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- What are you doing, sir? - I do Italy (Cavour with the dome of Florence) satirical engraving of Il Fischietto
- What are you doing, sir? - I do Italy (Cavour with the dome of Florence) satirical engraving of Il Fischietto

GIA4749434: - What are you doing, sir? - I do Italy (Cavour with the dome of Florence) satirical engraving of Il Fischietto, Unknown Artist, (19th century) / Bridgeman Images

Deportation of the Jesuites on 21/07/1773: Expulsion of Jesuites from the states of the King of Spain, Naples and the Duchy of Parma, their Orders banned in France and Portugal. Engraving from the beginning of the 19th century
Deportation of the Jesuites on 21/07/1773: Expulsion of Jesuites from the states of the King of Spain, Naples and the Duchy of Parma, their Orders banned in France and Portugal. Engraving from the beginning of the 19th century

GIA4750133: Deportation of the Jesuites on 21/07/1773: Expulsion of Jesuites from the states of the King of Spain, Naples and the Duchy of Parma, their Orders banned in France and Portugal. Engraving from the beginning of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

King Edward VII of England (1841-1910) with Queen Alexandra in 1902 illustration by Achilles Beltrame
King Edward VII of England (1841-1910) with Queen Alexandra in 1902 illustration by Achilles Beltrame

GIA4750293: King Edward VII of England (1841-1910) with Queen Alexandra in 1902 illustration by Achilles Beltrame, Beltrame, Achille (1871-1945) / Bridgeman Images

Portrait of Gioacchino PECCI, Leo XIII (1810 - 1903), 254th Pope (1878 - 1903)
Portrait of Gioacchino PECCI, Leo XIII (1810 - 1903), 254th Pope (1878 - 1903)

GIA4750298: Portrait of Gioacchino PECCI, Leo XIII (1810 - 1903), 254th Pope (1878 - 1903), Unknown Artist, (19th century) / Bridgeman Images

CHD2943
CHD2943

GIA4750395: CHD2943, Unknown Artist, (19th century) / Bridgeman Images

Illustration of the book Sherlock Holmes. End of 19th century.
Illustration of the book Sherlock Holmes. End of 19th century.

GIA4750588: Illustration of the book Sherlock Holmes. End of 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Saint Petronilla. Xylography after “The Nuremberg Chronicles” by Hartmann Schedel. Nuremberg 1497
Portrait of Saint Petronilla. Xylography after “The Nuremberg Chronicles” by Hartmann Schedel. Nuremberg 1497

GIA4751267: Portrait of Saint Petronilla. Xylography after “The Nuremberg Chronicles” by Hartmann Schedel. Nuremberg 1497, Schedel, Hartmann (1440-1514) / Bridgeman Images

Grav. in “From the Earth to the Moon” by Jules Verne, 1866.
Grav. in “From the Earth to the Moon” by Jules Verne, 1866.

GIA4751453: Grav. in “From the Earth to the Moon” by Jules Verne, 1866., Unknown Artist, (19th century) / Bridgeman Images

Italian poster by Gino Boccasile (1901-1952). 1943.
Italian poster by Gino Boccasile (1901-1952). 1943.

GIA4751513: Italian poster by Gino Boccasile (1901-1952). 1943. "The Italian woman with her renunciations and sacrifices advances alongside the combatants, Boccasile, Gino (1901-52) / Bridgeman Images

Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762).
Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762).

GIA4751691: Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Carl Philippe Emanuel Bach called the Bach of Berlin and Hamburg Fifth child of John Sebastian Bach (Johann Sebastian Bach, 1685-1750). (Weimar, 1714 in Hamburg, 1788).
Portrait of Carl Philippe Emanuel Bach called the Bach of Berlin and Hamburg Fifth child of John Sebastian Bach (Johann Sebastian Bach, 1685-1750). (Weimar, 1714 in Hamburg, 1788).

GIA4751703: Portrait of Carl Philippe Emanuel Bach called the Bach of Berlin and Hamburg Fifth child of John Sebastian Bach (Johann Sebastian Bach, 1685-1750). (Weimar, 1714 in Hamburg, 1788)., Unknown artist, (18th century) / Bridgeman Images

Emblem of the Spanish Inquisition: cross, olive branch and sword. 17th century
Emblem of the Spanish Inquisition: cross, olive branch and sword. 17th century

GIA4751824: Emblem of the Spanish Inquisition: cross, olive branch and sword. 17th century, Unknown Artist, (17th century) / Bridgeman Images

The constellation represented is that of Bouvier (or Boots), which supports the hair of Berenices with the left hand. Page of an 18th century manuscript based on the original manuscript “Astronomica” by Biasino da Parma (Blaise of Parma) (1425-1457) dating from the 15th century
The constellation represented is that of Bouvier (or Boots), which supports the hair of Berenices with the left hand. Page of an 18th century manuscript based on the original manuscript “Astronomica” by Biasino da Parma (Blaise of Parma) (1425-1457) dating from the 15th century

GIA4751891: The constellation represented is that of Bouvier (or Boots), which supports the hair of Berenices with the left hand. Page of an 18th century manuscript based on the original manuscript “Astronomica” by Biasino da Parma (Blaise of Parma) (1425-1457) dating from the 15th century, Unknown artist, (18th century) / Bridgeman Images

Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century  Milan
Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century  Milan

GIA4752069: Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century Milan, Unknown Artist, (19th century) / Bridgeman Images

Liberal Arts: La geometria - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.
Liberal Arts: La geometria - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.

GIA4752278: Liberal Arts: La geometria - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517., Reisch, Gregor (d.1525) / Bridgeman Images

Liberal Arts: Grammar - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.
Liberal Arts: Grammar - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.

GIA4752305: Liberal Arts: Grammar - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517., Reisch, Gregor (d.1525) / Bridgeman Images

Liberal Arts: Logic - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.
Liberal Arts: Logic - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.

GIA4752318: Liberal Arts: Logic - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517., Reisch, Gregor (d.1525) / Bridgeman Images

The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.
The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.

GIA4752354: The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy., Reisch, Gregor (d.1525) / Bridgeman Images

Botanical board: Camelia from Japan. 19th century engraving
Botanical board: Camelia from Japan. 19th century engraving

GIA4752707: Botanical board: Camelia from Japan. 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images

Menu for a baptismal meal. Germany, 8/07/1900.
Menu for a baptismal meal. Germany, 8/07/1900.

GIA4752928: Menu for a baptismal meal. Germany, 8/07/1900., German School, (20th century) / Bridgeman Images

Childbirth scene after “Della Commare” by Scipione Mercuri, 1595.
Childbirth scene after “Della Commare” by Scipione Mercuri, 1595.

GIA4752947: Childbirth scene after “Della Commare” by Scipione Mercuri, 1595., Unknown Artist, (16th century) / Bridgeman Images

Knight Templar in war dress of the 14th century, engraving of 1830
Knight Templar in war dress of the 14th century, engraving of 1830

GIA4753148: Knight Templar in war dress of the 14th century, engraving of 1830, Unknown Artist, (19th century) / Bridgeman Images

first round of Italy by car in 1901 illustration by Achilles Beltrame
first round of Italy by car in 1901 illustration by Achilles Beltrame

GIA4753217: first round of Italy by car in 1901 illustration by Achilles Beltrame, Beltrame, Achille (1871-1945) / Bridgeman Images

Le grouper d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.
Le grouper d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.

GIA4753310: Le grouper d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

L'oblade ordinaire d'after “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.
L'oblade ordinaire d'after “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.

GIA4753365: L'oblade ordinaire d'after “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

La pagre d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.
La pagre d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.

GIA4753394: La pagre d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

Le sargue d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.
Le sargue d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828.

GIA4753452: Le sargue d'aprés “Histoire naturelle des poissons”” by Cuvier, Valenciennes, Paris, 1828., French School, (19th century) / Bridgeman Images

Filling operation of a hydrogen gas flask.
Filling operation of a hydrogen gas flask.

GIA4753538: Filling operation of a hydrogen gas flask., Unknown Artist, (19th century) / Bridgeman Images

Cartoon on Niccolo Paganini (1782 - 1840).
Cartoon on Niccolo Paganini (1782 - 1840).

GIA4734799: Cartoon on Niccolo Paganini (1782 - 1840)., Unknown Artist, (19th century) / Bridgeman Images

Saint Paul is halted in Jerusalem. 19th century engraving.
Saint Paul is halted in Jerusalem. 19th century engraving.

GIA4734947: Saint Paul is halted in Jerusalem. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Illustration for the “Bat - Mouse” by Johan Strauss. Act I. chromolithographof the end of the 19th century.
Illustration for the “Bat - Mouse” by Johan Strauss. Act I. chromolithographof the end of the 19th century.

GIA4740851: Illustration for the “Bat - Mouse” by Johan Strauss. Act I. chromolithographof the end of the 19th century., Anonymous / Bridgeman Images

Corsica after the “Cosmographia Universalis” by Sebastian Munster. Basel 1558
Corsica after the “Cosmographia Universalis” by Sebastian Munster. Basel 1558

GIA4741766: Corsica after the “Cosmographia Universalis” by Sebastian Munster. Basel 1558, Munster, Sebastian (1488-1552) / Bridgeman Images

Le chevalier Bayard (1475-1524) engraving 1830
Le chevalier Bayard (1475-1524) engraving 1830

GIA4744524: Le chevalier Bayard (1475-1524) engraving 1830, Unknown Artist, (19th century) / Bridgeman Images

A shoemaker in the 19th century: If we put taxes on heels too high, how many tall men would become small...
A shoemaker in the 19th century: If we put taxes on heels too high, how many tall men would become small...

GIA4743658: A shoemaker in the 19th century: If we put taxes on heels too high, how many tall men would become small..., Unknown Artist, (19th century) / Bridgeman Images

The Savetier. Carle Vernet engraving. 19th century.
The Savetier. Carle Vernet engraving. 19th century.

GIA4743686: The Savetier. Carle Vernet engraving. 19th century., Vernet, Carle (1758-1836) / Bridgeman Images

Portrait of Louis IX or Saint Louis (1214 - 1270).
Portrait of Louis IX or Saint Louis (1214 - 1270).

GIA4743767: Portrait of Louis IX or Saint Louis (1214 - 1270)., Unknown Artist, (19th century) / Bridgeman Images


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