1104718 Search Results
LSE4329286: The salt wells of Ho-Boung (Ho Boung), the open galleries on the mountain side, 20 metres deep, are supported by wooden frames, the water is brought by bamboo ducts into marble troughs, each corresponding to a furnace, where salt water is concentrated for two days until a block of salt is obtained. 60 kilos, mold in an iron basin. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
LSE4329304: Buhonero, Aragonese peddler. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images
LSE4329330: The manufacture of corn bread, the basis of food, by women of the Great Cauca Valley (Colombia). Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
LSE4329377: Solemn meeting and hand-held on the back of an elephant, between the team of travelers and the Maharajah of Chutterpore, at the fair of Kajraha. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
LSE4329513: Bulgarian itinerant beggars, including a blind person playing ghuzla (Serbian lute has a rope) that accompanies the recitation of poesy and epic recits, engraved after the drawing of A. De Neuville, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Hachton, edition Etette, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images
LSE4329632: A Muslim school in Allahabad, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images
LSE4329642: Rajahs (princes) and Zemindars (landowners) of the northern provinces of Hindustan, engraved after the drawing by A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images
LSE4329673: View of one of the shopping streets of the city of Salt Lake City (Utah, USA), engraved after the drawing by E.Therond, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Therond, Emile Theodore (b.1821) / Bridgeman Images
LSE4329720: The station of Cisco, Count of Placer (Nevada), where one can take the express train of the Pacific Railway (Pacific Railway), engraved after Taylor's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Taylor, T (fl.1850) / Bridgeman Images
LSE4329744: Shillouk village, in the vicinity of Fachoda (Sudan), the inhabitants with bodies covered with ashes or dung, gather every night in a circular space in the center of the village, squatting on beef skins, smoking in huge clay pipes, around a trunk or hang drums intended to warn the neighboring villages in case d'alerte, engraving after Maillard's drawing, illustrating the voyage to the heart of Africa, in 1868-1871, by Dr. Georges Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images
LSE4329992: La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images
LSE4329792: The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images
LSE4329859: The zandes (or niam niam, a tribe of Central Africa, divided between the Congo, Sudan and the Central African Republic) melomane hunters, playing mangala (musical instrument between harp and mandolin), whose practice is very common among men, traditionally accompanies a recitative, the listeners call the monotonous melody by a beating of the head, until plunging into a deep ecstasy, engraving after O.Mathieu's drawing, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Mathieu, Oscar Pierre (1845-1881) / Bridgeman Images
LSE4329874: The bongo tribe hunt the rat from the reeds (for naturalists: aulacode), sitot spot the place where the rodents live, fire is set to dry grass around their cottage, until the beets, forced to flee, come to present themselves to the hunters, engraving after the drawing by A.de Bar, illustrating a journey to the heart of Africa, in 186868 - 1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images
LSE4329912: Indian Moxo (Mojo, Moxeno) (from the Mato Grosso region) returning from fishing, engraving after a drawing by the narrator, illustrating a journey of exploration on the Amazon and the Madeira, of 1874, by Franz Keller Leuzinger, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris - Collection, Keller, Franz (19th century) / Bridgeman Images
LSE4329929: The mosque of Giaour-Meidan (Giaour Meidan) in Trebizonde (present-day Trabzon, on the coast of the Black Sea, Turkey), which was once a Byzantine church, engraved after a drawing by the narrator, illustrating a journey to Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” “1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images
LSE4329931: Indigenous baris (population of Sudan) weapons of bows and arrows, fleeing with the herds confiscated by Sir Baker, to prevent them from attacking other tribes in the region, in order to plunder them and enslavement, an engraving illustrating an armed expedition to Central Africa, for the suppression of the black trade, 1869 a 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images
LSE4330013: Slavic peasants hearing Mass at the office of Dignano (Italy), sitting on the floor around an altar, children in rags, adults praying with the rosary in their hands and a cripple in his roulette box, engraving after a drawing by Emile Bayard illustrating the journey to Istria and Dalmatia, in 1874, by Charles Yriarte, published in “The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330040: Death of the aeronaute John La Mountain, separated from his balloon on July 4, 1873, in Iona (USA), engraving after a drawing by Albert Tissandier illustrating a study on airshipwrecks, by Gaston Tissandier, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Tissandier, Albert (1839-1906) / Bridgeman Images
LSE4330070: The weighing of the tea before its expedition on commercial markets in a gunpowder factory in Fati Bay (Canton Province), engraved after a drawing by J.Ferat illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Ferat, Jules (b.1819) (after) / Bridgeman Images
LSE4330105: Les blacksmiths mannganyas, in a village along the Loualaba River (present-day Congo River), engraving after a drawing by D.Maillard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images
LSE4330114: The collection of the ants, a straw roof is erected above the ant, the ailees fly away and collide against this roof, stunned they are then swept and recolled in large baskets to be consumed fried, etched after a drawing by A.de Bar, illustrating the last diary by David Livingstone (1813-1873), in 1866-1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images
LSE4330173: The Palace of Parliament in Ottawa, built between 1859 and 1876, engraved after a drawing by A.Deroy, illustrating the excursion to Canada and the Red River of the North, by H. De Lamotte in 1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Deroy, Auguste Victor (d.1906) / Bridgeman Images
LSE4330180: The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images
LSE4330192: The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images
LRI4563111: Sheet music page for The Pearl Fishermen, opera by Georges Bizet, Unknown Artist, (19th century) / Bridgeman Images
JLJ4563386: Portrait en pied de Thomas Lister 1764 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images
LRI4564080: Illustration for the second act of Faust by Charles Gounod, 1859, Unknown Artist, (19th century) / Bridgeman Images
LRI4564133: Frontispiece of Funeral March of a Puppet by Charles Gounod, 19th century, Unknown Artist, (19th century) / Bridgeman Images
LRI4563455: First page of the musical score of Aria Seria by Domenico Cimarosa, 1784, Unknown artist, (18th century) / Bridgeman Images
JLJ4563474: The Lamb Children, 18th century (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images
XEE4417308: Representation of Silene, companion of Bacchus, drunk, supported by a satyre. (The friend of Bacchus Silenus, drunk, supported by a Young Satyr). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417313: Representation of Neptune, god of the seas, he holds a trident. (The God of the sea Neptune, he holds a trident). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417317: Representation of Parques (Cabinets), Clotho, Lachesis and Atropos, deities of human destiny, from birth to death, as very old women spinning. (Parcae, Clotho, Lachesis and Atropos, personification of human destiny, represented as old women spinning). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417332: Representation of the Danaides, daughters of King Danaos, condemned to the Underworld, endlessly filling a bottomless barrel, for killing their cousins and husbands. (The Danaides, daughters of Danaus (or Danaos) punished by the Gods in Tartarus to carry a jug without a bottom). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images
XEE4417378: Representation of Deucalion and Pyrrha, the only survivors after the deluge caused by Zeus to destroy the human race, 1803 (engraving), French School, (19th century) / Bridgeman Images
