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A cabaret scene, a couple leaves the scene, while a man threatens them with a knife, held by two women; while another couple faces them when entering the cabaret, engraving after the drawing by Adolf Dillens, illustrating a journey to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
A cabaret scene, a couple leaves the scene, while a man threatens them with a knife, held by two women; while another couple faces them when entering the cabaret, engraving after the drawing by Adolf Dillens, illustrating a journey to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329842: A cabaret scene, a couple leaves the scene, while a man threatens them with a knife, held by two women; while another couple faces them when entering the cabaret, engraving after the drawing by Adolf Dillens, illustrating a journey to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Dillens, Adolf Alexander (1821-77) / Bridgeman Images

ID: LSE4329842

A cabaret scene, a couple leaves the scene, while a man threatens them with a knife, held by two women; while another couple faces them when entering the cabaret, engraving after the drawing by Adolf Dillens, illustrating a journey to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

Dillens, Adolf Alexander (1821-77)

Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329867: Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329867

Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Abd es Samate, friend and lieutenant of Mounza, king of the Mombuttous, challenges his enemies the Zandes (or niam niam) who declared war to them, engraving after the drawing of Laguillermie, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, under the direction of Edouard Charton Edition Hachette, Paris. Selva Collection.
Abd es Samate, friend and lieutenant of Mounza, king of the Mombuttous, challenges his enemies the Zandes (or niam niam) who declared war to them, engraving after the drawing of Laguillermie, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, under the direction of Edouard Charton Edition Hachette, Paris. Selva Collection.

LSE4329877: Abd es Samate, friend and lieutenant of Mounza, king of the Mombuttous, challenges his enemies the Zandes (or niam niam) who declared war to them, engraving after the drawing of Laguillermie, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, under the direction of Edouard Charton Edition Hachette, Paris. Selva Collection., Laguillermie, Frederic Auguste (1841-1934) / Bridgeman Images

ID: LSE4329877

Abd es Samate, friend and lieutenant of Mounza, king of the Mombuttous, challenges his enemies the Zandes (or niam niam) who declared war to them, engraving after the drawing of Laguillermie, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “Le tour du monde”” 1874, under the direction of Edouard Charton Edition Hachette, Paris. Selva Collection.

Laguillermie, Frederic Auguste (1841-1934)

Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329895: Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329895

Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329899: The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329899

The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329950: A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329950

A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329965: The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329965

The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329984: The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329984

The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

About Rabagas, evocation of two pieces by Victorian Sardou (1831-1908) on the revolutionary spirit and those who live it with “Rabagas” and “The Carrot King”. Cover in “” L'Eclipse”” by Gill, February 18, 1872, Paris.
About Rabagas, evocation of two pieces by Victorian Sardou (1831-1908) on the revolutionary spirit and those who live it with “Rabagas” and “The Carrot King”. Cover in “” L'Eclipse”” by Gill, February 18, 1872, Paris.

LSE4320028: About Rabagas, evocation of two pieces by Victorian Sardou (1831-1908) on the revolutionary spirit and those who live it with “Rabagas” and “The Carrot King”. Cover in “” L'Eclipse”” by Gill, February 18, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320028

About Rabagas, evocation of two pieces by Victorian Sardou (1831-1908) on the revolutionary spirit and those who live it with “Rabagas” and “The Carrot King”. Cover in “” L'Eclipse”” by Gill, February 18, 1872, Paris.

Gill, Andre (1840-85)

Romeo and Juliette, Adolphe Thiers (1797-1877) deputed of Paris left the city for Versailles when he became President of the Republic. Cover in “” L'Eclipse”” by Gill, April 21, 1872, Paris.
Romeo and Juliette, Adolphe Thiers (1797-1877) deputed of Paris left the city for Versailles when he became President of the Republic. Cover in “” L'Eclipse”” by Gill, April 21, 1872, Paris.

LSE4320043: Romeo and Juliette, Adolphe Thiers (1797-1877) deputed of Paris left the city for Versailles when he became President of the Republic. Cover in “” L'Eclipse”” by Gill, April 21, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320043

Romeo and Juliette, Adolphe Thiers (1797-1877) deputed of Paris left the city for Versailles when he became President of the Republic. Cover in “” L'Eclipse”” by Gill, April 21, 1872, Paris.

Gill, Andre (1840-85)

In anger, an illustration of a woman making her apron. Cover in “” L'Eclipse”” by Gill, May 5, 1872, Paris.
In anger, an illustration of a woman making her apron. Cover in “” L'Eclipse”” by Gill, May 5, 1872, Paris.

LSE4320058: In anger, an illustration of a woman making her apron. Cover in “” L'Eclipse”” by Gill, May 5, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320058

In anger, an illustration of a woman making her apron. Cover in “” L'Eclipse”” by Gill, May 5, 1872, Paris.

Gill, Andre (1840-85)

La fille bien gardee. Cover in “” L'Eclipse”” by Job, July 7, 1872, Paris.
La fille bien gardee. Cover in “” L'Eclipse”” by Job, July 7, 1872, Paris.

LSE4320089: La fille bien gardee. Cover in “” L'Eclipse”” by Job, July 7, 1872, Paris., Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: LSE4320089

La fille bien gardee. Cover in “” L'Eclipse”” by Job, July 7, 1872, Paris.

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Eugene Rouher (1814-1884), and Clement Duvernois (1836-1879), French politicians. Cover in “” L'Eclipse”” by Gill, June 9, 1872, Paris.
Eugene Rouher (1814-1884), and Clement Duvernois (1836-1879), French politicians. Cover in “” L'Eclipse”” by Gill, June 9, 1872, Paris.

LSE4320090: Eugene Rouher (1814-1884), and Clement Duvernois (1836-1879), French politicians. Cover in “” L'Eclipse”” by Gill, June 9, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320090

Eugene Rouher (1814-1884), and Clement Duvernois (1836-1879), French politicians. Cover in “” L'Eclipse”” by Gill, June 9, 1872, Paris.

Gill, Andre (1840-85)

The Shepherd and the Sea illustrates a fable to replace the cartoon by Gill “The Frogs Who Ask for a King”” banned by censorship. Cover in “” L'Eclipse”” by A. Lemot, July 7, 1872, Paris.
The Shepherd and the Sea illustrates a fable to replace the cartoon by Gill “The Frogs Who Ask for a King”” banned by censorship. Cover in “” L'Eclipse”” by A. Lemot, July 7, 1872, Paris.

LSE4320113: The Shepherd and the Sea illustrates a fable to replace the cartoon by Gill “The Frogs Who Ask for a King”” banned by censorship. Cover in “” L'Eclipse”” by A. Lemot, July 7, 1872, Paris., Lemot, Achille (1846-1909) / Bridgeman Images

ID: LSE4320113

The Shepherd and the Sea illustrates a fable to replace the cartoon by Gill “The Frogs Who Ask for a King”” banned by censorship. Cover in “” L'Eclipse”” by A. Lemot, July 7, 1872, Paris.

Lemot, Achille (1846-1909)

The fusion, an illustration of the constitution of the Assembly, with royalists, bonapartists, and republicans. Cover in “” L'Eclipse”” by Gill, July 14, 1872, Paris.
The fusion, an illustration of the constitution of the Assembly, with royalists, bonapartists, and republicans. Cover in “” L'Eclipse”” by Gill, July 14, 1872, Paris.

LSE4320131: The fusion, an illustration of the constitution of the Assembly, with royalists, bonapartists, and republicans. Cover in “” L'Eclipse”” by Gill, July 14, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320131

The fusion, an illustration of the constitution of the Assembly, with royalists, bonapartists, and republicans. Cover in “” L'Eclipse”” by Gill, July 14, 1872, Paris.

Gill, Andre (1840-85)

In hunting, Louis-Napoleon Bonaparte (1808-1873), President of the Republic in 1848 and Emperor of France from 1852 to 1871. Cover in “” L'Eclipse”” by Gill, September 15, 1872, Paris.
In hunting, Louis-Napoleon Bonaparte (1808-1873), President of the Republic in 1848 and Emperor of France from 1852 to 1871. Cover in “” L'Eclipse”” by Gill, September 15, 1872, Paris.

LSE4320152: In hunting, Louis-Napoleon Bonaparte (1808-1873), President of the Republic in 1848 and Emperor of France from 1852 to 1871. Cover in “” L'Eclipse”” by Gill, September 15, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320152

In hunting, Louis-Napoleon Bonaparte (1808-1873), President of the Republic in 1848 and Emperor of France from 1852 to 1871. Cover in “” L'Eclipse”” by Gill, September 15, 1872, Paris.

Gill, Andre (1840-85)

Auguste Vacquerie (1819-1895), French poet, playwright and journalist. Cover in “” L'Eclipse”” by Gill, November 3, 1872, Paris.
Auguste Vacquerie (1819-1895), French poet, playwright and journalist. Cover in “” L'Eclipse”” by Gill, November 3, 1872, Paris.

LSE4320183: Auguste Vacquerie (1819-1895), French poet, playwright and journalist. Cover in “” L'Eclipse”” by Gill, November 3, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320183

Auguste Vacquerie (1819-1895), French poet, playwright and journalist. Cover in “” L'Eclipse”” by Gill, November 3, 1872, Paris.

Gill, Andre (1840-85)

Le jeux des knives, Adolphe Thiers (1797-1877), French historian and statesman. Cover in “” L'Eclipse”” by Job, December 1, 1872, Paris.
Le jeux des knives, Adolphe Thiers (1797-1877), French historian and statesman. Cover in “” L'Eclipse”” by Job, December 1, 1872, Paris.

LSE4320191: Le jeux des knives, Adolphe Thiers (1797-1877), French historian and statesman. Cover in “” L'Eclipse”” by Job, December 1, 1872, Paris., Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: LSE4320191

Le jeux des knives, Adolphe Thiers (1797-1877), French historian and statesman. Cover in “” L'Eclipse”” by Job, December 1, 1872, Paris.

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Alphonse-Auguste Duchesne de Gillevoisin, Marquis de Conegliano, Depute of Besancon. Cover in “” L'Eclipse”” by Gill, February 27, 1870, Paris.
Alphonse-Auguste Duchesne de Gillevoisin, Marquis de Conegliano, Depute of Besancon. Cover in “” L'Eclipse”” by Gill, February 27, 1870, Paris.

LSE4320268: Alphonse-Auguste Duchesne de Gillevoisin, Marquis de Conegliano, Depute of Besancon. Cover in “” L'Eclipse”” by Gill, February 27, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320268

Alphonse-Auguste Duchesne de Gillevoisin, Marquis de Conegliano, Depute of Besancon. Cover in “” L'Eclipse”” by Gill, February 27, 1870, Paris.

Gill, Andre (1840-85)

Adolphe Thiers (1797-1877), French historian and politician. Cover in “” L'Eclipse”” by Gill, February 6, 1870.
Adolphe Thiers (1797-1877), French historian and politician. Cover in “” L'Eclipse”” by Gill, February 6, 1870.

LSE4320272: Adolphe Thiers (1797-1877), French historian and politician. Cover in “” L'Eclipse”” by Gill, February 6, 1870., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320272

Adolphe Thiers (1797-1877), French historian and politician. Cover in “” L'Eclipse”” by Gill, February 6, 1870.

Gill, Andre (1840-85)

The Torment of Tantalus, caricature by Adolphe Thiers (1798-1874), French statesman. Cover in “” L'Eclipse”” by Gill, February 2, 1873.
The Torment of Tantalus, caricature by Adolphe Thiers (1798-1874), French statesman. Cover in “” L'Eclipse”” by Gill, February 2, 1873.

LSE4320314: The Torment of Tantalus, caricature by Adolphe Thiers (1798-1874), French statesman. Cover in “” L'Eclipse”” by Gill, February 2, 1873., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320314

The Torment of Tantalus, caricature by Adolphe Thiers (1798-1874), French statesman. Cover in “” L'Eclipse”” by Gill, February 2, 1873.

Gill, Andre (1840-85)

Piracy and repression: the security of the Mediterranean Sea, patrol ships follow a huge liner with French flag. Photograph Gaston Paris for the cover of the weekly VU and LU, number 500, date 13/10/1937. Selva Collection.
Piracy and repression: the security of the Mediterranean Sea, patrol ships follow a huge liner with French flag. Photograph Gaston Paris for the cover of the weekly VU and LU, number 500, date 13/10/1937. Selva Collection.

LSE4331663: Piracy and repression: the security of the Mediterranean Sea, patrol ships follow a huge liner with French flag. Photograph Gaston Paris for the cover of the weekly VU and LU, number 500, date 13/10/1937. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4331663

Piracy and repression: the security of the Mediterranean Sea, patrol ships follow a huge liner with French flag. Photograph Gaston Paris for the cover of the weekly VU and LU, number 500, date 13/10/1937. Selva Collection.

French School, (20th century)

Portrait of the president of the council Edouard Daladier (1884-1970), embarking at Le Bourget airport on the plane to London, to participate in the conference initiated by Neville Chamberlain (1869-1940), British prime minister, who is working for a policy of appeasement in Europe and the integration of Germany into the League of Nations. Photograph VU for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 549, date 21/9/1938. Selva Collection.
Portrait of the president of the council Edouard Daladier (1884-1970), embarking at Le Bourget airport on the plane to London, to participate in the conference initiated by Neville Chamberlain (1869-1940), British prime minister, who is working for a policy of appeasement in Europe and the integration of Germany into the League of Nations. Photograph VU for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 549, date 21/9/1938. Selva Collection.

LSE4331743: Portrait of the president of the council Edouard Daladier (1884-1970), embarking at Le Bourget airport on the plane to London, to participate in the conference initiated by Neville Chamberlain (1869-1940), British prime minister, who is working for a policy of appeasement in Europe and the integration of Germany into the League of Nations. Photograph VU for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 549, date 21/9/1938. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331743

Portrait of the president of the council Edouard Daladier (1884-1970), embarking at Le Bourget airport on the plane to London, to participate in the conference initiated by Neville Chamberlain (1869-1940), British prime minister, who is working for a policy of appeasement in Europe and the integration of Germany into the League of Nations. Photograph VU for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 549, date 21/9/1938. Selva Collection.

Unknown Artist, (20th century)

Defile military (troops, cavalry, aviation) in front of the castle of Versailles (built and brought between 1623 and 1670), in honour of the British royal family on an official visit to Paris. Photography France Presse for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 541, date 27/7/1938. Selva Collection.
Defile military (troops, cavalry, aviation) in front of the castle of Versailles (built and brought between 1623 and 1670), in honour of the British royal family on an official visit to Paris. Photography France Presse for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 541, date 27/7/1938. Selva Collection.

LSE4331756: Defile military (troops, cavalry, aviation) in front of the castle of Versailles (built and brought between 1623 and 1670), in honour of the British royal family on an official visit to Paris. Photography France Presse for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 541, date 27/7/1938. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331756

Defile military (troops, cavalry, aviation) in front of the castle of Versailles (built and brought between 1623 and 1670), in honour of the British royal family on an official visit to Paris. Photography France Presse for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 541, date 27/7/1938. Selva Collection.

Unknown Artist, (20th century)

The Siegfried Line (or Hindenburg Line): (above) a group of soldiers watching over a rock overlooking the Sure River (which marks the border between France and Germany), these rocks have been transformed into casemates, their entrants are hidden and fortified; (below) on the road that runs along the Sure River, a German guard and defense shelter. Photographs for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 602, date 27/9/1939. Selva Collection.
The Siegfried Line (or Hindenburg Line): (above) a group of soldiers watching over a rock overlooking the Sure River (which marks the border between France and Germany), these rocks have been transformed into casemates, their entrants are hidden and fortified; (below) on the road that runs along the Sure River, a German guard and defense shelter. Photographs for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 602, date 27/9/1939. Selva Collection.

LSE4331838: The Siegfried Line (or Hindenburg Line): (above) a group of soldiers watching over a rock overlooking the Sure River (which marks the border between France and Germany), these rocks have been transformed into casemates, their entrants are hidden and fortified; (below) on the road that runs along the Sure River, a German guard and defense shelter. Photographs for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 602, date 27/9/1939. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331838

The Siegfried Line (or Hindenburg Line): (above) a group of soldiers watching over a rock overlooking the Sure River (which marks the border between France and Germany), these rocks have been transformed into casemates, their entrants are hidden and fortified; (below) on the road that runs along the Sure River, a German guard and defense shelter. Photographs for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 602, date 27/9/1939. Selva Collection.

Unknown Artist, (20th century)

Soldiers mobilized regroups around the wave, waiting for mail delivery; and soldiers gathered around a soldier reader of VU magazine. Photographs for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 600, date 13/9/1939. Selva Collection.
Soldiers mobilized regroups around the wave, waiting for mail delivery; and soldiers gathered around a soldier reader of VU magazine. Photographs for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 600, date 13/9/1939. Selva Collection.

LSE4331844: Soldiers mobilized regroups around the wave, waiting for mail delivery; and soldiers gathered around a soldier reader of VU magazine. Photographs for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 600, date 13/9/1939. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331844

Soldiers mobilized regroups around the wave, waiting for mail delivery; and soldiers gathered around a soldier reader of VU magazine. Photographs for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 600, date 13/9/1939. Selva Collection.

Unknown Artist, (20th century)

Defile the troops of indigenous guards from Indochina; and portrait of a Senegalese shoemer, for a presentation of the French overseas armed forces. Photograph the economic agency of L'A.O.F. for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 601, date 20/9/1939. Selva Collection.
Defile the troops of indigenous guards from Indochina; and portrait of a Senegalese shoemer, for a presentation of the French overseas armed forces. Photograph the economic agency of L'A.O.F. for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 601, date 20/9/1939. Selva Collection.

LSE4331852: Defile the troops of indigenous guards from Indochina; and portrait of a Senegalese shoemer, for a presentation of the French overseas armed forces. Photograph the economic agency of L'A.O.F. for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 601, date 20/9/1939. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331852

Defile the troops of indigenous guards from Indochina; and portrait of a Senegalese shoemer, for a presentation of the French overseas armed forces. Photograph the economic agency of L'A.O.F. for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 601, date 20/9/1939. Selva Collection.

Unknown Artist, (20th century)

Poland on alert, three soldiers on standby. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 598, date 30/8/1939. Selva Collection.
Poland on alert, three soldiers on standby. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 598, date 30/8/1939. Selva Collection.

LSE4331869: Poland on alert, three soldiers on standby. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 598, date 30/8/1939. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331869

Poland on alert, three soldiers on standby. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 598, date 30/8/1939. Selva Collection.

Unknown Artist, (20th century)

Portrait of Gaby Morlay (nee Blanche Fumoleau, 1893-1964) French actress, posing with her dog. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 593, date 26/7/1939. Selva Collection.
Portrait of Gaby Morlay (nee Blanche Fumoleau, 1893-1964) French actress, posing with her dog. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 593, date 26/7/1939. Selva Collection.

LSE4331885: Portrait of Gaby Morlay (nee Blanche Fumoleau, 1893-1964) French actress, posing with her dog. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 593, date 26/7/1939. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331885

Portrait of Gaby Morlay (nee Blanche Fumoleau, 1893-1964) French actress, posing with her dog. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 593, date 26/7/1939. Selva Collection.

Unknown Artist, (20th century)

Portraits of the spools: Francoise Rosay (nee Francoise Bandy de Naleche, 1891-1974), French actress and Jacques Feyder (ne Jacques Frederix, 1885-1948), director, director, director, actor and film producer. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 590, date 5/7/1939. Selva Collection.
Portraits of the spools: Francoise Rosay (nee Francoise Bandy de Naleche, 1891-1974), French actress and Jacques Feyder (ne Jacques Frederix, 1885-1948), director, director, director, actor and film producer. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 590, date 5/7/1939. Selva Collection.

LSE4331886: Portraits of the spools: Francoise Rosay (nee Francoise Bandy de Naleche, 1891-1974), French actress and Jacques Feyder (ne Jacques Frederix, 1885-1948), director, director, director, actor and film producer. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 590, date 5/7/1939. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331886

Portraits of the spools: Francoise Rosay (nee Francoise Bandy de Naleche, 1891-1974), French actress and Jacques Feyder (ne Jacques Frederix, 1885-1948), director, director, director, actor and film producer. Photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 590, date 5/7/1939. Selva Collection.

Unknown Artist, (20th century)

The three chiefs of the French army (from left to right) General Joseph Vuillemin (1883-1963), Chief of Staff of the French Air Force, Vice Admiral Francois Darlan (1881-1942), Chief of the French Navy, General Maurice Gamelin (1872-1958), Commander of the French army. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 581, date 3/5/1939. Selva Collection.
The three chiefs of the French army (from left to right) General Joseph Vuillemin (1883-1963), Chief of Staff of the French Air Force, Vice Admiral Francois Darlan (1881-1942), Chief of the French Navy, General Maurice Gamelin (1872-1958), Commander of the French army. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 581, date 3/5/1939. Selva Collection.

LSE4331911: The three chiefs of the French army (from left to right) General Joseph Vuillemin (1883-1963), Chief of Staff of the French Air Force, Vice Admiral Francois Darlan (1881-1942), Chief of the French Navy, General Maurice Gamelin (1872-1958), Commander of the French army. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 581, date 3/5/1939. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4331911

The three chiefs of the French army (from left to right) General Joseph Vuillemin (1883-1963), Chief of Staff of the French Air Force, Vice Admiral Francois Darlan (1881-1942), Chief of the French Navy, General Maurice Gamelin (1872-1958), Commander of the French army. Cover photograph of the weekly VU, director Lucien Vogel (1886-1954), number 581, date 3/5/1939. Selva Collection.

Unknown Artist, (20th century)

Louis-Joseph Martel (1813-1892), French politician. Cover in “” L'Eclipse”” by Gill, June 1, 1873, Paris.
Louis-Joseph Martel (1813-1892), French politician. Cover in “” L'Eclipse”” by Gill, June 1, 1873, Paris.

LSE4320379: Louis-Joseph Martel (1813-1892), French politician. Cover in “” L'Eclipse”” by Gill, June 1, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320379

Louis-Joseph Martel (1813-1892), French politician. Cover in “” L'Eclipse”” by Gill, June 1, 1873, Paris.

Gill, Andre (1840-85)

Cartoon by Louis-Joseph Buffet (Louis Joseph Buffet, 1818-1898), French politician. Cover in “” L'Eclipse”” by Gill, June 15, 1873, Paris.
Cartoon by Louis-Joseph Buffet (Louis Joseph Buffet, 1818-1898), French politician. Cover in “” L'Eclipse”” by Gill, June 15, 1873, Paris.

LSE4320386: Cartoon by Louis-Joseph Buffet (Louis Joseph Buffet, 1818-1898), French politician. Cover in “” L'Eclipse”” by Gill, June 15, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320386

Cartoon by Louis-Joseph Buffet (Louis Joseph Buffet, 1818-1898), French politician. Cover in “” L'Eclipse”” by Gill, June 15, 1873, Paris.

Gill, Andre (1840-85)

Cartoon “” aux champs”. Cover in “” L'Eclipse” by Gill, August 17, 1873, Paris.
Cartoon “” aux champs”. Cover in “” L'Eclipse” by Gill, August 17, 1873, Paris.

LSE4320419: Cartoon “” aux champs”. Cover in “” L'Eclipse” by Gill, August 17, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320419

Cartoon “” aux champs”. Cover in “” L'Eclipse” by Gill, August 17, 1873, Paris.

Gill, Andre (1840-85)

Cartoon by Pierre Tirard (1827-1893), French politician. Cover in “” L'Eclipse”” by Gill, October 12, 1873, Paris.
Cartoon by Pierre Tirard (1827-1893), French politician. Cover in “” L'Eclipse”” by Gill, October 12, 1873, Paris.

LSE4320431: Cartoon by Pierre Tirard (1827-1893), French politician. Cover in “” L'Eclipse”” by Gill, October 12, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320431

Cartoon by Pierre Tirard (1827-1893), French politician. Cover in “” L'Eclipse”” by Gill, October 12, 1873, Paris.

Gill, Andre (1840-85)

Cartoon “The Four Winds”, symbolizing the four political parties. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris.
Cartoon “The Four Winds”, symbolizing the four political parties. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris.

LSE4320434: Cartoon “The Four Winds”, symbolizing the four political parties. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320434

Cartoon “The Four Winds”, symbolizing the four political parties. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris.

Gill, Andre (1840-85)


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