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Nicolas Louis Vauquelin, a French chemist (1763 - 1829) worked first in a pharmacy. in “Histoire populaire des sciences, inventions et discoveries from the first centuries to the present day” by Bitard Adolphe 1880.
Nicolas Louis Vauquelin, a French chemist (1763 - 1829) worked first in a pharmacy. in “Histoire populaire des sciences, inventions et discoveries from the first centuries to the present day” by Bitard Adolphe 1880.

XEE4164388: Nicolas Louis Vauquelin, a French chemist (1763 - 1829) worked first in a pharmacy. in “Histoire populaire des sciences, inventions et discoveries from the first centuries to the present day” by Bitard Adolphe 1880., French School, (19th century) / Bridgeman Images

ID: XEE4164388

Nicolas Louis Vauquelin, a French chemist (1763 - 1829) worked first in a pharmacy. in “Histoire populaire des sciences, inventions et discoveries from the first centuries to the present day” by Bitard Adolphe 1880.

French School, (19th century)

Carl William (Guillaume) Scheele (1742 -1788), Swedish chemist in his laboratory with Tobern Bergmann 1735-1784 chemist.
Carl William (Guillaume) Scheele (1742 -1788), Swedish chemist in his laboratory with Tobern Bergmann 1735-1784 chemist.

XEE4164438: Carl William (Guillaume) Scheele (1742 -1788), Swedish chemist in his laboratory with Tobern Bergmann 1735-1784 chemist., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164438

Carl William (Guillaume) Scheele (1742 -1788), Swedish chemist in his laboratory with Tobern Bergmann 1735-1784 chemist.

Unknown Artist, (19th century)

Vue exterieure de la Gare du Nord a Paris, construite par l'architecte francais Jacques Hittorff (1792-1867), 1863. Gravure in
Vue exterieure de la Gare du Nord a Paris, construite par l'architecte francais Jacques Hittorff (1792-1867), 1863. Gravure in

XEE4164465: Vue exterieure de la Gare du Nord a Paris, construite par l'architecte francais Jacques Hittorff (1792-1867), 1863. Gravure in ""Le Monde Illustre"" n°322 du 13 juin 1863., French School, (19th century) / Bridgeman Images

ID: XEE4164465

Vue exterieure de la Gare du Nord a Paris, construite par l'architecte francais Jacques Hittorff (1792-1867), 1863. Gravure in ""Le Monde Illustre"" n°322 du 13 juin 1863.

French School, (19th century)

George Stephenson, British engineer (1781-1848) with his son.
George Stephenson, British engineer (1781-1848) with his son.

XEE4164504: George Stephenson, British engineer (1781-1848) with his son., French School, (19th century) / Bridgeman Images

ID: XEE4164504

George Stephenson, British engineer (1781-1848) with his son.

French School, (19th century)

The cynofere: velocipede driven by dogs. Invention of the late 19th century. Engraving in “The Illustrious Universe”” of 6 May 1876.
The cynofere: velocipede driven by dogs. Invention of the late 19th century. Engraving in “The Illustrious Universe”” of 6 May 1876.

XEE4164507: The cynofere: velocipede driven by dogs. Invention of the late 19th century. Engraving in “The Illustrious Universe”” of 6 May 1876., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164507

The cynofere: velocipede driven by dogs. Invention of the late 19th century. Engraving in “The Illustrious Universe”” of 6 May 1876.

Unknown Artist, (19th century)

Jansenism: the convulsionaries (Jansenist fanatics) hunts from the cemetery Saint Medard under Louis XV.
Jansenism: the convulsionaries (Jansenist fanatics) hunts from the cemetery Saint Medard under Louis XV.

XEE4164509: Jansenism: the convulsionaries (Jansenist fanatics) hunts from the cemetery Saint Medard under Louis XV., French School, (19th century) / Bridgeman Images

ID: XEE4164509

Jansenism: the convulsionaries (Jansenist fanatics) hunts from the cemetery Saint Medard under Louis XV.

French School, (19th century)

The Hotel des Commissaires Ariseurs: the merchants. Cartoon by Honore Daumier (1808-1879). Engraving in “” Le Monde Illustré”” n°326 of January 11, 1863.
The Hotel des Commissaires Ariseurs: the merchants. Cartoon by Honore Daumier (1808-1879). Engraving in “” Le Monde Illustré”” n°326 of January 11, 1863.

XEE4164545: The Hotel des Commissaires Ariseurs: the merchants. Cartoon by Honore Daumier (1808-1879). Engraving in “” Le Monde Illustré”” n°326 of January 11, 1863., Daumier, Honore (1808-79) / Bridgeman Images

ID: XEE4164545

The Hotel des Commissaires Ariseurs: the merchants. Cartoon by Honore Daumier (1808-1879). Engraving in “” Le Monde Illustré”” n°326 of January 11, 1863.

Daumier, Honore (1808-79)

Internal view of a glassware shop in France, 1863. Engraving in “” Le Monde Illustré”” n°346 of 28 November 1863.
Internal view of a glassware shop in France, 1863. Engraving in “” Le Monde Illustré”” n°346 of 28 November 1863.

XEE4164557: Internal view of a glassware shop in France, 1863. Engraving in “” Le Monde Illustré”” n°346 of 28 November 1863., French School, (19th century) / Bridgeman Images

ID: XEE4164557

Internal view of a glassware shop in France, 1863. Engraving in “” Le Monde Illustré”” n°346 of 28 November 1863.

French School, (19th century)

Strength work: English prisoners working in a stone quarry. Portland Prison, England, 1863. Engraving in “” Le Monde Illustré”” n°339 of October 10, 1863.
Strength work: English prisoners working in a stone quarry. Portland Prison, England, 1863. Engraving in “” Le Monde Illustré”” n°339 of October 10, 1863.

XEE4164580: Strength work: English prisoners working in a stone quarry. Portland Prison, England, 1863. Engraving in “” Le Monde Illustré”” n°339 of October 10, 1863., French School, (19th century) / Bridgeman Images

ID: XEE4164580

Strength work: English prisoners working in a stone quarry. Portland Prison, England, 1863. Engraving in “” Le Monde Illustré”” n°339 of October 10, 1863.

French School, (19th century)

Transformations de Paris sous le Second Empire , Paris haussmannien : vue des demolitions a l'emplacement du square Montholon, rue Lafayette. Gravure in
Transformations de Paris sous le Second Empire , Paris haussmannien : vue des demolitions a l'emplacement du square Montholon, rue Lafayette. Gravure in

XEE4164594: Transformations de Paris sous le Second Empire , Paris haussmannien : vue des demolitions a l'emplacement du square Montholon, rue Lafayette. Gravure in ""Le Monde Illustre"" n°335 du 12 septembre 1863., French School, (19th century) / Bridgeman Images

ID: XEE4164594

Transformations de Paris sous le Second Empire , Paris haussmannien : vue des demolitions a l'emplacement du square Montholon, rue Lafayette. Gravure in ""Le Monde Illustre"" n°335 du 12 septembre 1863.

French School, (19th century)

Breton custom: couple of young marriages at the exit of the church. At the top of the cortege are players of biniou and drum. Treguennec, Finistere (29), 1863. Engraving in “” Le Monde Illustré”” n°332 of 22 August 1863.
Breton custom: couple of young marriages at the exit of the church. At the top of the cortege are players of biniou and drum. Treguennec, Finistere (29), 1863. Engraving in “” Le Monde Illustré”” n°332 of 22 August 1863.

XEE4164598: Breton custom: couple of young marriages at the exit of the church. At the top of the cortege are players of biniou and drum. Treguennec, Finistere (29), 1863. Engraving in “” Le Monde Illustré”” n°332 of 22 August 1863., French School, (19th century) / Bridgeman Images

ID: XEE4164598

Breton custom: couple of young marriages at the exit of the church. At the top of the cortege are players of biniou and drum. Treguennec, Finistere (29), 1863. Engraving in “” Le Monde Illustré”” n°332 of 22 August 1863.

French School, (19th century)

Chantier naval : le belier cuirasse le
Chantier naval : le belier cuirasse le

XEE4164636: Chantier naval : le belier cuirasse le ""Sphinx"", construit pour le gouvernement francais par les ""Chantiers et ateliers de l'Ocean"", une societe bordelaise. Gironde (33), 1864. Gravure in ""Le Monde Illustre"" n°388 du 17 septembre 1864., French School, (19th century) / Bridgeman Images

ID: XEE4164636

Chantier naval : le belier cuirasse le ""Sphinx"", construit pour le gouvernement francais par les ""Chantiers et ateliers de l'Ocean"", une societe bordelaise. Gironde (33), 1864. Gravure in ""Le Monde Illustre"" n°388 du 17 septembre 1864.

French School, (19th century)

Capsizing of the omnibus steamboat the “” Fly n°4”” on the Saone River in Lyon (Rhone, 69), July 10, 1864. Engraving in “” Le Monde Illustré”” n°380 of 23 July 1864.
Capsizing of the omnibus steamboat the “” Fly n°4”” on the Saone River in Lyon (Rhone, 69), July 10, 1864. Engraving in “” Le Monde Illustré”” n°380 of 23 July 1864.

XEE4164651: Capsizing of the omnibus steamboat the “” Fly n°4”” on the Saone River in Lyon (Rhone, 69), July 10, 1864. Engraving in “” Le Monde Illustré”” n°380 of 23 July 1864., French School, (19th century) / Bridgeman Images

ID: XEE4164651

Capsizing of the omnibus steamboat the “” Fly n°4”” on the Saone River in Lyon (Rhone, 69), July 10, 1864. Engraving in “” Le Monde Illustré”” n°380 of 23 July 1864.

French School, (19th century)

Paris 1890: Installation of Zadoc Kahn (Zadoc-Kahn) (1839-1905) great rabbi of France. Monsieur Alphonse de Rothschild (1827 -1905) reading the nomination order.
Paris 1890: Installation of Zadoc Kahn (Zadoc-Kahn) (1839-1905) great rabbi of France. Monsieur Alphonse de Rothschild (1827 -1905) reading the nomination order.

XEE4164711: Paris 1890: Installation of Zadoc Kahn (Zadoc-Kahn) (1839-1905) great rabbi of France. Monsieur Alphonse de Rothschild (1827 -1905) reading the nomination order., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164711

Paris 1890: Installation of Zadoc Kahn (Zadoc-Kahn) (1839-1905) great rabbi of France. Monsieur Alphonse de Rothschild (1827 -1905) reading the nomination order.

Unknown Artist, (19th century)

Corsican custom, 1865: banditry. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865.
Corsican custom, 1865: banditry. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865.

XEE4164727: Corsican custom, 1865: banditry. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865., French School, (19th century) / Bridgeman Images

ID: XEE4164727

Corsican custom, 1865: banditry. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865.

French School, (19th century)

Corsican custom, 1865: wedding ceremony in the village of Asco. The cure places a bucket of wood on the spouses' head and gives a sermon to each on husband and wife's duties. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865.
Corsican custom, 1865: wedding ceremony in the village of Asco. The cure places a bucket of wood on the spouses' head and gives a sermon to each on husband and wife's duties. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865.

XEE4164730: Corsican custom, 1865: wedding ceremony in the village of Asco. The cure places a bucket of wood on the spouses' head and gives a sermon to each on husband and wife's duties. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865., French School, (19th century) / Bridgeman Images

ID: XEE4164730

Corsican custom, 1865: wedding ceremony in the village of Asco. The cure places a bucket of wood on the spouses' head and gives a sermon to each on husband and wife's duties. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galeti published in “Le Monde Illustré”” n°424 of 27 May 1865.

French School, (19th century)

Corsican custom, 1865: the Mugliaccheri. After the wedding ceremony, the parents of the two spouses fight for the young bride. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galetti published in “Le Monde Illustrie” n°424 of 27 May 1865.
Corsican custom, 1865: the Mugliaccheri. After the wedding ceremony, the parents of the two spouses fight for the young bride. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galetti published in “Le Monde Illustrie” n°424 of 27 May 1865.

XEE4164733: Corsican custom, 1865: the Mugliaccheri. After the wedding ceremony, the parents of the two spouses fight for the young bride. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galetti published in “Le Monde Illustrie” n°424 of 27 May 1865., French School, (19th century) / Bridgeman Images

ID: XEE4164733

Corsican custom, 1865: the Mugliaccheri. After the wedding ceremony, the parents of the two spouses fight for the young bride. Engraving in “” Histoire de la Corsica illustree””” by the abbe Jean Ange Galetti published in “Le Monde Illustrie” n°424 of 27 May 1865.

French School, (19th century)

Fighting sport: boxing match between two “prize fighters” in the English campaign, 1865. Engraving in “” Le Monde Illustré”” n°419 of 22 April 1865.
Fighting sport: boxing match between two “prize fighters” in the English campaign, 1865. Engraving in “” Le Monde Illustré”” n°419 of 22 April 1865.

XEE4164743: Fighting sport: boxing match between two “prize fighters” in the English campaign, 1865. Engraving in “” Le Monde Illustré”” n°419 of 22 April 1865., French School, (19th century) / Bridgeman Images

ID: XEE4164743

Fighting sport: boxing match between two “prize fighters” in the English campaign, 1865. Engraving in “” Le Monde Illustré”” n°419 of 22 April 1865.

French School, (19th century)

Dinant, Abbey of Maredsous, Wallonia, Belgium. Chromolithography of the end of the 19th century.
Dinant, Abbey of Maredsous, Wallonia, Belgium. Chromolithography of the end of the 19th century.

XEE4164791: Dinant, Abbey of Maredsous, Wallonia, Belgium. Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164791

Dinant, Abbey of Maredsous, Wallonia, Belgium. Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

Nelson's monument and trafalgar square, Edinburgh (Edinburgh) in Scotland, United Kingdom. Chromolithography of the late 19th century.
Nelson's monument and trafalgar square, Edinburgh (Edinburgh) in Scotland, United Kingdom. Chromolithography of the late 19th century.

XEE4164792: Nelson's monument and trafalgar square, Edinburgh (Edinburgh) in Scotland, United Kingdom. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164792

Nelson's monument and trafalgar square, Edinburgh (Edinburgh) in Scotland, United Kingdom. Chromolithography of the late 19th century.

Unknown Artist, (19th century)

Chateau de Waulsort sur Meuse, Walloon Region, Belgium.
Chateau de Waulsort sur Meuse, Walloon Region, Belgium.

XEE4164833: Chateau de Waulsort sur Meuse, Walloon Region, Belgium., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164833

Chateau de Waulsort sur Meuse, Walloon Region, Belgium.

Unknown Artist, (19th century)

View of the city of Dinant, Wallonia, Belgium. Chromolithography of the end of the 19th century.
View of the city of Dinant, Wallonia, Belgium. Chromolithography of the end of the 19th century.

XEE4164834: View of the city of Dinant, Wallonia, Belgium. Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164834

View of the city of Dinant, Wallonia, Belgium. Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

Royal Palace of Brussels, Belgium. Chromolithography of the end of the 19th century.
Royal Palace of Brussels, Belgium. Chromolithography of the end of the 19th century.

XEE4164848: Royal Palace of Brussels, Belgium. Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4164848

Royal Palace of Brussels, Belgium. Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

Portrait of Nasser Ed Din (1831-1896), Shah of Persia (Iran). Also called Nasseredin Shah, Nasserer-al-Din Shah Qajar, Nasser al-Din Shah Qajar, Nassiruddin Shah. One of the newspaper “” Le Monde Illustré”” No. 1687 of July 27, 1889.
Portrait of Nasser Ed Din (1831-1896), Shah of Persia (Iran). Also called Nasseredin Shah, Nasserer-al-Din Shah Qajar, Nasser al-Din Shah Qajar, Nassiruddin Shah. One of the newspaper “” Le Monde Illustré”” No. 1687 of July 27, 1889.

XEE4164870: Portrait of Nasser Ed Din (1831-1896), Shah of Persia (Iran). Also called Nasseredin Shah, Nasserer-al-Din Shah Qajar, Nasser al-Din Shah Qajar, Nassiruddin Shah. One of the newspaper “” Le Monde Illustré”” No. 1687 of July 27, 1889., French School, (19th century) / Bridgeman Images

ID: XEE4164870

Portrait of Nasser Ed Din (1831-1896), Shah of Persia (Iran). Also called Nasseredin Shah, Nasserer-al-Din Shah Qajar, Nasser al-Din Shah Qajar, Nassiruddin Shah. One of the newspaper “” Le Monde Illustré”” No. 1687 of July 27, 1889.

French School, (19th century)

Vue des demolitions de la place Maubert a Paris, 1889. Gravure in
Vue des demolitions de la place Maubert a Paris, 1889. Gravure in

XEE4164880: Vue des demolitions de la place Maubert a Paris, 1889. Gravure in ""Le Monde Illustre"" n°1666 du 2 mars 1889., French School, (19th century) / Bridgeman Images

ID: XEE4164880

Vue des demolitions de la place Maubert a Paris, 1889. Gravure in ""Le Monde Illustre"" n°1666 du 2 mars 1889.

French School, (19th century)

Judgment of Jacques Coeur, a French businessman arrested for malfeasance in 1451, sentenced to prison, and his property was confiscated.
Judgment of Jacques Coeur, a French businessman arrested for malfeasance in 1451, sentenced to prison, and his property was confiscated.

XEE4164920: Judgment of Jacques Coeur, a French businessman arrested for malfeasance in 1451, sentenced to prison, and his property was confiscated., Unknown Artist / Bridgeman Images

ID: XEE4164920

Judgment of Jacques Coeur, a French businessman arrested for malfeasance in 1451, sentenced to prison, and his property was confiscated.

Unknown Artist

Camisard War of 1702-1705 which opposes Protestants of the Cevennes to the royal Catholic government. Massacre of Protestants in the Cevennes.
Camisard War of 1702-1705 which opposes Protestants of the Cevennes to the royal Catholic government. Massacre of Protestants in the Cevennes.

XEE4165251: Camisard War of 1702-1705 which opposes Protestants of the Cevennes to the royal Catholic government. Massacre of Protestants in the Cevennes., French School, (19th century) / Bridgeman Images

ID: XEE4165251

Camisard War of 1702-1705 which opposes Protestants of the Cevennes to the royal Catholic government. Massacre of Protestants in the Cevennes.

French School, (19th century)

Cross section of the Napoleon high school in Paris, 1857 (engraving)
Cross section of the Napoleon high school in Paris, 1857 (engraving)

XEE4165264: Cross section of the Napoleon high school in Paris, 1857 (engraving), Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: XEE4165264

Cross section of the Napoleon high school in Paris, 1857 (engraving)

Therond, Emile Theodore (b.1821)

Admiral Carlo Zeno accused of corruption before the “Council of Ten, 15th century (engraving)
Admiral Carlo Zeno accused of corruption before the “Council of Ten, 15th century (engraving)

XEE4165268: Admiral Carlo Zeno accused of corruption before the “Council of Ten, 15th century (engraving), French School, (19th century) / Bridgeman Images

ID: XEE4165268

Admiral Carlo Zeno accused of corruption before the “Council of Ten, 15th century (engraving)

French School, (19th century)

A glance at the theatre of Besancon by Claude Nicolas Ledoux .
A glance at the theatre of Besancon by Claude Nicolas Ledoux .

XEE4165328: A glance at the theatre of Besancon by Claude Nicolas Ledoux ., Ledoux, Claude Nicolas (1736-1806) / Bridgeman Images

ID: XEE4165328

A glance at the theatre of Besancon by Claude Nicolas Ledoux .

Ledoux, Claude Nicolas (1736-1806)

Initiation: - Well here it is: the ladies, we go to their place to take the tea and they undress. Then after they get dressed, in “Le Lire” of August 22, 1908 (engraving)
Initiation: - Well here it is: the ladies, we go to their place to take the tea and they undress. Then after they get dressed, in “Le Lire” of August 22, 1908 (engraving)

XEE4165401: Initiation: - Well here it is: the ladies, we go to their place to take the tea and they undress. Then after they get dressed, in “Le Lire” of August 22, 1908 (engraving), Poulbot, Francisque (1879-1946) / Bridgeman Images

ID: XEE4165401

Initiation: - Well here it is: the ladies, we go to their place to take the tea and they undress. Then after they get dressed, in “Le Lire” of August 22, 1908 (engraving)

Poulbot, Francisque (1879-1946)

The mystery: - Why do they lock themselves when they get married?.In “ Le Rire” of May 9, 1908 (engraving)
The mystery: - Why do they lock themselves when they get married?.In “ Le Rire” of May 9, 1908 (engraving)

XEE4165409: The mystery: - Why do they lock themselves when they get married?.In “ Le Rire” of May 9, 1908 (engraving), Poulbot, Francisque (1879-1946) / Bridgeman Images

ID: XEE4165409

The mystery: - Why do they lock themselves when they get married?.In “ Le Rire” of May 9, 1908 (engraving)

Poulbot, Francisque (1879-1946)

The Victor Emmanuel gallery (Victor-Emmanuel) in Milan in 1867. (Galleria Vittorio Emanuele). Engraving from 1867.
The Victor Emmanuel gallery (Victor-Emmanuel) in Milan in 1867. (Galleria Vittorio Emanuele). Engraving from 1867.

XEE4165436: The Victor Emmanuel gallery (Victor-Emmanuel) in Milan in 1867. (Galleria Vittorio Emanuele). Engraving from 1867., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4165436

The Victor Emmanuel gallery (Victor-Emmanuel) in Milan in 1867. (Galleria Vittorio Emanuele). Engraving from 1867.

Unknown Artist, (19th century)

The Gypsies, an orchestra of Hungarian musicians at the World Exhibition of 1867.
The Gypsies, an orchestra of Hungarian musicians at the World Exhibition of 1867.

XEE4165441: The Gypsies, an orchestra of Hungarian musicians at the World Exhibition of 1867., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4165441

The Gypsies, an orchestra of Hungarian musicians at the World Exhibition of 1867.

Unknown Artist, (19th century)

Demonstration of one hundred thousand workers in the streets of St. Petersburg to commemorate the days of blood (“Red Sunday” or “Bloody Sunday”) of 1905.
Demonstration of one hundred thousand workers in the streets of St. Petersburg to commemorate the days of blood (“Red Sunday” or “Bloody Sunday”) of 1905.

XEE4165449: Demonstration of one hundred thousand workers in the streets of St. Petersburg to commemorate the days of blood (“Red Sunday” or “Bloody Sunday”) of 1905. "La domenica del corriere". 1914., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4165449

Demonstration of one hundred thousand workers in the streets of St. Petersburg to commemorate the days of blood (“Red Sunday” or “Bloody Sunday”) of 1905. "La domenica del corriere". 1914.

Beltrame, Achille (1871-1945)

Cretan revolt (1866-1869), insurrection of the Cretan population against the Ottoman occupation: engagement between the Candiotes (inhabitant of the island of Candia or Crete) and the Turks, 1867. Engraving in “” Le Monde Illustré”” n°513 of February 9, 1867.
Cretan revolt (1866-1869), insurrection of the Cretan population against the Ottoman occupation: engagement between the Candiotes (inhabitant of the island of Candia or Crete) and the Turks, 1867. Engraving in “” Le Monde Illustré”” n°513 of February 9, 1867.

XEE4165492: Cretan revolt (1866-1869), insurrection of the Cretan population against the Ottoman occupation: engagement between the Candiotes (inhabitant of the island of Candia or Crete) and the Turks, 1867. Engraving in “” Le Monde Illustré”” n°513 of February 9, 1867., French School, (19th century) / Bridgeman Images

ID: XEE4165492

Cretan revolt (1866-1869), insurrection of the Cretan population against the Ottoman occupation: engagement between the Candiotes (inhabitant of the island of Candia or Crete) and the Turks, 1867. Engraving in “” Le Monde Illustré”” n°513 of February 9, 1867.

French School, (19th century)


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