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Airship invented by Henri Giffard in 1852 and Navigable airship invented by Dupuy de Lome in the 1872 (engraving)
Airship invented by Henri Giffard in 1852 and Navigable airship invented by Dupuy de Lome in the 1872 (engraving)

XEE4150972: Airship invented by Henri Giffard in 1852 and Navigable airship invented by Dupuy de Lome in the 1872 (engraving), Letellier, E. (19th century) / Bridgeman Images

Marion Delorme (or Marie de Lon, Lady of Lorme, 1611-1650) and Edward Somerset, Marquis of Worcester (1601-1667) in 1641 they would have seen Solomon de Caux (Solomon de Caus) (1576-1626) at the hospital in Bicetre in the courtyard of the fools, behind the bars - Engraving in “” Sciences put at the graving of all - popular physics and chemistry”” by Alexis Clerc - Late 19th century. Private collection.
Marion Delorme (or Marie de Lon, Lady of Lorme, 1611-1650) and Edward Somerset, Marquis of Worcester (1601-1667) in 1641 they would have seen Solomon de Caux (Solomon de Caus) (1576-1626) at the hospital in Bicetre in the courtyard of the fools, behind the bars - Engraving in “” Sciences put at the graving of all - popular physics and chemistry”” by Alexis Clerc - Late 19th century. Private collection.

XEE4150994: Marion Delorme (or Marie de Lon, Lady of Lorme, 1611-1650) and Edward Somerset, Marquis of Worcester (1601-1667) in 1641 they would have seen Solomon de Caux (Solomon de Caus) (1576-1626) at the hospital in Bicetre in the courtyard of the fools, behind the bars - Engraving in “” Sciences put at the graving of all - popular physics and chemistry”” by Alexis Clerc - Late 19th century. Private collection., French School, (19th century) / Bridgeman Images

Portrait of Selim III (1761-1808), Ottoman Emperor. Selim III was Sultan from 1789-1807 - Le sultan Selim III (1761-1808) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - collection privee
Portrait of Selim III (1761-1808), Ottoman Emperor. Selim III was Sultan from 1789-1807 - Le sultan Selim III (1761-1808) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - collection privee

XEE4151021: Portrait of Selim III (1761-1808), Ottoman Emperor. Selim III was Sultan from 1789-1807 - Le sultan Selim III (1761-1808) - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - collection privee, French School, (19th century) / Bridgeman Images

First empire: the charge of Jean Baptiste Bessieres (1768-1813), Duke of Istria”” - Jean-Baptiste Bessieres, 1st Duke of Istria charging - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection
First empire: the charge of Jean Baptiste Bessieres (1768-1813), Duke of Istria”” - Jean-Baptiste Bessieres, 1st Duke of Istria charging - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection

XEE4151023: First empire: the charge of Jean Baptiste Bessieres (1768-1813), Duke of Istria”” - Jean-Baptiste Bessieres, 1st Duke of Istria charging - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

NAPOLEON Bonaparte, 1769-1821 Emperor of France, presenting his son the King of Rome (Napoleon II) to the National Guard Napoleon presents his son, the King of Rome (Napoleon II, the Aiglon) to the National Guard - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection
NAPOLEON Bonaparte, 1769-1821 Emperor of France, presenting his son the King of Rome (Napoleon II) to the National Guard Napoleon presents his son, the King of Rome (Napoleon II, the Aiglon) to the National Guard - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection

XEE4151039: NAPOLEON Bonaparte, 1769-1821 Emperor of France, presenting his son the King of Rome (Napoleon II) to the National Guard Napoleon presents his son, the King of Rome (Napoleon II, the Aiglon) to the National Guard - in “Histoire de l'empire en suite à l'histoire du consulate” by Adolphe Thiers -1879 - private collection, French School, (19th century) / Bridgeman Images

Translation Of The Ash From Voltaire To The Panthoen July 11, 1791, 1865-66 (engraving)
Translation Of The Ash From Voltaire To The Panthoen July 11, 1791, 1865-66 (engraving)

XEE4151175: Translation Of The Ash From Voltaire To The Panthoen July 11, 1791, 1865-66 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Jacques-Antoine Dulaure (Jacques Antoine) (1755-1835) French archeologist and historian - Engraving in “The physical, civil and moral history of Paris: from the first historical times to the present day” by Jacques Antoine Dulaure. 1853
Portrait of Jacques-Antoine Dulaure (Jacques Antoine) (1755-1835) French archeologist and historian - Engraving in “The physical, civil and moral history of Paris: from the first historical times to the present day” by Jacques Antoine Dulaure. 1853

XEE4151191: Portrait of Jacques-Antoine Dulaure (Jacques Antoine) (1755-1835) French archeologist and historian - Engraving in “The physical, civil and moral history of Paris: from the first historical times to the present day” by Jacques Antoine Dulaure. 1853, French School, (19th century) / Bridgeman Images

Visit of the Catacombs of Paris in the 19th century - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853
Visit of the Catacombs of Paris in the 19th century - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853

XEE4151194: Visit of the Catacombs of Paris in the 19th century - Engraving in “” Physical, civil and moral history of Paris: from the earliest historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images

The last interview of Marie Mancini (1639-1715) with Louis XIV (1638-1715) before his departure from the court to Brouage on 22 June 1659, the exile organized by Cardinal Mazarin to keep him away from the king - Illustration takes from the “Viscount of Bragelonne”, novel by Alexandre Dumas published in “The Bons Romans” of 02/08/1861
The last interview of Marie Mancini (1639-1715) with Louis XIV (1638-1715) before his departure from the court to Brouage on 22 June 1659, the exile organized by Cardinal Mazarin to keep him away from the king - Illustration takes from the “Viscount of Bragelonne”, novel by Alexandre Dumas published in “The Bons Romans” of 02/08/1861

XEE4151224: The last interview of Marie Mancini (1639-1715) with Louis XIV (1638-1715) before his departure from the court to Brouage on 22 June 1659, the exile organized by Cardinal Mazarin to keep him away from the king - Illustration takes from the “Viscount of Bragelonne”, novel by Alexandre Dumas published in “The Bons Romans” of 02/08/1861, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Leonora Dori dit Galigai, marechale d'Anchre, 1863 (engraving)
Portrait of Leonora Dori dit Galigai, marechale d'Anchre, 1863 (engraving)

XEE4151280: Portrait of Leonora Dori dit Galigai, marechale d'Anchre, 1863 (engraving), Anonymous / Bridgeman Images

Napoleon I in the presence of Jean Nicolas Corvisart (1755-1821) doctor english engraving in “La Sante Universelle - Guide Medical des Families”” 1852
Napoleon I in the presence of Jean Nicolas Corvisart (1755-1821) doctor english engraving in “La Sante Universelle - Guide Medical des Families”” 1852

XEE4151310: Napoleon I in the presence of Jean Nicolas Corvisart (1755-1821) doctor english engraving in “La Sante Universelle - Guide Medical des Families”” 1852, Unknown Artist, (19th century) / Bridgeman Images

Portrait of General Alfred Chanzy (1823-1883) engraving of 1883
Portrait of General Alfred Chanzy (1823-1883) engraving of 1883

XEE4151343: Portrait of General Alfred Chanzy (1823-1883) engraving of 1883, Unknown Artist, (19th century) / Bridgeman Images

Sewing machine, 1861: salon machine of the “American House””. Engraving in “” Le Monde Illustré”” n°227 of 17 August 1861.
Sewing machine, 1861: salon machine of the “American House””. Engraving in “” Le Monde Illustré”” n°227 of 17 August 1861.

XEE4151351: Sewing machine, 1861: salon machine of the “American House””. Engraving in “” Le Monde Illustré”” n°227 of 17 August 1861., French School, (19th century) / Bridgeman Images

Flight of Angelica (Angelica) during the battle - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Flight of Angelica (Angelica) during the battle - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151374: Flight of Angelica (Angelica) during the battle - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Roger (Ruggero, Ruggiero) makes use of the enchanting shield - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Roger (Ruggero, Ruggiero) makes use of the enchanting shield - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151391: Roger (Ruggero, Ruggiero) makes use of the enchanting shield - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Rodomont massacre les habitatnts de Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Arioste - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Rodomont massacre les habitatnts de Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Arioste - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151451: Rodomont massacre les habitatnts de Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Arioste - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Roger (Ruggero, Ruggiero), Marphise (Marfisa) and the three women - engraving from 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, called Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Roger (Ruggero, Ruggiero), Marphise (Marfisa) and the three women - engraving from 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, called Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151522: Roger (Ruggero, Ruggiero), Marphise (Marfisa) and the three women - engraving from 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, called Ariosto - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

Roger (Ruggero, Ruggiero) defies in battle by Rodomont (Rodomonte) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Roger (Ruggero, Ruggiero) defies in battle by Rodomont (Rodomonte) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151536: Roger (Ruggero, Ruggiero) defies in battle by Rodomont (Rodomonte) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

First Abdication, 1814 - Napoleon (1769-1821), receiving the farewell of the marechal Jacques Alexandre (Jacques Alexandre) Macdonald (1765-1840), gave him the sword of Mourad Bey, one of the trophees of the Battle of Aboukir - in “History of the empire following the history of the consulate” by Adolphe Thiers - 1818 79 - private collection
First Abdication, 1814 - Napoleon (1769-1821), receiving the farewell of the marechal Jacques Alexandre (Jacques Alexandre) Macdonald (1765-1840), gave him the sword of Mourad Bey, one of the trophees of the Battle of Aboukir - in “History of the empire following the history of the consulate” by Adolphe Thiers - 1818 79 - private collection

XEE4151586: First Abdication, 1814 - Napoleon (1769-1821), receiving the farewell of the marechal Jacques Alexandre (Jacques Alexandre) Macdonald (1765-1840), gave him the sword of Mourad Bey, one of the trophees of the Battle of Aboukir - in “History of the empire following the history of the consulate” by Adolphe Thiers - 1818 79 - private collection, French School, (19th century) / Bridgeman Images

JEAN ANTOINE NOLLET (1700-1770) gave an electric concussion to the religious of a convent in Carthusian - Engraving in “” Sciences brought to the reach of all - physics and chemistry”” by Alexis Clerc - Late 19th century - Private collection
JEAN ANTOINE NOLLET (1700-1770) gave an electric concussion to the religious of a convent in Carthusian - Engraving in “” Sciences brought to the reach of all - physics and chemistry”” by Alexis Clerc - Late 19th century - Private collection

XEE4151596: JEAN ANTOINE NOLLET (1700-1770) gave an electric concussion to the religious of a convent in Carthusian - Engraving in “” Sciences brought to the reach of all - physics and chemistry”” by Alexis Clerc - Late 19th century - Private collection, French School, (19th century) / Bridgeman Images

Monkey and Leopard - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection
Monkey and Leopard - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection

XEE4151724: Monkey and Leopard - Fables by Jean de La Fontaine (1621-95) -Chromolithography of the end of the 19th century Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Le Fox et le Bouc - Fables by Jean de La Fontaine (1621-95) - Chromolithography of the end of the 19th century Private Collection
Le Fox et le Bouc - Fables by Jean de La Fontaine (1621-95) - Chromolithography of the end of the 19th century Private Collection

XEE4151726: Le Fox et le Bouc - Fables by Jean de La Fontaine (1621-95) - Chromolithography of the end of the 19th century Private Collection, Unknown Artist, (19th century) / Bridgeman Images

The Wolf became Berger - Fables by Jean de La Fontaine (1621-95) - Chromolithography of the end of the 19th century Private Collection
The Wolf became Berger - Fables by Jean de La Fontaine (1621-95) - Chromolithography of the end of the 19th century Private Collection

XEE4151735: The Wolf became Berger - Fables by Jean de La Fontaine (1621-95) - Chromolithography of the end of the 19th century Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Christoph Willibald Gluck before the queen Marie-Antoinette at Trianon - Christoph Willibald Gluck (1714-1787), German composer playing in front of Queen Marie Antoinette a Trianon - engraving in “” Popular Music””” illustrated weekly newspaper - 1882
Christoph Willibald Gluck before the queen Marie-Antoinette at Trianon - Christoph Willibald Gluck (1714-1787), German composer playing in front of Queen Marie Antoinette a Trianon - engraving in “” Popular Music””” illustrated weekly newspaper - 1882

XEE4151752: Christoph Willibald Gluck before the queen Marie-Antoinette at Trianon - Christoph Willibald Gluck (1714-1787), German composer playing in front of Queen Marie Antoinette a Trianon - engraving in “” Popular Music””” illustrated weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

Nobles bow in the 19th century in Korea
Nobles bow in the 19th century in Korea

XEE4151848: Nobles bow in the 19th century in Korea, Unknown Artist, (19th century) / Bridgeman Images

Entry of Napoleon III into Paris through the Arc de Triomphe on 2nd December 1852, engraving - L'empereur des francais Napoleon III (1808-1873) faisant son entrée à Paris on 2/12/1852 -
Entry of Napoleon III into Paris through the Arc de Triomphe on 2nd December 1852, engraving - L'empereur des francais Napoleon III (1808-1873) faisant son entrée à Paris on 2/12/1852 -

XEE4151877: Entry of Napoleon III into Paris through the Arc de Triomphe on 2nd December 1852, engraving - L'empereur des francais Napoleon III (1808-1873) faisant son entrée à Paris on 2/12/1852 -, Unknown Artist, (19th century) / Bridgeman Images

The duke of Wellington (Arthur Wellesley (1769-1852) (Duke of Wellington) stands at the bar of the House of Commons to receive the congratulations of the Speaker on his victory at Vimeiro, Peninsular War, 1809
The duke of Wellington (Arthur Wellesley (1769-1852) (Duke of Wellington) stands at the bar of the House of Commons to receive the congratulations of the Speaker on his victory at Vimeiro, Peninsular War, 1809

XEE4151879: The duke of Wellington (Arthur Wellesley (1769-1852) (Duke of Wellington) stands at the bar of the House of Commons to receive the congratulations of the Speaker on his victory at Vimeiro, Peninsular War, 1809, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Henry Longfellow, American poet and educator (1807-1882)
Portrait of Henry Longfellow, American poet and educator (1807-1882)

XEE4151914: Portrait of Henry Longfellow, American poet and educator (1807-1882), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jules Valadon, French painter (1826-1900)
Portrait of Jules Valadon, French painter (1826-1900)

XEE4151964: Portrait of Jules Valadon, French painter (1826-1900), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Michel Boyron (Michel Baron), English actor and playwright (1653-1729) - engraving
Portrait of Michel Boyron (Michel Baron), English actor and playwright (1653-1729) - engraving

XEE4151974: Portrait of Michel Boyron (Michel Baron), English actor and playwright (1653-1729) - engraving, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France - Portrait of Nicolas Catinat de La Fauconnerie (1637-1712). Marechal of France
Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France - Portrait of Nicolas Catinat de La Fauconnerie (1637-1712). Marechal of France

XEE4152068: Portrait of Nicolas Catinat de La Fauconnerie (1637-1712), French military commander and Marshal of France - Portrait of Nicolas Catinat de La Fauconnerie (1637-1712). Marechal of France, Unknown Artist, (19th century) / Bridgeman Images

La salle d'armes du chateau de Pierrefonds - restitution by Viollet-Leduc (Viollet Leduc) engraving of 1880
La salle d'armes du chateau de Pierrefonds - restitution by Viollet-Leduc (Viollet Leduc) engraving of 1880

XEE4152446: La salle d'armes du chateau de Pierrefonds - restitution by Viollet-Leduc (Viollet Leduc) engraving of 1880, Unknown Artist, (19th century) / Bridgeman Images

Physiognomy- Several hands whose expression is different, 1808 (engraving)
Physiognomy- Several hands whose expression is different, 1808 (engraving)

XEE4152617: Physiognomy- Several hands whose expression is different, 1808 (engraving), Lavater, Jean Gaspard (1741-1801) / Bridgeman Images

Portrait of Gabriel Naude (1600-1653) English librarian and scholar - Portrait of Gabriel Naude librarian francais (1600-1653)
Portrait of Gabriel Naude (1600-1653) English librarian and scholar - Portrait of Gabriel Naude librarian francais (1600-1653)

XEE4152645: Portrait of Gabriel Naude (1600-1653) English librarian and scholar - Portrait of Gabriel Naude librarian francais (1600-1653), Unknown Artist, (19th century) / Bridgeman Images

Physiognomony - Several heads of the Greek philosopher Socrates, Athenian philosophe, 1808 (engraving)
Physiognomony - Several heads of the Greek philosopher Socrates, Athenian philosophe, 1808 (engraving)

XEE4152735: Physiognomony - Several heads of the Greek philosopher Socrates, Athenian philosophe, 1808 (engraving), Anonymous / Bridgeman Images

Silvia, 1838 (engraving)
Silvia, 1838 (engraving)

XEE4152766: Silvia, 1838 (engraving), English School, (19th century) / Bridgeman Images


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