XJF366819:
Portrait of John of Indagine, after Hans Baldung Grien, from 'Chiromantia' by Ioannes ab Indagine, Strasburg 1531, illustrated in 'History of Magic', published late 19th century (litho) (b/w photo), German School, (16th century) (after) / Bridgeman Images
ID: XJF366819
Portrait of John of Indagine, after Hans Baldung Grien, from 'Chiromantia' by Ioannes ab Indagine, Strasburg 1531, illustrated in 'History of Magic', published late 19th century (litho) (b/w photo)
German School, (16th century) (after)
BAL366863:
Caricature of Henri Brisson, from the front cover of 'Le Rire', 5th November 1898 (colour litho), Leandre, Charles (1862-1934) / Bridgeman Images
ID: BAL366863
Caricature of Henri Brisson, from the front cover of 'Le Rire', 5th November 1898 (colour litho)
Leandre, Charles (1862-1934)
BAL366870:
Cartoon of the composer Andre Messager, from the front cover of 'Le Rire', 23rd February 1907 (colour litho), Cappiello, Leonetto (1875-1942) / Bridgeman Images
ID: BAL366870
Cartoon of the composer Andre Messager, from the front cover of 'Le Rire', 23rd February 1907 (colour litho)
Cappiello, Leonetto (1875-1942)
BAL366878:
A costermonger is assaulted by the police, from the front cover of 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho), Vallotton, Felix Edouard (1865-1925) / Bridgeman Images
ID: BAL366878
A costermonger is assaulted by the police, from the front cover of 'Crimes and Punishments', special edition of 'L'Assiette au Beurre', 1st March 1902 (colour litho)
Vallotton, Felix Edouard (1865-1925)
XJF366906:
Self Portrait, 1908 (charcoal on paper) (b/w photo), Clausen, George (1852-1944) / Bridgeman Images
ID: XJF366906
Self Portrait, 1908 (charcoal on paper) (b/w photo)
Clausen, George (1852-1944)
XJF366909:
John Constable, aged 20 (litho), Gardner, Daniel (1750-1805) (after) / Bridgeman Images
ID: XJF366909
John Constable, aged 20 (litho)
Gardner, Daniel (1750-1805) (after)
XJF368424:
Ragged, Torn and True, or the Poor Man's Resolution, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images
ID: XJF368424
Ragged, Torn and True, or the Poor Man's Resolution, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)
English School, (17th century)
XJF368426:
The Second Part of a Little Barly-Corne, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo), English School, (17th century) / Bridgeman Images
ID: XJF368426
The Second Part of a Little Barly-Corne, an illustration from 'A Book of Roxburghe Ballads' (woodcut) (b/w photo)
English School, (17th century)
XJF368450:
Self Portrait, 1734-35 (chalk on paper), Richardson, Jonathan (1665-1745) / Bridgeman Images
XJF368480:
A Perspective View of the Bank of England, engraved by William Henry Toms, 1739 (engraving), West, Robert (fl.1735-70) (after) / Bridgeman Images
ID: XJF368480
A Perspective View of the Bank of England, engraved by William Henry Toms, 1739 (engraving)
West, Robert (fl.1735-70) (after)
XJF368483:
John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving), English School, (17th century) / Bridgeman Images
ID: XJF368483
John Harington, 2nd Baron Harington of Exton, engraved by Renold Elstrack, c.1610-14 (engraving)
English School, (17th century)
XJF368486:
The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching), Collings, Samuel (fl.1784-95) (after) / Bridgeman Images
ID: XJF368486
The Contest at Auckinleck from 'Picturesque Beauties of Boswell, Part the Second', etched by Thomas Rowlandson, 1786 (etching)
Collings, Samuel (fl.1784-95) (after)
XJF368487:
Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching), Collings, Samuel (fl.1784-95) (after) / Bridgeman Images
ID: XJF368487
Scottifying the Palate from 'Picturesque Beauties of Boswell, Part the First', etched by Thomas Rowlandson, 1786 (etching)