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The daughter of Bad Horse, c.1905 (b/w photo)
The daughter of Bad Horse, c.1905 (b/w photo)

BAL145788: The daughter of Bad Horse, c.1905 (b/w photo), Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

HRH Princess Anne, 1982 (oil on board)
HRH Princess Anne, 1982 (oil on board)

LTC146235: HRH Princess Anne, 1982 (oil on board), Taber, Lincoln (1941-1989) / Bridgeman Images

Bowl of Apples, 1984 (oil on board)
Bowl of Apples, 1984 (oil on board)

LTC146241: Bowl of Apples, 1984 (oil on board), Taber, Lincoln (1941-1989) / Bridgeman Images

Poor Artist's Palette, 1984 (oil on board)
Poor Artist's Palette, 1984 (oil on board)

LTC146244: Poor Artist's Palette, 1984 (oil on board), Taber, Lincoln (1941-1989) / Bridgeman Images

Fisherman, woman and child by the quay, 1878
Fisherman, woman and child by the quay, 1878

OVR7079359: Fisherman, woman and child by the quay, 1878, Sinding, Otto Ludvig (1842-1909) / Bridgeman Images

Newquay, Cornwall, 2021, (Brush pens)
Newquay, Cornwall, 2021, (Brush pens)

AET7177425: Newquay, Cornwall, 2021, (Brush pens), Orr, Charlotte / Bridgeman Images

Nancy School: French hypnosis-centered school of psychotherapy founded by Ambroise-Auguste Liebeault in 1866, in Nancy France, a demonstration in Russia, 1880 ca. 19th century (engraving from “My” Occult Science-Stern”)
Nancy School: French hypnosis-centered school of psychotherapy founded by Ambroise-Auguste Liebeault in 1866, in Nancy France, a demonstration in Russia, 1880 ca. 19th century (engraving from “My” Occult Science-Stern”)

ELD4867772: Nancy School: French hypnosis-centered school of psychotherapy founded by Ambroise-Auguste Liebeault in 1866, in Nancy France, a demonstration in Russia, 1880 ca. 19th century (engraving from “My” Occult Science-Stern”) / Bridgeman Images

Antiquity: use of asphalt to cover the soil in Babylon, 6th century BC. End of the 19th century (chromolithograph)
Antiquity: use of asphalt to cover the soil in Babylon, 6th century BC. End of the 19th century (chromolithograph)

ELD4868347: Antiquity: use of asphalt to cover the soil in Babylon, 6th century BC. End of the 19th century (chromolithograph) / Bridgeman Images

History of writing:
History of writing:

ELD4868365: History of writing: "first uses of ink to write on parchments, Middle East, 4th century”. Late 19th century, (chromolithograph). / Bridgeman Images

Fronde, July 4, 1652: The Grande Mademoiselle (Anne Marie Louise d'Orleans de Montpensier, 1627-1693) had the cannon fired from the bastille ramparts in Paris on the troops of the king of France Louis XIV dit Le Roi-Soleil (King Soleil or Louis the Great, 1638-1715) (Fronde, July 4, 1652: La Grande Mademoiselle (Anne Marie Louise d'Orleans Montpensier, 1627-1693) fired the cannon from the ramparts of the Bastille in Paris on the troops of King Louis XIV of France) Engraving from “History-Populaire-de-France” by Lahure, 1866 Collection privee
Fronde, July 4, 1652: The Grande Mademoiselle (Anne Marie Louise d'Orleans de Montpensier, 1627-1693) had the cannon fired from the bastille ramparts in Paris on the troops of the king of France Louis XIV dit Le Roi-Soleil (King Soleil or Louis the Great, 1638-1715) (Fronde, July 4, 1652: La Grande Mademoiselle (Anne Marie Louise d'Orleans Montpensier, 1627-1693) fired the cannon from the ramparts of the Bastille in Paris on the troops of King Louis XIV of France) Engraving from “History-Populaire-de-France” by Lahure, 1866 Collection privee

ELD4870593: Fronde, July 4, 1652: The Grande Mademoiselle (Anne Marie Louise d'Orleans de Montpensier, 1627-1693) had the cannon fired from the bastille ramparts in Paris on the troops of the king of France Louis XIV dit Le Roi-Soleil (King Soleil or Louis the Great, 1638-1715) (Fronde, July 4, 1652: La Grande Mademoiselle (Anne Marie Louise d'Orleans Montpensier, 1627-1693) fired the cannon from the ramparts of the Bastille in Paris on the troops of King Louis XIV of France) Engraving from “History-Populaire-de-France” by Lahure, 1866 Collection privee / Bridgeman Images

Portrait of Marie de Rohan - Montbazon, Duchess of Luynes and Chevreuse (1600-1679) (Portrait of French aristocrat Marie de Rohan duchess of Chevreuse) Engraving from “History-Populaire-de-France” by Lahure, 1866 Private collection
Portrait of Marie de Rohan - Montbazon, Duchess of Luynes and Chevreuse (1600-1679) (Portrait of French aristocrat Marie de Rohan duchess of Chevreuse) Engraving from “History-Populaire-de-France” by Lahure, 1866 Private collection

ELD4870611: Portrait of Marie de Rohan - Montbazon, Duchess of Luynes and Chevreuse (1600-1679) (Portrait of French aristocrat Marie de Rohan duchess of Chevreuse) Engraving from “History-Populaire-de-France” by Lahure, 1866 Private collection / Bridgeman Images

First Barons' War (1215-1216): John, King of England after signature of Magna Carta (or Great Charter) on 15 June 1215 “History-Populaire-de-France” by Lahure, 1866 Private Collection
First Barons' War (1215-1216): John, King of England after signature of Magna Carta (or Great Charter) on 15 June 1215 “History-Populaire-de-France” by Lahure, 1866 Private Collection

ELD4870979: First Barons' War (1215-1216): John, King of England after signature of Magna Carta (or Great Charter) on 15 June 1215 “History-Populaire-de-France” by Lahure, 1866 Private Collection / Bridgeman Images

Police and judicial proceedings under Louis XIII, 1620 ca: body of a dead man found in the street, France. End of the 19th century (engraving from “” Museum-criminal”” by Henri Varennes and Edgar Troimaux)
Police and judicial proceedings under Louis XIII, 1620 ca: body of a dead man found in the street, France. End of the 19th century (engraving from “” Museum-criminal”” by Henri Varennes and Edgar Troimaux)

ELD4871248: Police and judicial proceedings under Louis XIII, 1620 ca: body of a dead man found in the street, France. End of the 19th century (engraving from “” Museum-criminal”” by Henri Varennes and Edgar Troimaux) / Bridgeman Images

Portrait of Catherine Marie (Catherine-Marie) de Lorraine (1552-1596), Princess of Guise, Duchess of Montpensier. End of the 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux)
Portrait of Catherine Marie (Catherine-Marie) de Lorraine (1552-1596), Princess of Guise, Duchess of Montpensier. End of the 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux)

ELD4871749: Portrait of Catherine Marie (Catherine-Marie) de Lorraine (1552-1596), Princess of Guise, Duchess of Montpensier. End of the 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux) / Bridgeman Images

Cartoon attributed to the writer Francois Rabelais (1494-1553) representing Charles III de Bourbon constable of France (1490-1527). Late 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux)
Cartoon attributed to the writer Francois Rabelais (1494-1553) representing Charles III de Bourbon constable of France (1490-1527). Late 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux)

ELD4871822: Cartoon attributed to the writer Francois Rabelais (1494-1553) representing Charles III de Bourbon constable of France (1490-1527). Late 19th century (engraving from “Museum-Criminal” by Henri Varennes and Edgar Troimaux) / Bridgeman Images

Henry Count of Anjou (then Henry II) met Stephen of England at Wallingford (Oxfordshire) to end the conflict over the succession to the throne of England, 1153 (Henry of Anjou (henry II) (1133-1189) and Stephen of Blois (1096-1154) confer across the Thames about the rightful heir to the throne and agree a truce) Illustration from “A icle-of- England”” by James Doyle, 1864 Private collection
Henry Count of Anjou (then Henry II) met Stephen of England at Wallingford (Oxfordshire) to end the conflict over the succession to the throne of England, 1153 (Henry of Anjou (henry II) (1133-1189) and Stephen of Blois (1096-1154) confer across the Thames about the rightful heir to the throne and agree a truce) Illustration from “A icle-of- England”” by James Doyle, 1864 Private collection

ELD4872272: Henry Count of Anjou (then Henry II) met Stephen of England at Wallingford (Oxfordshire) to end the conflict over the succession to the throne of England, 1153 (Henry of Anjou (henry II) (1133-1189) and Stephen of Blois (1096-1154) confer across the Thames about the rightful heir to the throne and agree a truce) Illustration from “A icle-of- England”” by James Doyle, 1864 Private collection / Bridgeman Images

The body of Richard II brought to St Paul's Cathedral, London, 1400 - After he died in prison at Pontefract Castle in unknown circumstances, the body of the deposed King Richard II (1367-1400) was brought to St Paul church, London Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection
The body of Richard II brought to St Paul's Cathedral, London, 1400 - After he died in prison at Pontefract Castle in unknown circumstances, the body of the deposed King Richard II (1367-1400) was brought to St Paul church, London Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection

ELD4872281: The body of Richard II brought to St Paul's Cathedral, London, 1400 - After he died in prison at Pontefract Castle in unknown circumstances, the body of the deposed King Richard II (1367-1400) was brought to St Paul church, London Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection / Bridgeman Images

Hundred years war: King Edward III refuses to help his son Edward Plantagenet, 1864 (engraving)
Hundred years war: King Edward III refuses to help his son Edward Plantagenet, 1864 (engraving)

ELD4872586: Hundred years war: King Edward III refuses to help his son Edward Plantagenet, 1864 (engraving), English School, (19th century) / Bridgeman Images

War of the Roses: the Death of Warwick, illustration from 'A Chronicle of England' by James Doyle, 1864 (colour litho)
War of the Roses: the Death of Warwick, illustration from 'A Chronicle of England' by James Doyle, 1864 (colour litho)

ELD4872911: War of the Roses: the Death of Warwick, illustration from 'A Chronicle of England' by James Doyle, 1864 (colour litho), English School, (19th century) / Bridgeman Images

Treaty of Picquigny (Department of the Somme) August 29, 1475 between Louis XI and Edward IV ends the Hundred Years' War (Meeting of King Edward IV and Louis XI of France at Pecquigny, 29th August 1475) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection
Treaty of Picquigny (Department of the Somme) August 29, 1475 between Louis XI and Edward IV ends the Hundred Years' War (Meeting of King Edward IV and Louis XI of France at Pecquigny, 29th August 1475) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection

ELD4873070: Treaty of Picquigny (Department of the Somme) August 29, 1475 between Louis XI and Edward IV ends the Hundred Years' War (Meeting of King Edward IV and Louis XI of France at Pecquigny, 29th August 1475) Illustration from “” A Chronicle-of-England”” by James Doyle, 1864 Private collection / Bridgeman Images

Anarchy, English Civil War, Battle of the Standard: Walter Espec (12th century) pledging to defeat the Scots of David I of Scotland, 22/08/1138” (Anarchy, Battle of the Standard or Battle of Northallerton, 22nd August 1138: the oath of Walter l'Espec, a prominent military and judicial figure in the north of England in reign of Henry I, grasping the hand of William Earl of Albemarle before the battle) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection
Anarchy, English Civil War, Battle of the Standard: Walter Espec (12th century) pledging to defeat the Scots of David I of Scotland, 22/08/1138” (Anarchy, Battle of the Standard or Battle of Northallerton, 22nd August 1138: the oath of Walter l'Espec, a prominent military and judicial figure in the north of England in reign of Henry I, grasping the hand of William Earl of Albemarle before the battle) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection

ELD4873343: Anarchy, English Civil War, Battle of the Standard: Walter Espec (12th century) pledging to defeat the Scots of David I of Scotland, 22/08/1138” (Anarchy, Battle of the Standard or Battle of Northallerton, 22nd August 1138: the oath of Walter l'Espec, a prominent military and judicial figure in the north of England in reign of Henry I, grasping the hand of William Earl of Albemarle before the battle) Illustration from “” A Chronicle of England”” by James Doyle, 1864 Private collection / Bridgeman Images

Story of the transport: businessmen on horseback, Netherlands. Late 19th century (chromolithograph)
Story of the transport: businessmen on horseback, Netherlands. Late 19th century (chromolithograph)

ELD4847148: Story of the transport: businessmen on horseback, Netherlands. Late 19th century (chromolithograph) / Bridgeman Images

The king congratulated Rodrigue and named him Cid, illustration of 8th scene of 2nd act of French play
The king congratulated Rodrigue and named him Cid, illustration of 8th scene of 2nd act of French play

ELD4847164: The king congratulated Rodrigue and named him Cid, illustration of 8th scene of 2nd act of French play "Le cid" by Pierre Corneille (1606 - 1684). End of the 19th century (chromolithograph) / Bridgeman Images

Hunter of young partridges, France (Hunter of young partridges, France). End of the 19th century (chromolithograph)
Hunter of young partridges, France (Hunter of young partridges, France). End of the 19th century (chromolithograph)

ELD4847435: Hunter of young partridges, France (Hunter of young partridges, France). End of the 19th century (chromolithograph) / Bridgeman Images

The White Queen of Castile gives a lecture to the future King Louis IX (Saint Louis) (1214-1270). End of the 19th century (chromolithograph)
The White Queen of Castile gives a lecture to the future King Louis IX (Saint Louis) (1214-1270). End of the 19th century (chromolithograph)

ELD4847453: The White Queen of Castile gives a lecture to the future King Louis IX (Saint Louis) (1214-1270). End of the 19th century (chromolithograph) / Bridgeman Images

A stettmeister and a noblewoman of Strasbourg, 15th century, France. End of the 19th century (chromolithograph)
A stettmeister and a noblewoman of Strasbourg, 15th century, France. End of the 19th century (chromolithograph)

ELD4847870: A stettmeister and a noblewoman of Strasbourg, 15th century, France. End of the 19th century (chromolithograph) / Bridgeman Images

Siege de Paris: Eudes Comte de Paris (Odon) (860 - 898) organizes the defense of Paris against the Vikings in 885-886. End of the 19th century (chromolithograph)
Siege de Paris: Eudes Comte de Paris (Odon) (860 - 898) organizes the defense of Paris against the Vikings in 885-886. End of the 19th century (chromolithograph)

ELD4848545: Siege de Paris: Eudes Comte de Paris (Odon) (860 - 898) organizes the defense of Paris against the Vikings in 885-886. End of the 19th century (chromolithograph) / Bridgeman Images

The Battle of Poitiers on 25 October 732 won by Charles Martel (688-741). End of the 19th century (chromolithograph)
The Battle of Poitiers on 25 October 732 won by Charles Martel (688-741). End of the 19th century (chromolithograph)

ELD4848594: The Battle of Poitiers on 25 October 732 won by Charles Martel (688-741). End of the 19th century (chromolithograph) / Bridgeman Images

Fishing for sea turtles in mediterranean sea. Late 19th century (chromolithograph).
Fishing for sea turtles in mediterranean sea. Late 19th century (chromolithograph).

ELD4848669: Fishing for sea turtles in mediterranean sea. Late 19th century (chromolithograph). / Bridgeman Images

Great Barbarian Invasion (405-451): Sainte Genevieve (422-502) against King of the Huns Attila (395-453). End of the 19th century (chromolithograph)
Great Barbarian Invasion (405-451): Sainte Genevieve (422-502) against King of the Huns Attila (395-453). End of the 19th century (chromolithograph)

ELD4848990: Great Barbarian Invasion (405-451): Sainte Genevieve (422-502) against King of the Huns Attila (395-453). End of the 19th century (chromolithograph) / Bridgeman Images

The penitence of Attigny in 822 by Emperor Louis the Pious (or Debonnaire) (778-840) in the presence of Pope Pascal I, Ardennes. End of the 19th century (chromolithograph)
The penitence of Attigny in 822 by Emperor Louis the Pious (or Debonnaire) (778-840) in the presence of Pope Pascal I, Ardennes. End of the 19th century (chromolithograph)

ELD4849038: The penitence of Attigny in 822 by Emperor Louis the Pious (or Debonnaire) (778-840) in the presence of Pope Pascal I, Ardennes. End of the 19th century (chromolithograph) / Bridgeman Images

Representation of the opera-comique
Representation of the opera-comique

ELD4851253: Representation of the opera-comique "Maitre Pathelin" by the French composer Francois Bazin (1816-1878). End of the 19th century (chromolithograph) / Bridgeman Images

Illustration of the comic opera
Illustration of the comic opera

ELD4851356: Illustration of the comic opera "Le chalet" by french composer Adolphe Adam (1803-1856). End of the 19th century (chromolithograph) / Bridgeman Images

Illustration for the opera “Martha, oder Der Markt zu Richmond” (Martha, or Le Marche a Richmond) by Friedrich von Flotow (1812-1883) German composer, created in 1844 (Illustration of the romantic opera “Martha, or The Market at Richmond” by german composer Friedrich von Flotow) (Chromolithography of the end of the 19th century Private Collection
Illustration for the opera “Martha, oder Der Markt zu Richmond” (Martha, or Le Marche a Richmond) by Friedrich von Flotow (1812-1883) German composer, created in 1844 (Illustration of the romantic opera “Martha, or The Market at Richmond” by german composer Friedrich von Flotow) (Chromolithography of the end of the 19th century Private Collection

ELD4851459: Illustration for the opera “Martha, oder Der Markt zu Richmond” (Martha, or Le Marche a Richmond) by Friedrich von Flotow (1812-1883) German composer, created in 1844 (Illustration of the romantic opera “Martha, or The Market at Richmond” by german composer Friedrich von Flotow) (Chromolithography of the end of the 19th century Private Collection / Bridgeman Images

Banqueroute (financial crisis) caused by the system of John Law, Scottish economist, set up between 1716 and 1720 in Paris (View of the Bankruptcy (financial crisis) of the rue Quincampoix caused by the system of John Law, Scottish economist, developed between 1716 and 1720 in Paris) Illustration by Raymond Delamarre (1890-1986) tiree about “” La-Petite-Histre-de-la-France”” by Brunhes, 1951 Private Collection
Banqueroute (financial crisis) caused by the system of John Law, Scottish economist, set up between 1716 and 1720 in Paris (View of the Bankruptcy (financial crisis) of the rue Quincampoix caused by the system of John Law, Scottish economist, developed between 1716 and 1720 in Paris) Illustration by Raymond Delamarre (1890-1986) tiree about “” La-Petite-Histre-de-la-France”” by Brunhes, 1951 Private Collection

ELD4851778: Banqueroute (financial crisis) caused by the system of John Law, Scottish economist, set up between 1716 and 1720 in Paris (View of the Bankruptcy (financial crisis) of the rue Quincampoix caused by the system of John Law, Scottish economist, developed between 1716 and 1720 in Paris) Illustration by Raymond Delamarre (1890-1986) tiree about “” La-Petite-Histre-de-la-France”” by Brunhes, 1951 Private Collection, Delamarre, Raymond (1890-1986) / Bridgeman Images

Portrait of Alfred Krupp Industrial German (portrait of Alfred Krupp (1812-1887), a German industrialist and inventor, now ThyssenKrupp AG) 19th (engraving)
Portrait of Alfred Krupp Industrial German (portrait of Alfred Krupp (1812-1887), a German industrialist and inventor, now ThyssenKrupp AG) 19th (engraving)

ELD4852647: Portrait of Alfred Krupp Industrial German (portrait of Alfred Krupp (1812-1887), a German industrialist and inventor, now ThyssenKrupp AG) 19th (engraving) / Bridgeman Images


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