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An execution at the Toulon Bagne in the 19th century (engraving)
An execution at the Toulon Bagne in the 19th century (engraving)

XEE4143467: An execution at the Toulon Bagne in the 19th century (engraving), Anonymous / Bridgeman Images

Criminal Phrenology in the Brest Bagne“Histoire des bagnes depuis leur création à nos jours
Criminal Phrenology in the Brest Bagne“Histoire des bagnes depuis leur création à nos jours

XEE4143496: Criminal Phrenology in the Brest Bagne“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

The cooper of the Toulon Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours
The cooper of the Toulon Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours

XEE4143517: The cooper of the Toulon Bagne in the 19th century“Histoire des bagnes depuis leur création à nos jours" by Pierre Zaccone., Anonymous / Bridgeman Images

Preparation of the “” popote”” (meal) of the 1st regiment of grenadiers of the French Imperiale Guard during the Risorgimento. From left to right: a “popotter”, a “biscuit breaker” and a “coffee maker”. Cavriana, Italy, 1859. Engraving in “” Le Monde Illustré”” n°121 of 6 August 1859.
Preparation of the “” popote”” (meal) of the 1st regiment of grenadiers of the French Imperiale Guard during the Risorgimento. From left to right: a “popotter”, a “biscuit breaker” and a “coffee maker”. Cavriana, Italy, 1859. Engraving in “” Le Monde Illustré”” n°121 of 6 August 1859.

XEE4143552: Preparation of the “” popote”” (meal) of the 1st regiment of grenadiers of the French Imperiale Guard during the Risorgimento. From left to right: a “popotter”, a “biscuit breaker” and a “coffee maker”. Cavriana, Italy, 1859. Engraving in “” Le Monde Illustré”” n°121 of 6 August 1859., French School, (19th century) / Bridgeman Images

The art of glass: experience of batavic tears. Drops of molten glass are dropped into a cold water bath, which freeze in the form of tears. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of glass: experience of batavic tears. Drops of molten glass are dropped into a cold water bath, which freeze in the form of tears. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143603: The art of glass: experience of batavic tears. Drops of molten glass are dropped into a cold water bath, which freeze in the form of tears. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Coin: The London Mint's steam balance. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Coin: The London Mint's steam balance. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143608: Coin: The London Mint's steam balance. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Jewellery: steel jewelry factory. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Jewellery: steel jewelry factory. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143611: Jewellery: steel jewelry factory. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Decoration of silverware: bronze chiseller. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Decoration of silverware: bronze chiseller. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143624: Decoration of silverware: bronze chiseller. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Table art: cuts food before the fork arrives. A man holds the meat with a sheet of paper in one hand and uses his knife in the other. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Table art: cuts food before the fork arrives. A man holds the meat with a sheet of paper in one hand and uses his knife in the other. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143639: Table art: cuts food before the fork arrives. A man holds the meat with a sheet of paper in one hand and uses his knife in the other. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143642: Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The lime tree of Fribourg: a soldier of the Helvetic Confederation came to Fribourg to announce the victory of Switzerland against Charles the Temeraire in the Battle of Morat on 22 June 1476 with a branch of linden from the battlefield. The soldier died after announcing his message, and a linden tree grew there. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The lime tree of Fribourg: a soldier of the Helvetic Confederation came to Fribourg to announce the victory of Switzerland against Charles the Temeraire in the Battle of Morat on 22 June 1476 with a branch of linden from the battlefield. The soldier died after announcing his message, and a linden tree grew there. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143661: The lime tree of Fribourg: a soldier of the Helvetic Confederation came to Fribourg to announce the victory of Switzerland against Charles the Temeraire in the Battle of Morat on 22 June 1476 with a branch of linden from the battlefield. The soldier died after announcing his message, and a linden tree grew there. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143679: The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143747: Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143756: Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Frontispice of “” Les arts et metiers illustres”” by Adolphe BITARD.
Frontispice of “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143761: Frontispice of “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.
Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.

XEE4143778: Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859., French School, (19th century) / Bridgeman Images

Banditry in Turkey, a train attacked by robbers near Constantinople. Engraving in “” Le petit Parisien”” from 1891. Private collection.
Banditry in Turkey, a train attacked by robbers near Constantinople. Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143787: Banditry in Turkey, a train attacked by robbers near Constantinople. Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

Poverty in Paris: the refuge of the Palais des arts-liberaux (liberal arts) in the field of March - at the door of an asylum - a distribution of soups. Engraving in “” Le petit Parisien”” from 1891. Private collection.
Poverty in Paris: the refuge of the Palais des arts-liberaux (liberal arts) in the field of March - at the door of an asylum - a distribution of soups. Engraving in “” Le petit Parisien”” from 1891. Private collection.

XEE4143791: Poverty in Paris: the refuge of the Palais des arts-liberaux (liberal arts) in the field of March - at the door of an asylum - a distribution of soups. Engraving in “” Le petit Parisien”” from 1891. Private collection., Anonymous / Bridgeman Images

Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143799: Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Maruf has the source: Tale of Ma'ruf (Maruf) the saver “The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
Maruf has the source: Tale of Ma'ruf (Maruf) the saver “The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143808: Maruf has the source: Tale of Ma'ruf (Maruf) the saver “The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.
The terrible boar. Chinese tale. Chromolithography from the end of the 19th century.

XEE4143812: The terrible boar. Chinese tale. Chromolithography from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century.
History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century.

XEE4143819: History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143853: Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

A disaster in Martinique, 1891 (engraving)
A disaster in Martinique, 1891 (engraving)

XEE4143858: A disaster in Martinique, 1891 (engraving), Anonymous / Bridgeman Images

Test of a dredge intended for digging the Suez Canal. France, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Test of a dredge intended for digging the Suez Canal. France, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143896: Test of a dredge intended for digging the Suez Canal. France, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143927: View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

Celebration of the Catholic worship in Porrentruy, Switzerland in 1874, after a photograph. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
Celebration of the Catholic worship in Porrentruy, Switzerland in 1874, after a photograph. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143937: Celebration of the Catholic worship in Porrentruy, Switzerland in 1874, after a photograph. Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

Robinson escapes from a volcanic explosion. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century.
Robinson escapes from a volcanic explosion. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century.

XEE4143950: Robinson escapes from a volcanic explosion. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The source of the lions. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.
The source of the lions. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century.

XEE4143960: The source of the lions. History of Prince Ahmed and the fee Paris-Banou (Pari Banou) (Paribanu). Tale of 1001 nights (tales of the thousand and one nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Exterior view of the Wazir Khan Mosque in Lahore, Pakistan. Engraving In “” The illustrated London News”” of 22 May 1858.
Exterior view of the Wazir Khan Mosque in Lahore, Pakistan. Engraving In “” The illustrated London News”” of 22 May 1858.

XEE4143983: Exterior view of the Wazir Khan Mosque in Lahore, Pakistan. Engraving In “” The illustrated London News”” of 22 May 1858., Unknown Artist, (19th century) / Bridgeman Images

Portrait of James Russell Lowell (1819-1891), American poet. Engraving In “” The illustrated London News”” of 20 March 1858.
Portrait of James Russell Lowell (1819-1891), American poet. Engraving In “” The illustrated London News”” of 20 March 1858.

XEE4144007: Portrait of James Russell Lowell (1819-1891), American poet. Engraving In “” The illustrated London News”” of 20 March 1858., Unknown Artist, (19th century) / Bridgeman Images

Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857.
Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857.

XEE4144031: Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857., Unknown Artist, (19th century) / Bridgeman Images

Marriage of Baron Alphonse de Rothschild (1827-1905) and Leonora de Rotschild (1837-1911). The Mary learnt to throw a drink on the floor, the last stage of a Jewish marriage called the “broken glass”. Engraving In “” The Illustrated London News”” of March 14, 1857.
Marriage of Baron Alphonse de Rothschild (1827-1905) and Leonora de Rotschild (1837-1911). The Mary learnt to throw a drink on the floor, the last stage of a Jewish marriage called the “broken glass”. Engraving In “” The Illustrated London News”” of March 14, 1857.

XEE4144034: Marriage of Baron Alphonse de Rothschild (1827-1905) and Leonora de Rotschild (1837-1911). The Mary learnt to throw a drink on the floor, the last stage of a Jewish marriage called the “broken glass”. Engraving In “” The Illustrated London News”” of March 14, 1857., Unknown Artist, (19th century) / Bridgeman Images

Chinese custom: signing a marriage contract. A tablet with the names of the two spouses is placed on a table with two doves. Engraving In “” The Illustrated London News”” of 14 February 1857.
Chinese custom: signing a marriage contract. A tablet with the names of the two spouses is placed on a table with two doves. Engraving In “” The Illustrated London News”” of 14 February 1857.

XEE4144055: Chinese custom: signing a marriage contract. A tablet with the names of the two spouses is placed on a table with two doves. Engraving In “” The Illustrated London News”” of 14 February 1857., Unknown Artist, (19th century) / Bridgeman Images

Costume on the Executive Board and the Consulate, 1859 (engraving)
Costume on the Executive Board and the Consulate, 1859 (engraving)

XEE4144115: Costume on the Executive Board and the Consulate, 1859 (engraving), Anonymous / Bridgeman Images

Costumes towards the end of the reign of King Louis XV, 1859 (engraving)
Costumes towards the end of the reign of King Louis XV, 1859 (engraving)

XEE4144126: Costumes towards the end of the reign of King Louis XV, 1859 (engraving), Anonymous / Bridgeman Images


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