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Amid the turmoil and revolutions of India: the smile of Christian charity - cover of “” Le-Pelerin””, February 28, 1932
Amid the turmoil and revolutions of India: the smile of Christian charity - cover of “” Le-Pelerin””, February 28, 1932

XEE4148893: Amid the turmoil and revolutions of India: the smile of Christian charity - cover of “” Le-Pelerin””, February 28, 1932, French School, (20th century) / Bridgeman Images

Childhood care: at Montparnasse station, moms find a nursery ideal to care and breastfeed their babies - cover of “” Le-Pelerin”, 11 June 1933
Childhood care: at Montparnasse station, moms find a nursery ideal to care and breastfeed their babies - cover of “” Le-Pelerin”, 11 June 1933

XEE4148905: Childhood care: at Montparnasse station, moms find a nursery ideal to care and breastfeed their babies - cover of “” Le-Pelerin”, 11 June 1933, French School, (20th century) / Bridgeman Images

Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932
Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932

XEE4148917: Statue of Verdun (work of Henri Varenne, 1860-1933) on the pediment of the new Gare de l'Est; it is August 7 that the Ossuary of Douaumont is inaugurated, where thousands of tombs rest in front of Verdun - cover of “” Le-Pelerin””, August 7, 1932, French School, (20th century) / Bridgeman Images

Sainte Genevieve, protector of Paris, work of sculptor Landowski (Paul, 1875-1961), which will soon be inaugurated on one of the piles of the bridge of the Tournelle (on the left, the church of Saint Etienne du Mont where the tomb of the Sainte comes) - cover of “” Le-Pelerin”, June 24, 1928
Sainte Genevieve, protector of Paris, work of sculptor Landowski (Paul, 1875-1961), which will soon be inaugurated on one of the piles of the bridge of the Tournelle (on the left, the church of Saint Etienne du Mont where the tomb of the Sainte comes) - cover of “” Le-Pelerin”, June 24, 1928

XEE4148925: Sainte Genevieve, protector of Paris, work of sculptor Landowski (Paul, 1875-1961), which will soon be inaugurated on one of the piles of the bridge of the Tournelle (on the left, the church of Saint Etienne du Mont where the tomb of the Sainte comes) - cover of “” Le-Pelerin”, June 24, 1928, French School, (20th century) / Bridgeman Images

King Charles XIV (Jean de Suede) (John Baptiste Bernadotte) (1763-1844) is awarded a medal by his former teacher - Engraving by Telory
King Charles XIV (Jean de Suede) (John Baptiste Bernadotte) (1763-1844) is awarded a medal by his former teacher - Engraving by Telory

XEE4148931: King Charles XIV (Jean de Suede) (John Baptiste Bernadotte) (1763-1844) is awarded a medal by his former teacher - Engraving by Telory, Telory, Armand-Louis-Henri (aka Emy, Henri) (1820-1874) / Bridgeman Images

Harold, king of the English, swears fealty to Guillaume, Duke of Normandy (William I) - Harold II (1020-1066) last Anglosaxon king crown in 1064, taking oath on the sacred relics before William I the Conquerant to support his cause at the throne of England at the death of Edward the confessor - Engraving in “The History of England, since the times more retcules”” by Francois Guizot, 1877
Harold, king of the English, swears fealty to Guillaume, Duke of Normandy (William I) - Harold II (1020-1066) last Anglosaxon king crown in 1064, taking oath on the sacred relics before William I the Conquerant to support his cause at the throne of England at the death of Edward the confessor - Engraving in “The History of England, since the times more retcules”” by Francois Guizot, 1877

XEE4148934: Harold, king of the English, swears fealty to Guillaume, Duke of Normandy (William I) - Harold II (1020-1066) last Anglosaxon king crown in 1064, taking oath on the sacred relics before William I the Conquerant to support his cause at the throne of England at the death of Edward the confessor - Engraving in “The History of England, since the times more retcules”” by Francois Guizot, 1877, French School, (19th century) / Bridgeman Images

Portraits of Emperor Alexander I of Russia (1777-1825), with his wife (Elisabeth Alexeievna, nee Princess Louise Augusta of Baden, 1779-1826) - Engraving of the 19th century
Portraits of Emperor Alexander I of Russia (1777-1825), with his wife (Elisabeth Alexeievna, nee Princess Louise Augusta of Baden, 1779-1826) - Engraving of the 19th century

XEE4147959: Portraits of Emperor Alexander I of Russia (1777-1825), with his wife (Elisabeth Alexeievna, nee Princess Louise Augusta of Baden, 1779-1826) - Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Marechal Count Louis Adolphe Pierre zu Sayn Wittgenstein (Louis-Adolphe-Pierre zu Sayn-Wittgenstein) (1769-1843) - (Portrait of Field Marshal Count Ludwig Adolf Peter of Sayn Wittgenstein Ludwigsburg)
Portrait of the Marechal Count Louis Adolphe Pierre zu Sayn Wittgenstein (Louis-Adolphe-Pierre zu Sayn-Wittgenstein) (1769-1843) - (Portrait of Field Marshal Count Ludwig Adolf Peter of Sayn Wittgenstein Ludwigsburg)

XEE4147964: Portrait of the Marechal Count Louis Adolphe Pierre zu Sayn Wittgenstein (Louis-Adolphe-Pierre zu Sayn-Wittgenstein) (1769-1843) - (Portrait of Field Marshal Count Ludwig Adolf Peter of Sayn Wittgenstein Ludwigsburg), Unknown Artist / Bridgeman Images

Portrait of Camille Perier (Kam-Hil) (Kam Hil) (1856-1935) English cabaret performer and singer - Engraving 1882
Portrait of Camille Perier (Kam-Hil) (Kam Hil) (1856-1935) English cabaret performer and singer - Engraving 1882

XEE4148004: Portrait of Camille Perier (Kam-Hil) (Kam Hil) (1856-1935) English cabaret performer and singer - Engraving 1882, Unknown Artist, (19th century) / Bridgeman Images

Edith Maud Gonne (1866-1953), Irish Revolutionary, 1892 - Engraving - Portrait of Maud Gonne MacBride - Miss Maud Gonne (1866-1953) comedian and activist of the Irish cause. Engraving from 1892
Edith Maud Gonne (1866-1953), Irish Revolutionary, 1892 - Engraving - Portrait of Maud Gonne MacBride - Miss Maud Gonne (1866-1953) comedian and activist of the Irish cause. Engraving from 1892

XEE4148009: Edith Maud Gonne (1866-1953), Irish Revolutionary, 1892 - Engraving - Portrait of Maud Gonne MacBride - Miss Maud Gonne (1866-1953) comedian and activist of the Irish cause. Engraving from 1892, Unknown Artist, (19th century) / Bridgeman Images

Matthieu Lansbert (Lansberg, Lansbergh, Laensberg or Laensbergh) (15th-16th century) et sa niece - Engraving in “” Sciences made available to everyone - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection
Matthieu Lansbert (Lansberg, Lansbergh, Laensberg or Laensbergh) (15th-16th century) et sa niece - Engraving in “” Sciences made available to everyone - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection

XEE4148010: Matthieu Lansbert (Lansberg, Lansbergh, Laensberg or Laensbergh) (15th-16th century) et sa niece - Engraving in “” Sciences made available to everyone - physics and chemistry”” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images

Cover of the newspaper “” Le Rire””, n°50, October 10, 1895: Under the Empire, a man who dared to follow a woman for ten minutes without talking to her was classy, my daughter! “” Drawing by Felix Vallotton (1865-1925) - Private Collection
Cover of the newspaper “” Le Rire””, n°50, October 10, 1895: Under the Empire, a man who dared to follow a woman for ten minutes without talking to her was classy, my daughter! “” Drawing by Felix Vallotton (1865-1925) - Private Collection

XEE4148037: Cover of the newspaper “” Le Rire””, n°50, October 10, 1895: Under the Empire, a man who dared to follow a woman for ten minutes without talking to her was classy, my daughter! “” Drawing by Felix Vallotton (1865-1925) - Private Collection, Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

Illustration of Maurice Radiguet (1866-1941) for the French magazine “” Le Rire””” number 46 de 1895 - “” Flagrant Delit””” - Ben monsieur commissioner, it is a funny law that prohibits by 35 degrees of heat from getting at ease””
Illustration of Maurice Radiguet (1866-1941) for the French magazine “” Le Rire””” number 46 de 1895 - “” Flagrant Delit””” - Ben monsieur commissioner, it is a funny law that prohibits by 35 degrees of heat from getting at ease””

XEE4148042: Illustration of Maurice Radiguet (1866-1941) for the French magazine “” Le Rire””” number 46 de 1895 - “” Flagrant Delit””” - Ben monsieur commissioner, it is a funny law that prohibits by 35 degrees of heat from getting at ease””, Radiguet, Maurice (1866-1941) / Bridgeman Images

Chiromancia - Double Saturnian Line - Engraving 1545 in “The Art of Chyromance”” by Andre Corvo - Private Collection
Chiromancia - Double Saturnian Line - Engraving 1545 in “The Art of Chyromance”” by Andre Corvo - Private Collection

XEE4148079: Chiromancia - Double Saturnian Line - Engraving 1545 in “The Art of Chyromance”” by Andre Corvo - Private Collection, Anonymous / Bridgeman Images

Entry of William III of England into London after his defeat against French troops - Triumphant entry of William III of Orange-Nassau to London in 1692 - engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877
Entry of William III of England into London after his defeat against French troops - Triumphant entry of William III of Orange-Nassau to London in 1692 - engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877

XEE4148126: Entry of William III of England into London after his defeat against French troops - Triumphant entry of William III of Orange-Nassau to London in 1692 - engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877, Unknown Artist, (19th century) / Bridgeman Images

The meal of the witches on the Sabbath - “Compendium Maleficarum”, deals with the witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection
The meal of the witches on the Sabbath - “Compendium Maleficarum”, deals with the witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection

XEE4148134: The meal of the witches on the Sabbath - “Compendium Maleficarum”, deals with the witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection, Anonymous / Bridgeman Images

Somnic malefice - “” Compendium Maleficarum””, deals with witches, their malefices and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection
Somnic malefice - “” Compendium Maleficarum””, deals with witches, their malefices and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection

XEE4148140: Somnic malefice - “” Compendium Maleficarum””, deals with witches, their malefices and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection, Anonymous / Bridgeman Images

The imprint of the devil's claw - “” Compendium Maleficarum””, deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection
The imprint of the devil's claw - “” Compendium Maleficarum””, deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection

XEE4148179: The imprint of the devil's claw - “” Compendium Maleficarum””, deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection, Anonymous / Bridgeman Images

Child admitted to the Sabbath for the first time - “” Compendium Maleficarum””, deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection
Child admitted to the Sabbath for the first time - “” Compendium Maleficarum””, deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection

XEE4148180: Child admitted to the Sabbath for the first time - “” Compendium Maleficarum””, deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection, Anonymous / Bridgeman Images

Sorcerer crossing the sea by means of a sortilege - in “Historia de Gentibus Septentrionalibus” by Olaus Magnus, Rome 1555.
Sorcerer crossing the sea by means of a sortilege - in “Historia de Gentibus Septentrionalibus” by Olaus Magnus, Rome 1555.

XEE4148211: Sorcerer crossing the sea by means of a sortilege - in “Historia de Gentibus Septentrionalibus” by Olaus Magnus, Rome 1555., Unknown Artist, (16th century) / Bridgeman Images

The devil makes women chat during Mass - in “Der Ritter von Turn”” by Knight Marquard vom Stein, 1498
The devil makes women chat during Mass - in “Der Ritter von Turn”” by Knight Marquard vom Stein, 1498

XEE4148219: The devil makes women chat during Mass - in “Der Ritter von Turn”” by Knight Marquard vom Stein, 1498, German School, (15th century) / Bridgeman Images

Edmund Rich, Archbishop of Canterbury, threatens to excommunicate Henry III - Saint Edmond of Cantorbery (1170-1242), dit Saint Edme (Edmund Rich) menace d'excommunier Henry III Plantagenet (1207-1272) - Engraving in “The Histoire d'Angleterre, since the most retrecules times” by Francois Guizot, 1877
Edmund Rich, Archbishop of Canterbury, threatens to excommunicate Henry III - Saint Edmond of Cantorbery (1170-1242), dit Saint Edme (Edmund Rich) menace d'excommunier Henry III Plantagenet (1207-1272) - Engraving in “The Histoire d'Angleterre, since the most retrecules times” by Francois Guizot, 1877

XEE4148403: Edmund Rich, Archbishop of Canterbury, threatens to excommunicate Henry III - Saint Edmond of Cantorbery (1170-1242), dit Saint Edme (Edmund Rich) menace d'excommunier Henry III Plantagenet (1207-1272) - Engraving in “The Histoire d'Angleterre, since the most retrecules times” by Francois Guizot, 1877, Unknown Artist, (19th century) / Bridgeman Images

A paper mill - Stationery: Formal - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).
A paper mill - Stationery: Formal - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).

XEE4148427: A paper mill - Stationery: Formal - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)., French School, (18th century) / Bridgeman Images

Agricultural machine: an American harvester mower presented at the Paris agricultural competition in 1860. Engraving in “” Le Monde Illustré”” n°169 of 7 July 1860.
Agricultural machine: an American harvester mower presented at the Paris agricultural competition in 1860. Engraving in “” Le Monde Illustré”” n°169 of 7 July 1860.

XEE4148442: Agricultural machine: an American harvester mower presented at the Paris agricultural competition in 1860. Engraving in “” Le Monde Illustré”” n°169 of 7 July 1860., French School, (19th century) / Bridgeman Images

A paper mill - Stationery: Moulins a Maillets - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783). Â
A paper mill - Stationery: Moulins a Maillets - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783). Â

XEE4148444: A paper mill - Stationery: Moulins a Maillets - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783). Â, French School, (18th century) / Bridgeman Images

Printing: continuation of the case, utensils and tools - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)
Printing: continuation of the case, utensils and tools - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

XEE4148451: Printing: continuation of the case, utensils and tools - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

Printing: Greek case and upper casseau of the second part - “” La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)
Printing: Greek case and upper casseau of the second part - “” La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

XEE4148457: Printing: Greek case and upper casseau of the second part - “” La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

Printing: press seen by the outside side - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)
Printing: press seen by the outside side - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

XEE4148467: Printing: press seen by the outside side - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)
Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)

XEE4148494: Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images

Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).
Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).

XEE4148498: Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)., French School, (18th century) / Bridgeman Images

Funebre tank used during the obseques of Prince Jerome Bonaparte (1784-1860). Engraving in “” Le Monde Illustré”” n°169 of 7 July 1860.
Funebre tank used during the obseques of Prince Jerome Bonaparte (1784-1860). Engraving in “” Le Monde Illustré”” n°169 of 7 July 1860.

XEE4148506: Funebre tank used during the obseques of Prince Jerome Bonaparte (1784-1860). Engraving in “” Le Monde Illustré”” n°169 of 7 July 1860., French School, (19th century) / Bridgeman Images

Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).
Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783).

XEE4148512: Character Foundry - “” The Great Encyclopedie, or Dictionary of the Sciences, Arts and Professions” by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)., French School, (18th century) / Bridgeman Images

Entry of the police prefecture by rue de Jerusalem at the corner of Quai des Orfevres in Paris in the 19th century before 1871 - Engraving in “Tableau-de-Paris” by Edmond Texier 1852.
Entry of the police prefecture by rue de Jerusalem at the corner of Quai des Orfevres in Paris in the 19th century before 1871 - Engraving in “Tableau-de-Paris” by Edmond Texier 1852.

XEE4148567: Entry of the police prefecture by rue de Jerusalem at the corner of Quai des Orfevres in Paris in the 19th century before 1871 - Engraving in “Tableau-de-Paris” by Edmond Texier 1852., Unknown Artist, (19th century) / Bridgeman Images

L'oeuvre universelle des alchemistes - Engraving de 1659 in “L'Azoth des Philosophes””, Basil Valentin (Basilius Valentinus) monk benedictine of the 15th century
L'oeuvre universelle des alchemistes - Engraving de 1659 in “L'Azoth des Philosophes””, Basil Valentin (Basilius Valentinus) monk benedictine of the 15th century

XEE4148571: L'oeuvre universelle des alchemistes - Engraving de 1659 in “L'Azoth des Philosophes””, Basil Valentin (Basilius Valentinus) monk benedictine of the 15th century, Unknown Artist, (17th century) / Bridgeman Images

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -
Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

XEE4148597: Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -, French School, (19th century) / Bridgeman Images

Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -
Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -

XEE4148616: Fashion, France, 19th century - Women's Fashion - Ladies and Fashion Journal, Parisian Costumes, 1826 -, French School, (19th century) / Bridgeman Images


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