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Mechanical traction: bus. Anonymous illustration of 1925 (print)
Mechanical traction: bus. Anonymous illustration of 1925 (print)

XEE4141159: Mechanical traction: bus. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141159

Mechanical traction: bus. Anonymous illustration of 1925 (print)

Anonymous

Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving)
Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving)

XEE4141379: Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4141379

Portrait of Willem (Wilhelm) Beukels who invented a way to preserve herrings, 1833 (engraving)

French School, (19th century)

Portrait of Bon-Adrien (Bon Adrien) Jeannot de Moncey (or Jannot de Moncey), 1st Duke of Conegliano (1754-1842) Marshal of France, 1833 (engraving)
Portrait of Bon-Adrien (Bon Adrien) Jeannot de Moncey (or Jannot de Moncey), 1st Duke of Conegliano (1754-1842) Marshal of France, 1833 (engraving)

XEE4141394: Portrait of Bon-Adrien (Bon Adrien) Jeannot de Moncey (or Jannot de Moncey), 1st Duke of Conegliano (1754-1842) Marshal of France, 1833 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4141394

Portrait of Bon-Adrien (Bon Adrien) Jeannot de Moncey (or Jannot de Moncey), 1st Duke of Conegliano (1754-1842) Marshal of France, 1833 (engraving)

French School, (19th century)

Portrait of Nicola Sottile, 1833 (engraving)
Portrait of Nicola Sottile, 1833 (engraving)

XEE4141396: Portrait of Nicola Sottile, 1833 (engraving), Anonymous / Bridgeman Images

ID: XEE4141396

Portrait of Nicola Sottile, 1833 (engraving)

Anonymous

Cover of
Cover of

XEE4141490: Cover of "Le Roy Soleil" by Gustave Toutdouze, 1904 (chromo), Leloir, Maurice (1853-1940) / Bridgeman Images

ID: XEE4141490

Cover of "Le Roy Soleil" by Gustave Toutdouze, 1904 (chromo)

Leloir, Maurice (1853-1940)

Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century.
Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century.

XEE4141498: Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141498

Portrait of Marguerite Hessein, Madame de la Sabliere (1636-1693) French Salonniere. Engraving of the 19th century.

Unknown Artist, (19th century)

XEE4141500: "Le roi Soleil", 1904 (chromo), Leloir, Maurice (1853-1940) / Bridgeman Images

ID: XEE4141500

"Le roi Soleil", 1904 (chromo)

Leloir, Maurice (1853-1940)

Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.
Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

XEE4141537: Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret., French School, (19th century) / Bridgeman Images

ID: XEE4141537

Anne Ninon”” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) with the Duke of Beaufort. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

French School, (19th century)

Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.
Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

XEE4141550: Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret., French School, (19th century) / Bridgeman Images

ID: XEE4141550

Anne Ninon””” of the Enclo (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) in the bed of Saint-Etienne (Saint Stephen), one of her lovers. Engraving of the 19th century in “” Confessions of Ninon de Lenclos”” by Eugene Moret.

French School, (19th century)

Portrait of Pablo de Sarasate (1844-1908), with his full name Pablo Martin Meliton de Sarasate y Navascuez, Spanish violinist and composer.
Portrait of Pablo de Sarasate (1844-1908), with his full name Pablo Martin Meliton de Sarasate y Navascuez, Spanish violinist and composer.

XEE4142198: Portrait of Pablo de Sarasate (1844-1908), with his full name Pablo Martin Meliton de Sarasate y Navascuez, Spanish violinist and composer., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4142198

Portrait of Pablo de Sarasate (1844-1908), with his full name Pablo Martin Meliton de Sarasate y Navascuez, Spanish violinist and composer.

Unknown Artist, (19th century)

The Decollation of Saint Julian. Engraving from 1846 in
The Decollation of Saint Julian. Engraving from 1846 in

XEE4142277: The Decollation of Saint Julian. Engraving from 1846 in "Lives of the saints"., Anonymous / Bridgeman Images

ID: XEE4142277

The Decollation of Saint Julian. Engraving from 1846 in "Lives of the saints".

Anonymous

A deputation of the city of Clermont offers the episcopate to Saint Sidoine Apollinar, 1846 (engraving)
A deputation of the city of Clermont offers the episcopate to Saint Sidoine Apollinar, 1846 (engraving)

XEE4142278: A deputation of the city of Clermont offers the episcopate to Saint Sidoine Apollinar, 1846 (engraving), Anonymous / Bridgeman Images

ID: XEE4142278

A deputation of the city of Clermont offers the episcopate to Saint Sidoine Apollinar, 1846 (engraving)

Anonymous

Portrait of Madame Norman-Neruda, (Normann Neruda) Lady Halle, Czech violinist (1839-1911)
Portrait of Madame Norman-Neruda, (Normann Neruda) Lady Halle, Czech violinist (1839-1911)

XEE4142463: Portrait of Madame Norman-Neruda, (Normann Neruda) Lady Halle, Czech violinist (1839-1911), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4142463

Portrait of Madame Norman-Neruda, (Normann Neruda) Lady Halle, Czech violinist (1839-1911)

Unknown Artist, (19th century)

October 21, 1789 murder of the baker Francois massacred by an angry mob, 1866 (engraving)
October 21, 1789 murder of the baker Francois massacred by an angry mob, 1866 (engraving)

XEE4142349: October 21, 1789 murder of the baker Francois massacred by an angry mob, 1866 (engraving), Anonymous / Bridgeman Images

ID: XEE4142349

October 21, 1789 murder of the baker Francois massacred by an angry mob, 1866 (engraving)

Anonymous

On October 27, 1662, Dunkirk becomes definitively French - Allegory on the release of the Spaniards of Dunkirk after the siege of 1662 -
On October 27, 1662, Dunkirk becomes definitively French - Allegory on the release of the Spaniards of Dunkirk after the siege of 1662 -

XEE4142390: On October 27, 1662, Dunkirk becomes definitively French - Allegory on the release of the Spaniards of Dunkirk after the siege of 1662 -, Anonymous / Bridgeman Images

ID: XEE4142390

On October 27, 1662, Dunkirk becomes definitively French - Allegory on the release of the Spaniards of Dunkirk after the siege of 1662 -

Anonymous

Mazarinade political pamphlet: despite Mazarin the scourgers ensure the salvation of the state. circa 1649. Heavy wood.
Mazarinade political pamphlet: despite Mazarin the scourgers ensure the salvation of the state. circa 1649. Heavy wood.

XEE4142400: Mazarinade political pamphlet: despite Mazarin the scourgers ensure the salvation of the state. circa 1649. Heavy wood., Anonymous / Bridgeman Images

ID: XEE4142400

Mazarinade political pamphlet: despite Mazarin the scourgers ensure the salvation of the state. circa 1649. Heavy wood.

Anonymous

Satire against Matthias Gallas general of the Imperial Army during the Thirty Years' War, after his retirement in 1636. Engraving of the 17th century.
Satire against Matthias Gallas general of the Imperial Army during the Thirty Years' War, after his retirement in 1636. Engraving of the 17th century.

XEE4142418: Satire against Matthias Gallas general of the Imperial Army during the Thirty Years' War, after his retirement in 1636. Engraving of the 17th century., Anonymous / Bridgeman Images

ID: XEE4142418

Satire against Matthias Gallas general of the Imperial Army during the Thirty Years' War, after his retirement in 1636. Engraving of the 17th century.

Anonymous

Portrait of William Shakespeare (1564-1616), English writer. Chromolitography of the late 19th century.
Portrait of William Shakespeare (1564-1616), English writer. Chromolitography of the late 19th century.

XEE4142436: Portrait of William Shakespeare (1564-1616), English writer. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4142436

Portrait of William Shakespeare (1564-1616), English writer. Chromolitography of the late 19th century.

Unknown Artist, (19th century)

Portrait of Nicolas Boileau, French writer in his house in Auteui, 1865 (engraving)
Portrait of Nicolas Boileau, French writer in his house in Auteui, 1865 (engraving)

XEE4142486: Portrait of Nicolas Boileau, French writer in his house in Auteui, 1865 (engraving), Duruy, A. (19th century) / Bridgeman Images

ID: XEE4142486

Portrait of Nicolas Boileau, French writer in his house in Auteui, 1865 (engraving)

Duruy, A. (19th century)

Bernard de Jussieu (1699-1777), French botanist bringing two cedres from Lebanon from England in 1734. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Bernard de Jussieu (1699-1777), French botanist bringing two cedres from Lebanon from England in 1734. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143143: Bernard de Jussieu (1699-1777), French botanist bringing two cedres from Lebanon from England in 1734. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images

ID: XEE4143143

Bernard de Jussieu (1699-1777), French botanist bringing two cedres from Lebanon from England in 1734. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

French School, (19th century)

The chrysograph: copist monks carrying out illuminations in gold letters in the middle ages, 1885 (engraving)
The chrysograph: copist monks carrying out illuminations in gold letters in the middle ages, 1885 (engraving)

XEE4143164: The chrysograph: copist monks carrying out illuminations in gold letters in the middle ages, 1885 (engraving), Anonymous / Bridgeman Images

ID: XEE4143164

The chrysograph: copist monks carrying out illuminations in gold letters in the middle ages, 1885 (engraving)

Anonymous

Moscow, fire in the suburb of Kaluga, 1892 (engraving)
Moscow, fire in the suburb of Kaluga, 1892 (engraving)

XEE4142743: Moscow, fire in the suburb of Kaluga, 1892 (engraving), Anonymous / Bridgeman Images

ID: XEE4142743

Moscow, fire in the suburb of Kaluga, 1892 (engraving)

Anonymous

The Naval Battle of Cavite in the Philippines during the Spain - United States War, 1898. Illustration of 1898 in “” La petite Gironde””.
The Naval Battle of Cavite in the Philippines during the Spain - United States War, 1898. Illustration of 1898 in “” La petite Gironde””.

XEE4143274: The Naval Battle of Cavite in the Philippines during the Spain - United States War, 1898. Illustration of 1898 in “” La petite Gironde””., French School, (19th century) / Bridgeman Images

ID: XEE4143274

The Naval Battle of Cavite in the Philippines during the Spain - United States War, 1898. Illustration of 1898 in “” La petite Gironde””.

French School, (19th century)

View of the city of Tangier (Morocco), on the day of the Arab march. Engraving in “” Le Monde Illustré”” n°129 of 1 October 1859.
View of the city of Tangier (Morocco), on the day of the Arab march. Engraving in “” Le Monde Illustré”” n°129 of 1 October 1859.

XEE4143318: View of the city of Tangier (Morocco), on the day of the Arab march. Engraving in “” Le Monde Illustré”” n°129 of 1 October 1859., French School, (19th century) / Bridgeman Images

ID: XEE4143318

View of the city of Tangier (Morocco), on the day of the Arab march. Engraving in “” Le Monde Illustré”” n°129 of 1 October 1859.

French School, (19th century)

Pope St. Pius V receiving the winner of the Battle of Lepante. From 1846 in
Pope St. Pius V receiving the winner of the Battle of Lepante. From 1846 in

XEE4142301: Pope St. Pius V receiving the winner of the Battle of Lepante. From 1846 in "Lives of the saints"., Anonymous / Bridgeman Images

ID: XEE4142301

Pope St. Pius V receiving the winner of the Battle of Lepante. From 1846 in "Lives of the saints".

Anonymous

Mission of the French captain Louis Gustave Binger : camp of the mission in Afforenou, Côte d'Ivoire“Le monde illustree
Mission of the French captain Louis Gustave Binger : camp of the mission in Afforenou, Côte d'Ivoire“Le monde illustree

XEE4142720: Mission of the French captain Louis Gustave Binger : camp of the mission in Afforenou, Côte d'Ivoire“Le monde illustree" of 1892., Anonymous / Bridgeman Images

ID: XEE4142720

Mission of the French captain Louis Gustave Binger : camp of the mission in Afforenou, Côte d'Ivoire“Le monde illustree" of 1892.

Anonymous

Public hygiene: inhabitants of Paris using one of the filtree water fountains installed in the 15th arrondissement, 1892 (engraving)
Public hygiene: inhabitants of Paris using one of the filtree water fountains installed in the 15th arrondissement, 1892 (engraving)

XEE4142735: Public hygiene: inhabitants of Paris using one of the filtree water fountains installed in the 15th arrondissement, 1892 (engraving), Anonymous / Bridgeman Images

ID: XEE4142735

Public hygiene: inhabitants of Paris using one of the filtree water fountains installed in the 15th arrondissement, 1892 (engraving)

Anonymous

Sheet music for
Sheet music for

XEE4142858: Sheet music for "My poor heart "lyrics by H. Drapier music by Camille de Vos., Anonymous / Bridgeman Images

ID: XEE4142858

Sheet music for "My poor heart "lyrics by H. Drapier music by Camille de Vos.

Anonymous

Chamberlain Jehan de Saintre serving a drink at the Lady of Belles Cousines (Belles-Cousines) at a banquet at the Chateau d'Usse. Scene of the novel “” Le petit Jehan de Saintre”” by Antoine de La Sale (La Salle) (ca. 1386-ca. 1462). Chromolithography of the late 19th century
Chamberlain Jehan de Saintre serving a drink at the Lady of Belles Cousines (Belles-Cousines) at a banquet at the Chateau d'Usse. Scene of the novel “” Le petit Jehan de Saintre”” by Antoine de La Sale (La Salle) (ca. 1386-ca. 1462). Chromolithography of the late 19th century

XEE4143034: Chamberlain Jehan de Saintre serving a drink at the Lady of Belles Cousines (Belles-Cousines) at a banquet at the Chateau d'Usse. Scene of the novel “” Le petit Jehan de Saintre”” by Antoine de La Sale (La Salle) (ca. 1386-ca. 1462). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

ID: XEE4143034

Chamberlain Jehan de Saintre serving a drink at the Lady of Belles Cousines (Belles-Cousines) at a banquet at the Chateau d'Usse. Scene of the novel “” Le petit Jehan de Saintre”” by Antoine de La Sale (La Salle) (ca. 1386-ca. 1462). Chromolithography of the late 19th century

French School, (19th century)

General Robert Cornelis (Cornelius) Napier (1810-1890) introduced Leul Alemayehou Tewodros (1861-1879), the son of Ethiopian negus Theodoros II (Tewodros), to Queen Victoria Iere (1819-1901). Engraving in “The Universe illustrious”, 1868.
General Robert Cornelis (Cornelius) Napier (1810-1890) introduced Leul Alemayehou Tewodros (1861-1879), the son of Ethiopian negus Theodoros II (Tewodros), to Queen Victoria Iere (1819-1901). Engraving in “The Universe illustrious”, 1868.

XEE4144252: General Robert Cornelis (Cornelius) Napier (1810-1890) introduced Leul Alemayehou Tewodros (1861-1879), the son of Ethiopian negus Theodoros II (Tewodros), to Queen Victoria Iere (1819-1901). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144252

General Robert Cornelis (Cornelius) Napier (1810-1890) introduced Leul Alemayehou Tewodros (1861-1879), the son of Ethiopian negus Theodoros II (Tewodros), to Queen Victoria Iere (1819-1901). Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Model of the railway built for Prince Imperial (son of Napoleon III), in Saint Cloud Park, 1859. From a photograph of Mr. Michelez. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.
Model of the railway built for Prince Imperial (son of Napoleon III), in Saint Cloud Park, 1859. From a photograph of Mr. Michelez. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.

XEE4143753: Model of the railway built for Prince Imperial (son of Napoleon III), in Saint Cloud Park, 1859. From a photograph of Mr. Michelez. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4143753

Model of the railway built for Prince Imperial (son of Napoleon III), in Saint Cloud Park, 1859. From a photograph of Mr. Michelez. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.

French School, (19th century)

Revolution of September 1868 in Spain (Gloriosa): reading the manifesto of the junta, in the street of Alcala in Madrid. Engraving in “” L'Univers illustrious””, 1868.
Revolution of September 1868 in Spain (Gloriosa): reading the manifesto of the junta, in the street of Alcala in Madrid. Engraving in “” L'Univers illustrious””, 1868.

XEE4144237: Revolution of September 1868 in Spain (Gloriosa): reading the manifesto of the junta, in the street of Alcala in Madrid. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144237

Revolution of September 1868 in Spain (Gloriosa): reading the manifesto of the junta, in the street of Alcala in Madrid. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Saint Clotilde, Queen of the Francs (v. 475-545), wife of Clovis 1st.
Saint Clotilde, Queen of the Francs (v. 475-545), wife of Clovis 1st.

XEE4143076: Saint Clotilde, Queen of the Francs (v. 475-545), wife of Clovis 1st., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143076

Saint Clotilde, Queen of the Francs (v. 475-545), wife of Clovis 1st.

Unknown Artist, (19th century)

Death of Olivier V de Clisson connetable french in his Chateau de Josselin in in 1407. late 19th century.
Death of Olivier V de Clisson connetable french in his Chateau de Josselin in in 1407. late 19th century.

XEE4143078: Death of Olivier V de Clisson connetable french in his Chateau de Josselin in in 1407. late 19th century., Gilbert, (19th century) / Bridgeman Images

ID: XEE4143078

Death of Olivier V de Clisson connetable french in his Chateau de Josselin in in 1407. late 19th century.

Gilbert, (19th century)

Portrait of William Hickling Prescott (1796-1859), American historian.
Portrait of William Hickling Prescott (1796-1859), American historian.

XEE4143128: Portrait of William Hickling Prescott (1796-1859), American historian., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143128

Portrait of William Hickling Prescott (1796-1859), American historian.

Unknown Artist, (19th century)

Test of the Bresilian fake diamond by John Mawe British mineralogist, 1885 (engraving)
Test of the Bresilian fake diamond by John Mawe British mineralogist, 1885 (engraving)

XEE4143162: Test of the Bresilian fake diamond by John Mawe British mineralogist, 1885 (engraving), Anonymous / Bridgeman Images

ID: XEE4143162

Test of the Bresilian fake diamond by John Mawe British mineralogist, 1885 (engraving)

Anonymous


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