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At the meeting of the three frontiers, we meet gendarmes in French, Luxembourgish and Belgian uniforms. Photograph for the fourth cover of the weekly Qui? Detective, number 306, date 12/5/1952. Selva Collection.
At the meeting of the three frontiers, we meet gendarmes in French, Luxembourgish and Belgian uniforms. Photograph for the fourth cover of the weekly Qui? Detective, number 306, date 12/5/1952. Selva Collection.

LSE4330856: At the meeting of the three frontiers, we meet gendarmes in French, Luxembourgish and Belgian uniforms. Photograph for the fourth cover of the weekly Qui? Detective, number 306, date 12/5/1952. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4330856

At the meeting of the three frontiers, we meet gendarmes in French, Luxembourgish and Belgian uniforms. Photograph for the fourth cover of the weekly Qui? Detective, number 306, date 12/5/1952. Selva Collection.

French School, (20th century)

The actor Marcel Herrand (1897-1953) interpreting the role of Rodolphe for the film Les mysteres de Paris, by Jacques de Baroncelli (1881-1951), photograph for the cover of the weekly Film Complet, number 138, dated 27/1/1949. Selva Collection.
The actor Marcel Herrand (1897-1953) interpreting the role of Rodolphe for the film Les mysteres de Paris, by Jacques de Baroncelli (1881-1951), photograph for the cover of the weekly Film Complet, number 138, dated 27/1/1949. Selva Collection.

LSE4330888: The actor Marcel Herrand (1897-1953) interpreting the role of Rodolphe for the film Les mysteres de Paris, by Jacques de Baroncelli (1881-1951), photograph for the cover of the weekly Film Complet, number 138, dated 27/1/1949. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4330888

The actor Marcel Herrand (1897-1953) interpreting the role of Rodolphe for the film Les mysteres de Paris, by Jacques de Baroncelli (1881-1951), photograph for the cover of the weekly Film Complet, number 138, dated 27/1/1949. Selva Collection.

French School, (20th century)

Chinese soldier observing through the window a cabaret taxi girl, cover illustration for Maurice Dekobra's novel “Honeymoon in Shanghai” (1885-1973), the Scorpion Editions, 1957. Selva Collection.
Chinese soldier observing through the window a cabaret taxi girl, cover illustration for Maurice Dekobra's novel “Honeymoon in Shanghai” (1885-1973), the Scorpion Editions, 1957. Selva Collection.

LSE4330921: Chinese soldier observing through the window a cabaret taxi girl, cover illustration for Maurice Dekobra's novel “Honeymoon in Shanghai” (1885-1973), the Scorpion Editions, 1957. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4330921

Chinese soldier observing through the window a cabaret taxi girl, cover illustration for Maurice Dekobra's novel “Honeymoon in Shanghai” (1885-1973), the Scorpion Editions, 1957. Selva Collection.

French School, (20th century)

Manyema women carrying their fishing boat, drawing by P.Kauffmann, to illustrate the story: Across Africa, from Zanzibar to Benguela, from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Manyema women carrying their fishing boat, drawing by P.Kauffmann, to illustrate the story: Across Africa, from Zanzibar to Benguela, from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330940: Manyema women carrying their fishing boat, drawing by P.Kauffmann, to illustrate the story: Across Africa, from Zanzibar to Benguela, from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Kauffmann, P. (fl.1920) / Bridgeman Images

ID: LSE4330940

Manyema women carrying their fishing boat, drawing by P.Kauffmann, to illustrate the story: Across Africa, from Zanzibar to Benguela, from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Kauffmann, P. (fl.1920)

Greek brigands and shepherds, accomplices in the mountains, drawing by E.Ronjat, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Greek brigands and shepherds, accomplices in the mountains, drawing by E.Ronjat, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330946: Greek brigands and shepherds, accomplices in the mountains, drawing by E.Ronjat, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4330946

Greek brigands and shepherds, accomplices in the mountains, drawing by E.Ronjat, to illustrate the story of Henri Belle: Journey to Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Ronjat, Etienne Antoine Eugene (b.1822)

The preparation of the castradina, speciality of meat of sheep and goat salted and bucanee, towards the end of October, in Dalmatia (Istria and Herzegovine (Croatia)), drawing by Valerio, to illustrate the journey to Montenegro, in 1874, by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The preparation of the castradina, speciality of meat of sheep and goat salted and bucanee, towards the end of October, in Dalmatia (Istria and Herzegovine (Croatia)), drawing by Valerio, to illustrate the journey to Montenegro, in 1874, by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330984: The preparation of the castradina, speciality of meat of sheep and goat salted and bucanee, towards the end of October, in Dalmatia (Istria and Herzegovine (Croatia)), drawing by Valerio, to illustrate the journey to Montenegro, in 1874, by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Valerio, Theodore (1819-79) / Bridgeman Images

ID: LSE4330984

The preparation of the castradina, speciality of meat of sheep and goat salted and bucanee, towards the end of October, in Dalmatia (Istria and Herzegovine (Croatia)), drawing by Valerio, to illustrate the journey to Montenegro, in 1874, by Charles Yriarte (1832-1898). Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Valerio, Theodore (1819-79)

The ruins taken in the vegetation of the jungle, in Ajuthia (Thailand), drawing by Therond, to illustrate the journey through the kingdoms of Siam, Cambodia and Laos, from 1858 to 1861, by Henri Mouhot. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The ruins taken in the vegetation of the jungle, in Ajuthia (Thailand), drawing by Therond, to illustrate the journey through the kingdoms of Siam, Cambodia and Laos, from 1858 to 1861, by Henri Mouhot. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325131: The ruins taken in the vegetation of the jungle, in Ajuthia (Thailand), drawing by Therond, to illustrate the journey through the kingdoms of Siam, Cambodia and Laos, from 1858 to 1861, by Henri Mouhot. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

ID: LSE4325131

The ruins taken in the vegetation of the jungle, in Ajuthia (Thailand), drawing by Therond, to illustrate the journey through the kingdoms of Siam, Cambodia and Laos, from 1858 to 1861, by Henri Mouhot. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Therond, Emile Theodore (b.1821)

Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325138: Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4325138

Preparation of Aloe or agave d'amerique, to remove strings used to harness horses, leaves used to make field fences, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Dore, Gustave (1832-83)

The ostrich hunt, drawn from a photograph, to illustrate the story of hunting in Africa by William Charles Baldwin between 1852 and 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The ostrich hunt, drawn from a photograph, to illustrate the story of hunting in Africa by William Charles Baldwin between 1852 and 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325143: The ostrich hunt, drawn from a photograph, to illustrate the story of hunting in Africa by William Charles Baldwin between 1852 and 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325143

The ostrich hunt, drawn from a photograph, to illustrate the story of hunting in Africa by William Charles Baldwin between 1852 and 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Unknown Artist, (19th century)

An indigenous Javanese caught by the amok, a specific behavior or subject, often under the influence of opium, wants to avenge the death of one of his own or an insult, goes mad and kills as much as he can until he himself is killed here by a group of man with forks. Drawing by M. de Molins, to illustrate his journey to Java from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
An indigenous Javanese caught by the amok, a specific behavior or subject, often under the influence of opium, wants to avenge the death of one of his own or an insult, goes mad and kills as much as he can until he himself is killed here by a group of man with forks. Drawing by M. de Molins, to illustrate his journey to Java from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325172: An indigenous Javanese caught by the amok, a specific behavior or subject, often under the influence of opium, wants to avenge the death of one of his own or an insult, goes mad and kills as much as he can until he himself is killed here by a group of man with forks. Drawing by M. de Molins, to illustrate his journey to Java from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Molins, Auguste de (1810-86) / Bridgeman Images

ID: LSE4325172

An indigenous Javanese caught by the amok, a specific behavior or subject, often under the influence of opium, wants to avenge the death of one of his own or an insult, goes mad and kills as much as he can until he himself is killed here by a group of man with forks. Drawing by M. de Molins, to illustrate his journey to Java from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Molins, Auguste de (1810-86)

Fireworks in Pekin and confusion of the crew of the French legation on the departure for Mongolia. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Fireworks in Pekin and confusion of the crew of the French legation on the departure for Mongolia. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325173: Fireworks in Pekin and confusion of the crew of the French legation on the departure for Mongolia. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

ID: LSE4325173

Fireworks in Pekin and confusion of the crew of the French legation on the departure for Mongolia. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Vaumort, Edouard (d.1886)

Scenes of agriculture in the harvest season, in the province of Pe-Tche-Li (Pe Tche Li), (all activities are represented: the plower, the drummers, the loopers, the harvesters, and even the woman and children gleaning). Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Scenes of agriculture in the harvest season, in the province of Pe-Tche-Li (Pe Tche Li), (all activities are represented: the plower, the drummers, the loopers, the harvesters, and even the woman and children gleaning). Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325198: Scenes of agriculture in the harvest season, in the province of Pe-Tche-Li (Pe Tche Li), (all activities are represented: the plower, the drummers, the loopers, the harvesters, and even the woman and children gleaning). Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

ID: LSE4325198

Scenes of agriculture in the harvest season, in the province of Pe-Tche-Li (Pe Tche Li), (all activities are represented: the plower, the drummers, the loopers, the harvesters, and even the woman and children gleaning). Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Vaumort, Edouard (d.1886)

The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325225: The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4325225

The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Bayard, Emile Antoine (1837-91)

The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325257: The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4325257

The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Bayard, Emile Antoine (1837-91)

A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325291: A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4325291

A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Bayard, Emile Antoine (1837-91)

Chinese children playing at the wheel (leather ball, heavy metal rings and implanted 3 long feathers), under the supervision of their mother, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Chinese children playing at the wheel (leather ball, heavy metal rings and implanted 3 long feathers), under the supervision of their mother, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325361: Chinese children playing at the wheel (leather ball, heavy metal rings and implanted 3 long feathers), under the supervision of their mother, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

ID: LSE4325361

Chinese children playing at the wheel (leather ball, heavy metal rings and implanted 3 long feathers), under the supervision of their mother, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Vaumort, Edouard (d.1886)

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325374: Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325374

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325393: The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325393

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325427: The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325427

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325433: The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325433

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The jitter, in a dancing cafe, drawing by Durand Brager, to illustrate An excursion to the poor London neighbourhoods in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The jitter, in a dancing cafe, drawing by Durand Brager, to illustrate An excursion to the poor London neighbourhoods in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325482: The jitter, in a dancing cafe, drawing by Durand Brager, to illustrate An excursion to the poor London neighbourhoods in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325482

The jitter, in a dancing cafe, drawing by Durand Brager, to illustrate An excursion to the poor London neighbourhoods in 1862, by L.Simonin. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Unknown Artist, (19th century)

The return of Colonel Brice Bizot's 200th regiment (1848-1929) to Port Vendor, where the ladies of Perpignan gave them a tricolor palm to celebrate their heroism. Engraving in “” Le petit journal”” 5/01/1896. Selva's collection.
The return of Colonel Brice Bizot's 200th regiment (1848-1929) to Port Vendor, where the ladies of Perpignan gave them a tricolor palm to celebrate their heroism. Engraving in “” Le petit journal”” 5/01/1896. Selva's collection.

LSE4324142: The return of Colonel Brice Bizot's 200th regiment (1848-1929) to Port Vendor, where the ladies of Perpignan gave them a tricolor palm to celebrate their heroism. Engraving in “” Le petit journal”” 5/01/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324142

The return of Colonel Brice Bizot's 200th regiment (1848-1929) to Port Vendor, where the ladies of Perpignan gave them a tricolor palm to celebrate their heroism. Engraving in “” Le petit journal”” 5/01/1896. Selva's collection.

Unknown Artist, (19th century)

Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection.
Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection.

LSE4324165: Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324165

Launch of the sailboat “President Felix Faure””, on February 3, in Le Havre, sponsored by Lucie Faure, the daughter of the head of state and Louis Brindeau, mayor of Le Havre; it is the first of a series of 4-mat sailboats to be built in Le Havre from 1896. Engraving in “” Le petit journal”” 16/02/1896. Selva's collection.

Unknown Artist, (19th century)

Journey of the President of the Republic, Felix Faure (1841-1899), for the inauguration of the monument commemorating the attachment of the Count of Nice to France. Engraving in “” Le petit journal””/1896. Selva's collection.
Journey of the President of the Republic, Felix Faure (1841-1899), for the inauguration of the monument commemorating the attachment of the Count of Nice to France. Engraving in “” Le petit journal””/1896. Selva's collection.

LSE4324166: Journey of the President of the Republic, Felix Faure (1841-1899), for the inauguration of the monument commemorating the attachment of the Count of Nice to France. Engraving in “” Le petit journal””/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324166

Journey of the President of the Republic, Felix Faure (1841-1899), for the inauguration of the monument commemorating the attachment of the Count of Nice to France. Engraving in “” Le petit journal””/1896. Selva's collection.

Unknown Artist, (19th century)

Taytou Betel, Empress Consort of Menelik II of Ethiopia , 1896 (print)
Taytou Betel, Empress Consort of Menelik II of Ethiopia , 1896 (print)

LSE4324168: Taytou Betel, Empress Consort of Menelik II of Ethiopia , 1896 (print), Meyer, Henri (1841-99) / Bridgeman Images

ID: LSE4324168

Taytou Betel, Empress Consort of Menelik II of Ethiopia , 1896 (print)

Meyer, Henri (1841-99)

The nuba of the Turcos of Algeria, walking through the streets of Paris. Engraving in “” Le petit journal”” 25/10/1896. Selva's collection.
The nuba of the Turcos of Algeria, walking through the streets of Paris. Engraving in “” Le petit journal”” 25/10/1896. Selva's collection.

LSE4324260: The nuba of the Turcos of Algeria, walking through the streets of Paris. Engraving in “” Le petit journal”” 25/10/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324260

The nuba of the Turcos of Algeria, walking through the streets of Paris. Engraving in “” Le petit journal”” 25/10/1896. Selva's collection.

Unknown Artist, (19th century)

Remembrance of the defense of Mazagran, battle from 3 to 6 February 1840, against the army of more than 10,000 men waged by Abd el Kader, Captain Lelievre's French battalion won victory. Engraving in “” Le petit journal”” 6/12/1896. Selva's collection.
Remembrance of the defense of Mazagran, battle from 3 to 6 February 1840, against the army of more than 10,000 men waged by Abd el Kader, Captain Lelievre's French battalion won victory. Engraving in “” Le petit journal”” 6/12/1896. Selva's collection.

LSE4324274: Remembrance of the defense of Mazagran, battle from 3 to 6 February 1840, against the army of more than 10,000 men waged by Abd el Kader, Captain Lelievre's French battalion won victory. Engraving in “” Le petit journal”” 6/12/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324274

Remembrance of the defense of Mazagran, battle from 3 to 6 February 1840, against the army of more than 10,000 men waged by Abd el Kader, Captain Lelievre's French battalion won victory. Engraving in “” Le petit journal”” 6/12/1896. Selva's collection.

Unknown Artist, (19th century)

The Port of Suez (Egypt), drawing by Karl Girardet (1813-1871) to illustrate the voyage to East Africa, in 1860, by Guillaume Lejean (1824-1871). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The Port of Suez (Egypt), drawing by Karl Girardet (1813-1871) to illustrate the voyage to East Africa, in 1860, by Guillaume Lejean (1824-1871). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324314: The Port of Suez (Egypt), drawing by Karl Girardet (1813-1871) to illustrate the voyage to East Africa, in 1860, by Guillaume Lejean (1824-1871). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Girardet, Karl (1813-71) / Bridgeman Images

ID: LSE4324314

The Port of Suez (Egypt), drawing by Karl Girardet (1813-1871) to illustrate the voyage to East Africa, in 1860, by Guillaume Lejean (1824-1871). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Girardet, Karl (1813-71)

View of Derbent (Meridional Russia), drawing by Mr.Moynet, to illustrate the voyage to the coast of the Caspian Sea, in October 1858, by Mr.Moynet. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of Derbent (Meridional Russia), drawing by Mr.Moynet, to illustrate the voyage to the coast of the Caspian Sea, in October 1858, by Mr.Moynet. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324416: View of Derbent (Meridional Russia), drawing by Mr.Moynet, to illustrate the voyage to the coast of the Caspian Sea, in October 1858, by Mr.Moynet. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

ID: LSE4324416

View of Derbent (Meridional Russia), drawing by Mr.Moynet, to illustrate the voyage to the coast of the Caspian Sea, in October 1858, by Mr.Moynet. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Moynet, Jean Pierre (1819-76)

View of Victoria-Vancouver, capital of British Columbia, drawing by Auguste de Berard (1824-81), to illustrate the exploration of the Rocky Mountains in 1857-59 by Captain John Palliser. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of Victoria-Vancouver, capital of British Columbia, drawing by Auguste de Berard (1824-81), to illustrate the exploration of the Rocky Mountains in 1857-59 by Captain John Palliser. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324495: View of Victoria-Vancouver, capital of British Columbia, drawing by Auguste de Berard (1824-81), to illustrate the exploration of the Rocky Mountains in 1857-59 by Captain John Palliser. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

ID: LSE4324495

View of Victoria-Vancouver, capital of British Columbia, drawing by Auguste de Berard (1824-81), to illustrate the exploration of the Rocky Mountains in 1857-59 by Captain John Palliser. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Berard, Evremond de (19th century) (after)

A street of Benten Tori, with animation of passers-by and portfaix, an ancient fishing village where the goddess of the sea Benten was honoree, but this village was annexed by the urban development of Yokohama; a tori, is not sacred door that announces the vicinity of a temple or chapel. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A street of Benten Tori, with animation of passers-by and portfaix, an ancient fishing village where the goddess of the sea Benten was honoree, but this village was annexed by the urban development of Yokohama; a tori, is not sacred door that announces the vicinity of a temple or chapel. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325830: A street of Benten Tori, with animation of passers-by and portfaix, an ancient fishing village where the goddess of the sea Benten was honoree, but this village was annexed by the urban development of Yokohama; a tori, is not sacred door that announces the vicinity of a temple or chapel. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325830

A street of Benten Tori, with animation of passers-by and portfaix, an ancient fishing village where the goddess of the sea Benten was honoree, but this village was annexed by the urban development of Yokohama; a tori, is not sacred door that announces the vicinity of a temple or chapel. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

Three peasants operating the rice mill. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Three peasants operating the rice mill. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325864: Three peasants operating the rice mill. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325864

Three peasants operating the rice mill. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

The manufacturer of lacquered cups. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The manufacturer of lacquered cups. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325888: The manufacturer of lacquered cups. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325888

The manufacturer of lacquered cups. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

The business card manufacturer. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The business card manufacturer. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325912: The business card manufacturer. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325912

The business card manufacturer. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

The author's dissection of a blower dolphin (freshwater dolphin) observed by two Perou Cocama Indians, who harpooned the animal. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The author's dissection of a blower dolphin (freshwater dolphin) observed by two Perou Cocama Indians, who harpooned the animal. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325920: The author's dissection of a blower dolphin (freshwater dolphin) observed by two Perou Cocama Indians, who harpooned the animal. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325920

The author's dissection of a blower dolphin (freshwater dolphin) observed by two Perou Cocama Indians, who harpooned the animal. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)

The dance of the bayente, or dance of the devil, among the Yahua Indians of Peru, organized in honor of the moon, takes place every year in a hut set up in the middle of the forest; after the ceremony, the hut, flutes and drums are carefully burned. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The dance of the bayente, or dance of the devil, among the Yahua Indians of Peru, organized in honor of the moon, takes place every year in a hut set up in the middle of the forest; after the ceremony, the hut, flutes and drums are carefully burned. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325949: The dance of the bayente, or dance of the devil, among the Yahua Indians of Peru, organized in honor of the moon, takes place every year in a hut set up in the middle of the forest; after the ceremony, the hut, flutes and drums are carefully burned. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4325949

The dance of the bayente, or dance of the devil, among the Yahua Indians of Peru, organized in honor of the moon, takes place every year in a hut set up in the middle of the forest; after the ceremony, the hut, flutes and drums are carefully burned. Engravure to illustrate the voyage from the Ocean Pacific to L'Ocean Atlantique, through South America, in 1848-1860 by Paul Marcoy, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

Unknown Artist, (19th century)


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