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1104718 Search Results

Costumes towards the end of the reign of King Louis XIV, 1859 (engraving)
Costumes towards the end of the reign of King Louis XIV, 1859 (engraving)

XEE4144129: Costumes towards the end of the reign of King Louis XIV, 1859 (engraving), Anonymous / Bridgeman Images

ID: XEE4144129

Costumes towards the end of the reign of King Louis XIV, 1859 (engraving)

Anonymous

Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)
Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)

XEE4144132: Costumes at the beginning of the regne of Louis XIV, 1859 (engraving), Anonymous / Bridgeman Images

ID: XEE4144132

Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)

Anonymous

Amputation of a leg in the 16th century.
Amputation of a leg in the 16th century.

XEE4144147: Amputation of a leg in the 16th century., Unknown Artist, (16th century) / Bridgeman Images

ID: XEE4144147

Amputation of a leg in the 16th century.

Unknown Artist, (16th century)

Construction of the Tower of Babel. Chromolithography of the end of the 19th century.
Construction of the Tower of Babel. Chromolithography of the end of the 19th century.

XEE4144151: Construction of the Tower of Babel. Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144151

Construction of the Tower of Babel. Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

The Emperor (negus) of Ethiopia Theodoros II (Tewodros) died on 13 April 1868 after the capture of Magdala by the English, where the negus had retreated. Engraving in “” L'Univers illustrious””, 1868.
The Emperor (negus) of Ethiopia Theodoros II (Tewodros) died on 13 April 1868 after the capture of Magdala by the English, where the negus had retreated. Engraving in “” L'Univers illustrious””, 1868.

XEE4144158: The Emperor (negus) of Ethiopia Theodoros II (Tewodros) died on 13 April 1868 after the capture of Magdala by the English, where the negus had retreated. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144158

The Emperor (negus) of Ethiopia Theodoros II (Tewodros) died on 13 April 1868 after the capture of Magdala by the English, where the negus had retreated. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Charity sale to the Ministry of Foreign Affairs for the construction of a German hospital in Paris. Engraving in “The Universe illustrious”, 1868.
Charity sale to the Ministry of Foreign Affairs for the construction of a German hospital in Paris. Engraving in “The Universe illustrious”, 1868.

XEE4144211: Charity sale to the Ministry of Foreign Affairs for the construction of a German hospital in Paris. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144211

Charity sale to the Ministry of Foreign Affairs for the construction of a German hospital in Paris. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.
Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.

XEE4144215: Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144215

Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.
Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.

XEE4144245: Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144245

Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Arrived in Marseille of Zombe-Fatoum (1836-1878), Queen of Moheli in the Comoros. She is also called Djombe-Fatouma (Djombe-Fatouma) or Jumbe Fatouma (Jumbe-Fatouma) or Jumbe Fatima (Jumbe-Fatima). Engraving in “The Universe illustrious”, 1868.
Arrived in Marseille of Zombe-Fatoum (1836-1878), Queen of Moheli in the Comoros. She is also called Djombe-Fatouma (Djombe-Fatouma) or Jumbe Fatouma (Jumbe-Fatouma) or Jumbe Fatima (Jumbe-Fatima). Engraving in “The Universe illustrious”, 1868.

XEE4144265: Arrived in Marseille of Zombe-Fatoum (1836-1878), Queen of Moheli in the Comoros. She is also called Djombe-Fatouma (Djombe-Fatouma) or Jumbe Fatouma (Jumbe-Fatouma) or Jumbe Fatima (Jumbe-Fatima). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144265

Arrived in Marseille of Zombe-Fatoum (1836-1878), Queen of Moheli in the Comoros. She is also called Djombe-Fatouma (Djombe-Fatouma) or Jumbe Fatouma (Jumbe-Fatouma) or Jumbe Fatima (Jumbe-Fatima). Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868.
Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868.

XEE4144267: Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144267

Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection.
Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144293: Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144293

Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Around Paris in 1857. The canoeists in Asnieres. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Around Paris in 1857. The canoeists in Asnieres. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144313: Around Paris in 1857. The canoeists in Asnieres. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144313

Around Paris in 1857. The canoeists in Asnieres. Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Portrait of Francois Xavier Bichat (1771-1802) French physician.
Portrait of Francois Xavier Bichat (1771-1802) French physician.

XEE4144728: Portrait of Francois Xavier Bichat (1771-1802) French physician., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144728

Portrait of Francois Xavier Bichat (1771-1802) French physician.

Unknown Artist, (19th century)

Theatrical representation of the “Duc Job” (Act IV, last scene) by Leon Laya (1811-1872). Paris, Comedie Francaise, 1859. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.
Theatrical representation of the “Duc Job” (Act IV, last scene) by Leon Laya (1811-1872). Paris, Comedie Francaise, 1859. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.

XEE4144770: Theatrical representation of the “Duc Job” (Act IV, last scene) by Leon Laya (1811-1872). Paris, Comedie Francaise, 1859. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859., French School, (19th century) / Bridgeman Images

ID: XEE4144770

Theatrical representation of the “Duc Job” (Act IV, last scene) by Leon Laya (1811-1872). Paris, Comedie Francaise, 1859. Engraving in “” Le Monde Illustré”” n°135 of 12 November 1859.

French School, (19th century)

THE NAMUROIS REVOLT in 1256. (Namur or Nameur). Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the reign of Leopold I”” by Theodore Juste (1818-1888). Private collection.
THE NAMUROIS REVOLT in 1256. (Namur or Nameur). Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the reign of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144783: THE NAMUROIS REVOLT in 1256. (Namur or Nameur). Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the reign of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144783

THE NAMUROIS REVOLT in 1256. (Namur or Nameur). Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the reign of Leopold I”” by Theodore Juste (1818-1888). Private collection.

Unknown Artist, (19th century)

The French privateer Jean Bart with fishermen in Dunkirk (engraving)
The French privateer Jean Bart with fishermen in Dunkirk (engraving)

XEE4144941: The French privateer Jean Bart with fishermen in Dunkirk (engraving), Demont-Breton, Virginie (1859-1935) / Bridgeman Images

ID: XEE4144941

The French privateer Jean Bart with fishermen in Dunkirk (engraving)

Demont-Breton, Virginie (1859-1935)

Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860.
Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860.

XEE4144968: Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860., French School, (19th century) / Bridgeman Images

ID: XEE4144968

Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860.

French School, (19th century)

The Death of Epaminondas. From
The Death of Epaminondas. From

XEE4145023: The Death of Epaminondas. From "The Rollin of Youth or Selected Pieces of Ancient and Roman Stories" 1816., Anonymous / Bridgeman Images

ID: XEE4145023

The Death of Epaminondas. From "The Rollin of Youth or Selected Pieces of Ancient and Roman Stories" 1816.

Anonymous

Portrait of Alphonse Karr (1808-1898), French novelist and playwright. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.
Portrait of Alphonse Karr (1808-1898), French novelist and playwright. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.

XEE4145024: Portrait of Alphonse Karr (1808-1898), French novelist and playwright. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145024

Portrait of Alphonse Karr (1808-1898), French novelist and playwright. Engraving in “” Le Monde Illustré”” n°145 of 21 January 1860.

French School, (19th century)

Portrait of Jacques Antoine Hippolyte, Count of Guibert, French general and military writer, 1836 (engraving)
Portrait of Jacques Antoine Hippolyte, Count of Guibert, French general and military writer, 1836 (engraving)

XEE4145205: Portrait of Jacques Antoine Hippolyte, Count of Guibert, French general and military writer, 1836 (engraving), Anonymous / Bridgeman Images

ID: XEE4145205

Portrait of Jacques Antoine Hippolyte, Count of Guibert, French general and military writer, 1836 (engraving)

Anonymous

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145463: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145463

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145577: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145577

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 33: Gaddo dies before his father's eyes - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 32: Dante addresses the traitor Bocca degli Abati - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 32: Dante addresses the traitor Bocca degli Abati - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145585: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 32: Dante addresses the traitor Bocca degli Abati - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145585

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 32: Dante addresses the traitor Bocca degli Abati - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145610: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145610

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: The forgers tormented in the valley - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145628: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145628

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 25: Agnello transforming into a serpent - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860.
Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860.

XEE4145651: Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145651

Portrait of Lafontaine (Henry Lafontaine, 1824-1898), French comedian, in the role of Captain d'Apreville, heros of “” La Penelope normande””, theatre piece by Alphonse Karr (1808-1890). Engraving in “” Le Monde Illustré”” n°149 of 18 February 1860.

French School, (19th century)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 18: Devils and seducers - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 18: Devils and seducers - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145660: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 18: Devils and seducers - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145660

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 18: Devils and seducers - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

The Raven and the Fox: Fable by Jean de La Fontaine, 19th century (chromo)
The Raven and the Fox: Fable by Jean de La Fontaine, 19th century (chromo)

XEE4142708: The Raven and the Fox: Fable by Jean de La Fontaine, 19th century (chromo), Anonymous / Bridgeman Images

ID: XEE4142708

The Raven and the Fox: Fable by Jean de La Fontaine, 19th century (chromo)

Anonymous

A camel heals at the Veterinary School of Maison Alfort (Maison-Alfort), 1899 (engraving)
A camel heals at the Veterinary School of Maison Alfort (Maison-Alfort), 1899 (engraving)

XEE4143268: A camel heals at the Veterinary School of Maison Alfort (Maison-Alfort), 1899 (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4143268

A camel heals at the Veterinary School of Maison Alfort (Maison-Alfort), 1899 (engraving)

French School, (19th century)

The sleeping beauty: towers of the princess's castle appear above the trees.
The sleeping beauty: towers of the princess's castle appear above the trees.

XEE4143296: The sleeping beauty: towers of the princess's castle appear above the trees., Dulac, Edmund (1882-1953) / Bridgeman Images

ID: XEE4143296

The sleeping beauty: towers of the princess's castle appear above the trees.

Dulac, Edmund (1882-1953)

Presentation of Prince Vittorio Emanuele, infant, to the sovereigns, on the left the queen mother of the Belgians Elisabeth de Baviere (1876-1965), on the right Victor-Emmanuel (Victor Emmanuel) (Vittorio Emanuele) III of Savoy, and in the background Father Umberto II and his daughter Maria Pia
Presentation of Prince Vittorio Emanuele, infant, to the sovereigns, on the left the queen mother of the Belgians Elisabeth de Baviere (1876-1965), on the right Victor-Emmanuel (Victor Emmanuel) (Vittorio Emanuele) III of Savoy, and in the background Father Umberto II and his daughter Maria Pia

XEE4142916: Presentation of Prince Vittorio Emanuele, infant, to the sovereigns, on the left the queen mother of the Belgians Elisabeth de Baviere (1876-1965), on the right Victor-Emmanuel (Victor Emmanuel) (Vittorio Emanuele) III of Savoy, and in the background Father Umberto II and his daughter Maria Pia "02/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4142916

Presentation of Prince Vittorio Emanuele, infant, to the sovereigns, on the left the queen mother of the Belgians Elisabeth de Baviere (1876-1965), on the right Victor-Emmanuel (Victor Emmanuel) (Vittorio Emanuele) III of Savoy, and in the background Father Umberto II and his daughter Maria Pia "02/1937.

Beltrame, Achille (1871-1945)

Italian popular festival: polenta geante (polentone) organised in a town near Asti in Veneto. “La domenica del Corriere
Italian popular festival: polenta geante (polentone) organised in a town near Asti in Veneto. “La domenica del Corriere

XEE4142931: Italian popular festival: polenta geante (polentone) organised in a town near Asti in Veneto. “La domenica del Corriere" of 07/03/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4142931

Italian popular festival: polenta geante (polentone) organised in a town near Asti in Veneto. “La domenica del Corriere" of 07/03/1937.

Beltrame, Achille (1871-1945)

Spanish Civil War: clashes in the streets of Basque cities, with Republicans destroying everything rather than leaving cities to nationalists. “La domenica del Corriere
Spanish Civil War: clashes in the streets of Basque cities, with Republicans destroying everything rather than leaving cities to nationalists. “La domenica del Corriere

XEE4142958: Spanish Civil War: clashes in the streets of Basque cities, with Republicans destroying everything rather than leaving cities to nationalists. “La domenica del Corriere" of 27/06/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4142958

Spanish Civil War: clashes in the streets of Basque cities, with Republicans destroying everything rather than leaving cities to nationalists. “La domenica del Corriere" of 27/06/1937.

Beltrame, Achille (1871-1945)

Spanish Civil War: the nationalist army in the streets of Bilbao, supplied the hungry population with bread and water. “La domenica del Corriere
Spanish Civil War: the nationalist army in the streets of Bilbao, supplied the hungry population with bread and water. “La domenica del Corriere

XEE4142959: Spanish Civil War: the nationalist army in the streets of Bilbao, supplied the hungry population with bread and water. “La domenica del Corriere" of 27/06/1937., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4142959

Spanish Civil War: the nationalist army in the streets of Bilbao, supplied the hungry population with bread and water. “La domenica del Corriere" of 27/06/1937.

Beltrame, Achille (1871-1945)

Temperature and expansion: absolute zero. 1925 (print)
Temperature and expansion: absolute zero. 1925 (print)

XEE4141113: Temperature and expansion: absolute zero. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141113

Temperature and expansion: absolute zero. 1925 (print)

Anonymous

Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print)
Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print)

XEE4141152: Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4141152

Mechanical traction: motorcycle culture. Anonymous illustration of 1925 (print)

Anonymous


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