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Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143653: Manufacture of chairs: mulching and caning of chairs. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Napoleon Bonaparte (1769-1821) wrote the word “Battaglia” on the trunk of a laurel tree on the island of Isola Bella on Lake Maggiore (Lago Maggiore), three days before the Battle of Marengo in 1800. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Napoleon Bonaparte (1769-1821) wrote the word “Battaglia” on the trunk of a laurel tree on the island of Isola Bella on Lake Maggiore (Lago Maggiore), three days before the Battle of Marengo in 1800. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143660: Napoleon Bonaparte (1769-1821) wrote the word “Battaglia” on the trunk of a laurel tree on the island of Isola Bella on Lake Maggiore (Lago Maggiore), three days before the Battle of Marengo in 1800. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143663: The Erable of Tons in Switzerland, at the foot of which the Abbe of Dissentis, the Counts of Saxony and Werdenberg and the Baron of Razuns swore in 1424 the Upper League or League of Graubünden, which prepared Helvetic independence. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143667: The Roman Emperor Caligula (12-41) in a brocanter in Roman Gaul. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143670: A magician using a nutmeg box to make a ball appear and disappear. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143703: Sea squim: manufacture of sea squim pipes. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

First World War (1914-1918): embarking of a French army wounded on a peniche. In “” the Mirror”” of April 18, 1915.
First World War (1914-1918): embarking of a French army wounded on a peniche. In “” the Mirror”” of April 18, 1915.

XEE4143768: First World War (1914-1918): embarking of a French army wounded on a peniche. In “” the Mirror”” of April 18, 1915., French Photographer (20th century) / Bridgeman Images

Rice cultivation in Manila (Manilla) in the Philippines in 1864. (Planting rice in Manilla) Anonymous engraving. Private collection.
Rice cultivation in Manila (Manilla) in the Philippines in 1864. (Planting rice in Manilla) Anonymous engraving. Private collection.

XEE4143780: Rice cultivation in Manila (Manilla) in the Philippines in 1864. (Planting rice in Manilla) Anonymous engraving. Private collection., Anonymous / Bridgeman Images

Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist.
Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist.

XEE4143783: Portrait of Jean Louis Rodolphe Agassiz (1807-1873), American naturalist., Unknown Artist, (19th century) / Bridgeman Images

The tribute of confedere to Guillaume Tell (William Tell) (legendary heros of Swiss independence) Chromolithography of the late 19th century.
The tribute of confedere to Guillaume Tell (William Tell) (legendary heros of Swiss independence) Chromolithography of the late 19th century.

XEE4143823: The tribute of confedere to Guillaume Tell (William Tell) (legendary heros of Swiss independence) Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143837: The sultan and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143846: The prince and the princess. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The suicide of General Georges Boulanger (1837-1891) at the cemetery of Ixelles in Belgium in front of Madame Bonnemains's tomb. Engraving in “” Le petit Parisien”” from 1891. Private collection.
The suicide of General Georges Boulanger (1837-1891) at the cemetery of Ixelles in Belgium in front of Madame Bonnemains's tomb. Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143856: The suicide of General Georges Boulanger (1837-1891) at the cemetery of Ixelles in Belgium in front of Madame Bonnemains's tomb. Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 (Natalie Keshko) (Nathalie (Natalija) Kechko) (1859-1941). Engraving in “” Le petit Parisien”” from 1891. Private collection.
Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 (Natalie Keshko) (Nathalie (Natalija) Kechko) (1859-1941). Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143864: Deportation of Queen Natalie from Serbia from her adopted homeland in 1891 (Natalie Keshko) (Nathalie (Natalija) Kechko) (1859-1941). Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

Portrait of Theodore de Banville (1823-1891), French poet. Engraving in “” Le petit Parisien”” from 1891. Private collection.
Portrait of Theodore de Banville (1823-1891), French poet. Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143872: Portrait of Theodore de Banville (1823-1891), French poet. Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

Portrait of Monsignor Louis-Antoine-Augustin (Louis Antoine Augustin) Pavy (1805-1866), eveque of Algiers. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
Portrait of Monsignor Louis-Antoine-Augustin (Louis Antoine Augustin) Pavy (1805-1866), eveque of Algiers. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143898: Portrait of Monsignor Louis-Antoine-Augustin (Louis Antoine Augustin) Pavy (1805-1866), eveque of Algiers. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

View of the Dominican Convent in Quito, Ecuador. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
View of the Dominican Convent in Quito, Ecuador. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143901: View of the Dominican Convent in Quito, Ecuador. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

Bishop Isidore Clut (1832-1903), R.P. Le Corre and other members of the Providence Mission in Athabaska Mackenzie (Athabaska-Mackenzie) in Canada at the end of the 19th century. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
Bishop Isidore Clut (1832-1903), R.P. Le Corre and other members of the Providence Mission in Athabaska Mackenzie (Athabaska-Mackenzie) in Canada at the end of the 19th century. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143908: Bishop Isidore Clut (1832-1903), R.P. Le Corre and other members of the Providence Mission in Athabaska Mackenzie (Athabaska-Mackenzie) in Canada at the end of the 19th century. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

View of a street from Colombo in Ceylon (Sri Lanka). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
View of a street from Colombo in Ceylon (Sri Lanka). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143916: View of a street from Colombo in Ceylon (Sri Lanka). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

View of the island of Syra in Greece. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
View of the island of Syra in Greece. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143918: View of the island of Syra in Greece. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

Portrait of Nicholas I of Montenegro (Nikola I Petrovic-Njegos) (Petrovic Njegos) (1841-1921), Prince of Montenegro and the Berda. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
Portrait of Nicholas I of Montenegro (Nikola I Petrovic-Njegos) (Petrovic Njegos) (1841-1921), Prince of Montenegro and the Berda. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143930: Portrait of Nicholas I of Montenegro (Nikola I Petrovic-Njegos) (Petrovic Njegos) (1841-1921), Prince of Montenegro and the Berda. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

Theatrical representation of “” La Maratre”” (5th act, last scene) by Honore de Balzac (1799-1850). Paris, Theatre du Vaudeville, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Theatrical representation of “” La Maratre”” (5th act, last scene) by Honore de Balzac (1799-1850). Paris, Theatre du Vaudeville, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143943: Theatrical representation of “” La Maratre”” (5th act, last scene) by Honore de Balzac (1799-1850). Paris, Theatre du Vaudeville, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859.
Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859.

XEE4144280: Architecture: exterior view of the castle of Frederiksbourg (circa 1625) in Denmark, 1859. Engraving in “” Le Monde Illustré”” n°141 of 24 December 1859., French School, (19th century) / Bridgeman Images

Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144288: Atonement procession for the cessation of yellow fever in Lisbon, Portugal in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144297: Conquete de l'Algerie: expedition to Great Kabylia in 1857: surgeons of the French army. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144299: Parisian canoeists. Regates de Saint-Cloud (Saint Cloud) in 1857. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Costumes at the beginning of the regne of Louis XVI (1775). Engraving from 1859 in “” Le Monde. History of all peoples from the most remote times to the present day”. by M. E. de Lostalot-Bachoue (Lostalot Bachoue). Private collection.
Costumes at the beginning of the regne of Louis XVI (1775). Engraving from 1859 in “” Le Monde. History of all peoples from the most remote times to the present day”. by M. E. de Lostalot-Bachoue (Lostalot Bachoue). Private collection.

XEE4144120: Costumes at the beginning of the regne of Louis XVI (1775). Engraving from 1859 in “” Le Monde. History of all peoples from the most remote times to the present day”. by M. E. de Lostalot-Bachoue (Lostalot Bachoue). Private collection., Anonymous / Bridgeman Images

Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.
Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century.

XEE4144149: Moses and Aaron against the angry Pharaoh Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.
Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century.

XEE4144155: Gertrude, Hamlet and the ghost of Hamlet's father. In “” Hamlet”, by William Shakespeare. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Chocolate making: the torrefactor. Usine de M. Masson, Paris, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.
Chocolate making: the torrefactor. Usine de M. Masson, Paris, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859.

XEE4144168: Chocolate making: the torrefactor. Usine de M. Masson, Paris, 1859. Engraving in “” Le Monde Illustré”” n°124 of 27 August 1859., French School, (19th century) / Bridgeman Images

Sale of paintings at the hotel of auctioneers in Paris in 1868. Engraving in “” L'Univers illustrious””, 1868.
Sale of paintings at the hotel of auctioneers in Paris in 1868. Engraving in “” L'Univers illustrious””, 1868.

XEE4144170: Sale of paintings at the hotel of auctioneers in Paris in 1868. Engraving in “” L'Univers illustrious””, 1868., French School, (19th century) / Bridgeman Images

Portrait of the Prince of Serbia Michael III (1823-1868) and Princess Julie (1831-1919). Engraving in “” L'Univers illustrious””, 1868.
Portrait of the Prince of Serbia Michael III (1823-1868) and Princess Julie (1831-1919). Engraving in “” L'Univers illustrious””, 1868.

XEE4144176: Portrait of the Prince of Serbia Michael III (1823-1868) and Princess Julie (1831-1919). Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.
Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868.

XEE4144192: Exterior view of the Notre Dame Cathedral in Constance, Germany. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.
The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868.

XEE4144196: The ham fair, Boulevard Bourdon in the 4th arrondissement of Paris near Place de la Bastille. A sign advertises mullet meat (Hippophagia). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.
View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868.

XEE4144204: View of the city of Monterotondo (Monte Rotondo, Monte-Rotondo) in Italy. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean Lassalle (1847-1909), French baritone. Photoglyptie Goupil. Photograph at the end of the 19th century by Pierre-Pepetit.
Portrait of Jean Lassalle (1847-1909), French baritone. Photoglyptie Goupil. Photograph at the end of the 19th century by Pierre-Pepetit.

XEE4144106: Portrait of Jean Lassalle (1847-1909), French baritone. Photoglyptie Goupil. Photograph at the end of the 19th century by Pierre-Pepetit., Petit, Pierre (1832-1909) / Bridgeman Images


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