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Allegory of reconciliation characterised by two women who kiss each other. One holds an olive branch, symbol of peace, and the other crowd under its feet a snake with human faces, emblem of fraud and mechancete. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of reconciliation characterised by two women who kiss each other. One holds an olive branch, symbol of peace, and the other crowd under its feet a snake with human faces, emblem of fraud and mechancete. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135970: Allegory of reconciliation characterised by two women who kiss each other. One holds an olive branch, symbol of peace, and the other crowd under its feet a snake with human faces, emblem of fraud and mechancete. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4135970

Allegory of reconciliation characterised by two women who kiss each other. One holds an olive branch, symbol of peace, and the other crowd under its feet a snake with human faces, emblem of fraud and mechancete. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Wreck of the American liner “Central America” (Central America) in the Atlantic Ocean, 1857. Engraving in “” Le Monde Illustré”” n°27 of 17 October 1857.
Wreck of the American liner “Central America” (Central America) in the Atlantic Ocean, 1857. Engraving in “” Le Monde Illustré”” n°27 of 17 October 1857.

XEE4136003: Wreck of the American liner “Central America” (Central America) in the Atlantic Ocean, 1857. Engraving in “” Le Monde Illustré”” n°27 of 17 October 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136003

Wreck of the American liner “Central America” (Central America) in the Atlantic Ocean, 1857. Engraving in “” Le Monde Illustré”” n°27 of 17 October 1857.

French School, (19th century)

Allegory of decency. Young man with a lion's skin to express his distinction and his soul greatness. The amaranth branch and the crown show that it still maintains its beauty. The lapse marks eloquence and sagacite in the speech. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of decency. Young man with a lion's skin to express his distinction and his soul greatness. The amaranth branch and the crown show that it still maintains its beauty. The lapse marks eloquence and sagacite in the speech. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136009: Allegory of decency. Young man with a lion's skin to express his distinction and his soul greatness. The amaranth branch and the crown show that it still maintains its beauty. The lapse marks eloquence and sagacite in the speech. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136009

Allegory of decency. Young man with a lion's skin to express his distinction and his soul greatness. The amaranth branch and the crown show that it still maintains its beauty. The lapse marks eloquence and sagacite in the speech. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Allegory of capacity (or intelligence). The cameleon and the mirror are his attributes. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of capacity (or intelligence). The cameleon and the mirror are his attributes. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136016: Allegory of capacity (or intelligence). The cameleon and the mirror are his attributes. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136016

Allegory of capacity (or intelligence). The cameleon and the mirror are his attributes. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Allegory of the nobility. The star means the elevation of feelings. The statue of Minerva and the spear mark that it can acquire the merite in science and weapons. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of the nobility. The star means the elevation of feelings. The statue of Minerva and the spear mark that it can acquire the merite in science and weapons. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136017: Allegory of the nobility. The star means the elevation of feelings. The statue of Minerva and the spear mark that it can acquire the merite in science and weapons. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136017

Allegory of the nobility. The star means the elevation of feelings. The statue of Minerva and the spear mark that it can acquire the merite in science and weapons. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Allegory of delectation represented by a young man holding a lyre near a painting with fruits, books, weapons and two colombents that caress each other, all symbolizing the charm of the senses. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of delectation represented by a young man holding a lyre near a painting with fruits, books, weapons and two colombents that caress each other, all symbolizing the charm of the senses. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136040: Allegory of delectation represented by a young man holding a lyre near a painting with fruits, books, weapons and two colombents that caress each other, all symbolizing the charm of the senses. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136040

Allegory of delectation represented by a young man holding a lyre near a painting with fruits, books, weapons and two colombents that caress each other, all symbolizing the charm of the senses. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Allegory of love satisfaction represented by a graceful teenager kneeling in front of a heart in the middle of a flowered rose tree whose roses and thorns are allusive to the sorrows and sweets of love. The lover cries to embellish what he loves, which is why he adorns the heart with a garland of flowers. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of love satisfaction represented by a graceful teenager kneeling in front of a heart in the middle of a flowered rose tree whose roses and thorns are allusive to the sorrows and sweets of love. The lover cries to embellish what he loves, which is why he adorns the heart with a garland of flowers. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136043: Allegory of love satisfaction represented by a graceful teenager kneeling in front of a heart in the middle of a flowered rose tree whose roses and thorns are allusive to the sorrows and sweets of love. The lover cries to embellish what he loves, which is why he adorns the heart with a garland of flowers. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136043

Allegory of love satisfaction represented by a graceful teenager kneeling in front of a heart in the middle of a flowered rose tree whose roses and thorns are allusive to the sorrows and sweets of love. The lover cries to embellish what he loves, which is why he adorns the heart with a garland of flowers. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Pondichery (Pondicherry) (India), 1857: view of the canal separating Blanche (French colonial quarter) from Malabar. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.
Pondichery (Pondicherry) (India), 1857: view of the canal separating Blanche (French colonial quarter) from Malabar. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.

XEE4136046: Pondichery (Pondicherry) (India), 1857: view of the canal separating Blanche (French colonial quarter) from Malabar. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136046

Pondichery (Pondicherry) (India), 1857: view of the canal separating Blanche (French colonial quarter) from Malabar. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.

French School, (19th century)

Allegory of anger represented in a restless attitude, a blindfold, a sword and a torch in the hands. It is clothed with bear skin and the lion behind it is furiositis. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of anger represented in a restless attitude, a blindfold, a sword and a torch in the hands. It is clothed with bear skin and the lion behind it is furiositis. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136047: Allegory of anger represented in a restless attitude, a blindfold, a sword and a torch in the hands. It is clothed with bear skin and the lion behind it is furiositis. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136047

Allegory of anger represented in a restless attitude, a blindfold, a sword and a torch in the hands. It is clothed with bear skin and the lion behind it is furiositis. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Allegory of the blessing represented by a handsome young man with a laughing face. His drapery is dotted with stars and is surrounded by rays of light, with one hand he holds the graces and on the other a chain of gold. The eagle near him shares its prey (Egyptian representation). Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of the blessing represented by a handsome young man with a laughing face. His drapery is dotted with stars and is surrounded by rays of light, with one hand he holds the graces and on the other a chain of gold. The eagle near him shares its prey (Egyptian representation). Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136058: Allegory of the blessing represented by a handsome young man with a laughing face. His drapery is dotted with stars and is surrounded by rays of light, with one hand he holds the graces and on the other a chain of gold. The eagle near him shares its prey (Egyptian representation). Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136058

Allegory of the blessing represented by a handsome young man with a laughing face. His drapery is dotted with stars and is surrounded by rays of light, with one hand he holds the graces and on the other a chain of gold. The eagle near him shares its prey (Egyptian representation). Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Allegory of lying represents ugly, bad hair and bad clothes. Her clothing is filled with tongues and masks. The burning straw illustrates the lack of subsistence of his words and the wooden leg, the little solidite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of lying represents ugly, bad hair and bad clothes. Her clothing is filled with tongues and masks. The burning straw illustrates the lack of subsistence of his words and the wooden leg, the little solidite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136069: Allegory of lying represents ugly, bad hair and bad clothes. Her clothing is filled with tongues and masks. The burning straw illustrates the lack of subsistence of his words and the wooden leg, the little solidite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136069

Allegory of lying represents ugly, bad hair and bad clothes. Her clothing is filled with tongues and masks. The burning straw illustrates the lack of subsistence of his words and the wooden leg, the little solidite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Allegory of self-love represented as a young woman closing a bag symbolizing her faults with a baguette on which the Greek translation “” Philautia”” is inscribed. Attributes: the peacock making the wheel and the narcissus flower. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of self-love represented as a young woman closing a bag symbolizing her faults with a baguette on which the Greek translation “” Philautia”” is inscribed. Attributes: the peacock making the wheel and the narcissus flower. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4136070: Allegory of self-love represented as a young woman closing a bag symbolizing her faults with a baguette on which the Greek translation “” Philautia”” is inscribed. Attributes: the peacock making the wheel and the narcissus flower. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4136070

Allegory of self-love represented as a young woman closing a bag symbolizing her faults with a baguette on which the Greek translation “” Philautia”” is inscribed. Attributes: the peacock making the wheel and the narcissus flower. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

View of Pondichery (Pondicherry) (India), 1857. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.
View of Pondichery (Pondicherry) (India), 1857. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.

XEE4136073: View of Pondichery (Pondicherry) (India), 1857. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136073

View of Pondichery (Pondicherry) (India), 1857. Engraving in “” Le Monde Illustré”” n°25 of October 3, 1857.

French School, (19th century)

Anecdotal history of food: the pilau (turkey). Sultan Amurat IV (or Murad IV, 1612-1640) himself prepared this ragout in his harem for pleasure but also for caution because, hailed by his people, he feared to be poisoned. Chocolate-Louit chromolithography, late 19th century. Private collection.
Anecdotal history of food: the pilau (turkey). Sultan Amurat IV (or Murad IV, 1612-1640) himself prepared this ragout in his harem for pleasure but also for caution because, hailed by his people, he feared to be poisoned. Chocolate-Louit chromolithography, late 19th century. Private collection.

XEE4136092: Anecdotal history of food: the pilau (turkey). Sultan Amurat IV (or Murad IV, 1612-1640) himself prepared this ragout in his harem for pleasure but also for caution because, hailed by his people, he feared to be poisoned. Chocolate-Louit chromolithography, late 19th century. Private collection., Anonymous / Bridgeman Images

ID: XEE4136092

Anecdotal history of food: the pilau (turkey). Sultan Amurat IV (or Murad IV, 1612-1640) himself prepared this ragout in his harem for pleasure but also for caution because, hailed by his people, he feared to be poisoned. Chocolate-Louit chromolithography, late 19th century. Private collection.

Anonymous

Equestrian portrait of General Georges Boulanger (1837-1891), politician “after Edouard Debat Ponsan (Debat-Ponsan, 1847-1913), Engraving of 1887 in “” Paris-Illustrous journal weekly””.
Equestrian portrait of General Georges Boulanger (1837-1891), politician “after Edouard Debat Ponsan (Debat-Ponsan, 1847-1913), Engraving of 1887 in “” Paris-Illustrous journal weekly””.

XEE4136099: Equestrian portrait of General Georges Boulanger (1837-1891), politician “after Edouard Debat Ponsan (Debat-Ponsan, 1847-1913), Engraving of 1887 in “” Paris-Illustrous journal weekly””., Debat-Ponsan, Edouard (1847-1913) / Bridgeman Images

ID: XEE4136099

Equestrian portrait of General Georges Boulanger (1837-1891), politician “after Edouard Debat Ponsan (Debat-Ponsan, 1847-1913), Engraving of 1887 in “” Paris-Illustrous journal weekly””.

Debat-Ponsan, Edouard (1847-1913)

Saint Cloud celebrations. France, 1857. Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857.
Saint Cloud celebrations. France, 1857. Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857.

XEE4136122: Saint Cloud celebrations. France, 1857. Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857., French School, (19th century) / Bridgeman Images

ID: XEE4136122

Saint Cloud celebrations. France, 1857. Engraving in “” Le Monde Illustré”” n°22 of 12 September 1857.

French School, (19th century)

The edge of the Marne: from Charenton to Nogent in 1887. Illustration by Gustave Fraipont (1849-1923) Engraving of 1887 in “” Paris-Illustrous journal weekly””.
The edge of the Marne: from Charenton to Nogent in 1887. Illustration by Gustave Fraipont (1849-1923) Engraving of 1887 in “” Paris-Illustrous journal weekly””.

XEE4136149: The edge of the Marne: from Charenton to Nogent in 1887. Illustration by Gustave Fraipont (1849-1923) Engraving of 1887 in “” Paris-Illustrous journal weekly””., Fraipont, Gustave (1849-1923) / Bridgeman Images

ID: XEE4136149

The edge of the Marne: from Charenton to Nogent in 1887. Illustration by Gustave Fraipont (1849-1923) Engraving of 1887 in “” Paris-Illustrous journal weekly””.

Fraipont, Gustave (1849-1923)

INSTALLATION of an ambulance in VILLASAVARY in the Aude.
INSTALLATION of an ambulance in VILLASAVARY in the Aude.

XEE4136151: INSTALLATION of an ambulance in VILLASAVARY in the Aude., Lanos, Henri (1859-1929) / Bridgeman Images

ID: XEE4136151

INSTALLATION of an ambulance in VILLASAVARY in the Aude.

Lanos, Henri (1859-1929)

The Fire Regiment has the Longchamps magazine (Portrait of Colonel Couston), illustration by Charles Morel (1861-1908). Engraving from 1887 in “” Paris-Illustrous journal weekly””.
The Fire Regiment has the Longchamps magazine (Portrait of Colonel Couston), illustration by Charles Morel (1861-1908). Engraving from 1887 in “” Paris-Illustrous journal weekly””.

XEE4136155: The Fire Regiment has the Longchamps magazine (Portrait of Colonel Couston), illustration by Charles Morel (1861-1908). Engraving from 1887 in “” Paris-Illustrous journal weekly””., Morel, Charles (1861-1908) / Bridgeman Images

ID: XEE4136155

The Fire Regiment has the Longchamps magazine (Portrait of Colonel Couston), illustration by Charles Morel (1861-1908). Engraving from 1887 in “” Paris-Illustrous journal weekly””.

Morel, Charles (1861-1908)

Paris: exterior view of the Pantheon built in 1757-1790 by Jacques Germain Soufflot (1713-1780). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: exterior view of the Pantheon built in 1757-1790 by Jacques Germain Soufflot (1713-1780). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136170: Paris: exterior view of the Pantheon built in 1757-1790 by Jacques Germain Soufflot (1713-1780). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136170

Paris: exterior view of the Pantheon built in 1757-1790 by Jacques Germain Soufflot (1713-1780). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: view of the traffic on rue de Rivoli, towards the Louvre. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the traffic on rue de Rivoli, towards the Louvre. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136172: Paris: view of the traffic on rue de Rivoli, towards the Louvre. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136172

Paris: view of the traffic on rue de Rivoli, towards the Louvre. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: exterior view of the Concierge on the Ile de la Cite and the bridge au Change. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: exterior view of the Concierge on the Ile de la Cite and the bridge au Change. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136180: Paris: exterior view of the Concierge on the Ile de la Cite and the bridge au Change. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136180

Paris: exterior view of the Concierge on the Ile de la Cite and the bridge au Change. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: view of the Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in 1809. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in 1809. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136189: Paris: view of the Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in 1809. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853) / Bridgeman Images

ID: XEE4136189

Paris: view of the Arc de Triomphe du Carrousel realized by Pierre Francois Leonard Fontaine (1762-1853) and Charles Percier (1764-1838) in 1809. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Percier, Charles (1764-1838) & Fontaine, Pierre (1762-1853)

Paris: the Saint Jacques Tower (Saint-Jacques) realised in 1523. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: the Saint Jacques Tower (Saint-Jacques) realised in 1523. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136193: Paris: the Saint Jacques Tower (Saint-Jacques) realised in 1523. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136193

Paris: the Saint Jacques Tower (Saint-Jacques) realised in 1523. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: panorama towards the Louvre. La Seine and Cathedrale Notre Dame (Notre-Dame), on the right. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: panorama towards the Louvre. La Seine and Cathedrale Notre Dame (Notre-Dame), on the right. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136194: Paris: panorama towards the Louvre. La Seine and Cathedrale Notre Dame (Notre-Dame), on the right. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136194

Paris: panorama towards the Louvre. La Seine and Cathedrale Notre Dame (Notre-Dame), on the right. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: view of the facade of Cathedrale Notre Dame (Notre-Dame). Gothic architecture. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the facade of Cathedrale Notre Dame (Notre-Dame). Gothic architecture. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136206: Paris: view of the facade of Cathedrale Notre Dame (Notre-Dame). Gothic architecture. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136206

Paris: view of the facade of Cathedrale Notre Dame (Notre-Dame). Gothic architecture. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: view of the Place de la Republique with the statue of the Republique. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the Place de la Republique with the statue of the Republique. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136213: Paris: view of the Place de la Republique with the statue of the Republique. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136213

Paris: view of the Place de la Republique with the statue of the Republique. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: exterior view of the Chamber of Deputes (National Assembly, Palais Bourbon). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: exterior view of the Chamber of Deputes (National Assembly, Palais Bourbon). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136240: Paris: exterior view of the Chamber of Deputes (National Assembly, Palais Bourbon). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136240

Paris: exterior view of the Chamber of Deputes (National Assembly, Palais Bourbon). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: view of the Opera facade made by Charles Garnier (1825-1898) and of the Metro station on Place de l'Opera. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the Opera facade made by Charles Garnier (1825-1898) and of the Metro station on Place de l'Opera. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136273: Paris: view of the Opera facade made by Charles Garnier (1825-1898) and of the Metro station on Place de l'Opera. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136273

Paris: view of the Opera facade made by Charles Garnier (1825-1898) and of the Metro station on Place de l'Opera. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Paris: view of the fountain of the four parts of the world (four parts of the world), or fountain of the observatory or the Carpeaux fountain on the Place Camille Jullian, Jardin du Luxembourg, built between 1867 and 1874 by architect Gabriel Davioud (1824-1881) with Jean Baptiste (Jean-Baptiste) Carpeaux (1827-1875) and Emmanuel Fremiet (1824-1910). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the fountain of the four parts of the world (four parts of the world), or fountain of the observatory or the Carpeaux fountain on the Place Camille Jullian, Jardin du Luxembourg, built between 1867 and 1874 by architect Gabriel Davioud (1824-1881) with Jean Baptiste (Jean-Baptiste) Carpeaux (1827-1875) and Emmanuel Fremiet (1824-1910). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136277: Paris: view of the fountain of the four parts of the world (four parts of the world), or fountain of the observatory or the Carpeaux fountain on the Place Camille Jullian, Jardin du Luxembourg, built between 1867 and 1874 by architect Gabriel Davioud (1824-1881) with Jean Baptiste (Jean-Baptiste) Carpeaux (1827-1875) and Emmanuel Fremiet (1824-1910). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Carpeaux, Jean-Baptiste (1827-75) / Bridgeman Images

ID: XEE4136277

Paris: view of the fountain of the four parts of the world (four parts of the world), or fountain of the observatory or the Carpeaux fountain on the Place Camille Jullian, Jardin du Luxembourg, built between 1867 and 1874 by architect Gabriel Davioud (1824-1881) with Jean Baptiste (Jean-Baptiste) Carpeaux (1827-1875) and Emmanuel Fremiet (1824-1910). Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Carpeaux, Jean-Baptiste (1827-75)

Portrait of Adolphe Adam (1803-1856), French composer.
Portrait of Adolphe Adam (1803-1856), French composer.

XEE4136290: Portrait of Adolphe Adam (1803-1856), French composer., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136290

Portrait of Adolphe Adam (1803-1856), French composer.

Unknown Artist, (19th century)

In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136914: In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136914

In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

A man eplores, hiding his tears and his face in a handkerchief, standing behind the canopy of a bed, in a richly decoree bedroom, with bear skin, embroidered cushions, fan and various vases and candlesticks. Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for The vow of a dead by Emile Zola (1840-1902). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
A man eplores, hiding his tears and his face in a handkerchief, standing behind the canopy of a bed, in a richly decoree bedroom, with bear skin, embroidered cushions, fan and various vases and candlesticks. Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for The vow of a dead by Emile Zola (1840-1902). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136928: A man eplores, hiding his tears and his face in a handkerchief, standing behind the canopy of a bed, in a richly decoree bedroom, with bear skin, embroidered cushions, fan and various vases and candlesticks. Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for The vow of a dead by Emile Zola (1840-1902). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: XEE4136928

A man eplores, hiding his tears and his face in a handkerchief, standing behind the canopy of a bed, in a richly decoree bedroom, with bear skin, embroidered cushions, fan and various vases and candlesticks. Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for The vow of a dead by Emile Zola (1840-1902). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

Mucha, Alphonse Marie (1860-1939)

A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136930: A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136930

A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

Two men, one sitting and the other standing, face each other and are in full conversation, smoking cigarettes in a richly decorated living room (stained glass windows, furniture, art objects). Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for Notre Coeur by Guy de Maupassant (1850-1893). Engraving, 1890. Engraving in “La vie populaire””, 1890. Private Collection
Two men, one sitting and the other standing, face each other and are in full conversation, smoking cigarettes in a richly decorated living room (stained glass windows, furniture, art objects). Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for Notre Coeur by Guy de Maupassant (1850-1893). Engraving, 1890. Engraving in “La vie populaire””, 1890. Private Collection

XEE4136943: Two men, one sitting and the other standing, face each other and are in full conversation, smoking cigarettes in a richly decorated living room (stained glass windows, furniture, art objects). Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for Notre Coeur by Guy de Maupassant (1850-1893). Engraving, 1890. Engraving in “La vie populaire””, 1890. Private Collection, Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: XEE4136943

Two men, one sitting and the other standing, face each other and are in full conversation, smoking cigarettes in a richly decorated living room (stained glass windows, furniture, art objects). Illustration by Alfons Maria Mucha (Alphonse Marie Mucha, 1860-1939), for Notre Coeur by Guy de Maupassant (1850-1893). Engraving, 1890. Engraving in “La vie populaire””, 1890. Private Collection

Mucha, Alphonse Marie (1860-1939)

Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection
Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection

XEE4136956: Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136956

Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)


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