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Theatrical representation: “” Claudie”” by George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876). Paris, Theatre Cluny, 1879. Engraving in “” Le Monde Illustré”” n°1176 of October 11, 1879.
Theatrical representation: “” Claudie”” by George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876). Paris, Theatre Cluny, 1879. Engraving in “” Le Monde Illustré”” n°1176 of October 11, 1879.

XEE4167733: Theatrical representation: “” Claudie”” by George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876). Paris, Theatre Cluny, 1879. Engraving in “” Le Monde Illustré”” n°1176 of October 11, 1879., French School, (19th century) / Bridgeman Images

ID: XEE4167733

Theatrical representation: “” Claudie”” by George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876). Paris, Theatre Cluny, 1879. Engraving in “” Le Monde Illustré”” n°1176 of October 11, 1879.

French School, (19th century)

Portrait of the abbe of L'Epee (Charles Michel de L'Epee, 1712-1789), French pedagogue, inventor of sign language for the deaf mute. Engraving from 1858-1859.
Portrait of the abbe of L'Epee (Charles Michel de L'Epee, 1712-1789), French pedagogue, inventor of sign language for the deaf mute. Engraving from 1858-1859.

XEE4167757: Portrait of the abbe of L'Epee (Charles Michel de L'Epee, 1712-1789), French pedagogue, inventor of sign language for the deaf mute. Engraving from 1858-1859., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4167757

Portrait of the abbe of L'Epee (Charles Michel de L'Epee, 1712-1789), French pedagogue, inventor of sign language for the deaf mute. Engraving from 1858-1859.

Unknown Artist, (19th century)

Meeting between the Italian composer Niccolo Vito Piccinni (1728-1800) and the first Consul Bonaparte (Napoleon 1st, 1769-1821). Engraving from 1856.
Meeting between the Italian composer Niccolo Vito Piccinni (1728-1800) and the first Consul Bonaparte (Napoleon 1st, 1769-1821). Engraving from 1856.

XEE4167782: Meeting between the Italian composer Niccolo Vito Piccinni (1728-1800) and the first Consul Bonaparte (Napoleon 1st, 1769-1821). Engraving from 1856., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4167782

Meeting between the Italian composer Niccolo Vito Piccinni (1728-1800) and the first Consul Bonaparte (Napoleon 1st, 1769-1821). Engraving from 1856.

Unknown Artist, (19th century)

Chinese musical instruments: organ, sound stone and violin.
Chinese musical instruments: organ, sound stone and violin.

XEE4167790: Chinese musical instruments: organ, sound stone and violin., Delannoy (19th century) / Bridgeman Images

ID: XEE4167790

Chinese musical instruments: organ, sound stone and violin.

Delannoy (19th century)

Portrait of Paul Henry Corintin Feval (Paul Feval pere, 1816-1887), French writer. Engraving from 1862-1863.
Portrait of Paul Henry Corintin Feval (Paul Feval pere, 1816-1887), French writer. Engraving from 1862-1863.

XEE4167802: Portrait of Paul Henry Corintin Feval (Paul Feval pere, 1816-1887), French writer. Engraving from 1862-1863., French School, (19th century) / Bridgeman Images

ID: XEE4167802

Portrait of Paul Henry Corintin Feval (Paul Feval pere, 1816-1887), French writer. Engraving from 1862-1863.

French School, (19th century)

Portrait of Jean Auguste Pelage Brizeux (1803-1858), French poet.
Portrait of Jean Auguste Pelage Brizeux (1803-1858), French poet.

XEE4167809: Portrait of Jean Auguste Pelage Brizeux (1803-1858), French poet., French School, (19th century) / Bridgeman Images

ID: XEE4167809

Portrait of Jean Auguste Pelage Brizeux (1803-1858), French poet.

French School, (19th century)

Philippe Paul (Philip-Paul) de Segur (1780-1873), French diplomat and historian, writing the Russian campaign. Engraving from 1856.
Philippe Paul (Philip-Paul) de Segur (1780-1873), French diplomat and historian, writing the Russian campaign. Engraving from 1856.

XEE4167830: Philippe Paul (Philip-Paul) de Segur (1780-1873), French diplomat and historian, writing the Russian campaign. Engraving from 1856., French School, (19th century) / Bridgeman Images

ID: XEE4167830

Philippe Paul (Philip-Paul) de Segur (1780-1873), French diplomat and historian, writing the Russian campaign. Engraving from 1856.

French School, (19th century)

The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861.
The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861.

XEE4167837: The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4167837

The writer Georges de Scudery (1598-1667) during a litterary salon organized by his sister, Madeleine de Scudery, in 1650. Engraving from 1860-1861.

Unknown Artist, (19th century)

The publication of Charles V's edits in Antwerp, 1550, 1866-67 (engraving)
The publication of Charles V's edits in Antwerp, 1550, 1866-67 (engraving)

XEE4167842: The publication of Charles V's edits in Antwerp, 1550, 1866-67 (engraving), Leys, Hendrik or Henri (1815-69) / Bridgeman Images

ID: XEE4167842

The publication of Charles V's edits in Antwerp, 1550, 1866-67 (engraving)

Leys, Hendrik or Henri (1815-69)

Portrait of Charles VII of France, known as Charles the Victorious or Charles the Good Served (1403-1461) (Capetian dynasty). Illustration late 19th century.
Portrait of Charles VII of France, known as Charles the Victorious or Charles the Good Served (1403-1461) (Capetian dynasty). Illustration late 19th century.

XEE4167855: Portrait of Charles VII of France, known as Charles the Victorious or Charles the Good Served (1403-1461) (Capetian dynasty). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167855

Portrait of Charles VII of France, known as Charles the Victorious or Charles the Good Served (1403-1461) (Capetian dynasty). Illustration late 19th century.

French School, (19th century)

Portrait of Louis VIII of France known as the Lion (1187-1226) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Louis VIII of France known as the Lion (1187-1226) (dynasty of the Capetians). Illustration late 19th century.

XEE4167874: Portrait of Louis VIII of France known as the Lion (1187-1226) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167874

Portrait of Louis VIII of France known as the Lion (1187-1226) (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Charles IV of France, known as Charles the Bel (1294-1328) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Charles IV of France, known as Charles the Bel (1294-1328) (dynasty of the Capetians). Illustration late 19th century.

XEE4167878: Portrait of Charles IV of France, known as Charles the Bel (1294-1328) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167878

Portrait of Charles IV of France, known as Charles the Bel (1294-1328) (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Isabelle de Hainaut (1170-1190), wife of Philip II of France (dynasty of the Capetians). Illustration late 19th century.
Portrait of Isabelle de Hainaut (1170-1190), wife of Philip II of France (dynasty of the Capetians). Illustration late 19th century.

XEE4167881: Portrait of Isabelle de Hainaut (1170-1190), wife of Philip II of France (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167881

Portrait of Isabelle de Hainaut (1170-1190), wife of Philip II of France (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Philip III of France, known as Philip the Hardi (1245-1285) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Philip III of France, known as Philip the Hardi (1245-1285) (dynasty of the Capetians). Illustration late 19th century.

XEE4167898: Portrait of Philip III of France, known as Philip the Hardi (1245-1285) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167898

Portrait of Philip III of France, known as Philip the Hardi (1245-1285) (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Charlotte de Savoie (1440-1483), wife of Louis XI of France. (Capetian dynasty). Illustration late 19th century.
Portrait of Charlotte de Savoie (1440-1483), wife of Louis XI of France. (Capetian dynasty). Illustration late 19th century.

XEE4167906: Portrait of Charlotte de Savoie (1440-1483), wife of Louis XI of France. (Capetian dynasty). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167906

Portrait of Charlotte de Savoie (1440-1483), wife of Louis XI of France. (Capetian dynasty). Illustration late 19th century.

French School, (19th century)

Portrait of Louis IX of France, known as Saint Louis (1214-1270) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Louis IX of France, known as Saint Louis (1214-1270) (dynasty of the Capetians). Illustration late 19th century.

XEE4167909: Portrait of Louis IX of France, known as Saint Louis (1214-1270) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4167909

Portrait of Louis IX of France, known as Saint Louis (1214-1270) (dynasty of the Capetians). Illustration late 19th century.

French School, (19th century)

Portrait of Daniel Francois Esprit Auber (Daniel-Francois-Esprit) (1782-1871), French composer. Engraving from 1867-1868.
Portrait of Daniel Francois Esprit Auber (Daniel-Francois-Esprit) (1782-1871), French composer. Engraving from 1867-1868.

XEE4167949: Portrait of Daniel Francois Esprit Auber (Daniel-Francois-Esprit) (1782-1871), French composer. Engraving from 1867-1868., French School, (19th century) / Bridgeman Images

ID: XEE4167949

Portrait of Daniel Francois Esprit Auber (Daniel-Francois-Esprit) (1782-1871), French composer. Engraving from 1867-1868.

French School, (19th century)

Novel series: “Notre Dame de Paris” by Victor Hugo (1802-1885). The court of miracles. Engraving in “” Les bons romances””, 1860. Private collection.
Novel series: “Notre Dame de Paris” by Victor Hugo (1802-1885). The court of miracles. Engraving in “” Les bons romances””, 1860. Private collection.

XEE4168163: Novel series: “Notre Dame de Paris” by Victor Hugo (1802-1885). The court of miracles. Engraving in “” Les bons romances””, 1860. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4168163

Novel series: “Notre Dame de Paris” by Victor Hugo (1802-1885). The court of miracles. Engraving in “” Les bons romances””, 1860. Private collection.

French School, (19th century)

Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). A man drains two women on the pave. Engraving in “” Les bons romances””, 1860. Private collection.
Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). A man drains two women on the pave. Engraving in “” Les bons romances””, 1860. Private collection.

XEE4168177: Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). A man drains two women on the pave. Engraving in “” Les bons romances””, 1860. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4168177

Roman serial: “” Notre Dame de Paris”” by Victor Hugo (1802-1885). A man drains two women on the pave. Engraving in “” Les bons romances””, 1860. Private collection.

French School, (19th century)

Le cathechisme, Engraving of 1860 after the painting by Henriette Browne .
Le cathechisme, Engraving of 1860 after the painting by Henriette Browne .

XEE4168054: Le cathechisme, Engraving of 1860 after the painting by Henriette Browne ., Browne, Henriette (1829-1901) / Bridgeman Images

ID: XEE4168054

Le cathechisme, Engraving of 1860 after the painting by Henriette Browne .

Browne, Henriette (1829-1901)

War of the Pacific between Peru and Bolivia and Chile - Battle of Tacna - 26 May 1880, 1880 (engraving)
War of the Pacific between Peru and Bolivia and Chile - Battle of Tacna - 26 May 1880, 1880 (engraving)

XEE4168548: War of the Pacific between Peru and Bolivia and Chile - Battle of Tacna - 26 May 1880, 1880 (engraving), Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

ID: XEE4168548

War of the Pacific between Peru and Bolivia and Chile - Battle of Tacna - 26 May 1880, 1880 (engraving)

Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888)

Pacific War (1879-1884) between Peru and Bolivia and Chile - April 22, 1880: Chilean squadron bombed Callao (Peru). Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880.
Pacific War (1879-1884) between Peru and Bolivia and Chile - April 22, 1880: Chilean squadron bombed Callao (Peru). Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880.

XEE4168557: Pacific War (1879-1884) between Peru and Bolivia and Chile - April 22, 1880: Chilean squadron bombed Callao (Peru). Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168557

Pacific War (1879-1884) between Peru and Bolivia and Chile - April 22, 1880: Chilean squadron bombed Callao (Peru). Engraving by Scott in “” Le Monde Illustré”” n°1214 of July 3, 1880.

French School, (19th century)

Saint Jerome in the desert. Engraving after the painting by Georges Sauvage (Auguste Albert Georges Sauvage dit) (19th century). Engraving in “” Le Monde Illustré”” n°1196 of February 28, 1880.
Saint Jerome in the desert. Engraving after the painting by Georges Sauvage (Auguste Albert Georges Sauvage dit) (19th century). Engraving in “” Le Monde Illustré”” n°1196 of February 28, 1880.

XEE4168559: Saint Jerome in the desert. Engraving after the painting by Georges Sauvage (Auguste Albert Georges Sauvage dit) (19th century). Engraving in “” Le Monde Illustré”” n°1196 of February 28, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168559

Saint Jerome in the desert. Engraving after the painting by Georges Sauvage (Auguste Albert Georges Sauvage dit) (19th century). Engraving in “” Le Monde Illustré”” n°1196 of February 28, 1880.

French School, (19th century)

Return from the prom: a jealousy scene between a woman in tears and a man in clothing nervously taking off her gloves, 1880 (engraving)
Return from the prom: a jealousy scene between a woman in tears and a man in clothing nervously taking off her gloves, 1880 (engraving)

XEE4168583: Return from the prom: a jealousy scene between a woman in tears and a man in clothing nervously taking off her gloves, 1880 (engraving), Gervex, Henri (1852-1929) (after) / Bridgeman Images

ID: XEE4168583

Return from the prom: a jealousy scene between a woman in tears and a man in clothing nervously taking off her gloves, 1880 (engraving)

Gervex, Henri (1852-1929) (after)

Exterior view of Cologne Cathedral, Germany, 1880. Engraving in “” Le Monde Illustré”” n°1231 of October 31, 1880.
Exterior view of Cologne Cathedral, Germany, 1880. Engraving in “” Le Monde Illustré”” n°1231 of October 31, 1880.

XEE4168623: Exterior view of Cologne Cathedral, Germany, 1880. Engraving in “” Le Monde Illustré”” n°1231 of October 31, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168623

Exterior view of Cologne Cathedral, Germany, 1880. Engraving in “” Le Monde Illustré”” n°1231 of October 31, 1880.

French School, (19th century)

Expulsion of the Marists of Tourcoing following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police dispersed the riders, hostile to the expulsion of the Marists, and removed the surroundings of the convent. 8 November 1880. Engraving in “” Le Monde Illustré”” n°1234 of 20 November 1880.
Expulsion of the Marists of Tourcoing following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police dispersed the riders, hostile to the expulsion of the Marists, and removed the surroundings of the convent. 8 November 1880. Engraving in “” Le Monde Illustré”” n°1234 of 20 November 1880.

XEE4168642: Expulsion of the Marists of Tourcoing following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police dispersed the riders, hostile to the expulsion of the Marists, and removed the surroundings of the convent. 8 November 1880. Engraving in “” Le Monde Illustré”” n°1234 of 20 November 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168642

Expulsion of the Marists of Tourcoing following the decrees of March 1880 taken by Jules Ferry and removing the right to teach members of unauthorized religious congregations: the police dispersed the riders, hostile to the expulsion of the Marists, and removed the surroundings of the convent. 8 November 1880. Engraving in “” Le Monde Illustré”” n°1234 of 20 November 1880.

French School, (19th century)

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 14th painting: Irkboutsk in flames. Decor by Robecchi. Paris, Theatre du Chatelet, 1880. Engraving by Scott in “” The Illustrous World”” n°1235 of November 27, 1880.
Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 14th painting: Irkboutsk in flames. Decor by Robecchi. Paris, Theatre du Chatelet, 1880. Engraving by Scott in “” The Illustrous World”” n°1235 of November 27, 1880.

XEE4168649: Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 14th painting: Irkboutsk in flames. Decor by Robecchi. Paris, Theatre du Chatelet, 1880. Engraving by Scott in “” The Illustrous World”” n°1235 of November 27, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168649

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 14th painting: Irkboutsk in flames. Decor by Robecchi. Paris, Theatre du Chatelet, 1880. Engraving by Scott in “” The Illustrous World”” n°1235 of November 27, 1880.

French School, (19th century)

Portrait of Leon Cogniet (1794-1880), French painter. Engraving in “” Le Monde Illustré”” n°1236 of 4 December 1880.
Portrait of Leon Cogniet (1794-1880), French painter. Engraving in “” Le Monde Illustré”” n°1236 of 4 December 1880.

XEE4168664: Portrait of Leon Cogniet (1794-1880), French painter. Engraving in “” Le Monde Illustré”” n°1236 of 4 December 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168664

Portrait of Leon Cogniet (1794-1880), French painter. Engraving in “” Le Monde Illustré”” n°1236 of 4 December 1880.

French School, (19th century)

Inauguration of the monument dedicated to the painter Jean Baptiste Camille Corot (1796-1875) in Ville d'Avray (Ville-d'Avray) in 1880: comedian Blanche Barretta (Baretta) (b. 1855) recitating Francois Coppee's poem on Corot. Engraving in “” Le Monde Illustré”” n°1209 of 29 May 1880.
Inauguration of the monument dedicated to the painter Jean Baptiste Camille Corot (1796-1875) in Ville d'Avray (Ville-d'Avray) in 1880: comedian Blanche Barretta (Baretta) (b. 1855) recitating Francois Coppee's poem on Corot. Engraving in “” Le Monde Illustré”” n°1209 of 29 May 1880.

XEE4168669: Inauguration of the monument dedicated to the painter Jean Baptiste Camille Corot (1796-1875) in Ville d'Avray (Ville-d'Avray) in 1880: comedian Blanche Barretta (Baretta) (b. 1855) recitating Francois Coppee's poem on Corot. Engraving in “” Le Monde Illustré”” n°1209 of 29 May 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168669

Inauguration of the monument dedicated to the painter Jean Baptiste Camille Corot (1796-1875) in Ville d'Avray (Ville-d'Avray) in 1880: comedian Blanche Barretta (Baretta) (b. 1855) recitating Francois Coppee's poem on Corot. Engraving in “” Le Monde Illustré”” n°1209 of 29 May 1880.

French School, (19th century)

Portrait of Rafael Wenceslao Nunez Moledo (1825-1894), President of Colombia. Engraving in “” Le Monde Illustré”” n°1210 of June 5, 1880.
Portrait of Rafael Wenceslao Nunez Moledo (1825-1894), President of Colombia. Engraving in “” Le Monde Illustré”” n°1210 of June 5, 1880.

XEE4168680: Portrait of Rafael Wenceslao Nunez Moledo (1825-1894), President of Colombia. Engraving in “” Le Monde Illustré”” n°1210 of June 5, 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168680

Portrait of Rafael Wenceslao Nunez Moledo (1825-1894), President of Colombia. Engraving in “” Le Monde Illustré”” n°1210 of June 5, 1880.

French School, (19th century)

Translation of the ashes of Luis Vaz de Camoes and Vasco de Gama, Portugal, 9 June 1880: barking in the port of Belem the remains of the poet Luis Vaz de Camoes known as the Camoans (1525-1580) and the navigator Vasco de Gama (1459-1524). Engraving in “” Le Monde Illustré”” n°1213 of 26 June 1880.
Translation of the ashes of Luis Vaz de Camoes and Vasco de Gama, Portugal, 9 June 1880: barking in the port of Belem the remains of the poet Luis Vaz de Camoes known as the Camoans (1525-1580) and the navigator Vasco de Gama (1459-1524). Engraving in “” Le Monde Illustré”” n°1213 of 26 June 1880.

XEE4168686: Translation of the ashes of Luis Vaz de Camoes and Vasco de Gama, Portugal, 9 June 1880: barking in the port of Belem the remains of the poet Luis Vaz de Camoes known as the Camoans (1525-1580) and the navigator Vasco de Gama (1459-1524). Engraving in “” Le Monde Illustré”” n°1213 of 26 June 1880., French School, (19th century) / Bridgeman Images

ID: XEE4168686

Translation of the ashes of Luis Vaz de Camoes and Vasco de Gama, Portugal, 9 June 1880: barking in the port of Belem the remains of the poet Luis Vaz de Camoes known as the Camoans (1525-1580) and the navigator Vasco de Gama (1459-1524). Engraving in “” Le Monde Illustré”” n°1213 of 26 June 1880.

French School, (19th century)

Portrait of Gustave Nadaud, French singer. Engraving after the painting by Jean Joseph Weerts. In
Portrait of Gustave Nadaud, French singer. Engraving after the painting by Jean Joseph Weerts. In

XEE4169326: Portrait of Gustave Nadaud, French singer. Engraving after the painting by Jean Joseph Weerts. In "Le Monde Illustré" n°1252 of 26 March 1881., Weerts, Jean Joseph (1847-1927) / Bridgeman Images

ID: XEE4169326

Portrait of Gustave Nadaud, French singer. Engraving after the painting by Jean Joseph Weerts. In "Le Monde Illustré" n°1252 of 26 March 1881.

Weerts, Jean Joseph (1847-1927)

Russian custom: the horoscope of the rooster, 1881 (engraving)
Russian custom: the horoscope of the rooster, 1881 (engraving)

XEE4169332: Russian custom: the horoscope of the rooster, 1881 (engraving), Haenen, Frederic de (1853-1928) / Bridgeman Images

ID: XEE4169332

Russian custom: the horoscope of the rooster, 1881 (engraving)

Haenen, Frederic de (1853-1928)

View of the ruins of the Chiese del Purgatorio, destroyed during the 1881 earthquake on the island of Ischia (Italy). Engraving by Quesnel In “” The Illustrous World”” n°1254 of 9 April 1881.
View of the ruins of the Chiese del Purgatorio, destroyed during the 1881 earthquake on the island of Ischia (Italy). Engraving by Quesnel In “” The Illustrous World”” n°1254 of 9 April 1881.

XEE4169333: View of the ruins of the Chiese del Purgatorio, destroyed during the 1881 earthquake on the island of Ischia (Italy). Engraving by Quesnel In “” The Illustrous World”” n°1254 of 9 April 1881., French School, (19th century) / Bridgeman Images

ID: XEE4169333

View of the ruins of the Chiese del Purgatorio, destroyed during the 1881 earthquake on the island of Ischia (Italy). Engraving by Quesnel In “” The Illustrous World”” n°1254 of 9 April 1881.

French School, (19th century)

Feast of the bicentennial of Don Pedro Calderon de la Barca in Madrid, Spain, 1881 (engraving)
Feast of the bicentennial of Don Pedro Calderon de la Barca in Madrid, Spain, 1881 (engraving)

XEE4169358: Feast of the bicentennial of Don Pedro Calderon de la Barca in Madrid, Spain, 1881 (engraving), Urrabieta, Samuel (1853-1886) / Bridgeman Images

ID: XEE4169358

Feast of the bicentennial of Don Pedro Calderon de la Barca in Madrid, Spain, 1881 (engraving)

Urrabieta, Samuel (1853-1886)

Ms. Blanche Baretta of the Comedie Francaise, speaking the verses of Mr. Francois Coppee, in front of the monument of Corot in Ville d'Avray. 1881 (engraving)
Ms. Blanche Baretta of the Comedie Francaise, speaking the verses of Mr. Francois Coppee, in front of the monument of Corot in Ville d'Avray. 1881 (engraving)

XEE4169371: Ms. Blanche Baretta of the Comedie Francaise, speaking the verses of Mr. Francois Coppee, in front of the monument of Corot in Ville d'Avray. 1881 (engraving), Giron, Charles (1850-1914) / Bridgeman Images

ID: XEE4169371

Ms. Blanche Baretta of the Comedie Francaise, speaking the verses of Mr. Francois Coppee, in front of the monument of Corot in Ville d'Avray. 1881 (engraving)

Giron, Charles (1850-1914)


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