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Day and night, paintings on the body of the dancers of the religious ceremony and atonement, executed by the chiefs and his companions, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Day and night, paintings on the body of the dancers of the religious ceremony and atonement, executed by the chiefs and his companions, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328557: Day and night, paintings on the body of the dancers of the religious ceremony and atonement, executed by the chiefs and his companions, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328557

Day and night, paintings on the body of the dancers of the religious ceremony and atonement, executed by the chiefs and his companions, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328586: Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328586

Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328591: The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328591

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A mullah (or mullah or mullah, Shiite religious leader) praying, in a mosque in Tashkent, capital of Russian Turkestan, engraving after a drawing by Sedoff, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.
A mullah (or mullah or mullah, Shiite religious leader) praying, in a mosque in Tashkent, capital of Russian Turkestan, engraving after a drawing by Sedoff, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.

LSE4329384: A mullah (or mullah or mullah, Shiite religious leader) praying, in a mosque in Tashkent, capital of Russian Turkestan, engraving after a drawing by Sedoff, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection., Sedoff, (19th century) / Bridgeman Images

ID: LSE4329384

A mullah (or mullah or mullah, Shiite religious leader) praying, in a mosque in Tashkent, capital of Russian Turkestan, engraving after a drawing by Sedoff, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.

Sedoff, (19th century)

A rock with pagoda stagees, and various boats on the blue river (China), engraving after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A rock with pagoda stagees, and various boats on the blue river (China), engraving after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329417: A rock with pagoda stagees, and various boats on the blue river (China), engraving after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Delaporte, Louis (fl.1866-73) / Bridgeman Images

ID: LSE4329417

A rock with pagoda stagees, and various boats on the blue river (China), engraving after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Delaporte, Louis (fl.1866-73)

Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329422: Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329422

Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Portrait of Philip, governor of Kresarsoak, the most famous Greenlandic hunters, surrounds his five sons and wife leaving his house, engraved after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” The tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of Philip, governor of Kresarsoak, the most famous Greenlandic hunters, surrounds his five sons and wife leaving his house, engraved after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” The tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329439: Portrait of Philip, governor of Kresarsoak, the most famous Greenlandic hunters, surrounds his five sons and wife leaving his house, engraved after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” The tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Castelli, H. (19th Century) / Bridgeman Images

ID: LSE4329439

Portrait of Philip, governor of Kresarsoak, the most famous Greenlandic hunters, surrounds his five sons and wife leaving his house, engraved after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” The tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Castelli, H. (19th Century)

Annorasouak, the witch, in her hut at the Aukpadlartok glacier, maintained by the indigenous Paians and Christians, engraving after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” Le tour du monde”” 1873, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
Annorasouak, the witch, in her hut at the Aukpadlartok glacier, maintained by the indigenous Paians and Christians, engraving after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” Le tour du monde”” 1873, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329449: Annorasouak, the witch, in her hut at the Aukpadlartok glacier, maintained by the indigenous Paians and Christians, engraving after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” Le tour du monde”” 1873, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Castelli, H. (19th Century) / Bridgeman Images

ID: LSE4329449

Annorasouak, the witch, in her hut at the Aukpadlartok glacier, maintained by the indigenous Paians and Christians, engraving after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” Le tour du monde”” 1873, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

Castelli, H. (19th Century)

The Indians of the state of Boyaca, descending a mountain covered with grass on straw horses, consisting of a bundle of long grass on which one sits a caliphourchon to descend the slopes at full speed, by the force of gravite alone, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by the doctor Saffray, in 1869, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Indians of the state of Boyaca, descending a mountain covered with grass on straw horses, consisting of a bundle of long grass on which one sits a caliphourchon to descend the slopes at full speed, by the force of gravite alone, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by the doctor Saffray, in 1869, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329458: The Indians of the state of Boyaca, descending a mountain covered with grass on straw horses, consisting of a bundle of long grass on which one sits a caliphourchon to descend the slopes at full speed, by the force of gravite alone, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by the doctor Saffray, in 1869, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329458

The Indians of the state of Boyaca, descending a mountain covered with grass on straw horses, consisting of a bundle of long grass on which one sits a caliphourchon to descend the slopes at full speed, by the force of gravite alone, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by the doctor Saffray, in 1869, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

Portrait of Dr. Saffray, arms on his mount, in travel dress, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of Dr. Saffray, arms on his mount, in travel dress, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329470: Portrait of Dr. Saffray, arms on his mount, in travel dress, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329470

Portrait of Dr. Saffray, arms on his mount, in travel dress, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

The Bulgarian harvesters, during their break, with their fake and the objects of their daily laborious: pipe, bottle of wine and a kind of biniou, engraving after the drawing by E.Metzmacher, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Bulgarian harvesters, during their break, with their fake and the objects of their daily laborious: pipe, bottle of wine and a kind of biniou, engraving after the drawing by E.Metzmacher, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329479: The Bulgarian harvesters, during their break, with their fake and the objects of their daily laborious: pipe, bottle of wine and a kind of biniou, engraving after the drawing by E.Metzmacher, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Metzmacher, Emile Pierre (1815-90) / Bridgeman Images

ID: LSE4329479

The Bulgarian harvesters, during their break, with their fake and the objects of their daily laborious: pipe, bottle of wine and a kind of biniou, engraving after the drawing by E.Metzmacher, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Metzmacher, Emile Pierre (1815-90)

Les charmeurs de serpents, who trade reptiles, which they attract by blowing in their toumril (flute), engraving after the drawing of A. de Neuville, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Les charmeurs de serpents, who trade reptiles, which they attract by blowing in their toumril (flute), engraving after the drawing of A. de Neuville, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329552: Les charmeurs de serpents, who trade reptiles, which they attract by blowing in their toumril (flute), engraving after the drawing of A. de Neuville, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: LSE4329552

Les charmeurs de serpents, who trade reptiles, which they attract by blowing in their toumril (flute), engraving after the drawing of A. de Neuville, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Neuville, Alphonse Marie de (1835-85)

Pelerins Bambaras (mollem or Muslim religious leaders), respectful of all the populations they try to moralize, they manufacture grisgris and practice a little medicine, very employed as carriers of news and for the preliminaries of peace, here, during a stop in Baoure, stage on the way to Boudougou (Ivory Coast), engraving after the drawing by P. Sellier, illustrating the voyage to the Côte d'Afrique in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Pelerins Bambaras (mollem or Muslim religious leaders), respectful of all the populations they try to moralize, they manufacture grisgris and practice a little medicine, very employed as carriers of news and for the preliminaries of peace, here, during a stop in Baoure, stage on the way to Boudougou (Ivory Coast), engraving after the drawing by P. Sellier, illustrating the voyage to the Côte d'Afrique in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329568: Pelerins Bambaras (mollem or Muslim religious leaders), respectful of all the populations they try to moralize, they manufacture grisgris and practice a little medicine, very employed as carriers of news and for the preliminaries of peace, here, during a stop in Baoure, stage on the way to Boudougou (Ivory Coast), engraving after the drawing by P. Sellier, illustrating the voyage to the Côte d'Afrique in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Sellier, P. (19th century) (after) / Bridgeman Images

ID: LSE4329568

Pelerins Bambaras (mollem or Muslim religious leaders), respectful of all the populations they try to moralize, they manufacture grisgris and practice a little medicine, very employed as carriers of news and for the preliminaries of peace, here, during a stop in Baoure, stage on the way to Boudougou (Ivory Coast), engraving after the drawing by P. Sellier, illustrating the voyage to the Côte d'Afrique in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Sellier, P. (19th century) (after)

The German ship La Hansa caught in the ice, the crew hasten to unpack the necessary objects and provisions, before abandoning the ship and continuing the expedition on the ice, engraved after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The German ship La Hansa caught in the ice, the crew hasten to unpack the necessary objects and provisions, before abandoning the ship and continuing the expedition on the ice, engraved after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329589: The German ship La Hansa caught in the ice, the crew hasten to unpack the necessary objects and provisions, before abandoning the ship and continuing the expedition on the ice, engraved after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

ID: LSE4329589

The German ship La Hansa caught in the ice, the crew hasten to unpack the necessary objects and provisions, before abandoning the ship and continuing the expedition on the ice, engraved after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Moynet, Jean Pierre (1819-76)

After the abandonment of their ship, the crew of La Hansa built a camp on a derive glacon, illuminated by the aurora boreale, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, under the direction of EDouard Charton, edition Hachette, Paris. Selva Collection.
After the abandonment of their ship, the crew of La Hansa built a camp on a derive glacon, illuminated by the aurora boreale, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, under the direction of EDouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329595: After the abandonment of their ship, the crew of La Hansa built a camp on a derive glacon, illuminated by the aurora boreale, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, under the direction of EDouard Charton, edition Hachette, Paris. Selva Collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

ID: LSE4329595

After the abandonment of their ship, the crew of La Hansa built a camp on a derive glacon, illuminated by the aurora boreale, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, under the direction of EDouard Charton, edition Hachette, Paris. Selva Collection.

Moynet, Jean Pierre (1819-76)

After the destruction of their makeshift camp, the crew of La Hansa carried the boats and the material recovered from their ship, from one iceberg to the other, in order to continue the expedition and find help from an eskimo camp, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869- 1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
After the destruction of their makeshift camp, the crew of La Hansa carried the boats and the material recovered from their ship, from one iceberg to the other, in order to continue the expedition and find help from an eskimo camp, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869- 1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329597: After the destruction of their makeshift camp, the crew of La Hansa carried the boats and the material recovered from their ship, from one iceberg to the other, in order to continue the expedition and find help from an eskimo camp, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869- 1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

ID: LSE4329597

After the destruction of their makeshift camp, the crew of La Hansa carried the boats and the material recovered from their ship, from one iceberg to the other, in order to continue the expedition and find help from an eskimo camp, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869- 1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Moynet, Jean Pierre (1819-76)

The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of
The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of

LSE4327724: The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of "live the nation”. Engraving in "Le petit journal" 20/9/1903. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327724

The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of "live the nation”. Engraving in "Le petit journal" 20/9/1903. Selva Collection.

Unknown Artist, (20th century)

Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.
Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.

LSE4327770: Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection., Sine, (Sinet, Maurice) (1928-2016) / Bridgeman Images

ID: LSE4327770

Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.

Sine, (Sinet, Maurice) (1928-2016)

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luce Arrabal, and in the foreground, Godard (photographer) trinque with Claire Rado (artist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luce Arrabal, and in the foreground, Godard (photographer) trinque with Claire Rado (artist). Photography Leonard de Selva, Paris 2008.

LSE4327772: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luce Arrabal, and in the foreground, Godard (photographer) trinque with Claire Rado (artist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327772

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luce Arrabal, and in the foreground, Godard (photographer) trinque with Claire Rado (artist). Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327789: Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327789

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right) the presence of: Claire Rado (artist), Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luuli ve Arrabal, and the three people of dos, Thieri Foulc (artist), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Luce Abal, and Maxime Godard (photographer), (from behind Thieri Foulc (non-painter), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Luce Abal, and Maxime Godard (photographer), (from behind Thieri Foulc (non-painter), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327792: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Luce Abal, and Maxime Godard (photographer), (from behind Thieri Foulc (non-painter), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327792

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Luce Abal, and Maxime Godard (photographer), (from behind Thieri Foulc (non-painter), Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Maxime VanGodard (photographer), Jack Ararsky (sculptor), Luce Arrabal, (and the foreground, from the back: Thieri Foulc (non-painter) Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Maxime VanGodard (photographer), Jack Ararsky (sculptor), Luce Arrabal, (and the foreground, from the back: Thieri Foulc (non-painter) Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327803: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Maxime VanGodard (photographer), Jack Ararsky (sculptor), Luce Arrabal, (and the foreground, from the back: Thieri Foulc (non-painter) Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327803

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Maxime VanGodard (photographer), Jack Ararsky (sculptor), Luce Arrabal, (and the foreground, from the back: Thieri Foulc (non-painter) Gustavo Korsatz and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

Fernando Arrabal (playwright) at his home in Paris on 19 March 2008. Photography Leonard de Selva, Paris 2008.
Fernando Arrabal (playwright) at his home in Paris on 19 March 2008. Photography Leonard de Selva, Paris 2008.

LSE4327842: Fernando Arrabal (playwright) at his home in Paris on 19 March 2008. Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327842

Fernando Arrabal (playwright) at his home in Paris on 19 March 2008. Photography Leonard de Selva, Paris 2008.

Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008.
Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008.

LSE4327846: Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327846

Fernando Arrabal (playwright) in Paris on March 19, 2008, under the painting depicting him as Jesus among his disciples, in a pastiche of Leonard de Vinci's Cene. Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008.

LSE4327854: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327854

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Fernando Arrabal (playwright), Bovnella Eruli (academic), Jack Vanarsky (sculptor) and Maxime Godard (photographer). Photography Leonard de Selva, Paris 2008.

During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in
During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in

LSE4327930: During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in "Le pelerin" 29/04/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327930

During the fire of the church of Aubervilliers, the fall of the bells injured an agent, a worker and the parish care. Engraving in "Le pelerin" 29/04/1900. Selva Collection.

French School, (20th century)

By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in
By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in

LSE4327943: By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in "Le pelerin" 24/06/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327943

By order of the mayor of Reims, Charles Arnould, the Cross on the wall of the school on Rue du Jard, was decrochee, provoking numerous protests, in the context of the progressive lacisation of State institutions. Engraving in "Le pelerin" 24/06/1900. Selva Collection.

French School, (20th century)

A workshop at the Cartoucherie d'Issy les Moulineaux exploded on June 14, causing the death of 18 workers and causing 22 injuries following a human clumsy. Engraving in
A workshop at the Cartoucherie d'Issy les Moulineaux exploded on June 14, causing the death of 18 workers and causing 22 injuries following a human clumsy. Engraving in

LSE4327998: A workshop at the Cartoucherie d'Issy les Moulineaux exploded on June 14, causing the death of 18 workers and causing 22 injuries following a human clumsy. Engraving in "Le pelerin" 30/04/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327998

A workshop at the Cartoucherie d'Issy les Moulineaux exploded on June 14, causing the death of 18 workers and causing 22 injuries following a human clumsy. Engraving in "Le pelerin" 30/04/1901. Selva Collection.

French School, (20th century)

Menelik II (1844-1913), sovereign of Ethiopia, marvellous by the address of a tame tamer, offered him his 16 lions, which he submitted his entry into the pit. Engraving in
Menelik II (1844-1913), sovereign of Ethiopia, marvellous by the address of a tame tamer, offered him his 16 lions, which he submitted his entry into the pit. Engraving in

LSE4326780: Menelik II (1844-1913), sovereign of Ethiopia, marvellous by the address of a tame tamer, offered him his 16 lions, which he submitted his entry into the pit. Engraving in "Le petit journal" 10/7/1898. Selva Collection., Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4326780

Menelik II (1844-1913), sovereign of Ethiopia, marvellous by the address of a tame tamer, offered him his 16 lions, which he submitted his entry into the pit. Engraving in "Le petit journal" 10/7/1898. Selva Collection.

Meaulle, F.L. (1844-1901) & Tofani, Oswaldo (1849-1915)

The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in
The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in

LSE4326806: The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in "Le petit journal" 28/8/1898. Selva Collection., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LSE4326806

The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in "Le petit journal" 28/8/1898. Selva Collection.

Meaulle, Fortune Louis (1844-1901)

A woman from Saint Ouen, recognizes her son missing for more than three months, on the boards of the fair of Montmartre, where he interpreted the role of a young savage. Engraving in
A woman from Saint Ouen, recognizes her son missing for more than three months, on the boards of the fair of Montmartre, where he interpreted the role of a young savage. Engraving in

LSE4326816: A woman from Saint Ouen, recognizes her son missing for more than three months, on the boards of the fair of Montmartre, where he interpreted the role of a young savage. Engraving in "Le petit journal" 27/11/1898. Selva Collection., Michel, P.H.G.V. (fl.1883-1903) / Bridgeman Images

ID: LSE4326816

A woman from Saint Ouen, recognizes her son missing for more than three months, on the boards of the fair of Montmartre, where he interpreted the role of a young savage. Engraving in "Le petit journal" 27/11/1898. Selva Collection.

Michel, P.H.G.V. (fl.1883-1903)

Disaster in Airolo (village of the Swiss Alps), the rock of Sasso Rosso has detached from the mountain, most of the village has been razed into the floodle and other buildings have caught fire. Engraving in
Disaster in Airolo (village of the Swiss Alps), the rock of Sasso Rosso has detached from the mountain, most of the village has been razed into the floodle and other buildings have caught fire. Engraving in

LSE4326847: Disaster in Airolo (village of the Swiss Alps), the rock of Sasso Rosso has detached from the mountain, most of the village has been razed into the floodle and other buildings have caught fire. Engraving in "Le petit journal" 15/1/1899. Selva Collection., Meyer, Henri (1841-99) / Bridgeman Images

ID: LSE4326847

Disaster in Airolo (village of the Swiss Alps), the rock of Sasso Rosso has detached from the mountain, most of the village has been razed into the floodle and other buildings have caught fire. Engraving in "Le petit journal" 15/1/1899. Selva Collection.

Meyer, Henri (1841-99)

Allegory to celebrate the return of the Easter bells, with the representation of the children of Alsace and Lorraine (Alsace-Lorraine) in traditional costumes, while these regions are disputed between the German empire that administers them and France, which, fed by revanchism, aspires to attach them to its territory. Engraving in “” Le petit journal”” 2/4/1899. Selva Collection.
Allegory to celebrate the return of the Easter bells, with the representation of the children of Alsace and Lorraine (Alsace-Lorraine) in traditional costumes, while these regions are disputed between the German empire that administers them and France, which, fed by revanchism, aspires to attach them to its territory. Engraving in “” Le petit journal”” 2/4/1899. Selva Collection.

LSE4326884: Allegory to celebrate the return of the Easter bells, with the representation of the children of Alsace and Lorraine (Alsace-Lorraine) in traditional costumes, while these regions are disputed between the German empire that administers them and France, which, fed by revanchism, aspires to attach them to its territory. Engraving in “” Le petit journal”” 2/4/1899. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326884

Allegory to celebrate the return of the Easter bells, with the representation of the children of Alsace and Lorraine (Alsace-Lorraine) in traditional costumes, while these regions are disputed between the German empire that administers them and France, which, fed by revanchism, aspires to attach them to its territory. Engraving in “” Le petit journal”” 2/4/1899. Selva Collection.

Unknown Artist, (19th century)

Balloon accident in Beuzeville, following a loss of gas, the aeronaut lost control and fell from his balloon, in which he had embarked without a nacelle. Engraving in “” Le petit journal”” 30/7/1899. Selva Collection.
Balloon accident in Beuzeville, following a loss of gas, the aeronaut lost control and fell from his balloon, in which he had embarked without a nacelle. Engraving in “” Le petit journal”” 30/7/1899. Selva Collection.

LSE4326900: Balloon accident in Beuzeville, following a loss of gas, the aeronaut lost control and fell from his balloon, in which he had embarked without a nacelle. Engraving in “” Le petit journal”” 30/7/1899. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326900

Balloon accident in Beuzeville, following a loss of gas, the aeronaut lost control and fell from his balloon, in which he had embarked without a nacelle. Engraving in “” Le petit journal”” 30/7/1899. Selva Collection.

Unknown Artist, (19th century)

Jules Dalou (1838-1902) sculptor, decorated the legion of honor by the President of the Republic Emile Loubet (1838-1929), on the occasion of the inauguration of the statue “The triumph of the republic”” on the Place de la Nation in Paris. Engraving in “” Le petit journal”” 3/12/1899. Selva Collection.
Jules Dalou (1838-1902) sculptor, decorated the legion of honor by the President of the Republic Emile Loubet (1838-1929), on the occasion of the inauguration of the statue “The triumph of the republic”” on the Place de la Nation in Paris. Engraving in “” Le petit journal”” 3/12/1899. Selva Collection.

LSE4326914: Jules Dalou (1838-1902) sculptor, decorated the legion of honor by the President of the Republic Emile Loubet (1838-1929), on the occasion of the inauguration of the statue “The triumph of the republic”” on the Place de la Nation in Paris. Engraving in “” Le petit journal”” 3/12/1899. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326914

Jules Dalou (1838-1902) sculptor, decorated the legion of honor by the President of the Republic Emile Loubet (1838-1929), on the occasion of the inauguration of the statue “The triumph of the republic”” on the Place de la Nation in Paris. Engraving in “” Le petit journal”” 3/12/1899. Selva Collection.

Unknown Artist, (19th century)

The structure of the Armees Pavilion, under construction, of the World Exhibition collapses, causing the fall of about 30 men. Engraving in
The structure of the Armees Pavilion, under construction, of the World Exhibition collapses, causing the fall of about 30 men. Engraving in

LSE4326935: The structure of the Armees Pavilion, under construction, of the World Exhibition collapses, causing the fall of about 30 men. Engraving in "Le petit journal" 29/9/1899. Selva Collection., Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4326935

The structure of the Armees Pavilion, under construction, of the World Exhibition collapses, causing the fall of about 30 men. Engraving in "Le petit journal" 29/9/1899. Selva Collection.

Tofani, Oswaldo (1849-1915)


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