Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

792441 Search Results

Portrait of John of Indagine, after Hans Baldung Grien, from 'Chiromantia' by Ioannes ab Indagine, Strasburg 1531, illustrated in 'History of Magic', published late 19th century (litho) (b/w photo)
Portrait of John of Indagine, after Hans Baldung Grien, from 'Chiromantia' by Ioannes ab Indagine, Strasburg 1531, illustrated in 'History of Magic', published late 19th century (litho) (b/w photo)

XJF366819: Portrait of John of Indagine, after Hans Baldung Grien, from 'Chiromantia' by Ioannes ab Indagine, Strasburg 1531, illustrated in 'History of Magic', published late 19th century (litho) (b/w photo), German School, (16th century) (after) / Bridgeman Images

Caricature of Henri Brisson, from the front cover of 'Le Rire', 5th November 1898 (colour litho)
Caricature of Henri Brisson, from the front cover of 'Le Rire', 5th November 1898 (colour litho)

BAL366863: Caricature of Henri Brisson, from the front cover of 'Le Rire', 5th November 1898 (colour litho), Leandre, Charles (1862-1934) / Bridgeman Images

Cartoon of the composer Andre Messager, from the front cover of 'Le Rire', 23rd February 1907 (colour litho)
Cartoon of the composer Andre Messager, from the front cover of 'Le Rire', 23rd February 1907 (colour litho)

BAL366870: Cartoon of the composer Andre Messager, from the front cover of 'Le Rire', 23rd February 1907 (colour litho), Cappiello, Leonetto (1875-1942) / Bridgeman Images

A costermonger is assaulted by the police, from the front cover of 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho)
A costermonger is assaulted by the police, from the front cover of 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho)

BAL366878: A costermonger is assaulted by the police, from the front cover of 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

Self Portrait, 1908 (charcoal on paper) (b/w photo)
Self Portrait, 1908 (charcoal on paper) (b/w photo)

XJF366906: Self Portrait, 1908 (charcoal on paper) (b/w photo), Clausen, George (1852-1944) / Bridgeman Images

John Constable, aged 20 (litho)
John Constable, aged 20 (litho)

XJF366909: John Constable, aged 20 (litho), Gardner, Daniel (1750-1805) (after) / Bridgeman Images

Ragged, Torn and True, or the Poor Man's Resolution, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)
Ragged, Torn and True, or the Poor Man's Resolution, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)

XJF368424: Ragged, Torn and True, or the Poor Man's Resolution, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

The Second Part of a Little Barly-Corne, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)
The Second Part of a Little Barly-Corne, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)

XJF368426: The Second Part of a Little Barly-Corne, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images

Self Portrait, 1734-35 (chalk on paper)
Self Portrait, 1734-35 (chalk on paper)

XJF368450: Self Portrait, 1734-35 (chalk on paper), Richardson, Jonathan (1665-1745) / Bridgeman Images

Eugene Viollet-le-Duc (b/w photo)
Eugene Viollet-le-Duc (b/w photo)

XJF368473: Eugene Viollet-le-Duc (b/w photo), French Photographer, (19th century) / Bridgeman Images

A Perspective View of the Bank of England, engraved by William Henry Toms, 1739 (engraving)
A Perspective View of the Bank of England, engraved by William Henry Toms, 1739 (engraving)

XJF368480: A Perspective View of the Bank of England, engraved by William Henry Toms, 1739 (engraving), West, Robert (fl.1735-70) (after) / Bridgeman Images

John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving)
John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving)

XJF368483: John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving), English School, (17th century) / Bridgeman Images

The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching)
The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching)

XJF368486: The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching), Collings, Samuel (fl.1784-95) (after) / Bridgeman Images

Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching)
Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching)

XJF368487: Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching), Collings, Samuel (fl.1784-95) (after) / Bridgeman Images

Empire Line, 2008 (oil on canvas)
Empire Line, 2008 (oil on canvas)

LMX368555: Empire Line, 2008 (oil on canvas), Lomax, Cathy / Bridgeman Images

The Green Flash, 2003 (oil on linen)
The Green Flash, 2003 (oil on linen)

LMX368558: The Green Flash, 2003 (oil on linen), Lomax, Cathy / Bridgeman Images

The Inevitable End of a Love Goddess (Jayne 10), 2008 (oil on canvas paper)
The Inevitable End of a Love Goddess (Jayne 10), 2008 (oil on canvas paper)

LMX368564: The Inevitable End of a Love Goddess (Jayne 10), 2008 (oil on canvas paper), Lomax, Cathy / Bridgeman Images

Eli Whitney, engraved by D.C Hinman, 1846 (engraving)
Eli Whitney, engraved by D.C Hinman, 1846 (engraving)

XJF373224: Eli Whitney, engraved by D.C Hinman, 1846 (engraving), King, Charles Bird (1785-1862) (after) / Bridgeman Images

Scene from Maximilian's Triumphal Procession, c.1516-18 (woodcut)
Scene from Maximilian's Triumphal Procession, c.1516-18 (woodcut)

XJF373236: Scene from Maximilian's Triumphal Procession, c.1516-18 (woodcut), Burgkmair, Hans (c.1473-1531) / Bridgeman Images

Scene from Maximilian's Triumphal Procession, c.1516-18 (woodcut)
Scene from Maximilian's Triumphal Procession, c.1516-18 (woodcut)

XJF373238: Scene from Maximilian's Triumphal Procession, c.1516-18 (woodcut), Burgkmair, Hans (c.1473-1531) / Bridgeman Images

The Fountain, Kensington Gardens, London, 1989 (pen, ink & gouache on paper)
The Fountain, Kensington Gardens, London, 1989 (pen, ink & gouache on paper)

XAN412425: The Fountain, Kensington Gardens, London, 1989 (pen, ink & gouache on paper), Kaldor, Andras (1938-2022) / Bridgeman Images

Cow (acrylic poster colour and coloured inks)
Cow (acrylic poster colour and coloured inks)

BBB412773: Cow (acrylic poster colour and coloured inks), Booker, Brenda Brin (1932-2001) / Bridgeman Images

Runner, 2011 (w/c on paper)
Runner, 2011 (w/c on paper)

GDE412791: Runner, 2011 (w/c on paper), Dean, Graham (b.1951) / Bridgeman Images

Bad Habits, 2010 (oil on canvas)
Bad Habits, 2010 (oil on canvas)

VWB406356: Bad Habits, 2010 (oil on canvas), Webster, Victoria / Bridgeman Images

Carpe Diem, 2010 (oil on canvas)
Carpe Diem, 2010 (oil on canvas)

VWB406358: Carpe Diem, 2010 (oil on canvas), Webster, Victoria / Bridgeman Images

Olive Pickers, 2011 (oil on canvas)
Olive Pickers, 2011 (oil on canvas)

VWB406364: Olive Pickers, 2011 (oil on canvas), Webster, Victoria / Bridgeman Images

The Closet Collector, 2006 (oil on canvas)
The Closet Collector, 2006 (oil on canvas)

VWB406370: The Closet Collector, 2006 (oil on canvas), Webster, Victoria / Bridgeman Images

The Good Wife, 2010 (oil on canvas)
The Good Wife, 2010 (oil on canvas)

VWB406371: The Good Wife, 2010 (oil on canvas), Webster, Victoria / Bridgeman Images

The Hare and the Tortoise, 2006 (oil on canvas)
The Hare and the Tortoise, 2006 (oil on canvas)

VWB406372: The Hare and the Tortoise, 2006 (oil on canvas), Webster, Victoria / Bridgeman Images

Tuscan Travel, 2009 (w/c & ink on paper)
Tuscan Travel, 2009 (w/c & ink on paper)

VWB406376: Tuscan Travel, 2009 (w/c & ink on paper), Webster, Victoria / Bridgeman Images

Winter, 1641 (etching)
Winter, 1641 (etching)

XJF407362: Winter, 1641 (etching), Hollar, Wenceslaus (1607-77) / Bridgeman Images

English Country Woman, 1643 (etching)
English Country Woman, 1643 (etching)

XJF407364: English Country Woman, 1643 (etching), Hollar, Wenceslaus (1607-77) / Bridgeman Images

Thatcher (ink on paper)
Thatcher (ink on paper)

GYB405888: Thatcher (ink on paper), Brown, Gary / Bridgeman Images

Young Parr (engraving)
Young Parr (engraving)

XJF406203: Young Parr (engraving), English School, (16th century) (after) / Bridgeman Images

Frederick Howard, 5th Earl of Carlisle, engraved by Thomas Ryder, 1800 (engraving)
Frederick Howard, 5th Earl of Carlisle, engraved by Thomas Ryder, 1800 (engraving)

XJF406209: Frederick Howard, 5th Earl of Carlisle, engraved by Thomas Ryder, 1800 (engraving), Westall, Richard (1765-1836) (after) / Bridgeman Images

View of Cato Street, 1820 (litho)
View of Cato Street, 1820 (litho)

XJF406217: View of Cato Street, 1820 (litho), Harriott, William Henry (fl.1811-39) / Bridgeman Images


Back to top