Wilde (1854-1900), dressed in dandy, made during his trip to the United States in 1882. Drawing by Thomas Nast (1840-1902) in “” Harper's weekly”” of September 9, 1882.

XEE4168264: Cartoon by Oscar Wilde (1854-1900), dressed in dandy, made during his trip to the United States in 1882. Drawing by Thomas Nast (1840-1902) in “” Harper's weekly”” of September 9, 1882., Nast, Thomas (1840-1902) / Bridgeman Images

ID: XEE4168264

Cartoon by Oscar Wilde (1854-1900), dressed in dandy, made during his trip to the United States in 1882. Drawing by Thomas Nast (1840-1902) in “” Harper's weekly”” of September 9, 1882.

Nast, Thomas (1840-1902)

La Venus Hottentote, woman of breed Bochiman (The Hottentot Venus,) engraving of 1815.
La Venus Hottentote, woman of breed Bochiman (The Hottentot Venus,) engraving of 1815.

XEE4168267: La Venus Hottentote, woman of breed Bochiman (The Hottentot Venus,) engraving of 1815., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4168267

La Venus Hottentote, woman of breed Bochiman (The Hottentot Venus,) engraving of 1815.

Unknown Artist, (19th century)

Manufacture of charcoal in the 19th century: coal makers in front of millstones composed of wood and clay buches to which they set fire. Engraving late 19th century.
Manufacture of charcoal in the 19th century: coal makers in front of millstones composed of wood and clay buches to which they set fire. Engraving late 19th century.

XEE4168466: Manufacture of charcoal in the 19th century: coal makers in front of millstones composed of wood and clay buches to which they set fire. Engraving late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4168466

Manufacture of charcoal in the 19th century: coal makers in front of millstones composed of wood and clay buches to which they set fire. Engraving late 19th century.

Unknown Artist, (19th century)

Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880.
Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880.

XEE4168579: Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880., Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

ID: XEE4168579

Deportation of the Jesuites from Rue de Sevres in Paris following the decrees of March 1880 issued by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police commissioners initiating the opening of a cell on Rue de Sevres. June 30, 1880. Engraving by Ferdinandus in “” The Illustrous World”” n°1214 of July 3, 1880.

Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888)

Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880.
Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880.

XEE4168597: Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168597

Representation of an opera: “” Aida”” by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882). Engraving by Scott in “” Le Monde Illustré”” n°1201 of April 3, 1880.

French School, (19th century)

Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.
Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

XEE4168625: Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168625

Expulsion of the Capuchins from Marseille following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: ovation of the crowd to the Capuchins expelled from their community. October 29, 1880. Engraving in “” Le Monde Illustré”” n°1232 of November 6, 1880.

French School, (19th century)

Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880.
Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880.

XEE4168675: Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880., Garnier, Jules Arsene (1847-89) / Bridgeman Images

ID: XEE4168675

Rabelais, Meudon's cure. The writer Francois Rabelais (1483-1553) lord of a feast in the forest of Meudon. He was parish of Meudon from 1551 to 1553. Engraving after the painting by Jules Garnier (19th century) in “” The Illustrous World”” n°1210 of June 5, 1880.

Garnier, Jules Arsene (1847-89)

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.
Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

XEE4168705: Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168705

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

Marie, Adrien Emmanuel (1848-91)

Baroque art: view of the Cathedral of Santiago de Compostela (Santiago de Compostela). Spain. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880.
Baroque art: view of the Cathedral of Santiago de Compostela (Santiago de Compostela). Spain. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880.

XEE4168721: Baroque art: view of the Cathedral of Santiago de Compostela (Santiago de Compostela). Spain. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168721

Baroque art: view of the Cathedral of Santiago de Compostela (Santiago de Compostela). Spain. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880.

French School, (19th century)

Boat ship attacked by torpedo boats (19th century). Engraving after the painting by Pierre Emile de Crisenoy (19th century) in “” The Illustrous World”” n°1220 of August 14, 1880.
Boat ship attacked by torpedo boats (19th century). Engraving after the painting by Pierre Emile de Crisenoy (19th century) in “” The Illustrous World”” n°1220 of August 14, 1880.

XEE4168723: Boat ship attacked by torpedo boats (19th century). Engraving after the painting by Pierre Emile de Crisenoy (19th century) in “” The Illustrous World”” n°1220 of August 14, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168723

Boat ship attacked by torpedo boats (19th century). Engraving after the painting by Pierre Emile de Crisenoy (19th century) in “” The Illustrous World”” n°1220 of August 14, 1880.

French School, (19th century)

Austrian Shooter Festival, 1880: Austrian Impress Sissi (Elisabeth Amelie Eugenie de Wittelsbach, 1837-1898) nailing the banner of Viennese shooters on the stem. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880.
Austrian Shooter Festival, 1880: Austrian Impress Sissi (Elisabeth Amelie Eugenie de Wittelsbach, 1837-1898) nailing the banner of Viennese shooters on the stem. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880.

XEE4168725: Austrian Shooter Festival, 1880: Austrian Impress Sissi (Elisabeth Amelie Eugenie de Wittelsbach, 1837-1898) nailing the banner of Viennese shooters on the stem. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168725

Austrian Shooter Festival, 1880: Austrian Impress Sissi (Elisabeth Amelie Eugenie de Wittelsbach, 1837-1898) nailing the banner of Viennese shooters on the stem. Engraving in “” Le Monde Illustré”” n°1220 of 14 August 1880.

French School, (19th century)

Roman serial: “The Puritans of Paris” by Paul Bocage (1824-1887). Engraving in “” Les bons romances””, 1863. Private collection.
Roman serial: “The Puritans of Paris” by Paul Bocage (1824-1887). Engraving in “” Les bons romances””, 1863. Private collection.

XEE4168736: Roman serial: “The Puritans of Paris” by Paul Bocage (1824-1887). Engraving in “” Les bons romances””, 1863. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4168736

Roman serial: “The Puritans of Paris” by Paul Bocage (1824-1887). Engraving in “” Les bons romances””, 1863. Private collection.

French School, (19th century)

International War Congress, Brussels, July-August 1874: delegates from 15 European states meet to discuss the draft of an International Declaration on the Laws and Customs of War. Engraving in “” Le Monde Illustré”” n°908 of September 5, 1874.
International War Congress, Brussels, July-August 1874: delegates from 15 European states meet to discuss the draft of an International Declaration on the Laws and Customs of War. Engraving in “” Le Monde Illustré”” n°908 of September 5, 1874.

XEE4166550: International War Congress, Brussels, July-August 1874: delegates from 15 European states meet to discuss the draft of an International Declaration on the Laws and Customs of War. Engraving in “” Le Monde Illustré”” n°908 of September 5, 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166550

International War Congress, Brussels, July-August 1874: delegates from 15 European states meet to discuss the draft of an International Declaration on the Laws and Customs of War. Engraving in “” Le Monde Illustré”” n°908 of September 5, 1874.

French School, (19th century)

Portrait of Eugene Fromentin (1820-1876), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.
Portrait of Eugene Fromentin (1820-1876), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

XEE4166580: Portrait of Eugene Fromentin (1820-1876), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166580

Portrait of Eugene Fromentin (1820-1876), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

French School, (19th century)

Portrait of Alfred Auguste Cuvillier Fleury (Cuvillier-Fleury, 1802-1887), French historian, literary critic and academician. Engraving in “” Le Monde Illustré”” n°883 of 14 March 1874.
Portrait of Alfred Auguste Cuvillier Fleury (Cuvillier-Fleury, 1802-1887), French historian, literary critic and academician. Engraving in “” Le Monde Illustré”” n°883 of 14 March 1874.

XEE4166594: Portrait of Alfred Auguste Cuvillier Fleury (Cuvillier-Fleury, 1802-1887), French historian, literary critic and academician. Engraving in “” Le Monde Illustré”” n°883 of 14 March 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166594

Portrait of Alfred Auguste Cuvillier Fleury (Cuvillier-Fleury, 1802-1887), French historian, literary critic and academician. Engraving in “” Le Monde Illustré”” n°883 of 14 March 1874.

French School, (19th century)

Portrait of Joseph Louis Duc (1802-1879), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.
Portrait of Joseph Louis Duc (1802-1879), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

XEE4166598: Portrait of Joseph Louis Duc (1802-1879), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166598

Portrait of Joseph Louis Duc (1802-1879), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

French School, (19th century)

Portrait of Charles Busson (1822-1908), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.
Portrait of Charles Busson (1822-1908), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

XEE4166607: Portrait of Charles Busson (1822-1908), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166607

Portrait of Charles Busson (1822-1908), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

French School, (19th century)

Portrait of Louis Cabat (1812-1893), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.
Portrait of Louis Cabat (1812-1893), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

XEE4166642: Portrait of Louis Cabat (1812-1893), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166642

Portrait of Louis Cabat (1812-1893), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

French School, (19th century)

Portrait of Paul Abadie (1812-1884), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.
Portrait of Paul Abadie (1812-1884), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

XEE4166653: Portrait of Paul Abadie (1812-1884), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166653

Portrait of Paul Abadie (1812-1884), French architect. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

French School, (19th century)

Portrait of Leon Bonnat (1833-1822), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.
Portrait of Leon Bonnat (1833-1822), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

XEE4166689: Portrait of Leon Bonnat (1833-1822), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166689

Portrait of Leon Bonnat (1833-1822), French painter. Engraving in “” Le Monde Illustré”” n°890 of 2 May 1874.

French School, (19th century)

Women and children singing hymns at the door of liqueur flows from Chicago to the United States, 1874. Engraving in “” Le Monde Illustré”” n°888 of 18 April 1874.
Women and children singing hymns at the door of liqueur flows from Chicago to the United States, 1874. Engraving in “” Le Monde Illustré”” n°888 of 18 April 1874.

XEE4166701: Women and children singing hymns at the door of liqueur flows from Chicago to the United States, 1874. Engraving in “” Le Monde Illustré”” n°888 of 18 April 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166701

Women and children singing hymns at the door of liqueur flows from Chicago to the United States, 1874. Engraving in “” Le Monde Illustré”” n°888 of 18 April 1874.

French School, (19th century)

Russian imperial train used by the Duke and Duchess of Edinburgh in 1874: the bedroom wagon. Engraving in “” Le Monde Illustré”” n°886 of 6 April 1874.
Russian imperial train used by the Duke and Duchess of Edinburgh in 1874: the bedroom wagon. Engraving in “” Le Monde Illustré”” n°886 of 6 April 1874.

XEE4166716: Russian imperial train used by the Duke and Duchess of Edinburgh in 1874: the bedroom wagon. Engraving in “” Le Monde Illustré”” n°886 of 6 April 1874., French School, (19th century) / Bridgeman Images

ID: XEE4166716

Russian imperial train used by the Duke and Duchess of Edinburgh in 1874: the bedroom wagon. Engraving in “” Le Monde Illustré”” n°886 of 6 April 1874.

French School, (19th century)

Frederic Barberose at the feet of the Pope. Emperor Frederic I of Hohenstaufen (1122-1190) prostrates to Pope Alexander III (1105-1181) who awaits him under the gate of St. Mark (San Marco) in Venice in 1177. Engraving after a painting by Albert Maignan (1845-1908). Engraving from 1877.
Frederic Barberose at the feet of the Pope. Emperor Frederic I of Hohenstaufen (1122-1190) prostrates to Pope Alexander III (1105-1181) who awaits him under the gate of St. Mark (San Marco) in Venice in 1177. Engraving after a painting by Albert Maignan (1845-1908). Engraving from 1877.

XEE4166740: Frederic Barberose at the feet of the Pope. Emperor Frederic I of Hohenstaufen (1122-1190) prostrates to Pope Alexander III (1105-1181) who awaits him under the gate of St. Mark (San Marco) in Venice in 1177. Engraving after a painting by Albert Maignan (1845-1908). Engraving from 1877., Maignan, Albert Pierre René (1845-1908) (after) / Bridgeman Images

ID: XEE4166740

Frederic Barberose at the feet of the Pope. Emperor Frederic I of Hohenstaufen (1122-1190) prostrates to Pope Alexander III (1105-1181) who awaits him under the gate of St. Mark (San Marco) in Venice in 1177. Engraving after a painting by Albert Maignan (1845-1908). Engraving from 1877.

Maignan, Albert Pierre René (1845-1908) (after)


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